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YES

I didn't even notice until op said it!

When I was watching that one scene in Avengers it felt so gross, I was immediately disgusted and had such a strong urge to turn it off and forgetforgetforget and pretend I didn't see anything. I guess it worked cause op made me remember it, but if I was asked out of nowhere what the worst show off feminism have you ever seen in cinema I wouldn't be able to tell. The Trauma. Ugh.

Anyway, again, I didn't really see that as something exceptional. It felt so normal and natural to me.

Usually I do pick up on BAD performance and all this bullshit female characters just for check. They don't have a story. They feel empty and unnecessary. The only quality that is important for the story with them is their sex/gender. Or there is nothing important for the story at all.

The point is the Mandalorian did a great job. Its female characters never felt bad like that. That fight included. The performance was good as expected. Therefore it never clicked as something special in modern social media. WHILE IT CERTAINLY IS. It is special!

Because right off the bat I can only remember Hannibal was such quality female writing where the were just right. Tbc it also depends on shows writing and perfomance level in general, so there are some more, but imho they are written less great in general.

And the amount of good female writing is truly saddening yet the good news are it grows! With time there is and will be even more great stuff!!

Non-performative inclusion and “The Mandalorian”

This post contains minor spoilers. Proceed with caution.

In the season two finale of “The Mandalorian” there is a scene near the beginning of the episode in which a strike team (minus Mando himself) storms onto an Imperial ship, blasts stormtroopers, etc. It’s an extended action sequence. Two of the characters are helmeted.

I was well into the scene before it hit me that all four of the characters on this strike team were women.

The fact that there was this all-female action team wasn’t new. I’ve seen that before. What was new about it was that this was the first time I’d seen a team of women that didn’t feel performative.

Remember that scene in “Avengers: Endgame”, the “she’s not alone” scene where All The Lady Characters Assembled, and you could tell the filmmakers were getting some kind of weird boner of “looooook at how many Strong Female Characters we have, let’s put them all together and have them be Strong Female Characters at the same time” and it felt super gross? That was performative.

I’ve heard and used that term before but I’m not sure I really grokked what it meant until I saw what its absence looked like, in “The Mandalorian.” 

It didn’t feel performative because each of those characters had been part of the narrative in their own time over the previous two seasons, with their own agencies and backstories. They were characters in the story as it needed to be told, they weren’t Strong Female Characters introduced for the purpose of being that (in a sexy way, of course). There was never a sense of ticking off the “kickass lady character” boxes. When Cara Dune is introduced, or Fennec Shand, or Bo-Katan, there was never that subtext of “Okay here is our Lady Character, isn’t she such a great Lady Character, look look we’re Doing the Thing you want us to do with having Womens in our Boy Stuff.”

No. It was, here’s a Rebel soldier. Here’s an assassin. Here’s a Mandalorian exile.  Here’s a Jedi. Here’s a magistrate. They have functions to perform and stories to tell in this narrative. Those functions and stories happen while these characters are women, not because they are women.

And it’s so, so subtle, the difference. It’s hard to put your finger on how it’s usually done wrong until you see it done right. It’s not just the writing although that’s a big part of it. It’s in how they were filmed, framed, shot, costumed, and lit. It’s in how they were directed, how the camera treated them - i.e. no differently than the male characters. None of these women were sexified, either. Not that they weren’t being portrayed by attractive women, but that wasn’t remotely played up or displayed in how they were styled, costumed, and made up.

Unfortunately now that we’ve all seen how non-performative inclusion of women into a narrative can be done right, everything else is going to seem that much more insufferable.

Blorbo: *is going through horrors beyond human comprehension*

Normal fans: oh no! Not my baby ;-;

Me, the no.1 fan and a freakos:

NO

GIMME ADS

GIMME CRINGE FAIL OF AN AD

WEIRD AND FUN AS ALL HELL BROKE LOOSE ADS

I even follow through w some of them, cause they are too intriguing or ridiculous

I will take some "job in Dubai" ads over these new thingies any moment now

At least they fuel my ever burning existential crisis

Ladies and gentlemen… moth-them

Here it is! the whole clown car, and I labelled them in this one for the people who were asking for it :) sorry they aren't in the order they're in in-game but i have a vision

I love clown

Individual posts: [ int | psyche | phys | mot ]

*crosses out "doomed by the narrative"*

*writes "doomed by virtue of being a girl in a story that's ultimately about men" in it's place*

Imagine a bee rn in a hive muttering "the beekeeper is not real because he is not intervening or helping me at all with this disastrous relationship I have with another bee". now imagine that's you talking about the good lord. now imagine a dog with a propeller hat on

Thank you for everything

Describe a fanfic that changed you in the tags

Hey, maybe wanna cry even more thanks to this scene?

While reading Visions of V I suddenly had a thought when reaching these panels: Why did Vergil actually cut Dante's palm like that?

I mean, if the boys have proven anything, it's that they both have one hell of a pain tolerance. They get sliced and diced and stabbed on the regular after all, and while the injury may hinder them for a second or two (or three when exhausted), they've never really seemed to care too much about pain. Hell, Dante got utterly shish-kababed in the opening of dmc3 alone, and he seemed pretty unbothered by it all.

So why the cut if it's probably not going to deter Dante too much... Not truly at least...

But then I thought about the exact location of the cut and what it meant as an actual injury.

You see where Vergil sliced Dante's hand? That's anatomically where the main ligaments to flex ones fingers are located. Except of course the flexor of the thumb.

Here's a quick pic to better illustrate.

(Source, which is at the same time also a site about these kinds of injuries).

You see what I mean? Vergil cut through the flexor tendons in the palm pretty nicely since it looks like he went deep enough to sever them.

Which means that only the extensors were left as working ligaments. Which means Dante wouldn't have been able to curl his fingers in any way, only extend them as shown above (or in this set of gifs)...

Meaning, he wouldn't have been able to grab onto anything. At all. Not even his falling brother!

...

Vergil really didn't want to leave anything up to chance, did he?

He definitely noticed that in the moment Dante could have stopped his fall, since Dante was close enough to grab Vergil's foot or coat or maybe even more. So that's why he went and made even the thought of it an utter impossibility in one swift slice.

And sure, with the twins' healing it probably only took a split second for the ligaments to mend (maybe a bit longer even with their regeneration cause that's one nasty injury), but that split second was enough.

So not only did Vergil dissuade Dante from reaching for him or following him into the underworld through pain, drawing one last line into the sand his brother wasn't allowed to cross. But he also literally made it impossible for Dante to grab onto him with the hand he had extended.

All so that he could surely fall to his doom...

...

These two just never stop, do they? ;v;

That's actually would be a great deconstruction of the trope.

And it will be soooo hilarious & dramatic!

Like, why they always go for a teenager? Because they are already old enough but still can be changed and formed into what the world needs them to be. That's the main idea. When you discover being the chosen one, The only one who can do it, you have to change your life, sometimes completely, sometimes change yourself too. And fast. For the Greater Good, yada, yada.

And now imagine some 40-50 yo have to do the same. So much drama and midlife crisis potential.

As I said

Hilarious