not-this-one
please follow my main blog @kazoo-world this is just a pile of references for me
53 posts
Latest Posts by not-this-one
Okay I’m currently furious that migraines are often so blindly easy to treat and I had to find this out myself at the age of 26 when I’ve been to a neurologist since I was 11 lol so I’m about to teach you two neat and fast little tricks to deal with pain!
The first is the sternocleidomastoid muscle, or the SCM muscle.
This big red section is responsible for pain around the eye, cheekbone, and jaw, as well as some temple pain. Literally all you have to do is angle your head down a little, angle it away from the side that hurts, and then you can gently pinch and rub that muscle. I find it best to start at the bottom and travel upwards. The relief is so immediate! You can increase pressure as you feel comfortable doing so.
Here is a short and easy video showing this in action
The second is a fast and easy stretch that soothes your vagus nerve, which is the nerve responsible for calming you down. The vagus nerve, for those unfamiliar, is stimulated by deep breathing such as yawning, sighing, singing, or taking a deep breath to calm your anger in a tense situation.
You can stretch this out by sitting up as straight as possible (this does not have to be perfect to work) and interlacing your fingers. Put your hands on the back of your head with your thumbs going down the sides of your neck and, while keeping your face forward, look all the way to one side with just your eyes. Hold that until you feel the urge to breathe deeply or yawn, or until you can tell there’s a change. Then do the same thing on the other side. When you put your arms down, you should clearly be able to turn your head farther in both directions. If the first session doesn’t get rid of your migraine, rest and repeat as many times as necessary. I even get a little fancy with it and roll my eyes up and down along the outer edge sometimes to stretch as much as I can.
If you need a visual here’s a good video on it. I know some of the language they use seems questionable but this is real and simple science and should not be discarded because it’s been adopted by the trendy wellness crowd!
I seriously cannot believe I didn’t hear a word of this from any doctor in my life. Additionally, if you get frequent recurring migraines, you may want to see a dietician. Migraines can be caused by foods containing histamines, lectin, etc. and can also be caused by high blood pressure in specific situations such as exercise, stress, and even sex.
If any of this information helps you I’d love to hear it btw! It’s so so fast and easy to do. Good luck!
Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.
i think the near-extinction of people making fun, deep and/or unique interactive text-based browser games, projects and stories is catastrophic to the internet. i'm talking pre-itch.io era, nothing against it.
there are a lot of fun ones listed here and here but for the most part, they were made years ago and are now a dying breed. i get why. there's no money in it. factoring in the cost of web hosting and servers, it probably costs money. it's just sad that it's a dying art form.
anyway, here's some of my favorite browser-based interactive projects and games, if you're into that kind of thing. 90% of them are on the lists that i linked above.
A Better World - create an alternate history timeline
Alter Ego - abandonware birth-to-death life simulator game
Seedship - text-based game about colonizing a new planet
Sandboxels or ThisIsSand - free-falling sand physics games
Little Alchemy 2 - combine various elements to make new ones
Infinite Craft - kind of the same as Little Alchemy
ZenGM - simulate sports
Tamajoji - browser-based tamagotchi
IFDB - interactive fiction database (text adventure games)
Written Realms - more text adventure games with a user interface
The Cafe & Diner - mystery game
The New Campaign Trail - US presidential campaign game
Money Simulator - simulate financial decisions
Genesis - text-based adventure/fantasy game
Level 13 - text-based science fiction adventure game
Miniconomy - player driven economy game
Checkbox Olympics - games involving clicking checkboxes
BrantSteele.net - game show and Hunger Games simulators
Murder Games - fight to the death simulator by Orteil
Cookie Clicker - different but felt weird not including it. by Orteil.
if you're ever thinking about making a niche project that only a select number of individuals will be nerdy enough to enjoy, keep in mind i've been playing some of these games off and on for 20~ years (Alter Ego, for example). quite literally a lifetime of replayability.
readings: essays & articles
reassuring ghosts and haunted houses
fish recorded singing dawn chorus on reefs just like birds
what people around the world dream about
poet and philosopher david whyte on anger, forgiveness, and what maturity really means
oranges are orange, salmon are salmon
how memories persist where bodies and even brains do not
the avant-garde musical legacy of the moomins
the weight of our living: on hope, fire escapes, and visible desperation
disturbed minds and disruptive bodies
what is better ー a happy life or a meaningful one?
after my dad died, i started sending him emails. months later, someone wrote me back
on the igbo art of storytelling
what the caves are trying to tell us
promethean beasts — how animal uses of fire help illuminate human pyrocognition
the art of loving and losing female friends
on memorizing poetry
the ecological imagination of hayao miyazaki
reading in the age of constant distraction
holly warburton illustrates tender moments of love and light
romancing the fig: what one fruit can tell us about love, life and human civilization
mystery and birds: 5 ways to practice poetry
can a plant remember? this one seems to — here's the evidence
why female cannibals frighten and fascinate
when you give a tree an email adress
fear not — horror movies build community and emotional resilience
burning text gif maker
heart locket gif maker
minecraft advancement maker
minecraft logo font text generator w/assorted textures and pride flags
windows error message maker (win1.0-win11)
FromSoftware image macro generator (elden ring Noun Verbed text)
image to 3d effect gif
vaporwave image generator
microsoft wordart maker (REALLY annoying to use on mobile)
you're welcome
i've thought about this a lot and if i had to explain recorded sound to a ghost or a time traveler or an alien i would play them the recording of california song from this tmg show. the quiet simplicity. the person in the audience who shouts "i love you". the way after two lines, john leaves his mic and all you hear is the crowd, but it's small enough that you can pick out individual voices. the person with high voice who hits every note and you can hear their smile. the way the quiet of the first verse turns into a emphatic chant of "i've got joy, joy, joy in my soul tonight". the guy who sings the song the regular way while the rest of the crowd holds a note, and ends up being the only person singing in the audience for a moment. the way the john and the crowd keep singing "you really got a hold on me" until it's just peter's bass and everyone snapping along. the little improvised lines john sings before he says "thank you very much" and the crowd erupts. humanity at its absolute finest for real
dnd character idea; warlock that calls their party "chat" and their patron "mods"
Okay I’m currently furious that migraines are often so blindly easy to treat and I had to find this out myself at the age of 26 when I’ve been to a neurologist since I was 11 lol so I’m about to teach you two neat and fast little tricks to deal with pain!
The first is the sternocleidomastoid muscle, or the SCM muscle.
This big red section is responsible for pain around the eye, cheekbone, and jaw, as well as some temple pain. Literally all you have to do is angle your head down a little, angle it away from the side that hurts, and then you can gently pinch and rub that muscle. I find it best to start at the bottom and travel upwards. The relief is so immediate! You can increase pressure as you feel comfortable doing so.
Here is a short and easy video showing this in action
The second is a fast and easy stretch that soothes your vagus nerve, which is the nerve responsible for calming you down. The vagus nerve, for those unfamiliar, is stimulated by deep breathing such as yawning, sighing, singing, or taking a deep breath to calm your anger in a tense situation.
You can stretch this out by sitting up as straight as possible (this does not have to be perfect to work) and interlacing your fingers. Put your hands on the back of your head with your thumbs going down the sides of your neck and, while keeping your face forward, look all the way to one side with just your eyes. Hold that until you feel the urge to breathe deeply or yawn, or until you can tell there’s a change. Then do the same thing on the other side. When you put your arms down, you should clearly be able to turn your head farther in both directions. If the first session doesn’t get rid of your migraine, rest and repeat as many times as necessary. I even get a little fancy with it and roll my eyes up and down along the outer edge sometimes to stretch as much as I can.
If you need a visual here’s a good video on it. I know some of the language they use seems questionable but this is real and simple science and should not be discarded because it’s been adopted by the trendy wellness crowd!
I seriously cannot believe I didn’t hear a word of this from any doctor in my life. Additionally, if you get frequent recurring migraines, you may want to see a dietician. Migraines can be caused by foods containing histamines, lectin, etc. and can also be caused by high blood pressure in specific situations such as exercise, stress, and even sex.
If any of this information helps you I’d love to hear it btw! It’s so so fast and easy to do. Good luck!
04-05-2011 at the Vic Theatre, Chicago IL, taped by Brian Emerick
Another Tuesday, another live tape! It's still Tuesday in my timezone this still counts okay. This show is the oldest open tab I have on my phone of the Live Music Archive. Full honesty I don't actually remember listening to this show but I'm sure that I did. It's a really excellent show - a lot of All Eternals Deck songs, a really great Home Again Garden Grove, You Were Cool. I chose Seeing Daylight because it's a song from this set that I'm not very familiar with and I really loved this delivery of it.
What's the Live Music Archive?
i am about to bestow upon you the secret butter technique. i am sorry, but it is french. i am sorry again, this only works with cow butter. i am certain plant based butters wouldn’t work, and alternative animal butters may or may not work
has this ever been you: you have a nicely steamed vegetable, or maybe you want to make the best butter noodles, but you know that if you put butter on those it’ll just melt and you end with kind of greasy noodles or vegetables? don’t you wish it was instead a luscious buttery glaze?
introducing: beurre monté
you will take a small sauce pan, and begin heating it with 1-2 tablespoons of water (use very little water) and bring it to a hard simmer or boil
turn the heat down slightly, and add Butter. how much? however much you dare. (start with 3-4 tablespoons and go from there)
you are going to either whisk Aggressively or you can pick up the saucepan, still holding it over the heat, and swirl aggressively so the butter is skating around the sides of the pan
done correctly, you will have liquid butter that is still emulsified. you have made Butter Sauce. season it with a little salt, and toss whatever you want in it.
if you’re butter splits, i’m sorry. you didn’t agitate it enough to maintain the emulsion, and now you have melted butter.
you can use this knowledge to make other sauces by swapping out the water for another liquid. white wine becomes beurre blanc. red wine is beurre rogue.
you want to CUM? sweat minced shallot in a tiny bit of butter, add white wine and cook it out until it’s reduced by about half. then whisk butter in hard. a few flecks of minced thyme or fennel frond stirred thru, and you eat that with a nice seared fish? or scallop? or even shrimp? wow. you will Nut
your boxed mac and cheese game can also be elevated by cooking your pasta and making a beurre monté first, tossing your pasta in that and adding the cheese packet. wow. hey; you’ll cum
go forth now with this butter secret
hey pirate show friends! in honor of my boat graduation and because I'm procrastinating my work I thought I'd make a post about some super basic sail mechanics/terminology for all your writing-about-ships needs. this just covers the very broad strokes that you'd need to convincingly talk about what's happening on a ship while there's other stuff going on, or to insert some ship-based drama. I'm not an expert and I'm only practically familiar with one tallship that's much later in period than the Revenge. but here are some things I did not know before sail training that I think could be helpful or provide some fun jumping off points for writing! this is super long but I am super procrastinating. hopefully it's helpful to someone. if not, I at least wasted a fun hour thinking about things that aren't my day job.
1. what are the basic types of sails?
for a square-rigged ship like the Revenge, you will have both "square sails" and "fore-and-aft sails." square sails are set perpendicular to the masts and, obviously, are roughly square. they are "bent onto" (meaning connected to) the "yards," which are the horizontal pieces of wood that cross the mast. fore-and-aft sails are set going, well, fore and aft, meaning they follow the line of the ship. these can include staysails (triangular sails bent onto the "stays," or wires that support the masts, and therefore run down the middle of the ship), jibs (also triangular and bent onto stays or wires, but going out along the jibboom and bowsprit, which are the spars that extend forward of the ship's bow), spankers (a large trapezoidal-ish fore-and-aft sail bent onto booms (basically like a fore-and-aft yard) off the mizzen mast, which is towards the stern of the boat, and acts as a wind rudder), and more. some older ships also had spritsails, which were small square sails bent onto yards that hang off the bowsprit. they look very silly in my opinion but to each their own. these aren't all the kinds of sails but they'll cover your basics.
ships can also have any number of sails. full size square-rigged ships can have as few as two or as many as five square sails on each mast. the lowest and largest sail can be called either the mainsail or the course, and are further specified by saying which mast it's on (i.e., the fore course, main course, or mizzen course). going upwards and assuming a five-sail mast, you've next got the lower topsail, upper topsail, topgallant (pronounced t'gallant), and royal. the staysails are named for the mast they connect to. so the most forward might be the "fore topmast staysail," indicating a sail that is connected to the upper part of the foremast.
2. how are sails controlled?
the vast majority of sail control actually comes from the deck and does not require having people aloft, or in the rigging (I'll address the reasons to have people aloft in the next section).
each sail has a number of "lines" (ropes) connected to it at different points that control whether the sail is "set" (fully extended) or "doused" (pulled up towards the yard). more lines are connected to the yards and control how the sail is oriented. the yards can be pulled back and forth, some of them can be pulled up and down, and their angle relative to the horizon can also be adjusted. the square sails on a mast all work together as they are stacked on top of each other and often have interconnected rigging. the lines all come down to the deck and are "belayed" (a figure-eight shaped way of wrapping the rope) around a "pin." the pins may be on a rail that wraps around the ship (the "pinrail"), on a rail that makes a square shape around a mast (a "fiferail"), or on a metal band wrapped around a mast (a "spider rail.") (there are other rails also, especially on the headdeck, which is the most forward, and the quarterdeck, which is the most aft. don't worry about it.)
some things you might do with sails from deck:
set sails (pulling the foot of the sail all the way to the next lowest yard so that it is fully extended and can fill with wind)
douse sails (pulling the foot of the sail up to its yard so that it is no longer catching as much wind. you can leave the sail doused if you might need to set it again, or you can send people aloft to furl it if you do not need it or are in conditions where it is dangerous to have a loose sail)
conduct manuevers, i.e. turn the ship
the three basic manuevers are tacking, wearing, and boxhauling, but all of them are just ways to turn the ship and change course. you can look up the particulars of these manuevers if you're interested, but I think the most important part from a writing perspective is knowing the initial commands. there are a whole series of commands for each of these manuevers but the opening ones you might most need are:
for a tack, the captain or conn (person in charge of issuing manuevering orders), first calls "ready about!" one of the other orders that might be dramatic to have in a writing situation is "helms a'lee," which occurs after ready about and prompts the person at the helm to turn it.
for a wear (the most common and least work-intensive way to turn most large tallships, though it loses you more ground), the order is "prepare to wear ship!"
for a boxhaul (essentially a three-point turn for when you do not have a lot of space to manuever), the order is "stand by to boxhaul!"
you can also stop the ship by "heaving to" (past tense: "hove to"), where you rotate the yards in opposition to each other so that the sails form a right angle with each other, which loses you all of your wind power.
these might change by period or tradition, but are the most common I'm aware of.
the commands for setting and dousing sails are pretty straightforward- you're just going to say "on the [fore/main/mizzen], set/douse your [sail]!" someone lower in the chain of command might also say "hands to the [sail] gear." whatever needs to get done is then accomplished by hauling on, easing (letting go slowly and under control) or casting off the relevant lines.
4. so what do people do aloft?
going up into the rigging is referred to as "laying aloft." you do this by climbing the "shrouds," which are those things you always see people in Boat Media climbing on-- they look like big nets or ladders that extend from the rails of the ship up to the masts. the shrouds may go to "cranelines" (small footropes that allow you to access the middle of a mast between yards, which is often where staysails are stowed), to platforms/crow's nests, or to "footropes," which are strung under each yard. there is also the "headrig," which is a system of footropes and stays that form what looks like a net under and around the jibboom and bowsprit and allow those areas to be accessed. all of these need to be tarred and otherwise repaired, and if a line parts (breaks) a new one needs to be rigged. masts may also need to be tarred or painted and other hardware might need to be repaired, checked, or replaced, such as "blocks" (pulleys that help lines move), shackles, and hooks. you might also need to bend on sails, or even replace entire masts if you're doing heavy repairs in port. people doing these jobs might carry tools or materials tied off in canvas buckets, or ride on a "bosun's chair," which is a wooden swing that can be tied to a gantline and used to lift a person up into the rigging or down over the side of the ship (like stede during the lighthouse fuckery or lucius when he's supposed to clean barnacles).
for non-maintenance related activities, the only things that really need to be done aloft are loosing and furling the sails.
square sails are kept, when idle, rolled and tied to their yards (furled). fore and aft sails are also furled, which depending on the sail may also mean tying it to a mast, or it may mean bundling it down against a stay or spar.
before a ship gets underway, the sails therefore need to be loosed (untied). a captain might not order all sails to be loosed at once when first starting out. if there's heavy winds, you might only need a few sails to get the speed you're going for. in light winds, you might need all of them. the order of loosing on a ship with five square sails per mast is typically: lower topsail, upper topsail, t'gallant, royal, course. but this is ultimately up to the captain's discretion. the courses have a lot of power and you might not need or want that much power when the winds are high.
to loose a sail, sailors are ordered to lay aloft, where they range out along the yard of the sail they're loosing. they stand on the footropes and hold onto a metal rail called the "jackstay." on each side of the yard, there are 3-5 "gaskets" holding the sail tied to the yard. these are loosed as sailors lay out along the yard (the knot is called a butterfly and can be pulled out in one easy motion). then each person stops at their gasket and "gasket coils" it, which coils the gasket up nicely so that it sits right at the yard and doesn't flap around the sail. gasket coils can also be undone easily by flipping one part of the coil over and then just letting the rest fall. the sail can then be set from deck.
you might need to "sea stow" a sail if you have to furl them very hastily, for example if a storm is coming. in this case you'd lay aloft, loose a couple of gasket coils, and spiral them widely inboard (towards the mast) and tie them off. the goal is not to look pretty, just to be fast. the sail will be doused from deck, and the hardest part of this is gathering up the sail the rest of the way so that it can be tied down. you lean your hips against the yard, reach over, and gather up chunks of the sail, tucking them under your belly until you have all of it, and then tie your gaskets. it's hard to do because you are not working together as closely or as carefully in a sea stow situation, and also potentially because the conditions are garbage.
sails ideally are stored in a "harbor furl," particularly, as the name implies, in harbor, where you are not likely to quickly need them loose again, and you have the time to put them away nicely. also, ship people judge each other if these don't look nice. this is a much more synchronized manuever. the sail is doused from deck, then sailors lay aloft in the same way as they did for loosing. here, the people with the hardest jobs are the ones up first, who go out to the farthest points of the yard (the "yardarm"). everyone begins to gather up the sail in the same manner as a sea stow, leaning over the yard and tucking folds of the sail under your stomach. the people at the yardarm are also dealing with the blocks and gear at the lower outside corners ("clews") of the sails. their job is more technically complicated and so they control the rhythm of everyone's gathering. once the sail has been folded and furled nicely with the "sun skin" facing out (protecting the rest of the sail from the elements), the person on the weather (side the wind is coming from) yardarm calls, in rhythm, "roll-ing home," or something similar, which prompts everyone to roll the sail up on top of the yard in unison. then each person wraps their gasket around the sail and yard, ties it off, and heads back down. again, that command might vary by period and tradition.
5. what are some things I could throw in my story for drama?
here are just a few:
a line could part! this is actually not uncommon on buntlines, which are one of the lines that help set and douse sails. when one of these parts and there's any amount of wind, the whole ship is going to know about it very fast because the sail, out of control, will start to "flog." this means it flops around in the wind and makes a very ominous sound (like a huge towel being snapped). to fix it, crew needs to lay aloft immediately and sea stow the sail so the bosun or other skilled crewmember can rig a new buntline.
a note about lines parting: manila lines do not have the "snapback" effect that modern synthetic lines do. this means they part more easily, but also more safely. they also get VERY swollen and spongy when it's wet, because they absorb water, and may even start to unlay (where the strands start to untwist themselves). so they can be also very annoying to handle when wet.
you might have to execute a manuever while people are still aloft! this is not uncommon, particularly for people aloft performing routine maintenance, but not ideal in bad conditions, particularly if people are out on the yards. because manuevers involve the yards being pulled back and forth and therefore rotating on the mast, it can be pretty harrowing to ride one through a manuever (or fun, depending on what kind of person you are). there are also pinch points between the yards and the mast that anyone on the mast or shrouds needs to steer clear of so they don't get crushed by a moving yard. "avast!" is a real command used when there needs to be an immediate all-stop due to a safety issue.
you might have to sea stow in really heavy conditions! if you've seen the episode of black sails where flint sails the Walrus directly into a storm, you know how difficult this is. when a sail is full of wind, it's very hard to pull it up by hand, even when doused. dousing only pulls the sail about 3/4s of the way up to the yard, and a doused sail can still catch wind. in truly heavy winds it can be almost impossible to stow.
in high seas, the ship could roll so badly that people on the yardarms get dunked in the ocean! this has also happened on black sails, I think in that same episode. this has never happened to me but I think if it ever did I would just rather fall off in the ocean than get swung back up again, thanks (<-guy who is afraid of heights). this is not a death sentence though, sailors can and have held on enough that they get swung back up and can safely get down. if conditions are bad enough that this happens and you do lose grip and end up in the ocean, it's probably going to be pretty difficult to impossible to get rescued, at least in the 1700s.
someone inexperienced might belay a line that needs to be cast off in order for a manuever to work, or vice versa. this could be an easy fix or it could cause a very dangerous situation. if you lose control of one of the halyards that lifts the yards, for example, that's potentially tons of uncontrolled load that could fall and break any number of things on its way. or if a line is made fast when it needs to be loosed, you could have yards raised crookedly and/or lines breaking as the strain becomes too much.
rope burn! the lines on a ship are often controlling a lot of load and power. if you allow the rope to slip through your hands instead of moving hand-over-hand, or if you just lose control of it, you can get rope burn that can be pretty severe. it's a wound that almost looks like a burn from fire would, especially while healing.
there’s a website where you put in two musicians/artists and it makes a playlist that slowly transitions from one musician’s style of music to the other’s
it’s really fun
PROMPTS
6th - Proposals / Food tasting / "This? Perfect"
7th - Bachelor(ette) party / Speeches / “You really want to do this?”
8th - Anniversary / Fireworks / “You're so beautiful”
9th - Engagement party / Love letters / “Of course I will”
10th - Making vows / Music / “Slow down”
11th - Choosing rings / Wedding night / “Kiss me”
12th - Honeymoon / Flowers / “Forever”
YALL
finding out there's a frankenstein ballet and that it was in october of last year…DEVASTATING
look at this. look at these. im foaming at the mouth
Some musings on how to write Stede. He's genuinely a tough one to pin down because his voice is very him, he'll say things like "methinks" just as readily as "here's the deal, buckos." But I think I've got a few things nailed down and wanted to share in case they help anyone else.
Biggest thing: if you're struggling with getting Stede's voice right, his voice is a hell of a lot closer to Ed's than it is to the Aziraphale-brand "generic posh British" voice. If he's been surprised, Stede's more likely to say "oh shit" than "good heavens," you know what I mean?
My guy is not going to say something like "good evening! I was wondering if you would be interested in doing intercourse with me this fine evening" unless, and this is crucial, it would be funny for him to say that. Sometimes when it comes down to him using a fancier affect your judgment call needs to be based on how funny that line is going to be. Like, that line isn't in character if it's meant to be an example of just how he talks but if it's Stede trying to awkwardly flirt over text then it's fine.
I think that's important so it bears emphasizing: if you're going to have Stede talk overly-posh and use unusually fancy words, it's okay if it's funny. This seems to be the main rule the show uses, too.
Stede is usually polite but he's not timid. He has very few qualms about being a bitch to someone if he knows them well already or if they were rude to him first. Think about him telling Jim that they're "welcome to borrow [his suit]...or, well, look at it." Let queen bitch over here be a bitch!
Stede is ruthless. This doesn't mean he's unkind; it means he's very good at seeing exactly how to get from Point A to Point B and he will commit himself to getting there. The threat Ned Low posed is already neutralized? Doesn't matter. He hurt Ed, he's going down.
Stede's voice is much more formal and flowery when writing than when speaking. Think about "we're joined to one another, intertwined. We wrote our names on each other in permanent ink" in his letter compared to a more simple "I love everything about you" when speaking.
Let 👏🏾 Stede 👏🏾 Say 👏🏾 Weird 👏🏾 Things!👏🏾 This guy is weird, he's a weirdo, he doesn't fit in. If you're thinking to yourself "why the fuck would you say that" you're probably onto something. Let him make weird choices. Stede, especially after a bit of character development, is very himself - if he's a college professor, let him drag a full comfy armchair up to his fifth-floor office. If he runs a sex toy shop, let him proudly show off his invention called "the Cervix-Slammer 9000" that'll leave Ed very satisfied but also unable to walk for a week. Let him be enthusiastic and weird!
Why are agriculture classes the first time I've learned extremely basic info about nutrition and how digestion works. Why isn't this stuff in health textbooks or any easily accessible resource about healthy eating.
Y’ever read something and have understanding that has eluded you interminably suddenly stop, curl up, and snuggle neatly into a fold in your brain because a new way way opened to it?
I hate that I’m always trying to find cool biology themed stuff to wear but all the “nature inspired” clothing companies just have like two crossed arrows or a minimalistic mountain on a sweatshirt. Fucking lame, that’s barely even nature-adjacent. Put the life cycle of a salamander on a jacket, put hyena skeleton patterns on leggings, put a damn field guide of birds of prey on a peacoat and THEN you can have my money. Do NOT give me a shirt with a leaf on it that says “stay wild” or some bullshit I would much prefer clothing that broadcasts to everyone around me how many teeth an adult Jaguar has or how some pitcher plants can catch and digest rats.
hey, dont cry. three hundred sixty five mountain goats live sets on archive.org, okay?
Alice Te Punga Somerville, Always Italicise: How to Write While Colonised - Kupu rere kē
Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3
I wish Americans fucked with more foreign music. You don’t have to know the language to appreciate a good record. Folks in other countries listen to our music and don’t speak a lick of english. Music needs no translator
Haha, so I’ve been saying I’m going to write something like this forever, and then yesterday my housemate found that someone beat me to it.
Required reading, friends! So you don’t screw it up if you’re writing fanfic – and so you can suffer along with me if you’re reading it.
My contribution to the smut talk behind the cut. XD (And also one of my Craig-writing friend’s finest moments.) So strap in for –
Keep reading
refseek.com
www.worldcat.org/
link.springer.com
http://bioline.org.br/
repec.org
science.gov
pdfdrive.com
some essays i’ve enjoyed recently:
Anne Boyer - “No”
Parul Sehgal - “The Case Against The Trauma Plot”
Brandon Taylor - “against character vapour”
Jhumpa Lahiri - “Indian Takeout”
S.L. Huang - “The Ghost of Workshops Past”
Frankie Thomas - “What Was it About The Animorphs?”
Carmen Maria Machado - “How Surrealism Enriches Storytelling About Women”
Jaya Saxena - “The Limits of the Lunchbox Moment”
Emma Garland - “What does it mean to be a ‘dissociative feminist?’”
Hussein Omar - “Unexamined Life”
Roland Barthes - “The Death of the Author”
Laura Mulvey - “Visual Pleasure and Narrative Cinema”
Andrea Long Chu - “Hanya’s Boys”
Jia Tolentino - “Love, Death, and Begging For Celebrities to Kill You”
Robin D.G. Kelley - “A Poetics of Anticolonialism”
Angelica Jade Bastien - “The Hollow Impersonation in Blonde”
i’ll probably be adding to this list with more pieces as i come across them– please feel free to add on your own recommendations, or send me an ask if you agree, disagree or want to chat more about any of the essays already listed!
As someone who grew up living under a rock in the early 2000s and was completely lost on what hip-hop and rap was good until earlier this year I would absolutely support a crash course playlist
Best listened to on shuffle. Very NSFW, including some lyrics from A Different Time. Tried to focus on the essentials and then a few noteworthy personal favorites. Look below the cut for some commentary on what’s what ⬇️
some articles i enjoyed recently (faves are bolded)
the genesis of blame, london review of books
the narcissism of queer influencer activists, gawker
there’s no moral imperative to be miserable, james greig
the cult of the imperfect, umberto eco
susanna clarke’s world of interiors, the new yorker
your camera roll contains a masterpiece, the new yorker
are you a baby? a litmus test, haley nahman on substack
prestige television and the moral life, article & podcast ep
how tv became respectable without getting better, current affairs
the cultural revisionism history, gawker
have we forgotten how to read critically?, dame magazine
found images, real life mag
nostalgia for nostalgia, real life mag
on internet & technology
google search is dying, dkb on substack
what lies beneath, real life mag
how the tiktok algorithm figures out your deepest desires, the wall street journal
the great offline, real life mag
nameless feeling, real life mag
i’m not there, real life mag