Honestly, this is something that needs to be talked about more. My mom passed four years ago, and my dad still flinches when we pull out the mug she always used to use on Saturdays and talks about her like his world began and ended in the depths of her eyes. But he also has a full-blown crush on this guy he works with and comes home talking about whatever they'd discussed that day and if he should read into the guy's comment on his shirt being cute. My dad doesn't love my mom any less because he's allowing himself to entertain loving again; it doesn't even mean that he's moved on from the grief of it all.
controversial opinion but I don’t think lenore’s entrance affects hayffie canonly at all. In fact I think it actually makes me like hayffie more.
because even if haymitch will love lenore dove for the rest of his life, which he will, she’s gone, and he’s still alive. He can love her and love someone else, and that can be okay. Because love for someone who’s dead is so, so different from loving someone who’s living. Haymitch is an adult, he’s allowed to contain a multitude of feelings and have complex emotions about multiple people. effie isn’t trying to take Lenore Dove’s place, they have their own, new, different thing, and that has meaning, too. The way that Haymitch loves Effie doesn’t detract from how much he loves Lenore, and vise versa.
Peoples relationships can be different and equally important. (human relationships usually don’t fit in the strict boxes we make for them, but that’s a different post.) Haymitch doesn’t love either Effie or Lenore more, and saying that he can only love one like loving a person is a thing that can be scaled on a pyramid is kinda awful. Haymitch loves Lenore, but she’s dead, not to mention the fact that Effie herself is an entirely different person than Lenore was.
not being in active grief doesn’t mean he doesn’t remember her, or doesn’t still miss her, or loves her less then he loves Effie. It just means he found something for him to love in life, too, and I personally think lenore herself would love that. She wouldn’t have wanted Haymitch to stay yearning about her forever; the whole point of ending the games was so there could be a better future. I think it works better if they both exist, because both ships are unique and beautiful in their own way.
and even if it didn’t complement hayffie really well, you’re allowed to ship whatever you like without caring about wether or not it’s canon.
human relationships are nebulous and nonlinear (the same way everything about humans are) and you can have completely unique feelings about two different people. it isn’t like you have an inventory slot for people you love and then once there’s something in it it’s full, nuance exists
That moment when you finally understand what it means for someone to be so pretty it hurts
Emma: *Reading a letter* Regina: Well, what does it say? Emma: It’s a confession letter. It turns out Snow killed Billy. Regina: ... Regina: Who? Emma: *tearing up* My pet rock.
ngl this is the funniest procedural thing ive made in a while i saw https://genders.wtf/gauntlet/ and realized that the only way it could be better is if it went forever
kinda curious to see what ppl get
reblog if you support evil lesbians especially ones who destroy the world just to one up their girlfriend bc she left her
S.G.E parallels with other fairytale shows/movies
This made me so fucking angry I have to inflict it on all of you.
LESBIANS WAKE TF UP NEW CATE PHOTOSHOOT JUST DROPPED
Me when she is middle aged and a redhead
the sader + dovey + lesso (+ callis, before she leaves; + the shadow of evelyn sader) dynamic is one of my favourites ever. sader & dovey are good friends, enough that sader literally made her who she is (the crystal ball, the fairy godmother); dovey doubts sader and sader doubts himself in turn. dovey & lesso are. yeah. all that. lesso -> sader is disdain; is distrust; is thinking he's delusional but having to know by the end that he isn't. sader -> lesso is the knowledge that by bringing his sister back, he's going to ruin her life (and others' in the long run, but for now, hers); is guilt; is duty. out of all the teachers in the School they understand best what they're fighting for. they are the foundation, they are its heart.
and callis & lesso are friends, and find themselves in similar positions, only one has the chance to raise their child and one doesn't. the sins of the parent are the sins of the child, or are they? and callis & sader are. well. canonically they never interact. callis is the most important story sader will ever tell. they're coparenting. they both died for agatha.
and the sader siblings are worlds apart. and evelyn -> lesso is ruining her life just because she can; lesso -> evelyn is powerlessness, is futility. and callis & evelyn are two sides of the same coin, one who wanted love too little, one who wanted it too much.