i just. i just think he's neat
erin/the void dragon is from @comicaurora
TRC ANIMATIC :))
Idk what's happening my animatic keeps disappearing from tags, I'm trying to upload the yt version to see if it shows this time
If you come across this I hope you like it anyway :)
Guys!
I was so drowned with finals I slept less than 5 hours a night for two weeks,, but now I'm done. So I finished that animatic I started in December (what a bad idea to start this with that much work tbh), had so much fun doing it! All I could think of the last four weeks was this haha
I will finally add that the lyrics are very much linked to the scenes so make sure to listen to them
perfectionism - never being satisfied
honesty - coming off as rude and insensitive
devotion - can turn into obsession
generosity - being taken advantage of
loyalty - can make them blind for character faults in others
being dependable - always depending on them
ambitiousness - coming off as ruthless
optimism - not being realistic
diligence - not able to bend strict rules
protectiveness - being overprotective
cautiousness - never risking anything
being determined - too focussed on one thing
persuasiveness - coming off as manipulative
tidiness - can become an obsession
being realistic - being seen as pessimistic
assertiveness - coming off as bossy
pride - not accepting help from others
innocence - being seen as naive
selflessness - not thinking about themself enough
being forgiving - not holding others accountable
curiosity - asking too much questions
persistence - being seen as annoying
being charming - can seem manipulative
modesty - not reaching for more
confidence - coming off as arrogant
wit/humor - not taking things serious
patience - being left hanging
strategic - coming off as calculated
being caring - being overbearing
tolerance - being expected to tolerate a lot
eagerness - coming off as impatient
being observant - being seen as nosy
independence - not accepting help
being considerate - forgetting about themself
fearlessness - ignoring real danger
politeness - not telling what they really think
reliability - being taken advantage of
empathy - getting overwhelmed with feeling too much for other people
Question!!! But how do I integrate subtlety into my writing? Like I have a hard time picking up on it and I annoyingly have a tendency to tell not show, so I wanted to know if you have any advice!
-- Getting the hang of "showing vs telling" is a great place to start if you want to integrate subtlety into your writing. Saying, "Moonlight glinted off the lake," is more subtle than, "The moon was shining."
Guide: Showing vs Telling
-- Learning to evoke emotion and ambiance with sensory description is another way to write with more subtlety. After all, saying, "The house was scary looking," is not as subtle as, "Thick fog curled around the decaying timbers of the once grand Victorian home."
Horror by Darkness Horror by Daylight
-- Knowing what internal and external cues can be used to illustrate your characters' feelings is also helpful, because, "Sarah was sad," is not as subtle as, "Tears pooled in the corners of Sarah's eyes, and she bit her upper lip to keep it from quivering."
Showing a Character's Feelings The Subtle Signs of Romantic Interest and Love
-- Learning to weave details into your story is also helpful, as it's more subtle to work details in naturally than to do a big info dump.
Weaving Details into the Story
-- Finally, learn to drop hints rather than declare something outright.
Dropping Hints without Giving Everything Away
I hope that helps!
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I've done the research, but I don't think the results I've found have answered my question. My WIP stars a trio of teens who are 14 - 15. And since this story centers around change, firsts, and coming into one's own, I wanted to feature a romance between two of the three MCs. I know more subtle signs of romance include shared looks, unspoken communication, hand holding, shoulder bumps, gentle headbutts, and going out of your way for the person your care for. But is that everything?
Whether affection is just beginning to develop or two people are in the early stages of a relationship, there are lots of subtle signs to indicate romantic interest and love. In no particular order…
External Signs
- stolen glances- lingering looks- intense eye contact- sharing a knowing look- eyes meeting- looking away bashfully after eyes meet- feeling nervous/tongue-tied when trying to talk to the other person- voice cracks when trying to speak to the other person- flirting- straying from normal attitude or behavior with other person- denying interest in other person when pressed by friends (in early stages)- communicating feelings through the eyes (worry, pain, pride, love, etc.)- awkwardness after accidental touching- shared laughter after accidental touching- an “electric” feeling when touching the other person- speaking at the same time (a little cliché, but it can happen)- tentative touching- finding ways to touch when intimate touch is restricted- open, affectionate touching (holding hands, hugging, nuzzling, etc.)- brushing a lock of hair behind the ear- gently stroking jaw line, chin, or cheek- kissing forehead, temple, or top of head- rubbing nose tips together- displaying flirtatious tics like biting lip, twirling hair, running hand through hair- talking excitedly or affectionately about the other person to friends- constantly talking about the other person to friends- blushing when teased by friends about the other person- giving the other person meaningful gifts- keeping mementos as reminders of the other person- making excuses to be near the other person- making excuses to spend time with the other person- wanting to get to know the other person’s friends and family- good mood/always smiling from being with or thinking about other person- giving each other nicknames or using pet names/terms of endearment- being reminded of other person when listening to love songs- sharing possessions, letting each other borrow meaningful possessions- willing to make sacrifices to be with the other person or to make them happy- sharing secrets, or things not often shared, with the other person- speaking softly or whispering in the person’s ear- cheeks/neck/chest becoming flushed- moving quickly toward the other person to close the distance- sighing, either out of happiness or missing the other person- losing track of time when with the other person- feeling like the rest of the world melts away when with the other person
Internal Signs
- thinking fondly of the other person- thinking about them constantly- recalling fond memories- seeing constant reminders of the other person- worrying about the other person- daydreaming about future activities with the other person- daydreaming about sharing a future with the other person- analyzing a previous interaction- dreaming about the person- feeling “weak in the knees” around the other person- remembering moments containing looking/touching moments- wanting to know everything there is to know about the other person- wanting to spend every waking second with the other person- orchestrating meetings that seem to be happenstance- feeling joy/racing heartbeat/butterflies upon seeing other person- craving the person’s touch, or being able to touch them- constant feeling of being “on cloud nine”- often distracted due to thinking about other person- wanting to impress the other person or make them proud- when not with the other person, noticing things they would appreciate- unable to see anything but positives where the other person is concerned- feeling suddenly warm- feeling breathless- noticing (and loving) little details (moles, scars, birthmarks, unusual traits)- wanting to improve self to impress or benefit other person- eyes constantly seek the other person out- inability to stop looking at the person, difficulty not staring at them- thinking you see the other person in a crowd when they’re not there- difficulty sleeping/loss of sleep- feeling a deep desire to kiss the personIf you need an extra boost, watch a few romantic comedies or love stories. Watch the way the characters behave as their interest in one another is building and as they begin to explore a relationship. :)
It's a funny little trick, really. Because the truth is readers don’t care about your plot.
They care about how your plot affects your characters. (Ah ha!)
You can have as many betrayals, breakups, fights, CIA conspiracies, evil warlords, double-crossings, sudden bouts of amnesia, comas, and flaming meteors racing directly toward Manhattan as you want.
But if readers don’t understand how those events will impact:
A character they care about
That character’s goal
The consequences of the event, whether positive or devastating
…then you may as well be shooting off firecrackers in an empty gymnasium.
Here’s an example:
A school burns down. Oh my god, the flames! The carnage! The dead and injured children! There are police everywhere—total chaos!
And your main character? Standing on the sidewalk, watching and crying.
Dramatic? Sure. But does the reader care? Not really. There’s no emotional connection, so it's basically a meaningless plot point.
Now, let’s take the same event but give it stakes.
Meet Mary Ann. Mary Ann has been a middle school teacher for 25 years. This year, she gets a new student—Indigo. An unusual girl with clear troubles at home and a habit of burning things.
Mary Ann defends Indigo when the school administration wants to expel her, citing safety concerns. Mary Ann sees something familiar in Indigo—something that reminds her of her own sister, who was institutionalized as a child.
One day, Indigo explodes in rage, screaming, “Burn it down! I’ll burn this whole place down!”
Mary Ann is shaken. This isn’t just defiance—this is a real threat. She nearly sides with the administration but, haunted by her sister’s fate, fights for Indigo’s second chance.
Indigo is placed in counseling. A compromise that will hopefully solve the problem.
That night, Mary Ann sleeps soundly. She did the right thing. Didn’t she? But the next morning, on her drive to school, the radio blares an emergency bulletin. There's a fire at the school.
Mary Ann speeds through red lights. Her stomach twists. When she arrives… it’s too late.
Oh my god, the flames! The carnage! The dead and injured children!
The exact same plot point—but now it matters.
The secret? Before you set something on fire (literally or figuratively), give your character—and thus your reader—a stake in the outcome.
1. Tie Events to Character Desires and Fears.
Why does this event matter to this character?
How does it challenge their values, beliefs, or personal history?
2. Make the Conflict Personal.
The fire isn’t just a disaster—it’s a gut-punch because Mary Ann fought for Indigo.
The outcome isn’t just tragic—it’s haunted by Mary Ann’s past regrets.
3. Show Consequences.
Readers need to feel what’s at stake before, during, and after the event.
The weight of the aftermath makes the plot stick in the reader’s mind.
The result? Higher engagement, deeper emotional connection, and a plot that actually matters.
I used a fire in this example, but this applies to any plot development.
Even something subtle—a whispered secret, an unread letter, a missed train—can have devastating emotional weight if it affects your character in a meaningful way.
Make your readers care about your plot by making your character care about it first.
Hope this helps!
sick of using "very _____" ? : https://www.losethevery.com/
want to simplify your writing ? : https://hemingwayapp.com/
writing buddies / motivation ? : https://nanowrimo.org
word you're looking for but don't know ? : https://www.onelook.com/thesaurus/
need a fantasy name ? : https://www.fantasynamegenerators.com/
need a fantasy name ? : https://nameberry.com/
want a name with meaning ? : https://www.behindthename.com/
who wants a map maker! : https://inkarnate.com/
story building / dnd ? : https://www.worldanvil.com/
need some minimalistic writing time ? : https://zenpen.io/
running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/
setting a goal ? how about 3 pages / day ? : https://new.750words.com/
what food did they eat ? : https://www.foodtimeline.org/
questions on diversity within writing ? : https://writingwithcolor.tumblr.com/
now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/
want more? : https://www.tumblr.com/blog/lyralit :]
Could you maybe write some prompts for portraying an unreliable narrator?
How to Write an Unreliable Narrator
-> 8 Tips to Writing Unreliable Narrators - Writer's Digest
make them a liar. Have them commit their faults outright, contradict themselves in the narrative, prove them to be a liar by their actions, have them hint that they know more than they're telling, reveal the truth a little later than they should, or have gaps in their memory.
shift their motives. Give your character conflicting desires and changing drives. Keep your reader guessing about their true mindset. (Are they in love with Character B? Or are they obsessed with Character B? Do they want to help B, or do they want to harm B?)
make them more clever than they appear. Have your reader believe your character is innocent and incapable of cunning and calculating schemes. Maybe they appear innocent and naive to the reader, and only later it is revealed that their childish actions have purpose.
use your secondary characters. Have them catch your narrator in lie, reveal that they are a victim of your narrator's lie, reveal a truth that the narrator has yet to share with the reader. How they treat the narrator can also show their unreliability. Sharing personal histories with the narrator may expose a side to the narrator that the reader hasn't seen.
add an unpredictable act. When a calm, thoughtful, innocent character suddenly does something out of character and a little unhinged, they become unreliable. (ex: a grieving woman suddenly throws all of her husband's belongings in the lake.)
-> What Is an Unreliable Narrator? - MasterClass
Picaro. The picaro is a character who has a knack for exaggerating.
Madman. The madman is unreliable because they are mentally detached from reality.
Naif. The naif’s narrative abilities are impacted by inexperience or age.
Liar. The liar is the most deliberate of all the unreliable narrators. The character fabricates stories, often to paint a better picture of themselves or achieve a desired outcome.
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subtle ways to include foreshadowing
one character knowing something offhandedly that they shouldn't, isn't addressed until later
the crow rhyme
colours!! esp if like, blue is evil in your world and the mc's best friend is always noted to wear blue...betrayal?
write with the ending in mind
use patterns from tragic past events to warn of the future
keep the characters distracted! run it in the background until the grand reveal
WEATHER.
do some research into Chekhov's gun
mention something that the mc dismisses over and over
KEEP TRACK OF WHAT YOU PUT. don't leave things hanging.
unreliable characters giving information that turn out to be true
flowers and names with meanings
anything with meanings actually
metaphors. if one character describes another as "a real demon" and the other turns out to be the bad guy, you're kind of like...ohhh yeahhh
anyways add anything else in the tags
There are 3 more poses for patrons!
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