THEY MADE AMY SO PRETTTTY OMG!!!!!!!
Together
me with anything i like ever actually
#3 Komorebi
I like it comic series
In the most recent season of Ninjago, many viewers noticed a significant shift in the characterization of Lloyd Garmadon. Compared to previous seasons, Lloyd appears withdrawn, distant, and shows clear signs of emotional flattening. His involvement in key events is minimal, his verbal contributions are scarce, and his body language reflects a noticeable sense of detachment. A friend and I even ranked Lloyd as the third ninja with the least screen time this season—only behind Cole and Jay. However, even they maintained their typical personalities in their brief appearances. What concerned us most was the absence of his visions, a trait confirmed as permanent in the previous two seasons.
At first, this change was frustrating. However, after discussing the matter with a friend who is about to graduate in Psychology, she offered an interpretation that completely shifted our perspective: Lloyd may be experiencing emotional disconnection as a result of accumulated traumatic events. Based on this hypothesis, we developed two plausible theories, both supported by psychological literature.
Emotional disconnection is a psychological phenomenon associated with conditions such as post-traumatic stress disorder (PTSD), dissociative disorders, major depression, or even temporary adaptive responses to chronic stress. Broadly speaking, it refers to a reduced or lost ability to experience or express emotions, whether as an unconscious defense mechanism or as a symptom of a greater disorder.
In high-stress emotional contexts—such as repeated traumatic experiences (war, loss, betrayal, guilt, excessive responsibility)—the nervous system can enter a prolonged state of hypoactivation, meaning a general decrease in emotional, behavioral, and cognitive responses. This phenomenon is also known as emotional numbing.
Social and behavioral withdrawal: The individual avoids active interaction with their environment. In Lloyd's case, this is seen in his passive stance, scarce dialogue, and minimal group engagement.
Affective flattening: There is a visible reduction in emotional expression: few smiles, rare signs of distress or anger, even in situations that would typically provoke them. This matches Lloyd's attitude, as he rarely reacts emotionally during critical events.
Feelings of unreality or detachment from the environment (derealization): The world may feel distant or artificial. Narratively, this could be reflected in scenes where Lloyd silently watches events unfold, seemingly disconnected from his surroundings.
Disconnection from one’s own emotions (depersonalization): The individual may feel like they're acting automatically, without personal involvement. This could explain why Lloyd behaves mechanically in combat or lacks clear motivation.
Reduced motivation or initiative: Often, there is a loss of interest in previous activities or a lack of energy to act. In a setting like Ninjago, where characters are usually proactive, Lloyd’s passivity becomes even more striking.
Blocking or suppression of intense memories or mental processes: In individuals with traumatic experiences, the mind may suppress access to emotionally threatening content. In Lloyd’s case, this could explain the temporary absence of his visions.
Clinically, these symptoms align with conditions like PTSD, dissociative disorders, or even adaptive forms of depression. Lloyd’s training with Rontu gave him tools to manage his visions, so he may have learned to suppress them as a coping mechanism. However, such suppression can trigger an emotional rebound—an abrupt and intense resurgence of emotions or abilities—which could signal a major narrative turning point in the second half of the season or in future installments.
Theory of emotional repression of visions: If Lloyd is in a dissociative state, it’s plausible that his visions—often emotionally intense (e.g., foreseeing death, betrayal, or failure)—have been unconsciously blocked. His training with Rontu gave him some control over these visions, and he may have “shut off” that channel as a form of self-protection. This aligns with clinical patterns observed in individuals who choose not to access unusual mental functions (in narrative terms) to preserve their mental stability.
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Theory of resignation due to inevitability of visions: Another theory suggests Lloyd still has visions but no longer fights them. In battles such as those against Zeatrix or Thunderfang, he doesn’t use his usual combat style: instead of confronting, he dodges, retreats, and attacks from a distance. This behavior may reflect a resignation to a fate he has already foreseen.
From a psychological perspective, this relates to the concept of learned helplessness (Seligman, 1975), where a person, after repeated failures to avoid a negative outcome, stops trying and adopts a passive stance. For Lloyd, this might be a form of emotional self-preservation: if resisting the vision changes nothing, perhaps it’s better not to resist. This narrative arc is powerful because it ties directly into his past development: Lloyd, who always rebelled against his lineage and tried to shape his own destiny, now seems to be surrendering to the weight of inevitability. This may be a direct consequence of the battle with Zeatrix, where he believed he had overcome his vision, only to see it come true anyway.
Both interpretations are supported by legitimate psychological concepts. In one case, we see the effects of trauma as emotional dissociation; in the other, cognitive adaptation to a perceived inevitability. Both are plausible in characters exposed to constant stress, loss, the burden of responsibility, and supernatural abilities that carry a mental toll.
If this portrayal was intentional—which is likely—we are witnessing a characterization that realistically reflects real psychological processes, adding depth to Lloyd’s arc and opening new possibilities for future development.
After this post this year, I'll make the next post next year
The address of Under Orchestra original Comics site has been changed-[ You can go to the link for more information]
Thank you for reading my Comics-!
September, a last bite of summer, before the frost cuts my knuckles.
Minor rant incoming:
It fuckin pisses me off that people underestimate Isagi so much, like even after he's leaving people in the dust left and right and is now a terrifying player in his own right, he's still treated like some- some weakling?! What the fuck?!
Its like he has to prove his worth with every fuckin match, to every single fucking person, every single time. They all act like he's beneath them and finally catching up. They all go on about like "Omg Isagi so weak he gotta compensate for it with his smarts"
Like. Bitch. No. His smarts is fucking crushing all of you. Oh my god. His smart is a weapon that is so fuckin terrifying but everyone's like "Uwu isagi, ur lucky, barely scraped by the skin of ur teeth there" like. Fuck off omg, he destroyed u. Stfu.
He's already devoured Barou, Chigiri, Nagi, Reo, Aiku: fuckin Rin and Shidou (although briefly) even before the U-20 MATCH BEGAN.. And yet they are considered better players in blue-lock verse?! Like mf in what world does that make sense?!
ITOSHI SAE IS THE ONLY ONE WHO I SEE PROPERLY RESPECTING ISAGI'S POTENTIAL, HE DIDN'T SAY SHIT LIKE 'I underestimated you' or 'lucky shot'
NO, HE FUCKIN ACKNOWLEDEGED ISAGI AS A STRIKER AND A POWEFUL ONE AT THAT (RIGHTLY SO) AND THEN MOVED THE FUCK ON.
His observational skills are a weapon, people gotta stop acting like physical weapons are the only ones that count. Isagi been breaking them weapons left and right with his mf brain. Ong.
And the NEL. God the fucking NEL.
He's keeping up with kaiser. I'd go so far as to say, he's managing to beat the fucking shit out of kaiser and in such a short while no less, working with the pitifully small pieces of advice that he himself has to go ask Noa for. We havent seen him recieve any other mentorship.
HE FUCKING IMPROVED HIS LEFT FOOT SO FUCKING MUCH IN LIKE- 10 DAYS. WITHOUT WHATEVER FUCKIN STEROIDS EGO WAS GIVING KUNIGAMI. AND HE MANAGED TO EVEN CONVERT IT INTO A USEFUL WEAPON?!
He devoured fuckin Chris motherfuckin' Prince. And adult. World's no. 2. And people just?? Brush over that?! Like mf. What do u want from him. What more do u want from him.
AND HE'S DOING ALL THIS WHILE HIS SHOTS HAVE BEEN GETTING BLOCKED AND STOLEN LEFT AND RIGHT BY HIS OWN TEAMMATES (FELLOW BLUE-LOCKERS INCLUDED)
My boy deserves so much more respect from like. Every single fucking person in bluelock verse.
I WILL NOT SHUT THE FUCK UP ABOUT THIS. ISAGI YOICHI DESERVES SO MUCH BETTER-
THE AMAZING DIGITAL CIRCUS - OVA 1995