Esc2023 - Blog Posts

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How should voting system be changed in Eurovision?

So..... Community is buzzing about the results of the Grand Final and especially the voting system. I find it unlikely EBU wouldn’t change the system in somehow considering how huge is the people’s reaction and they did drop the juries from semifinals last year so... Anyhow here are some options. 

1. JURIES ARE DROPPED FROM EUROVISION ENTIRELY 

France 2023. 

I don’t think this will happen. First of all, there are too many delegations and countries that benefit from the jurers. Second, it wouldn’t change the problem. Last year folks were crying why Juries didn’t stop Ukraine winning with sympathy televotes. People don’t always know the best and we do make decisions based on politics etc soo.. Every year we’re not happy with either side of voting system but I do believe we need both sides to continue in the contest. 

2. JURIES PERCENTAGE WILL BE DROPPED 

Currently jurers hold 50% of the votes in the final (semifinals it’s only televote). In some national finals their percentage is less and people votes have more impact. If this scenario did happen, would it be 30%? 40%? 45%? 

Ukraine 2023. 

3. JURERS WILL BE INCREASED TO ADD DIVERSITY OF THE VOTES 

Currently there are 5 jurers / country. Would adding more people bring diversity of giving the points? Because they often are surprisingly aligned on their big favourites. They should be musical professionals or media professionals experticed in music industry and they’re not allowed to talk about the acts to each other or have any connection to the delegations, artists etc. 

4. BRINGING IN 3RD VOTES (TELESCOPIC)

Georgia 2023. 

Sanremo and Benidorm Fest use Telescopic votes. I think they have 15-25% impact to the final points. This might help to smoothe the biggest differences between audience and the jurers or make the final decision in some cases perhaps. 

5. KEEPING JURERS BUT MAKING JURY SHOW PERFORMANCES PUBLIC 

Currently only the audience that bought the tickets to Jury shows and press sees the actual Jury show. Would it be better to add visibility here by publishing the performances later on Youtube? 

Armenia 2023. 

6. KEEPING JURERS AND CHANGING CRITERIA 

So the current criteria being: 

Vocal capacity of the artist(s)

Performance on stage

Composition and originality of the song

Overall impression of the act

Every year the entries outside of pop genre seem to be receiving less Jury love. Jurers should represent different genres and parts of the industry though to appreciate rock, rap entries for example. I wonder is the singing overly hyped in the criteria and should there be different guidelines for it because you can’t judge pop song singing and rock song singing in the same way. 

7. KEEPING JURERS BUT MAKING THEM VOTE ALL THE ACTS 

Croatia 2023. 

Again to make the jury votes more even and less in favour for the big favourites only, would it help if they’d judge ALL the entries? Having limitations on how many 12 points etc you can give of course. This would also solve the zero points dilemma. 

8. KEEPING JURIES BUT CHANGING TELEVOTING TO VOTE 3 ACTS WITH THE SAME PRICE 

In Junior Eurovision public must choose 3 different acts I believe. Not sure how this would work but it would help diving the points instead of people voting for their one and only favourite. In years like these when we have such a strong televote favourites like Finland and Sweden, they tend to suck all the votes and there isn’t much left to anyone else. We saw the televote scores being quite small even for songs that were loved (Austria, Moldova, Czechia etc)

Portugal 2023. 

9. KEEPING THE JURIES BUT CHANGING TELEVOTING FOR FREE

They do this in Melodiefestivalen I think. They’ve built up an app just for voting where voting is free. Again people wouldn’t just vote for the number 1 favourite but several acts and this would also perhaps prevent the unpleasent zero points situations. 

What are your thoughts on the voting system in Eurovision and how would you change it? 

Who will qualify from ESC SF2 in 2023?

Eurovision is on! Rehearsals are on! We’ve seen most of them performing at the multiple preparties and the first clips on Tiktok and Youtube are in!

It’s time to predict who will qualify on May 11th from Semifinal 2! These are my predictions based on the reactions, comments, listens and clicks in social media, Youtube and Spotify.

Some I will get right, others I may not probably a lot because this is Semifinal 2 with less big fan favourites - However, that’s the risk you will take by continuing reading this.

1. Denmark - Reiley - Breaking my Heart

Reiley is a major Tik Tok star which might be perhaps one of the reasons why he is opening this semi. In Denmark we heard him performing with heavy autotune and the studio cut wasn’t any better but in the rehearsals clips his singing wasn’t that bad actually. They do have a clever staging prop, house like and Reiley is walking through each room - he’s wearing a pink outfit (ESC23 trend). Reminds me a bit of Snap last year. However, in the longer snippet the stage feels a bit empty and his performance in my opinion is not filling it enough.

I kind expected this to become viral or to have some sort of buzz but he’s quite low with views and listens online, there wasn’t much talk (no good or bad) at the preparties either. The song sounds like it starts in the middle and continues like that for the next 3min. So obviously not my personal fave this one. Is Tik Tok generation gonna vote for him? I have doubts. I say OUT. 

2. Armenia - Brunette - Future Lover

Brunette’s music video was already high quality and therefore quite promising. The song has fairly good views and listens in different platforms which indicates that it does have a growing fandome and interest. 

Visually this reminds me of Bulgaria 21 (Victoria) and I see it being memorable and strong enough to break the cursed spot number 2 position. Vocally she seems also on point in the rehearsal clips. I say IN. 

3. Romania -  Theodor Andrei -  D.G.T. (Off and On)

There aren’t many entries that we can say that are surely out but Romania unfortunately is. The guy is 18 years old and rumour has it the song was his school project. He can sing allright and he clearly has a passion. Personally I’m not connecting with this song and I know not many are. The song itself seems messy, his performance to be honest a bit cheap with the dancers and now with his changed pink outfit (we have a lot this year) he will not stand OUT. 

4. Estonia - Alika - Bridges

This is perhaps the best or at least one of the best ballads of ESC23. Dramatic, theatrical but also a little cold. She sings amazingly no doubt. 

The staging seems to be loyal to EestiLaul, she has her piano, similar outfit and structure how she performs on stage - but alone. I wonder if the stage is too empty even though I enjoy the visuals that LED screens are providing. This can fail but I want to believe so IN. 

5. Belgium -  Gustaph - Because of You 

Gustaph has been one of the raising stars of this season, selected quite early on last winter. This is catchy, super 90′s - and it works in my opinion, LED screens are showing the lyrics, Gustaph and his backing vocals / dancers are having fun on stage which will sure come across to the audiences at home. IN.  

6. Cyprus -  Andrew Lambrou -  Break a Broken Heart

This is a decent pop song with a beautiful man singing well - it offers nothing new but what it does it does it well This reminds me of Estonia 2021, it didn’t go through though so bad example but as a song type and a bit visually. 

He sings well. On the stage he’s alone but his presence does fill it. I usually don’t lean on too much whose neighbours are in which semi but Greece is in semi II so... I’m pretty confident this will go to the final. IN. 

7. Iceland -  Diljá - Power

This girl is so full of enery and POWER. There’s a lot of love for this I know even though personally I’m not connecting with this. She’s in a such great physical form obviously but I find her movements and dancing a bit weird even though they might show off her power indeed. The visuals are better on the LED screen what they were in Iceland but I do wonder does the stage look empty? The vocals she nails every time though. 

Iceland does struggle usually to get through - they don’t have loyal neighbours who would back up them and even other Nordics tend to find them weird. I have too many doubts - OUT. 

8. Greece -  Victor Vernicos -  What They Say

Victor’s indie pop song starts a bit slowly. The energy is great at its best but you need to wait for it. Visually I like the colour choices here (anything but red please!) and the lightning effects do work well. I’m not super on board about the wardrobe choice and his jumping - even though it’s age appropriate as he’s 16 years only. But maybe this will appeal more to the younger generation. On the LED wall they also use his own face being reflected - which seems to be somewhat a trend also in ESC 2023. His pronounciation has improved though.

However, Greeks tend to receive votes annyally from their neighbours (Cyprus especially) which might save them even with a weaker song. I see enough potential here so IN. 

9. Poland - Blanka - Solo

This is the hit for summer 2023! Not my personal favourite but this has been elevated a lot by the staging. The colours, visuals (especially on the floor) highlight the summer theme and as a song this is instantly catchy. 

They’ve also added a dance break + wardrobe change which I think work better than in Israel’s performance this year from Semi I. This is IN. 

10. Slovenia - Joker Out - Carpe Diem

Right after the release of the Carpe Diem this grew quickly to become a fan favourite. There’s a lot of positive, free, catchy energy here which will come across despite of not being sung in English. The rehearsals and preparties have proved how the band has charisma and confidence to carry this through. During the clips we don’t see any big props or tricks on the stage except the Carpe Diem reflected in the background - simplicity works here the best. 

I’m slightly put off by the pink outfits as we have some this year. However, potential Top 10 in the Final. IN! 

11. Georgia - Iru - Echo

Georgia often joins the party but their efforts are often not memorable in Eurovision. Not this year. Iru’s vocals are amazing, lyrics not so much but this song is hell of a stormy ballad. The staging supports this with lots of wind I like the so called waterfall LED screens behind her. The white outfit with red lips is divine. 

The idea of the song and performance is not complicated but this is a fine example how simplicity sometimes works the best when performed by a true professional. She slays this easily to the final and will bring Georgia its best ESC result to date for sure. IN. 

12. San Marino -  Piqued Jacks - Like an Animal

We have a few rock entries in this semi. San Marino however offers perhaps the weakest of them unfortunately. Another red theme here, they seem to lean on the rockers charisma but as a song it’s not memorable and catchy in the same way as Slovenia and Australia are. He sings well, they sound good, the lights effects work what we saw from the rehearsal clips. 

However, this doesn’t enjoy much of the ESC hype, love, interest based on the clicks and San Marino has struggled in the past to qualify. I don’t see this year being different unfortunately. OUT. 

13. Austria -  Teya & Salena -  Who the Hell Is Edgar?

These girls don’t take themselves seriously. Their song reflects the same attitude. Instantly catchy, memorable - no one can stop themselves to “poe, poe, poe..” after hearing this. They have a good use of the stage here. It is red theme again but it’s detailed and well executed, we have Edgar Allan Poe face in the background, the girls’ styling is on point, the movements that they do make sense. Clearly a lot of planning and thought has gone into this staging. 

I can’t say nothing bad about this. Probably a winner of Semi II. IN. 

14. Albania -  Albina & Familja Kelmendi - Duje

Albania is every year the first official entry for a new ESC season. Very often I end up supporting them because their songs are high quality, ethnic and tell  a story. Not this year. I’m not connecting with this. And based on the clicks and views, listens not many do.

When Albania hasn’t had a red staging in Eurovision? It’s their national colour but after San Marino and Austria’s red performances... this might not stand out. Albina performs her emotional, dramatic song with her family. I struggle to recognize Albina from the rehearsal clip to be honest but on the other hand she is the only one properly styled compared to the family. We have lots of split ends here and I’m deeply concerned for Albania. I say OUT. 

15. Lithuania -  Monika Linkytė - Stay

My ESC guilty pleasure for 2023 season. I like this one a lot. The gospel kind song and Monika is easy to approach. They’ve transferred the same staging from Lithuania to Liverpool but everything is bigger and brighter. I love how Monika and the background singers have been styled - visually this is beautiful.

Vocally she nails it - no concern. As a song, this tends to start a bit slowly. This is the entry which I’m most doubtful about if it will go through or not. It might. It might not. I say OUT. 

16. Australia - Voyager - Promise

Voyager tried to get their feet wet at ESC already last year but instead became a runner-up in Australia Decides. Their current song Promise is constantly being compared to last year’s Dreamer which perhaps was a bit more impactful.

However, their live staging is full of rock’n roll and high energy. They know what they’re doing and the lead singer is very charismatic. This is load enough which I believe will not be unnoticed by the voters. IN. 

Did you agree with my choices? Or disagree with my opinions? Who do you think will qualify from Semifinal 2? Talk to me in the comments below!

UMK 2023 Song Review - Kuumaa

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with another nostalgic retro banger! 

Kuumaa - Ylivoimainen

Kuumaa had their breakthrough back in 2016 and their debut album came out three years later. They’ve also released several radio hit singles regurarly over the years and today they’re described as “most interesting pop group in Finland” Quite recently they also won Emma Award (Finnish Grammy) for being the best group so they’re surely becoming hot in the Finnish music scene (their name actually means hot!) Again another entry that has a full package and vision ready even before entering to UMK. 

Ylivoimainen is another retro entry in UMK this year and it’s being seen competing directly with Benjamin’s Hoida Mut. However, this perhaps gives more indie pop vibes and it reminds me a bit of A-ha’s Take on me actually. This sounds very Kuumaa and this kind of contemporary nostalgic tunes are what they do the best. I cannot praise the chorus enough - it’s catchy, it’s warm, irresistable, probably the strongest chorus in UMK23, 

Ylivoimainen is super easy to listen, easy to sing and dance along and it actually invites you to do so. It’s an embrace that will instantly make you feel safe. Ylivoimainen is a crowd pleaser and well produced radio hit (reached number one in Finnish Spotify already!) but it still has authentic sound without being too slick (Robin - Girls like you). BUT as we saw last year’s with Bess’s entry Ram Pam Pam, becoming a hit is not enough to get you a ticket to Liverpool - you need to get the Finns to vote also. However, they do have a solid fan base in Finland who might be showing their loyalty on February 25th. 

As a package - this might be the best UMK23 entry. The song ticks all the right boxes and we have a band that we know can deliver energetic live performance. However, if this did advance to ESC - we already have several more or less nostalgic boy band entries (Slovenia, Latvia, Ireland) which Kuumaa would go against and to be honest I’d worry if we’d stand out enough as we could do perhaps with another artist (let’s say Käärijä?) 

What do you think of the sixth UMK23 track and would you vote for Kuumaa’s Ylivoimainen to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 Song review - Lxandra

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with a ballad this time! 

Lxandra - Something To Lose 

Lxandra is a talented and let’s say an established artist with several independant releases under her belt and some of them already appearing several tv series for example. Her international sound isn’t a coincidence as she’s lived in Berlin and US and her UMK23 entry also has American songwriters and producers. She is clearly someone who’s got her vision and sound figured out and she doesn’t need UMK or Eurovision to define her. She has fan base but not in Finland and she’s hoping participating UMK would at least change that. 

Something to Lose is the only ballad in the selection of UMK this year. I’m hopeless lover of ballads so this was perhaps the entry I was anticipating the most even though I had never heard of Lxandra before. I wasn’t disappointed. 

This is a well produced, striking ballad with modern approach. The lyrics go deep which Lxandra interprets beautifully and tenderly. There’s darkness here, almost death but also something that is very fragile, angelic. In the music video she only doesn’t put her voice to work but her entire body interprets the message of the song. The video is perhaps the most beautiful UMK music video to date! 

This is not a power ballad and I’m hoping we’d get more volume vocally, instrumentally when on UMK stage - because the studio cut is somewhat lacking the peak. Someone might say this is forgettable and in some ways perhaps it is, I struggle also to remember the chorus or melody after but I remember the feeling that it gave me. It does make an impact clearly and the song is very gripping.

This is poetry, this is art - I can see juries reacting well to this but I’m nervous will the audience get it especially the ones who’re listening to it for the first time? This would be the question that was repeated if Lxandra advances to ESC. However this is a song that perhaps needs a visual performance and I hope YLE (TV broadcaster) gets it right and Lxandra can just focus on her own performance. I can definitely see myself voting for this but I doubt this would have the winner factor however.

What do you think of the fourth UMK23 track and would you vote for Lxandra’s Something to Lose to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 Song review - Robin

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with another solid performance!

Robin - Girls Like You

Robin is one of the best known pop artists in Finland who’s been making hits one after another since he was 10 years old (he’s 24 now). Slowly he’s been making steps towards more international music scene and releasing more and more material in English instead of his native Finnish. 

For years the Finnish audience saw him as the dream artist to represent us in the Eurovision Song Contest. He is our Benjamin Ingrosso! Each year we hoped and were disappointed. So this is definitely a moment just having him participating UMK! 

Obviously this entry and artist probably had more expectations than anyone else from the line up of UMK23 and he’s being seen as a direct competitor for Benjamin (Hoida Mut). Stakes were high. He says the song is the best one he’s ever made and what really describes him the best musically. He wants the whole world to listen to it so participating to UMK (and perhaps ESC) makes perfectly sense. 

The song was made partly in L.A and you can hear the sunny, positive, easy breezy vibe here. This is easy listen pop funk, well produced, BTS, Maroon 5 -kind of sounding music. It’s slick and smooth, reminds me something that Melfest (Sweden) would probably have in their song selection. There’s a comfort, familiarity here which fits to Robin’s comment how this is so him at the moment. 

However, there’s a danger of all of that being too generetic too mainstream and forgettable and to me unfortunately that’s the case. The song fails to reach the hights as the other UMK23 entries, the chorus is non-existing - I listened the song 3-4 times and I missed it every time. At best this is a filler song for me and being taken from the selection with this high quality, based on the studio cut, this wouldn’t be my choice for Liverpool. And I am disappointed because the guy has better songs, or at least more memorable ones. 

Anyhow, Robin is skilled and experienced, charismatic as hell live performer. A well executed live performance might add that extra value to the song that it desperately needs. Also I cannot ignore his popularity and big fanbase in Finland who might vote him to advance to ESC (like The Rasmus last year). 

What do you think of the third UMK23 track and would you vote for Robin’s Girls Like You to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 song review - Keira

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool kicked off with a banger! 

Keira - No Business on the Dancefloor 

The 18-year-old Keira became known to Finnish audience in Voice of Finland where she did fairly well becoming third on the final last year. Since then while waiting and searching for her momentum UMK came up in the discussions quite early on but finding “her hit song” took its time. 

This is her first single and what a hit indeed it has become! Currently it’s in top 10 most listened tracks in Finland on Spotify and on Youtube it’s the second most watched UMK23 clip with over 440 000 views! But as we saw last year becoming a hit song is not enough to win the ticket to ESC! 

No Business on the Dancefloor was written actually by Finnish ESC representative from 2011 Axel “Oskar Paradise” Ehnström  (can you believe it?). The Finns will probably also recognize the other songwriter Teemu Brunila (Jenni Vartiainen, Anna Abreu) and how the song definitely has some familiar Brunila vibes. 

Keira herself tells her song that she wants people to liberate their “inner party animals”. I’m not quite sure if it manages to do that but this still ticks all the right boxes for a catchy dance entry and it’s completely stage and Eurovision ready. Well done UMK and Finland! 

Some compare her to Rihanna - I can recognize some resemblence there also. Vocally this is a safe effort, they could have gone further with her vocal range but maybe she will surprise us in the live show of UMK on February 25th? 

Track like, this is strong. The beat is memorable, the flute gives an ethnic vibe to it and sets the song apart from other dance tracks of UMK. Lyrics are cheeky and full of pop references which some find them corny but for me they add personality instead. However, would I have added some volume, some power to this - yes I would and I’m really hoping the live performance gives to it its much needed extra spice! 

What do you think of the first UMK23 track and would you vote this to go all the way to Liverpool? UMK final takes place on February 25th! 

10 things I DON’T wanna see in ESC 2023

The new Eurovision season is slowly kicking in and first countries are already releasing their national selection contents! And it’s time to set things straight with the passed season and things I’d hope would be improved for ESC 2023! 

10. Tik Tok exclusive 

ESC did a different approach in 2022 with sharing the media content from the rehearsals instead through Youtube but via Tik Tok. I understand the clips being more secretive because the public feedback is brutal towards the product that is not finished and especially when it’s the artist’s first rehearsal on ESC stage. 

However, I’d keep Youtube as equal social media channel and avoid favoring anyone over another. I know EBU wants to expand the viewer age range towards more younger and keep up with its time but this just didn’t feel right. 

9. No zero points

This is a real crime each year. From the audience side more difficult to predict and prevent but from professional juries... Switzerland, Azerbaijan and Germany were the 0 point countries and I find this so hard to believe that no one appreciated the singing, originality, staging in any of these three performers. 

8. Green room interviews back please

Italy did ESC in their own way and that was their prerogative but it was obvious the country doesn’t have the experience and connection with the show. Lacking Green Room interviews almost entirely and not having their own host as in previous years was a void that wasn’t filled. 

7. No hosts mistakes!

In the same breath I could say that ... the hosts’ script wasn’t the best. The chemistry between Alessandro, Laura and Mika didn’t come across. I knew it was there. I love Laura but her personality and sense of humour didn’t get to shine. There were clear hiccups along the show which the biggest were hosts getting confused with the country names. There’s no excuse for that. This is the biggest music TV show in the world, you’ll learn the 40 countries names and flags. Period. 

6. The winner of previous year not giving the trophy to the new one

This is a tradition in ESC as it is in many other contests. This gives such a wrong image about the previous winner’s relationship towards the contest and I do see it as part of carrying through your “ESC winner duty” to pass the title to the next one. 

This didn’t happen this year. And it looked bad in every way. 

5. The previous year’s winner not singing their winning song at ESC 2023

As in the previous, there are certain traditions that shouldn’t be broken. This seemed like Måneskin didn’t want to bother with ESC this year and they used it to promote their new song. They didn’t want to remember the winning moment or even the song. Be present and part of ESC 2022. I repeat: this felt bad. 

4. Fan community media being excluded! 

Obviously being an active follower of several fan community web sites and bloggers I was dying to know my favourite ESC bloggers opinions on the rehearsals, on the site, how everything was... 

This didn’t happen. Not in the way as in previous years. They didn’t have the right to produce the content freely in the premises of the contest, limiting live content and their access to it. This was EBU decision and not so much RAI (Italian broadcaster).

3. Have a back up plan for technical hiccups

Okay the sun which was the major element of the ESC 2022 stage.. not working as it should be wasn’t exactly a small hiccup. However, not having a a proper back up plan was beyond disappointing to viewers and telegations and to be honest a complete lack of professionalism by the event organizers. 

It was just there - this big black hole. The black sun expression was very on point

2.  Semi-final 2 voting scandal among jurers

It was really hard to choose between number 1 and two as they were both very severe crimes we saw in ESC this year. I believe in juries. I don’t always agree with them but I don’t find the 100% public vote simple and the best and that’s why the PROFESSIONAL juries are there. To appreciate good singing, songwriting, staging - efforst being made that the audience might miss or not vote for. 

Having jury votes being tampered like this was unforgiveable and no wonder the ESC voting has been changed (probably due to this). 

1. No online bullying of the artist

Ronela said it, no one comes for this contest to be bullied. Everyone believes in their performance and does their best and it’s a question of personal taste often what you think of the result.

This is obviously part of bigger problem how people treat each other online and especially people they don’t know hiding behind the anonymous usernames. I wish the community would grow to become more loving and respectful when commenting someone’s work. 

What do you want to or don’t want to see in ESC 2023?