God I Just. Love Ruthlessness As A Character Trait So Much. Sexy Sexy Sexy

MASTERPOST (PT. 2)

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For romance writing prompts, plotting tips & more, check out: MASTERPOST PT. 1

⭐Dialogue

Writing Dialogue 101

Crying-Yelling Dialogue Prompts

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⛰️Words to Use Instead Of...

Synonyms for "Walk"

Synonyms for “feeling like”

Words To Use Instead of "Look"

Words to Use Instead Of...(beautiful, interesting, good, awesome, cute, shy)

Said is dead

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🔠Vocab Lists

Nervous Tension Vocab

Kiss Scene Vocab

Fight Scene Vocab

Haunted House Inspo & Vocab

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👁️‍🗨️Setting & Description

Common Scenery Description Tips

2012 School Setting Vibes - follower question

Describing Food in Writing

Describing Cuts, Bruises and Scrapes

Using Description and Setting Meaningfully

How Different Types of Death Feel

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🗡️Weapons & Fighting Series:

Writing Swords

Writing knives and daggers

Writing Weapons (3): Staffs, Spears and Polearms

Writing Weapons (4): Clubs, Maces, Axes, Slings and Arrows

Writing Weapons (5): Improvised Weapons

Writing Weapons (6): Magical Weapons and Warfare

Writing Weapons (7): Unarmed Combat

Writing Female Fighters

Writing Male Fighters

Writing Armour

Writing Group Fights

Writing Battles At Sea

Erotic Tension in Fight Scenes

Pacing for Fight Scenes

Writing a Siege Warfare

Different Genres, Different Fight Scenes.

Making Fight Scenes Sound Nicer

Fight Scenes For Disabled Characters

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🌎Worldbuilding

Constructing a Fictional Economy

Homosexuality in Historical Fiction

Writing Nine Circles of Hell

Writing Seven Levels of Heaven

Master List of Superpowers

Magic System Ideas 

A Guide to Writing Cozy Fantasy

Dark Fantasy How-To

Dark Fantasy Writing Prompts

Dark, Twisted Fairytale Prompts

Fantasy World Cultural Quirks 

Fantasy Nobel Ranks: A List

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🌠Symbolism in Writing

Plant Symbolisms 

Weather Symbolisms

Symbols of Death

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🪄Writing Magic

Writing Magicians - the basics

Writing Magic Systems

Magical Training Options for Your Characters

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📋Other!

List of Fantasy Subgenres

Beauty is Terror: A List

The Pirate's Glossary

Storyediting Questions to Ask

Writing Multiple WIPs Simultaneously

Idea Generation Exercises for the Writer

Book Title Ideas

Picking the Right Story For You

What If God Dies in Your Story 

International Slang, Slang, Slang!

10 Great Love Opening Lines 

How to Insult Like Shakespeare

Serial Killer Escape Manual

Best Picrew Character Generators for Your Characters!

How to Write Faster

7 fool-proof ways to connect with your characters

Finding it a bit hard to connect to a certain character in your story? Here are 7 ways to get over that hump →

Start with the little things Every person has their own quirks, and so should your characters. A character might fall flat in your vision because of an absence of these small unique traits. Lean into this, think of habits they fall to when they get emotional, or weird little obsessions they linger on.

Give them a small trait of your own Don’t misinterpret this advice as writing yourself into the story! What I mean by this is to pick a small trait or a habit of your own to add a bit of yourself into a character you’re finding it difficult to connect with. This is a great trick to use if you’re writing a type of personality that differs from your own, and helps layer out character too!

Figure out what they want most Knowing a character's motivation - or what it is that actually drives them forward in the story, is one of the key things you should know about any character. If you’re finding it hard to connect to one of them, think about whether you’ve given them clear and tangible motivation within your story world.

And then figure out why they can’t get that Once you know what your character wants, what their goal might be, think of a reason why they can’t get it, or what that process of achieving the goal might be difficult for them. Usually, this works great if it comes from within - meaning that your character carries a flaw that stops them from acting on their goal.

Don’t underestimate kindness Flawed and morally gray characters are great. But don’t underestimate the power of a kind, positive trait. It’s what makes readers fall in love, and what will ultimately help you fall in love with the character, too. We don’t fall in love with a character’s  snark, but with the emotions they hide behind the snark.

Give yourself time to get to know them Sometimes you don’t immediately click with all your characters, and that’s okay. That happens. It takes time to get to know what makes them tick, sometimes it takes writing them in a scene, then rewriting them in a different way in the same scene to feel out what’s most natural to them. If a character feels distant to you, let yourself explore a different approach to how you write them.

Don’t rush into who they are It can be really fun to keep a mystery about someone. And sometimes that’s all it takes for readers to be intrigued and feel connected to a character. This can work really well for you as the author, too. Don’t rush into writing down everything about your character in the first few chapters, keep a few details for later and work up to them.

writers' resources

sick of using "very _____" ? : https://www.losethevery.com/

want to simplify your writing ? : https://hemingwayapp.com/

writing buddies / motivation ? : https://nanowrimo.org

word you're looking for but don't know ? : https://www.onelook.com/thesaurus/

need a fantasy name ? : https://www.fantasynamegenerators.com/

need a fantasy name ? : https://nameberry.com/

want a name with meaning ? : https://www.behindthename.com/

who wants a map maker! : https://inkarnate.com/

story building / dnd ? : https://www.worldanvil.com/

need some minimalistic writing time ? : https://zenpen.io/

running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/

setting a goal ? how about 3 pages / day ? : https://new.750words.com/

what food did they eat ? : https://www.foodtimeline.org/

questions on diversity within writing ? : https://writingwithcolor.tumblr.com/

now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/

want more? : https://www.tumblr.com/blog/lyralit :]

Your English teachers lied to you.

Thought I'd post my old writing advice guides onto this blog since I deleted my old one. I hope it's helpful!

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Listen. I respect the hell out of teachers. The vast majority of them work crazy hard and most of the time, including the times they give you well-meaning ‘writing rules,’ only want to instill good and helpful habits into you.

That doesn’t change the fact that many of these rules are stupid.

Here are my top five ‘writing rule’ pet peeves, and five rules that should be followed.

✗ Don’t write ‘said.’

Okay, I know this is common knowledge by now, but it’s so important. The concept that you can never write ‘ so-and-so said’ is hurting novice writers’ narratives. Said is invisible. Said is powerful. Said is transformable. If every quote ends in a strong synonym, it is distracting. Sometimes, in an established repartee, quotes don’t need to be tagged at all. Or an adverb following ‘said’ might be better for the narrative than any single verb.

Eg. // “I hate the rain,” grumbled David.

“I love it,” Claire announced.

“You love everything,” he muttered.

“Including you!” she giggled.

versus.

“I hate the rain,” grumbled David.

“I love it,” said Claire.

“You love everything,” he said impatiently.

“Including you!”

✓ Don’t write ‘something.’

Cold hard truth, baby. ‘Something’ is a draft word. It’s what you write when you want to think of a replacement. I cringe when I see it in a sentence that would have been improved tenfold by a specific noun or descriptive phrase in its place. There are times when ‘something’ works or is the only option, but experiment by replacing that word with more description before deciding it’s necessary to keep.

Eg. // He pulled something shiny from his pocket. She craned her neck to see what it was. A metal flask. versus. A flash of light caught the metal he pulled from his pocket. She craned her neck to see what it was. A drinking flask.

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✗ Avoid adverbs.

This is true and false, but I’ll address the false part first. The concept that you can’t use adverbs at all is ridiculous. Don’t blindly (!) replace every adverb in your prose with a single verb because someone said you should. You want whatever you are writing to flow well and to deliver the best impact or imagery. Sometimes that means adverbs. Or you might want the verb to be discreet (such as when using ‘said’) but still want to invoke emotion. That also means adverbs.

Eg. // "Don't do that!" she spluttered, panicked by the urgency of the situation. versus. "Don't do that!" she said frantically, panicked by the urgency of the situation.

✓ Use strong verbs. At least consider them.

Verbs make the world go ‘round, people. Most of the time, a strong verb will make your writing flow well and deliver the best impact or imagery. Weigh a strong verb against an adverb + weaker verb and decide the one you want to keep in a scene. Don’t just stick with whichever you wrote first because you grew attached to the sentence.

Eg. // She held up her blood-slicked sword proudly, her other fist raised triumphantly. versus. She thrust her blood-slicked sword into the air, her other fist clenched high in triumph.

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✗ Don’t use a thesaurus.

I. HATE. This rule. I had an English teacher in middle school who marked any words she thought you had looked up as wrong. As a young reader with a large vocabulary, I was always needing to prove that I hadn’t just picked a random synonym from a thesaurus, that I knew and deliberately chose those words. (That sentence has a great example of a necessary adverb! Get BENT Mrs E. (She also hated adverbs.)) This is the same idiotic concept as telling artists not to use reference images. Use a thesaurus if a certain word is failing you or you hate every word you’ve come up with yourself. There’s nothing bad or shameful about it.

Eg. // There are no examples for this. I’m not sure how I would even do that. Insert stock photo of someone perusing a thesaurus here?

✓ Don’t use words you aren’t comfortable with.

Now, when you search the great wide web for a synonym to a word and then choose whichever one sounds nice because hey, the internet said it was interchangeable, so it must be! … Yeah. Don’t do that.

I use a thesaurus to find words that I can’t think of in the moment but they are always ones I still know. Every word has a subtle (or not so subtle) connotation that you need familiarity with before deciding it is the perfect replacement. Know your words before you start playing Mix n Match.

Eg. // Amusement in the profession puts transcendence in the performance. (Utter nonsense, written by me and thesaurus.com) versus. Pleasure in the job puts perfection in the work. (Inspiring quote, written by Aristotle)

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✗ Don’t end sentences with a preposition.

Whoever made up this rule is an elitist hack. (I just googled it, and supposedly it began with a bunch of 17th century scholars who thought English should have Latin’s grammar, so. Yeah. Elitist hacks.) Ending sentences in prepositions sounds wayyyyy more natural than the alternative. If you don’t want to sound stilted, beat this rule into the dirt.

Eg. // They didn’t know of what she was capable. versus. They didn’t know what she was capable of.

✓ Be conscientious of your sentence construction.

A lot of grammar rules are bogus. Not ending a sentence with a preposition, not starting a sentence with a conjunction, not laying face down on the floor and screeching… Oh, right, that latter one isn’t a rule, it’s just what you want to do when you have to think about grammar.

But, regardless of bogus grammar rules, you need to put thought into your sentence construction. Editing (not writing) is the best time to do this. That’s when you can make sure the words flow together naturally as an individual sentence, as part of a paragraph, and within the chapter as a whole.

Another common construction faux pas that I see is disregarding the sequence of events because you believe it will have greater impact. In reality, if you avoid putting your narration out of order, it usually results in stronger sentences.

Eg. // "Tell me it's not true!" He stood in the doorway after bursting into Kyle's room, panting from his sprint up the stairs. versus. He sprinted up the stairs two at a time and burst into Kyle's room without knocking. "Tell me it's not true!" he demanded breathlessly.

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✗ If you break writing rules you’re a bad writer.

If anyone tries to convince you of this, kick them in the neck. (You heard it here folks, kick your DANG TEACHERS IN THE NECK.) (Not really, please don’t.) (If you do, though, don’t say that I encouraged it.) (I’m not encouraging it, I just want to make that clear. Please be nice to your teachers, they have hard jobs.)

Rules were made to be broken. You just need to know the rules in the first place in order to decide to break them, so it’s never a bad thing to educate yourself on general writing advice. Still, there is a fine line between creative liberty and bad writing, and sometimes a famous book or author turns the latter into the former. Know your stuff, but don’t be afraid to throw your stuff into the fire and watch it burn. (Figuratively. Don’t literally throw your possessions into fire, that’s irresponsible on so many levels.) (A lot of parentheses in this rule rant.) (Now that’s just bad writing.)

✓ Take writing rules and advice with a grain of salt, but don’t ignore them.

As a novice writer, or even an experienced one, it is hard to differentiate between which rules work best in your own prose. You may only realize it in hindsight. That doesn’t mean you should ignore every piece of writing advice or dismiss criticism of your work. Think critically about your own style, read books you enjoy and think about their styles, and deliberate– don’t dismiss. Maybe your writing style requires no dangling prepositions or never using an adverb. That’s your decision to make. Just… don’t make it because you’re too stubborn to see how you can improve.

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That’s all I’ve got! Do you have any pet peeves about common writing advice? Feel free to reblog and add your own!

Don’t forget to write a sentence of your story today! Thanks for reading~

Character Types for Your Next Story

Great ideas for characters will come and go, but there are always concrete character types that you can count on to carry a plot.

Check out the most common types to see if they're what you need to make your next story come to life.

The Protagonist

This is your main character. They're the central focus of the story, the person who resolves the main conflict, or the individual who grows with or from the story's theme.

You can also have multiple protagonists! 3rd-person POV stories/books often have at least two main characters because switching between their points of view furthers the plot, adds tension, or develops their world for the reader.

Examples: Bilbo Baggins in The Hobbit; Claire Randall in Outlander

The Antagonist

This is your main character's opposition. They'll be the force against which your protagonist clashes to experience the conflict that results in their growth. Sometimes the antagonist functions as an obstacle for the protagonist to overcome. Other times, they're a lesson the main character needs to learn by the end of the story.

You can create multiple antagonists for one protagonist or multipel antagonist for a cast of protagonists. It depends on the story you have in mind and what POV you'll be using.

Examples: The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; Pennywise in It

The Central (Major) Characters

Central characters are what you would call the individual protagonists who make up your cast of characters. They all grow throughout your plot and are essential to the backbone of your story.

Examples: the seven demigods in the Prophecy of Seven in The Heroes of Olympus series; the multigenerational protagonists in Homegoing

The Secondary (Minor) Characters

Secondary characters are often called sidekicks or companions. They're part of your protagonist's life and is along for the ride with them. Although your plot might not be the same without them (if they're a love interest, family member, or another person close to your protagonist), they primary exist to develop the protagonist.

Examples: Dr. Watson in the Sherlock Holmes series; Cinna in The Hunger Games series

The Static Characters

Writers need static characters to essentially remain the same for plot purposes. These characters are typically unaffected by what's happening in the protagonist's life because they're one or two steps removed from it.

Alternatively, your static character can also be antagonist. They're actively involved in your protagonist's life, but they don't undergo any inner changes that result in character growth.

Examples: Dolores Umbridge in the Harry Potter series (she remains unchanged because she has to be a constant source of conflict); Atticus Finch in To Kill a Mockingbird (he remains unchanged because he represents morality and reason to Scout)

The Dynamic Characters

Dynamic characters change throughout a story. They're most often the protagonist or one of the main cast of characters because they are actively involved in the plot.

These could be your protagonist, antagonist, or any other character that undergoes some time of fundamental change.

Examples: Ebenezer Scrooge in A Christmas Carol; Celaena Sardothien in Throne of Glass

The Flat Characters

Flat characters experience no change throughout a story. They may arrive at the end with a different opinion or goal, but they're almost identical to who they were at the beginning of the story.

Don't assume flat characters are boring or unnecessary! They always represent something for the protagonist or the reader. They can also be the antagonist!

Examples: Marmee in Little Women (she's a role model for her daughters and remains their true north throughout the book); Suzy Nakamura in American Born Chinese (she helps Wei-Chen face his complicated feelings about feeling like an outcast for his race by being vocal about hers, but that remains her sole purpose in the plot.)

The Round Characters

When someone talks about a round character, they don't mean the character's physical appearance. Instead, this phrase refers to a protagonist or antagonist's internal depth.

Round characters have complex personalities. They may contradict themselves sometimes or the people they love the most. These characters typically have full backstories and embody the phrase, "they contain multitudes."

Examples: Amy Dunne in Gone Girl; Elizabeth Bennet in Pride and Prejudice

The Stock Characters

Stock characters are flat characters that resemble a stereotype easily recognized by readers. They're your geek teenager with oversized glasses or the best friend who is only there to be the punchline.

Sometimes these characters are written so well that readers don't mind the stereotype. It depends on their relationship with other characters in your story and if they only embody the stereotype up front. Successful stock characters eventually reveal the depth of their hearts or undergo developments that push beyond the limits of their stereotype.

Examples: Rapunzel (the damsel in distress); Alaska Young in Looking for Alaska (the manic pixie dream girl)

The Anti-Hero

Readers love anti-heroes because they're protagonists who start off as the worst version of themselves and grow into the best they can be. There are always external and internal obstacles for them to overcome, which may or may not clash.

They can also start off as versions of themselves that are inherently good, then become more like an antagonist but for the right reasons. Readers may still cheer them on and hope they revert to their previous good ways or read your story to watch your anti-hero follow their worst instincts until the world crumbles around them.

Examples: Dexter Morgan in the Dexter series; Patrick Bateman in American Psycho

The Foil

Typically, the foil in any story is someone who's opposite of the protagonist. They encourage the main character to grow throughout the plot by holding reverse opinions, world views, or values.

Examples: God and Satan in Paradise Lost; Lennie and George in Of Mice and Men

The Symbolic Character

Characters can be great by themselves, but many times they will represent something the author is trying to talk about through their work. A symbolic character is the representation of an aspect of society, an idea, or theme.

Examples: the raven in The Raven (symbolizes the narrator's grief and the presence of death in general); Aslan in The Chronicles of Narnia series (symbolizes God/Jesus)

The Deuteragonist

Deuteragonists are also called the secondary characters. They're the closest characters to the protagonist throughout their journey. They give the story more depth, either through their close relationship with the protagonist or by working against them as or alongside the antagonist.

Examples: Edward Cullen in the Twilight series; Jiminy Cricket in Pinocchio

The Tertiary

You'll rarely see a tertiary character more than a few times in a story. They're background characters that most often create minor conflict on the protagonist's journey with their primary conflict. Tertiary characters add depth to a story's world, but aren't essential to the plot.

However, tertiary characters are important! Without them, there would be no nosy server at your protagonist's favorite coffee shop or supportive librarian at your main character's library.

Examples: Parvati and Padma Patil in Harry Potter; Madame Stahl in Anna Karenina

The Love Interest

Ah, the love interest. They are the secondary integral part of any romantic plot line and may challenge the protagonist to grow through introducing new experiences or points of view.

Examples: Peeta Mellark in The Hunger Games series; Will Traynor in Me Before You

The Confidante

Characters who are confidants are literary devices that help the protagonist reveal their secrets, state of mind, intentions, flaws, and feelings while all of those things are actively changing throughout a story. They can also represent real-life relationships by maintaining a healthy friendship or a manipulative friend.

Examples: Horatio in Hamlet; Samwise Gamgee in The Lord of the Rings series

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Many of these character types merge to create stories with more depth. Defining your existing or future characters with these terms could help you figure out their role in the plot and how to make your story stronger by flexing the purposes of each type.

Writing Indian characters, from an Indian person

India is a huge country! while most characters in mainstream media are from the 'big cities' i.e Mumbai, Delhi, Hyderabad, etc, there are many, many more places and areas to look at! since India is such a vast country, there is incredible diversity. 19,500 languages and dialects are present, with people of different skin, eye, and hair colors and types! there are, of course, a lot of inherent prejudices present, which I'll address a little later.

#1. Know their roots

There is no 'one' Indian experience. People from different places celebrate different festivals, worship different gods, and speak different languages!

A checklist of things you should know about your Indian character's background, in essence:

Which state and city/town/village are they from?

How many and which languages do they speak, and with what frequency? (Mostly, people can speak at least two languages!)

Are they religious? (more on religion later)

What are some of their favourite memories/moments linked to their culture? (festivals, family gatherings, etc)

#2. Naming your character

Some common names for boys: Aarav, Advik, Shlok, Farhan, Ritvik, Aarush, Krish, Ojas, Zain.

Some common names for girls: Arushi, Ishita, Trisha, Rhea, Riya, Zoya, Vedika, Khushi, Charvi.

Common last names: Shah, Singh, Agarwal, Banerjee, Dala, Bhat, Joshi, Iyer, Jain, Dhawan, Dixit.

Be careful while picking a last name: last names are very much indicators of the ethnicity/community you're from! most older folks can guess the ethnicity of people just by their last name - it's pretty cool.

Naming systems usually follow the name-surname format, and children usually take the last name of their father - but I believe some regions have a bit of a different system, so look that up!

#3. Stereotypes to avoid

This goes without saying, but I'm gonna say it anyway. Being 'Indian' shouldn't be your character's entire personality. Give them traits, feelings, and a purpose other than being a token diverse character. Some stereotypes that are really a no-no when it comes to Indian characters:

Making them good at math and academics in general (my Cs in math beg to differ that all Indians are good at math. often, the reason Indians are stereotyped to be so smart stems from an incredibly toxic and harmful environment at home which forces children to get good grades. unless you've experienced that, its not your story to write)

Making your Indian character 'hate' being Indian (not everyone?? hates their culture?? like there are many, MANY faults with India as a country, and it's important to recognize and take action against that - which often makes us iffy about how we feel about our country, it's genuinely not your place to write about that UNLESS you are Indian. don't bring in 'hatred' of a place you've never visited, and don't know much about.)

Make them scaredy-cats, 'cowards', who are good at nothing but being the 'brain' (I will literally behead you if you do this/lh)

#4. Why India shouldn't be portrayed as 'perfect' either

It's likely that most of you won't be going in SO deep with your Indian character, but India isn't the perfect 'uNiTy iN diVerSitY' as it's depicted in media. There are incredible tensions between religions (especially Hindus and Muslims), and even remnants of the 'untouchable' way of thinking remain between castes. There's a lot of violence against women, and misogyny is definitely something Indians are not foreign to. People with paler skin are considered to be 'better' than those with darker skin (in the older generations especially)

#5. Some common customs

Removing your shoes before entering the house, since your house is considered to be 'godly' and shoes shouldn't be brought inside

Eating dal (lentils), chawal (rice), sabji (a mixture of vegetables/meat that's cooked in different ways) roti (Indian flatbread) is considered to be a full, well-balanced meal and at least aspects of it are eaten for lunch and dinner (if not all four elements)

The suffixes -bhai (for men) and -ben (for women) are added to first names and are commonly used by adults to refer to someone of importance or who they hold to esteem.

However, 'bhai' (which literally means 'brother) is often used as slang when referring to friends or family. Other slang includes 'arrey' which is used to show irritation or 'yaar' which has the same context.

It's custom to call adults who you refer to in a friendly way 'aunty' or 'uncle', like the parents of your friends.

Talking back to your elders is forbidden, especially your grandparents who you have to refer to with utmost respect.

#6. Religions

India is a very religiously diverse country. The most common religion is Hinduism, then Islam, Christianity, Sikhism, and Buddhism. All religions have their own complexities, and since I'm a Hindu, I can tell you a little bit about that!

It's common to have a mandir which is a small altar dedicated to the deities your family worships. (Fun fact - they're usually placed in the East direction because that's where the sun rises)

Most kids can say a few shloks by-heart, which are a few lines of prayer! (lmao I've forgotten most but I used to be able to rattle off at least ten when I was younger)

Most people know at least the general plot of the Ramayan and Mahabharat - two famous epic stories. (I'm not sure if they're inherently 'Hindu' or not)

Many people wear necklaces with a small pendant of the deity they worship!

Common Hindu deities: Saraswati, Ganesha, Shiva, Krishna, Vishnu.

It's important to note that religious violence is a thing. Muslims especially, are oppressed and discriminated against. It's a very, very complex issue, and one that's been going on for thousands of years.

#7. Myth & Facts

India is a very poor country

Yep! Lakhs of people live in villages with no electricity, clean water, or amenities nearby. There's no point sugar-coating it. There are HUGE gaps between the poor and the rich (have you heard of Ambani and Adani :D) and while our millionaires rejoice in their thirty-story mansions, people die of famine, disease, and hunger every day. I am personally lucky enough to be EXTREMELY privileged and attend an international school and live in one of the most developed cities. Most people aren't as lucky as me, and it's a really true, horrifying reality.

Everyone in India is vegetarian

No lmao - while many people ARE, there's a greater and equal amount of non-vegetarian people.

We burn our dead in parking lots

This circulated back when the second wave was going on in India, and the media blew it out of proportion. First of all, what the actual f!ck. Cremation is a Hindu ritual, and by saying that aLL Indians burn their dead you are erasing the other religions here. Secondly, cremation is a sacred ritual only attended by close family of the deceased member. It does not happed in PARKING LOTS. It's a time of grief and loss, not a way to humiliate a religion for the way they treat their dead.

Drop any other questions about India in the comments/DM me!

as a mexican i can’t help but laugh at how wrong some americans writing mexican characters get the way our name system works so lemme explain so you can get it right!

so most mexicans (remarking MOST because i do mean 99% of us) have TWO last names that come from our parents. it’s basically like this:

name / paternal last name (dad’s first last name) / maternal last name (mum’s first last name).

the first last name is ALWAYS the paternal last name, it always comes from the dad side of the family. there are some exceptions though. in 3 states of the country it’s already legal to put the maternal last name first but it’s very rare and usually only in special cases, like when the father is absent for example.

there are also cases where the person has only one last name but this is not only extremely rare but it can cause a lot of hardships with legal documentation like school, banks, etc. this can happen for some reasons:

1- they’re the child of a single parent (however, to avoid the difficulties that come with having one single last name some end up being registered with the same last names as the parent, but inverted)

2- they were registered in another country where they only have one last name (for example USA, a friend of mine was registered there and for that reason they only have one last name in their documents)

it’s important to mention that unlike american last names, the two last names are not separated by “-” they’re only separated by a space.

the last names are not necessarily one word, some have two or three. for example last names like “de la rosa” or “del olmo”

also, there’s no such thing as married name here. women don’t change their last names nor mix them with their husbands last names.

as i am aware, last names tend to work like this in all latin america but many specific details may be different depending on the country and i am not that well informed.

either way, i hope this helps anyone who’s developing a mexican character!

if ur poetry isnt cringe that means you didnt put enough effort in

Say Something that is both True and Beautiful.