Where Every Scroll is a New Adventure
Night Elf - Blog Posts
Bel'ameth, the Arms of the Goddess
"Isil noras rae shala dielas." (Silver skies and safe journeys.)
A new illustration for the story is already done, I will post full on the day of publication in the herald-of-azeroth .
In the meantime, a few sketches. I plan something new for myself.
First rough animation in procreate.
Lessons learned: keep track of number of hair strands.
Hello everyone! This is the drawing for today, She is a dark elf beside her is a crow but I don´t draw very well birds so... *w* I really hope you like it. Here you can see the previous drawing: http://the-world-of-mitsuki.tumblr.com/image/164508570771 and here you can see the first drawing: http://the-world-of-mitsuki.tumblr.com/image/163691470686
SKETCH 1
Sorry, I know I said I will update more often but right now I dont find the moment to do it, but here I have some sketches that I did some time ago by now, they were for practie. This is the first one so I hope you like it.
Please don´t use without my permission, thank you.
Character painting commission, a Night Elf Frost Mage from World of Warcraft.
Hope you like it!
Another Art Commission done! A Night Elf Mage from Warcraft!
Don’t forget we have a special discount on commissions just for this month ;) Feel free to contact us!
Inktober Day 2: Tyrande Whisperwind from Warcraft, waiting for the future game patches. We really hope you like ! ;)
“My heart sleeps in the Emerald dream”
Our new digital painting fanart, Tyrande from Warcraft. We really hope you like!
Digital painting fanart, a Night Elf Mage from Warcraft, made on our Twitch channel some time ago! ;)
https://www.twitch.tv/moonpix
Here's a small drawing to say... Happy Easter! :D
We wish you a very sweet day!
“I have sacrificed everything. What have you given?”
Digital Painting Fanart, an Illidari Demon Hunter from Warcraft Legion. Hope you like ;)
It's been years since I've posted, here's a really old drawing that I recently colored
Neko Atsume - druid feral form!
BONUS KITTY - DRUID OF THE FLAMES!
They are transparent, feel free to use this kitties wherever you want!
______________________________
Redbubble - Ko-fi!
The Liquid Fire of Elune
Records and Rituals
– Headcanon Speculations and Roleplay Uses –
The Liquid Fire of Elune, a sister substance and elemental mirror of Her sacred moonwell waters, remains a powerful addition to any lunar devout’s repertoire. Its very name and nature have long puzzled the unfamiliar, a seemingly contradictory union of forces. However, Sisterhood practices and elemental insights present some possibilities for the existence of this mystifying material.
Those of the faith are intimately familiar with the sacred attunement to Elune’s spiritual energies. It is a powerful and yet unseen connection between devout and deity, able to manifest prayer and beseechment into tangible effects. On a cosmological level, spirit is regarded as the fifth of the elements, invisible but intrinsic to all living things. Because of this common thread between even earth, air, fire, and water, spirit is able to bring balance and passivity to otherwise volatile, clashing forces. This could explain why Elune’s channeled spiritual energies could bring harmony to the addition of fire, or perhaps a fiery manifestation of faith, into a moonwell. That Her blessing is a crucial component in their formation, moonwell waters are likely at least one of the foundational bases for liquid fire; as shown in the endeavors of Stars’ Rest in Dragonblight (as well as a resistance to freezing over.) A combination of the healing properties of water and the fury of flame, this substance is especially useful in halting the spread of afflictions such as scourgeblight and breaking the will of demons. The rituals recorded herein may be conducted upon personal vessels of moonwater; although, entire moonwells may be converted in more dire circumstances with amplified reagents, invokers, and mana suffusion. Provided prayers are mere recommendations.
Ritual 1: Conflagrant Crescent Oil
Ideal Moon Phase: Full
Reagents:
Sealable vessel of holding
A base of moonwell water
Conflagrant Crescent Oil (abstract below) - 1 part fire oil - 1 part elemental water - 1 part binding agent such as tallow, seed oil, kelp gel, etc - 1 lesser or greater eternal essence
Rites:
Into your chosen vessel of moonwater, combine the elemental water and incorporate thoroughly with a consecrated implement.
Slowly add fire oil and equal parts binding agent interchangeably, stirring moonwise between.
When fully emulsified, work to infuse the liquid with lunar invocations and words of power which call upon Elune's purification, cleansing, and the sanctity of life. Some have also chosen to use more retributive language, especially in the case of preparing for demonic or undead expulsion. The end of this step will be made clear once Her divine spirit brings harmony to the opposing elemental reagents, the liquid radiates a coruscant silver, and emanates warmth.
Examples are provided here, though the true importance of this step lies in your personal resonance to whichever words you choose. - “Relore / elore / shallore.” (To call, to bless, to anoint.) - “Shara / falo / alla.” (Water, flame, light.) - “Anor / falor / elor.” (Holy, balance, eternal.)
Retributive Invocation: - “Adoras / Lun’droras / Bel dinas.” (On holy grounds, The Moon flows, The Goddess preserves.) - “Shalloril anar shara / felil anar falo / shahil anar alla.” (Cleansed by water, burned by fire, graced by light.) - “Irana adalore / fel’dralar az’vorore / di’falu a’dordore.” (To light darkness, to break evil, to restore balance.)
The ritual may be optionally finalized with an eternal essence of enchantment for additional potency and longevity.
Store in a sealable vessel.
Ritual 2: Crystalline Infusion
Ideal Moon Phase: Waning
Reagents:
Sealable vessel of holding
1 part moonwell water
1 crystallized water
1 crystallized fire
1 lesser moonstone
Rites:
Place the fragments of crystallized water into your chosen vessel.
Slowly incorporate pieces of crystallized fire, allowing any bubbling to subside.
Submerge the lesser moonstone into the liquid, hold it in your hands, peer into its faceted reflection, and chant the invocations. You will know the infusion is done once the waters appear a nigh-blinding silver, replete with Her sacred moonlight. - “Lun’alla, anoril / Shara, amethil / Falo, malil.” (Moonlight, captured. Water, embraced. Flame, calmed.) - “Aramil / Amethil / Shalloril.” (Joined. Embraced. Anointed.) - “Ande-daral-melu / Ande-zaxus-dinu / Ande-qua-eran’dormil.” (May Your solace guide. May Your wrath protect. May life prevail.)
Leave to rest uncovered in direct moonlight for no less than one full night, although a moon-cycle is ideal. Veil from exposure to sunlight before dawnbreak.
After completion of the ritual, store in a sealable vessel. The crystal shards may remain in a steeping chamber, although removal is advised if kept in any glass material.
Ritual 3: Coalescence
Ideal Moon Phase: New
Reagents:
Sealable vessel of holding
1 part moonwell water
1 essence of water
1 essence of fire
⅓ part spirit dust or arkhana
Incense
1 lesser or greater eternal essence
(Optional) feather, wand or focus
Notes: Recommended for those with enchanting experience. Before undertaking the ritual (if circumstance allows), ensure as much rest, sustenance, and energy preservation for yourself and any other participants; as the coalescence ritual requires a much greater suffusion of mana. It is recommended to conduct the ritual in a well-defensible area due to the required power which might lure the corrupt; and one where concentration is easily maintained. Therefore, it is advised that at least one other accompanies your endeavors.
Rites:
To begin, add spirit dust or arkhana into your chosen vessel of moonwater. As manifested motes of spirit and order, these are a vital first addition to bring harmony to the essences of water and fire.
Ignite your preferred incense in preparation to call upon Elune’s aid in the endeavor of harmony and blessing the waters. - “Shara’endel / Falo’endel / Melah’endel.” (Breath of Water. Breath of Fire. Breath of Guidance.) - “Tor ka ande Dal Shara / Tor ka ande Dal falo / Tor ka ande Dal melah.” (Let it be Your water. Let it be Your fire. Let it be Your guidance.) - “Ande ka droru aminor Dal / Ande ka felo zaxus Dal / Ande ka melu alla Dal.” (May it flow with Your serenity. May it burn with Your wrath. May it guide with Your light.) - “Bess il / al anato / dorini’aramil.” (From nothing, to pieces, oneness.)
Weaving your mana as a guide, work to fully infuse the essence of water into your vessel. (Some prefer the use of their hands, a feather, a wand, or some other anchoring focus.) Let its path be fluid and flowing, as is the way of water; though too great a restraint or too loose a freedom, and the essence shall be lost to ice and air.
Once you are ready to continue, direct the wayward energies of the fire’s essence as if its path were guided by your own mana. A delicate balance weighs amid the unruly nature of fire: a delicate balance to be respected and maintained. Stray from it too long, and its vim be snuffed: allow it to spread, and it will know no control.
The coalescence will be complete upon the waters taking on the signature silver radiance of liquid fire.
After completion of the ritual, store in a sealable vessel.
With gratitude for Vestia Moonspear’s guidance.
Ritual 4: Terrene Tincture
Ideal Moonphase: Third Quarter
Reagents:
Sealable vessel of holding
1 vial or jar
Mortar and pestle
Gloves, gauntlets, or any form of fire protection for the hands
2 parts moonwell water
1 part flammable, distillate base (such as fermented rice, grain, honey, or fruit)
⅓ part cinderbloom or firebloom stamen
⅓ part aqueous or aquatic herb
⅓ part moon lily (Elune’s Grace may be used as well; although great caution is advised in regions with a dense lupine presence)
Rites:
Finely pluck or grind the moon lily, and place their leaves, petals, and blooms into your chosen vessel.
Don fire protection for the hands, and carefully incorporate the stamen of the cinder or firebloom.
Fill with the distillate base, stirring the contents moonwise.
Allow to rest in direct moonlight for one full cycle, veiling from sunlight before each dawnbreak.
When you are ready to undergo the ritual, open or unseal your vial or jar, and strain through a finely meshed cloth. - “Falo, bess tel / Lun’el, bess tel / Droru, bess tel.” (From earth, fire. From earth, moonleaf. From earth, water.) - “Dal sha, ilu karaeth / Dal thor, ilu karaeth / Dal dorini, ilu karaeth.” (In them, Your grace. In them, Your fury. In them, Your will.) - “Dora quel’ama / Dinah qua sera / Ethah fel'irana.” (A principle most high. The sacred protection of life. The banishing of the profane.)
The transformation will be complete upon the liquid’s hue taking on a radiant silver shift.
After completion of the ritual, store in a sealable vessel.
Ritual 5: Within Reach
Ideal Moon Phase: Any
Reagents:
Sealable vessel of holding
A base of moonwater
1 candle
Elunite Coals/coals from a silver brazier/ashes from a silver brazier
Note: A minimal reagent list, this ritual is intended for more dire circumstances when the procurement of rare ingredients is unattainable.
Rites:
Carve the surface of your candle with liturgical sigils of balance, the protection of life, and sacred cyclicality.
Place the lunar coals or ashes into your vessel, stirring moonwise. The joining of these reagents and moonwater will produce a lunar lye, whose final efficacy will rely on the Goddess’s imbuement.
Light your candle or whichever source of fire is available to you, and prepare for invocation. - “Dal daroth an’o / Dal owyn an’o / Dal faro an’o.” (I am Your nexus. I am Your font. I am Your beacon.) - “Darn’a anu dal / Elah anu dal / Dorini anu dal.” (For Your divinity. For Your blessing. For Your will.) - “Anu ash’al a’qua / Anu ash’al falah / Anu ash’al dora.” (We do this for life. We do this for balance. We do this for truth.)
Snuff the candle’s wick (or fire source) in the lunar lye. The ritual’s success will be marked by the solution bursting into silvery liquid fire, which can then be stored in a sealable vessel.
Shadows of the Empire II
"...the land of Suramar has been wild for ten thousand years." [Trail of Echoes]
Mount Hyjal
Shadows of the Empire
"...the ancient elven island of Azsuna. Long ago, it was where the Highborne elves of Suramar perfected their mightiest of magics. Now, it is a cursed ruin." [Down to Azsuna]
The Mysteries of Elunite Ore
- Headcanon Speculations -
Elunite Ore, a rare mineral considered blessed by Elune Herself, is one often sought after; and yet shrouded in mystery. As many priests, priestesses, templars, and other devotees of the Goddess may strive to incorporate Elunite into their armaments and regalia, the quest for obtaining and fashioning this material is one that has spanned many lands and generations. This is a compendium on the nature of Elunite from various geologists, theorists, and researchers across Azeroth.
Earthly Origins
The origin of Elunite’s terrestrial formation is not entirely understood by Sisterhood scholars, nor by lithic experts of the world. One of the oldest proposed ideas is rooted in the ancient legend of Elune and the Well of Eternity: that she once dwelled in its depths during the day, and rose into the sky as the moon each night. Due to her strong former connection to this font of arcane power, it is surmised that Elunite may actually be crystallized remnants of the great well; whose leyline rivers once nourished the planet. One theorist believes that because all modern moonwells contain traces of the Well of Eternity, and are damaging to demons and scourgeblight, this could explain the similar holy properties of Elunite. However, others claim that it finds its beginnings as a simple, mundane ore embedded within the earth, which is eventually augmented with Elune’s blessings once it is exposed to the surface and directly shone upon by moonlight. More mythical sentiments say that any ore can become Elunite if the goddess wills it, and that finding it is an extremely rare and divine auspice. It is believed that processed Elunite is a multi-faceted metal whose properties can change depending on imbuement from various moon phases and other major lunar events, such as eclipses. While some think it is ever-shifting, varied accounts of miners and blacksmiths with the remarkable ability to shape Elunite describe that its qualities are determined by the state of the moon on the exact night that the ore is extracted from the earth. Either way, this is a succinct list of their observations:
Full Moon Properties: Bolsters the wearer/wielder’s healing capabilities, and is often inlaid into staves and suturing needles. Full Moon Elunite is also highly damaging to demons and the undead; therefore anyone on a demonic or undead purgation mission may seek out a weapon of this influence to aid in expunging corruption.
Waxing Moon Properties: Becomes a material which houses additional mana, that can then be tapped into for a small increase in magical reserves until recharged beneath the next waxing moon. Those who carry moonwater or the liquid fire of Elune may opt for this particular metal to house these sacred substances.
Quarter Moon Properties: Contains a natural abjurative energy which is typically used in the creation of Elunite shields, talismans, librams, wards, and armor for those who exercise a more defensive combat style, or wish to protect themselves magically against unholy forces.
Waning Moon Properties: Often the choice for Elunite accessories and other ephemera, which are usually crafted with the eventual intent of Elunarian sacrifice. When an item of waning moon Elunite is offered up, its physical form is completely consumed in exchange for a singular blessing, protection, or spell. Lunar liturgical glyphs or words of power are typically engraved on these accessories with particular spellwork in mind, although a priest/priestess may sacrifice a blank slate piece and incant one spell of choice with a greater potency.
New Moon Properties: It is said that New Moon Elunite is magically similar to the blessing of shadowmeld, allowing for easier camouflage into surrounding environments and quieter movements. Those who wish to make use of the protection offered by chainlinks or armor plates, while still retaining obscurity, may seek to have their regalia crafted with this semi-noise-dampening material. This offshoot of Elunite is additionally often sought after for the creation of arrowheads, shurikens, and other projectiles; as its magick may be utilized for brief invisibility before it dissipates and its physical counterparts reappear.
Solar Eclipse: Solar-eclipsed Elunite is often chosen in the creation of rings (such as archery thumb-rings) that are usually beset with moonstones and other blessed gems, whose imbuements can strengthen one's physical or magickal attacks.
Lunar Eclipse: Lunar-eclipsed Elunite is typically the choice material for divination tools: such as pendulums, scrying mirrors, and spirit-speaking quills. Some also craft ritual daggers with this material for the purpose of collecting flesh to be offered in Elunarian flame sacrifices.
Artisanal Knowledge
Another unknown characteristic of Elunite is how an artisan attains the ability to gather and shape the ore. It seems that precious few across Azeroth have this exceptional privilege, the two most prominent having once resided in the boughs of Darnassus. Elanaria and Mathiel have not been seen since the Burning of Teldrassil, but much can be gleaned from the stories of those who once worked with them. Many miners and blacksmiths are incapable of grasping the techniques surrounding Elunite, which poses some intriguing theories. The simplest is that the secrets of this ore are strongly protected, and seldom taught to others. Another that some have posited, is that the way to gain the privilege of crafting with this mineral requires proving oneself by performing an act of protection or preservation in defense of the goddess’s domain. She then assumedly rewards this deed with the artisanal knowledge of Elunite, or it then becomes malleable to that specific person. Elanaria supposedly tasked her trade partners and trainees with sacred missions such as slaying satyrs actively corrupting moonwells, and ending the suffering of oathbound shades. The late, self-cursed Captain Elura was said to wear a precious medallion, though we do not know if it was of Elunite make. Some theorize it was simply requested as a physical token of proof for the task; while others believe it was Elunite indeed, which is why Elanaria wanted it retrieved. If the medallion was shaped of this hallowed ore, the fact that Elura still wore it even in death may speak to its deep reverence, a spiritual binding property, or a partial immateriality.
Because of its sanctity, and the profound cultural respect for it among Kaldorei, crafting with Elunite may be more common among the Sisterhood of Elune; but still heavily guarded from the rest of the world. It could be that there is a sect of the Sisterhood devoted to sacred artisanry such as this; or, the Sisterhood may commission lay craftsmen who possess the means to Elunite. This material is also said to be utilized in profession tools such as sewing needles for mooncloth tailoring, quill nibs for lunar inscription, and rune rods for Elunarian enchanting. Hippogryph riders of the Sentinel Army, as well as individual riders, may commission blessed Elunite hoofshoes for fortified hind leg attacks, periods of extended wear on the back legs, when the creatures grow old, or are unable to fly; as some claim that they ease pain. Additionally, some equip saber, owl, and chimera companions with Elunite armor, claw/talon caps, and adornments just as they would wear regalia themselves.
In regards to metalworking with Elunite, some theorize that cold working (shaping metal at or below room temperature) may be the superior method as opposed to the extreme heats used with common minerals. Byproducts of Elunite smithing, such as the coal that is left behind from this process, may be used within braziers. It is said that Elunite coals, and the flames that burn from them, are resistant to water quenching; and as such are often used in settlements or outposts with heavy rain and snowfall. The most prevalent theory as to how these fires continue to burn posits that the coals themselves must be open to the skies, as the flames are “kindled,” so to speak, by the energies of the moon each night. Members of the Sisterhood are said to carefully wrap and gift Elunite coals to patrons on various holidays for people to place within the hearths of their home as tokens of spiritual protection and good will. Communal events organized by the order additionally use Elunite coals in cooking fires as an added method of blessing food stores; which some claim temporarily defends against illness, strengthens the body, and fortifies the spirit.
As of today, it is unclear whether or not Elunite can be alloyed. It could be that those who are able to work with the ore simply refuse to do so for fear of dampening its sacred properties; or, its inherent magick may be rendered useless or significantly weaker when alloyed with other common metals. In matters of corrosion, Elunite proves particularly mysterious. It would stand to reason that the goddess’s ties to water might strengthen the ore against rusting and deteriorating over time; although, there have not been any ancient Elunite artifacts recovered as of yet, perhaps implying that the material cannot withstand the elemental ravages of the eons. One possible argument against this is that because the ore is tremendously sacred, there may be ways to reshape or reuse the material; and that is why no timelost Elunite relics have been recovered.
Lore and Legend
Ancient, yet unsupported stories, say that Luminarian was one of the first to uncover the mysteries of Elunite; his name supposedly a pseudonym of sorts to commemorate his luminary works, and the ability to shape this luminous ore. While Elunite was fabled to be the reason for his rise to prominence, many speculate that he eventually abandoned the craft in favor of arcane creations; hence his lasting fame as a magesmith, and as the creator of mythical weapons like Felo’melorn and the Prismatic Blades. It is also rumored that the legendary Ta’Kierthan Songblades may have been forged of Elunite, considering they were crafted by a renowned Kaldorei priest: many of whom employ music and singing in their devotions and spellwork. The art of bardic weaponry seems to be an elusive one, perhaps completely lost to the ages, but nonetheless a technique that Elunarian scholars still seek in the ruins scattered across the lands of Azeroth. Those who traveled through the Dark Portal nearly forty years ago, as well as Draenei refugees, have noted a striking similarity between Elunite and some regalia found on Draenor, as well as others bequeathed directly by the naaru. No one is certain where these pieces are originally from: some claim that they once belonged to adventurers and were merely traded through many hands, while others are convinced that Elune and her blessed ore could have connections to the naaru, and that the ore may be on other planets throughout the cosmos. Elunite-imbued leggings were also recovered from the forest troll stronghold of Zul’aman; though how they got there is anyone’s guess. A commonality between all of these items is an increased critical strike chance, as well as greater potency for both damage and healing via magical spells. Two of the three also provide a passive mana restoration over time (much like moonwells), perhaps owing to the nature of Elunite’s inherent power.
Myths of the High Priestesses
- Headcanon Speculations -
The lore and legend of High Priestesses past have largely been lost to the ages; although scattered findings and enduring myths sweep away some of the dust from the buried tales of Elune’s chosen.
Haidene - Bearer of the Basin
Haidene was the first known chosen of Elune in all of the Kaldorei’s recorded history. It is said that she heard the Goddess’s true voice, and as a child no less.
An unsubstantiated legend tells that Haidene heard the will of the Goddess to make pilgrimage across Kalimdor and create the very first independent moonwell for the burgeoning Kaldorei to thrive across the continent, and that Haidene used the iconic basin as a vessel of safekeeping for the blessed waters of the Well of Eternity. Haidene supposedly experienced dire straits on this pilgrimage; she and her kin on the brink of fatal thirst. Haidene gathered what little of their water remained, enough to sustain her for far longer if she chose to drink from it alone. The others pleaded with Haidene to drink deep and preserve herself, for she was the very incarnation of the Goddess. In a selfless act of faith, she cast the basin skyward and beseeched Elune, that she would give herself in body and soul if only it were filled, so her people could live to see another moon, and press on to the bountiful lands ahead. It is said that for her benevolence, Haidene was granted the title of High Priestess by goddess and kin alike. It was on this night that Elune taught Haidene the sacred artisanry of the ever-flowing moonwell, the very same that still persists in her statues today. It is only rumored, but this moonwell could have been the one nestled in the heart of ancient Moonglade, having since flourished into Lake Elune’ara.
Tales that have only endured by way of oral tradition say that Haidene's blessed waters were shared in the first feast of Lahassa during the earliest epoch of the Kaldorei. There are even theories that the sacred Chalice of Elune may have belonged to Haidene, the relic permanently blessed from this momentous celebration made possible by Elune and the land’s combined bounty.
Elunarian archaeologists claim that Haidene may have established the temple in Desolace, known today as the Palace or Sanctuary of Elune. A place so ancient that its real name has been lost and blotted out by demonic desecration. Many of the relics recovered here are thematically linked to Haidene: The Cup of Elune as a relic of physical and spiritual cleansing, and Elune's Handmaiden as a relic of celebrating victory and sacrificial offering. The embers recovered here from Elune’s Brazier may have indeed been borne from an actual flame, or they could be remnants of Elune’s liquid fire; an apt medium for High Priestess Haidene.
Kalo'thera - Ascended of the Stars
Kalo’thera was the next known chosen of Elune, following Haidene. Her name evokes meanings along the lines of “stellar warrior.” Unfortunately, there are no known depictions of Kalo’thera's true likeness; although some choose to stylize her in darkling garbs and armor reminiscent of the new moon, due to purported ties to Elune’s Night Warrior aspect.
It is said that Kalo'thera “ascended to the stars” at the temple of old Hajiri, though these ancient words have not been elucidated further. None now live who remember seeing Kalo’thera’s ascension ritual with their own eyes, but there are a myriad proposed theories as to what this could have meant.
She may have fulfilled all of her earthly duties as wished by Elune, or proved herself an exemplar through astounding feats; and was rewarded with the status of demigoddess for her service as high priestess. Some believe that Kalo’thera now exists as a constellation in the realm of midnight from this divine act, perhaps other demigods and demigoddesses represented in this form as well.
She may have been slain in battle, “ascending to the stars” perhaps referring to her joining the Night Warrior’s embrace along with the other souls of the valiant dead riding across the night sky. The story of this ascension ritual might then be a widespread coverup by those who witnessed Kalo’thera’s true end.
She may have invoked the ritual of the Night Warrior, subsequently being torn apart in body by the wrath of the new moon. Ancient legends speak of the Night Warrior’s power being used as the driving force for carving out the Kaldorei Empire, Kalo’thera perhaps spearheading the expansion with this dark boon to wrest lands from the myriad world powers of the Pre-Sundering age.
Old myths describe a rare and lost regalia, called nightcloth, almost as if an opposing material to mooncloth. This was supposedly worn during the expansion era to better blend into the shadows of nightfall for battle, some claiming by Kalo’thera and the other Night Warrior witnesses. The exact origins and techniques of crafting nightcloth seem to have faded along with history; however, there are speculations that this fell out of favor within the Sisterhood due to the dangerous associated ritual that ended up slaying the invoking avatars, and even onlookers. Kalo’thera may have been the one to engrave the tablets of Bashal'aran describing the Night Warrior and the other aspects of Elune. There is a deep blue, nearly black, flame in the heart of the Ameth’aran ruins as well. Some Elunarian scholars theorize that perhaps its color owes to the Night Warrior’s midnight powers. This flame was later twisted by Athrikus Narassin using a moonstone seal to bind souls in a spiritual prison; curiously still, souls thought to be under the purview of the Night Warrior. Some say that Kalo’thera was the first to be granted knowledge of the Starshards spell by the Goddess, its namesake partially deriving from Kalo’thera. A superstition of the Sisterhood claims that it is Kalo’thera herself who now grants moonpriests this power, crystallizing pieces of starlight and raining them down from the midnight heavens to her earthbound descendants who call upon the aid of the stars.
Dejahna - Zenith of Conviction
Dejahna was the third known chosen of Elune, following Kalo’thera. She was the mentor and predecessor to Tyrande Whisperwind.
Those who braved the Tomb of Sargeras, once Dejahna’s primary temple in life, claim to have seen her incorporeal form. If her spirit is at all reflective of her appearance in life, then Dejahna preferred dark robes, with silver accents and blue gemstones. It may have been customary for a High Priestess to don specific garbs, as Tyrande replies to the news of her appointment to this position with, “I’ll become high priestess—at least until this war is over—but I will keep my present garments—” (Demon Soul, Ch. 17) Dejahna’s darkling robes could also be due to her presiding over the burial site in the depths of the temple, perhaps a ceremonial garb for rites involving the dead.
Some say that Dejahna’s harshness and austerity arose from Kalo’thera as her assumed mentor; others say that an influx of unfaithful Highborne attempting to join the Sisterhood as a last resort was seen as a mockery of the order. Dejahna supposedly then raised the standards of entry to rigorous heights, some dubbing her the Zenith of Conviction for her high expectations from novices.
Given Azshara’s growing distance from the faith, and attempts to eclipse Elune with devotion from her subjects, old rumors claim that Dejahna held a particular bitterness for the queen by the outbreak of the War of the Ancients. This may have been in part due to Azshara’s appointment of her own High Priestess: Siralen of Vashj’ir.
Dejahna’s temple hosted a handful of templars, perhaps this ancient version of a lunar paladin having once been a prestigious rank within the faith.
An ornate vial was recovered from the Cathedral of Eternal Night, whose glass was said to “bear the mark of Dejahna.” It is unclear what this mark truly is, but it could be that each High Priestess, or even priestesses as a whole, have personal sigils rooted in the Elunarian language similar to a common signature. This vial could have been her personal vessel of moonwater, or one of many that she bestowed blessings upon by way of this mark. Considering its name of "Eternal Moon,” this may refer to the blessing or enchantment on the vial lasting eternally or having a resilient quality to its magick; as it did survive the temple sinking to the bottom of the ocean, being raised again by Gul'dan, and being pillaged by demonic forces and adventurers alike.
The upper levels of Dejahna's temple contained the "Hanging Gardens," which were actually tended to by an ancient named Agronox before he fell to corruption. It could be that because this temple was the heart of night elven worship in the empire, an ancient's service in a temple was a rare sight; or, Agronox's existence here could mean that others of his kind served alongside Kaldorei priestesses in other parts of the Pre-Sundering world as well.
Dejahna fell in battle during the War of the Ancients, and named Tyrande as her successor to take the mantle. This is an interesting development, as it would seem like such a position is granted directly by Elune, as seen with Haidene. However, in Demon Soul, Marinda is sent to deliver the message of Tyrande’s succession: “‘Before her death, she named a successor…’ Tyrande nodded. This was to be expected. The new high priestess had, of course, immediately sent out messengers like Marinda to spread the word of her ascension.” This being “expected” implies that naming a successor was a traditional practice in passing on the mantle. Supposedly as Dejahna was dying, she “insisted that only her attendants would know.” (Ch. 17) This could just be referring to healers seeing to her wounds, or it could be that within the Sisterhood at this time, there may have been a specific rank for tending to the High Priestess; an interesting parallel to the handmaidens of Queen Azshara. Marinda also reveals “…that, normally, there would be a ceremony, a long entailed one that as many worshippers as possible would be invited to see.” Elunarian faithful from all over Kalimdor likely traveled great distances to see such a monumental event. This role in general also seemed heavily involved at the time, “leading this chant and that. The temple also held a blessing each evening for the rising of the moon and the good will of the gods. In addition, the leading nobles always had to have some sort of recognition ceremony for various anniversaries and other events…” (Ch. 17)
A final piece of High Priestess lore we learn from Marinda comes from the reasoning behind Dejahna’s choice: “She was of clear mind, sister. And you should understand, she had made mention of you before this. The senior sisters all understood that you were the one…and no one among them argued the decision.” (Ch. 17) This uncovers an interesting dynamic in the old Sisterhood then, that there was at least a dialogue among the senior sisters, if not a democratic process settled through debate around the next chosen High Priestess.
Siralen - The Contended
“Let this statue stand as an everlasting testament to High Priestess Siralen in the name of all she has done to nurture Quel'Dormir Temple into a glowing beacon of faith. May her newfound service under Queen Azshara herself shine as a testament to the potential of the noble birth nurtured in our beloved, Vashj'ir.”
The case of Siralen is a strange one, as she was not passed this mantle from a High Priestess within the Sisterhood – as was tradition. She was instead granted this title by Queen Azshara, supposedly for strengthening the faith of Quel’dormir Temple in the royal city of Vashj’ir. It is interesting to speculate how priestesses across Kalimdor reacted to this decision: whether they saw it to be just as divine an act as being appointed by Elune herself or a current High Priestess, or if they disagreed with a bestowal that strayed so far from the role’s sacred history. Many of Azshara’s epithets insinuate that she was viewed favorably in tandem with the goddess, such as Daughter of the Moon, Flower of the Moon, and Radiance of the Moon. Although, others lean towards eclipsing Elune’s worship, like Light of a Thousand Moons, for example. In any case, the appointment of Siralen then introduces the question of authority, and whether the High Priestess of the Sisterhood was considered of higher, lower, or equal status.
Noteworthy still that her service is “under Queen Azshara herself,” and it could be that this nurtured faith was actually to the Queen, as Elune is conspicuously not mentioned anywhere in this engraving. It also reads, “a testament to the potential of the noble birth nurtured in our beloved, Vashj’ir,” perhaps alluding to a growing and more obvious class divide between the highborne and common Kaldorei; or at least the boundless arrogance of the highborne caste.
Other Notes:
The ancient high priestesses may have each worn a traditional headpiece depicting the Elunian cycle that was passed on through the ages. Tyrande Whisperwind still has this in her possession, and it was noted to have been entrusted to her during the War of the Ancients. -Headpiece of the Elunian Cycle, a quest reward from [Full Might of the Elves]
Traversing Tel'anor: Legends of Unsundered Kalimdor
Tel'anor, the grave city of ancient Kaldorei, still stands as a monument of ancestral reverence. Many plaques here are illegible, but some have withstood the sands of time, and grant us a glimpse into those who played important roles in the War of the Ancients, or had a lasting impact on Kaldorei culture.
Lilyiana Meadowblade
"Her blade was second to none, and flowed through her foes like a blade of grass dances in the wind."
A legendary warrior famed for her prowess, Meadowblade introduces some interesting concepts about Kaldorei surname conventions.
Considering the myth surrounding her bladework, it could be that she was given this name by others as a token of her mastery, or even took this name for herself; in contrast to the typical passing down of names from one generation to another. We do not know her social status, but a third possibility is that perhaps an ancient custom was to bestow surnames with the idea of prophecy in mind. In times of old, star augurs may have had a hand in reading one’s stellar birthchart, and interpreting omens or premonitions of a newborn’s life path, experiences, or destiny. The parallels between Meadowblade’s name and skills could, from a certain perspective, seem fated for the stuff of legends from the beginning. There was a sentiment in the same vein before the Sundering in regards to Kaldorei born with amber eyes, most of whom with this characteristic were of mythical and powerful stature (Queen Azshara, the Stormrage brothers, Moon Guard sorcerers recruiting those with golden eyes.)
Lilyiana's resting place is in the same pavilion as Dorendil Wildcaller's memorial; though whether they are related in some way is unknown. Perhaps they were life-partners, comrades, friends, or were simply considered of equal reverential status.
Dorendil Wildcaller
"Nature and society called to him alike, and he was one of the first to speak with the hippogryphs. His legacy lives on in our eternal kinship with them."
The quest [Forces of Nature: Hippogryphs] speaks of a legend that "they were created by Cenarius himself as a gift for the night elves. They're wary of other races, but they're intelligent enough to recognize a friend of a friend." Perhaps Dorendil was an ancient naturalist, ranger, or hunter; considering as well his surname of Wildcaller, who proved himself a worthy ally to Cenarius and the forests, similar to Malfurion Stormrage. It seems that Dorendil was able to walk the line between these two worlds - one of the Kaldorei forebears who sowed the seeds of trust between hippogryphs and night elven culture.
General Startalon
General Startalon, one of the finest generals our people has ever known. He commanded the Hippogryph riders during the War of the Ancients.
Startalon's description implies that companionship with hippogryphs is such a long-standing practice in Kaldorei culture, that it extends as far back as the Pre-Sundering age. By extension, it reveals that there was a specific hippogryph rider wing of the ancient night elven military; though whether it was an established force for many years, or created spontaneously during this monumental war, is uncertain.
These creatures seem to have been integrated into ancient society somehow, as we see with the Leyfeather Hippogryphs. They are described as having been “ancient mounts of the highborne” that possess “latent magical powers.” This begs the question of where this family of hippogryphs originated from: perhaps they evolved into an inherently magical creature due to their proximity to the Well of Eternity, or they were bred/created by ancient Highborne society. Due to their vivid plumage and arcane nature, perhaps these could have served as ceremonial mounts for parades, airshows, and the like to entertain the noble caste prior to the Sundering. Additionally, the hippogryphs of the Moon Guard Stronghold on the outskirts of Suramar may indicate that they were used by these peacekeepers while on guard duty, or even for traveling.
Thaedris also reveals that he meditates near Startalon’s grave for guidance, which may lend to the notion of receiving signs, messages, or premonitions from the act of venerating spirits and spending time in resting places for the dead.
The Windstrikers
"Marksmen without peer, their skill with a bow was an inspiration to generations of archers. Their family developed the gauntlets the Sentinels wear, carefully articulated mail links that empower our archers to this day."
The Windstriker epitaph indicates that they were a well-known name in the realm of archery during the eras before the Sundering as exemplars, artisans or instructors.
The craftsmanship of these ‘carefully articulated mail links’ somehow survived the Sundering, and then the several centuries after until Tyrande established the Sentinel Army we know today. We are not given much detail about what these links are exactly, but there are a few possibilities: they could have been any combination of protective arm guards, gloves, mail bracers, or thumb rings. Since they are described as empowering to archers, there may also be some sort of enchantment or magical blessing involved in their creation as well. Given that these gauntlets carried over into the newly established Kaldorei culture, the magic may have been some sort of heightened vision, strength, or accuracy bestowed by priestesses, druids, or wilderness spirits.
Above their monument is the head of an owl, perhaps hinting at an old heraldic system tying symbols to family names; or that the Windstrikers had a renowned kinship with these birds of the night.
Aelynn and Banlorus Truecaller
"Brave Aelynn and noble Banlorus ruled the battlefields and courts alike. They fell as they lived, protecting our people from threats on all sides."
The wording of this plaque insinuates that Aelynn was likely a renowned warrior, and Banlorus was perhaps a Moon Guard, noble, or other person of high status who held some political sway in the Kaldorei Empire. Their involvement in "the courts" could be the Highborne social circles of old, or possibly courts in reference to areas of law and justice given the wording of “protecting our people from threats on all sides.” The Well of Eternity novel reveals that there was a system of social punishment in ancient Kalimdor, ranging anywhere from exile to outright execution, as evidenced by Malfurion fearing being shunned, which was “the most dire punishment that could be inflicted upon a night elf other than death.” (Ch. 13.)
Arnaera
"In service to a mythical cause, they were a shining gem to our people, giving aid where they could in assisting the populace. Alas, the hammer fell and Arnaera made a journey west. They were reborn in winter's heart, and their grand design continues."
Arnaera's entry is the vaguest of them all, and this grave lies hidden in the riverbed of Tel'anor. It's fun to speculate what this mythical cause could have been: perhaps something in service to the Kaldorei Empire, one of the dragonflights, the Wild Gods, the titans, or some other influential force on Azeroth? The thematic word choice between shining gem, hammer, and grand design feel evocative of jewelcrafting or some kind of artisanry; though they may also just be meant to mythify Arnaera.
'The hammer fell' could be a reference to something involving the Hammer of Khaz'goroth, the sacrifice of Tyr, or a metaphor for some other historical event entirely. The 'rebirth in winter's heart' could be the ancient settlement of Shandaral, modern-day Winterspring, Dragonblight, or the afterlife realm of Ardenweald.
Latara Feathersong
"A huntress of the Sentinels, she led the vanguard in many campaigns. Her bravery and compassion were endless. Anu dorah, I remember.”
Latara is the wife of Thaedris Feathersong, the Nightfallen we meet in Tel'anor who, after 10,000 years of isolation, seeks to free her spirit and reunite with her in the afterlife. It seems that Thaedris was the one to engrave her plaque, though we do not know if this was prior to the War of the Ancients, or in more recent times after the Suramar barrier was lowered. She appears to have held a high station in the Sentinels, yet another reference (alongside the Windstrikers epitaph and Cathedral of Eternal Night) that may allude to an organization of the same name predating the Sundering. Latara may have led the vanguard during the expansion of the Kaldorei Empire, or perhaps in defense against incursions from rivaling world powers such as the myriad troll nations, qiraji, nerubians, klaxxi, earthen, vrykul, mogu, tauren, etc.
During the quest [The Final Ingredient] we retrieve her bow, which "glows with a faint white light" and "has potent magic in it" according to Thaedris. Latara may have been a priestess before her role as a Sentinel leader, her weapon carrying over from this past occupation; as was common with many of the Sentinels in times past.
At the conclusion of Thaedris’s questline, we free the grounds of Tel’anor from a powerful hex that has been taking hold of the grave city. As Latara is released from her suffering as a banshee, she whispers to us, “My mind is… cleared. I will sleep now. Give Thaedris my love.” Perhaps as a final act of gratitude, “a great power enveloped one of the arrows left in her quiver." It seems then, that a spirit can use the very last of their essence to leave behind a blessing or boon in the physical realm; in this case, an arrow laced with Latara’s love for Thaedris.
Not unlike the offerings given to the dead at the memorials here, the departed have their own way of paying respects to the living who honor them, too.
Ande ka bindel kalar'dormir. Anu dorah. (May they rest in the terrace of stars. We remember.)
Ashtarel Moonshoal, Sister of the Shore 🐚 Artwork by Firbess
“Min’dorei na’di Lune rae Minn-sharas’shal, anu andas isil rae lura fal.” (Daughters of the Moon and Her tides of night, we are one with silver and sea.) - Binding words of the shoreside sisters, ancient Zoram
Delving into Blackfathom Deeps
An excerpt from Glory to the Queen Born of Stars:
"Of the wonders our queen brought to this world, perhaps none was so great as Lathar'Lazal. As masons constructed the temple, Azshara shaped the waters around it with the Scepter of Tides. She spoke the names of the rivers and the seas, and they moved at her command. Salt water from the roaring ocean and fresh water from the mountain streams trickled to Azshara's side. With the flick of her wrist, the queen partitioned them into great lakes that hugged Lathar'Lazal's sturdy foundation."
Architecture:
Blackfathom Deeps, as we know it today, was once called "Lathar'Lazal," or "Seat of the Sky" in Darnassian. Long ago, this was a temple to Elune built by Queen Azshara with the aid of Sharas'dal (her tide-scepter) in the ages before the Sundering. Pelagic imagery still endures in the architecture of these sunken ruins, described at one point to have contained "gem-encrusted bridges and effervescent lakes." Motifs of fish-head fountains, wave-inspired stonework, scale-like patterns, and ionic columns are repeated in the masonry and pottery of the forlorn halls. It is unclear what the seafoam-colored stone the temple is made of, though it is interesting to note that it almost bears a resemblance to a body of water's surface: like the way a pool shifts and shimmers with the light. Some kind of material borne of the sea, melded together with the queen's Sharas'dal, or a common mineral of the region? They could also simply bear cracks and signs of weathering considering the age of the temple, but watery stone would be fitting symbolically.
Azshara's Influence:
"Whenever she [Azshara] walked the bridges of Lathar'Lazal, nearby schools of exotic fish would array themselves in colorful patterns. She even kept a colossal sea giant bound to one of the lakes. She used her scepter to make him perform tricks and feats of strength, much to the delight of the watching Highborne. Curious night elves from the far corners of the empire journeyed to Lathar'Lazal to study the mythical creature and his habits."
Perhaps Lathar'Lazal was a bustling tourist attraction then in the days of the empire, both for education and entertainment. With such tourism drawn to the temple, I wonder if the nearby land/city of Zoram benefited from this economically.
The passage above seems to imply that the Highborne rather enjoyed the spectacle of the imprisoned sea giant, and this poses an interesting dichotomy to the original purpose of the temple: a house of Elune, simultaneously hosting a creature trapped against its will. Such an exhibition created by Azshara here speaks to her penchant for show and amusement, and possible disregard for the faith. If only a historical record existed of a priestess's personal journal or the like; and whether she would be disappointed with such behavior, or complacent in the suffering of other races/creatures as night elves often were during this era.
Tideweaver:
Queen Azshara, even before her naga transformation, always had a fascinating dominion over water, both with her scepter Sharas'dal and the Well of Eternity. Supposedly Xavius was the one who actually gifted the queen with this ornate weapon that later shaped the temple:
"A night elf named Lord Xavius presented the queen with a jeweled scepter, etched with delicate magical sigils. He promised Azshara that so long as she kept it close, it would bring her prosperity and great power. Azshara held the scepter aloft, and the jewels shimmered in the light of the moons like brilliant stars. The sight of the queen and her gift was so beautiful that it brought many of the attendant Highborne to tears."
An enigmatic man of terrifying skill and power, I do wonder where Xavius procured this weapon in the first place; as its design does not appear to be of Kaldorei craftsmanship. Perhaps it hails from the ancient jinyu culture, the primordial titans, or some other past world power. Examining its details, what do you think of Sharas'dal's origins?
"Queen Azshara's enchanted scepter afforded her great power. Imbued with the Well of Eternity's potent waters, it held sway over the rivers and the seas, aquatic creatures of all kinds, and the life energies that stirred within Azshara herself."
In the Tablet of Balancing Tides, it is stated that:
"The whispers of Elune and Neptulon play on the tides, their words etched in stone are a tribute to the balance of their power."
I find it interesting that Azshara utilized a form of magic half-intrinsic to the moon goddess. Did she derive some of her aquatic power from Elune, or use a different magick entirely? The descriptions of Azshara wielding the scepter use language that speaks to a command over water, rather than a unity with the elementals, spirits, and goddess.
This item's flavor text also mentions Neptulon--Elemental Lord of Waters--interestingly now a sworn enemy of Queen Azshara and her naga forces in the present day.
The Moonshrine Ruins:
This place supposedly once hosted a moonwell, with an area known as the Moonshrine. The foundations here might suggest that before the Sundering, Lathar'Lazal could have been built just upon the shores, or expanded out into the sea itself with the tides embracing the temple all around. Swimming beneath the waters of the Moonshrine, there appear to be large pillars supporting the walkways here; much like a pier.
The Inner Sanctum:
Crescent imagery is prevalent inside of the sanctum, as well as sets of 3 seats, perhaps symbolism of the triple moon (waxing, full, and waning or the maiden, mother, and crone archetypes) holding some importance in the rituals carried out here. These could also represent a large meeting space, high-ranking priestesses for ritual, a council of leadership, divisions of the temple, seating for observers, or something else entirely. They face partitioned rooms with crescent moon symbols.
If we look at the central dais of the sanctum, (Azshari statue and cultist altar notwithstanding) there is a raised platform with a pyramid-like structure carved into the ceiling. Perhaps a skylight once existed here to let in moonlight for lunar rites, or this area hosted something of great importance to be kept safe inside the sanctum.
The Moondoors:
The moondoors are an especially interesting piece, and the last apparent threshold of the Seat of the Sky. Upon passing through, there are only a handful of pillars flanking the sides of the cavern. They seem to accompany each other in pairs on each side - marking a possible entrance, exit, or some other pathway to the temple. While I am unsure of their true purpose or the mechanism to unlock them, the various square pieces are almost akin to a puzzle. This model is used in other Kaldorei architecture and I've long been intrigued by their possible uses. These moondoors are typically used as entrances to the tall, thin ivory towers of Kaldorei ruins. Perhaps Elunarian priests or arcanists weave (or wove) intricate spellwork rooted in the arcane, or the moon cycle in order to lock these types of barriers. What was intended to lie beyond them is anyone's guess: powerful artifacts, sacred relics, enshrined lore, or even concealed secrets.
"The Great Sundering shattered the glorious temple, sinking it beneath the waves of the Veiled Sea."
I hope you enjoyed these musings! There's something equally fascinating and solemn looking back at the remnants of the Kaldorei Empire - in the shadows of glory that once eclipsed the continent.
Bel'ameth, the Arms of the Goddess
"Isil noras rae shala dielas." (Silver skies and safe journeys.)
Crypts of Blackrook Hold
In the Heart of Amirdrassil
