I Think One Of My Favorite Things In A Piece Of Media Is When It Goes From "main Plot Stuff" To "Keeping

colt fathom would stare directly at the eclipse

This applies both in universe and with fans imo

started jjk and gojo really speaks to my soul in the way that it’s easier for him to be loved widely and superficially by strangers as opposed to closely and deeply by forming meaningful relationships

charismatic people are good at presenting themselves as the best and making sure they are perceived that way, and even if that’s a valid statement like it is for gojo, it creates an unrealistic expectation that others have of them and that they reflect upon themselves

why are people disappointed when they get to know me?

everyone has always told me I’m the best, so why can I fail?

because the persona that you’ve created could be held to that standard and regardless of how close to that face you truly look, there’s always going to be a margin of error for humanity. Gojo was so good at everything that other people and maybe he himself forgot his humanity existed

(…geto reminded him that it did.)

Sukuna throwing feints at Mahoraga

earlier this week Twitter user ppuccin0 tweeted about a fashion article that advised against tops with large floral patterns, saying the wearer was in danger of looking like a "ロマンティックおばさん," or a "romantic auntie." the tweet went viral with many agreeing that a "romantic auntie" sounded like a very nice thing to aspire to be, and some even posted illustrations or photos tagged with the trend

illustration by Toyota Yuu (author of Cherry Magic)

illustration by 141shkw/Sora Midori (author of Beautiful Curse)

photos by Takinami Yukari (author of Motokare Mania and Watashi-tachi wa Mutsuu Ren'ai ga Shitai or "We Want A Painless Romance")

illustration by m:m (mangaka of Matataki no End Roll)

illustration by ooinuai (mangaka of Onikui Kitan)

illustration by ma2 (mangaka of The Reason We Fall In Love)

BONUS:

A thin thread

Actually your society is the freaks for shooting everything that moves and burning half your "nature reserves" every year so that upperclass dandies can eat leaded pheasant. North Americans are the well adjusted ones here, your country has become a desolate suburban lawn in island form

i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.

geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.

when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.

gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.

through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.

black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.

white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.

however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.

after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.

white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).

yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.

if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.

consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.

they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.

50 people in the rain cheekily asking me "miss the summer yet?" No. I Have Done Nothing But Pray For The Age Of Sun's Downfall. May The Gloom Eternal Take Us All

My Analysis and Theories about Demetrius, Melinda, Donovan and Imperial Scholars

I hope you like reading because this is going to be a long one, I'm sorry. But I'm hoping to hear your ideas about these.

The Desmonds, aside Damian, are definitely weird, but I think there’s a high chance that Demetrius, alongside Melinda, was brainwashed and their minds are manipulated.

Demetrius seems to have empty thoughts aside from his constant belief that he doesn’t understand anyone, not even his brother and his father, despite spending a lot of time with him, as Damian stated. I think these thoughts have been instilled in him through brainwashing and mind manipulation.

That's likely the reason why Donovan spent a lot of time watching Demetrius when he was a child, forcing these ideas upon him since childhood.

This is the same idea he shared with Loid when they first met, that humans will never truly be sympathetic to each other because, at the end of the day, we are strangers, even to those who are our blood and flesh.

Melinda is the same too. Based on what we’ve seen of her so far, she seems to have conflicted feelings about Damian.

However, I think she was genuinely concerned for her son, but her husband is trying to instill those dreadful ideas onto her. (It might not be Donovan who was doing the mind manipulation, but based on the stitches on his head, there’s a possibility that he had been experimented on and had gained a mind ability somehow.)

I think that’s why she’s scared of Donovan knowing that she came for Damian at that school bus incident. Donovan doesn’t want her to care for anyone, not even their own sons (These poor kids).

But I believe she truly wants to be a good mother, and she wants Damian to break the cycle going on in their family. (If she didn’t care, she wouldn’t race through Eden just to check on Damian’s safety at the bus arc.) And I think that’s the reason why she wanted Damian and Anya to be close, for Damian to have someone that would make him break out of the expectations he had set for himself and be finally free to be a child since it’s what her son deserved. (But still, this theory of mine still doesn’t make her not suspicious to me; right now, all I’m giving these newly introduced characters is the benefit of the doubt)

Why does Donovan want to instill these ideas that humans can’t truly understand each other, not even those who are family? Because that’s the reason wars happen—people not trying to understand one another. It occurs when they don’t strive to meet in the middle. Assuming he does indeed plan to wage war against Westalis, then instilling that idea would benefit him.

Of course, it’s hard to instill the same idea in every citizen in Ostania, especially when the current government is trying to establish a diplomatic relationship with Westalis. So, how could he encourage these ideas? Where are ideas usually taught? What establishment is so respected that these ideas would be very much welcomed and widely taught in a subtle manner, making individuals unaware that they are being influenced? Oh, right—educational establishments, schools, and universities. And which is the most prestigious school in Ostania that could assist in achieving this and influence the children of Ostania to acquire nationalistic ideas so that, in the future, they would carry these ideas for the sake of Ostania? Eden Academy.

This is where the hidden agenda of the Imperial Scholars, I think, plays out. Kids like Demetrius, I believe, are being brainwashed to adopt the same thoughts and ideas as Donovan. Children are the most vulnerable to manipulation, absorbing ideas like a sponge. That's my guess about what’s going on with these Imperial Scholars in Eden.

Why do you think they choose the cream of the crop among these students? The geniuses—won’t they be useful in terms of war? The other talented and athletic students could boost Ostania’s economy, and when they become famous celebrities, they could be influencers, shaping public opinion in line with the ideas they hold. The heroic and helpful ones could also be valuable in times of war, willingly risking their lives for Ostania.

When I was a Humanities student in my senior year of high school, I remembered studying a case in my country where athletes and geniuses were brainwashed by rebel groups into supporting their ideals regarding the government. In the end, these students did join those rebel groups, believing they were doing the right thing. They left their families, not even caring about their feelings, because they firmly believed that what they were doing needed to be done. They were first introduced into these societies or clubs, usually inviting geniuses and, take note, scholars. As they associated more with these clubs or organizations, they became more and more exposed and influenced. I can’t help but think that this could also be true in Eden Academy. I think this could be confirmed or debunked once we meet more Imperial Scholars or former Imperial Scholars and have their minds read by Anya. So for now, this is purely my speculation. But I'd like to know your ideas about it.

Operation Strix, I'd say, challenges Desmond’s ideas about people not understanding one another. Remember, Twilight’s goal was not to assassinate him; it was for him to determine if Desmond was engaged in any suspicious activities that might lead to war between East and West and to prevent it from happening. I think, in a way, Operation Strix could really achieve that because at its very core, it disproves Donovan’s ideas about people. These three individuals bound by Operation Strix, who barely knew each other and hadn't even spent a year together, have a lot of secrets and differences in terms of nationality, behavior, upbringing, and ideals. Yet, they managed to live peacefully as a family. They may not understand each other completely, but that doesn’t stop them from trying.

Twilight, despite Anya being a stranger to him, strives to always humor her no matter how weird her statements are. Even though he couldn’t fully understand her, he wanted to and he always tries to, because he’s not just a spy; he’s a parent, her father. That’s what parents and families do—they always try to understand one another. This connects back to the inside cover theory I talked about before, regarding the Forger family understanding one another.

It was fascinating to see how the Desmonds and the Forgers are alike in terms of being not a normal family but very different, especially in how they treat each other. I would love it if Donovan, as a character, symbolizes the idea of war, while Twilight and the family he built for his mission are a symbol of peace, proving it to be possible despite all differences.

What do you think about this?