“omg you’re so creative. how do you get your ideas” i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it
- Journal from their perspective. It can be hard to write compelling, realistic motivation for characters if you don’t understand them yourself. By journalling from their perspective, even if the content of the journal isn’t included in your story, you’ll essentially be thinking as the character. This should help you understand who they are and how they make choices and react to things, like a real person would.
- Answer “character questions”, but be careful when using lists found online. The internet is full of lists of questions for writers to answer when building characters, but not all of them are actually that important or useful. The fact is, it really doesn’t matter what a character’s favourite colour, animal or day of the week is (unless it’s relevant to your story… but it usually isn’t). When looking for question lists online, or making your own, focus on questions that have to do with your character’s personality, such as how they’d react to a situation or which values matter more to them.
- Make character charts! I can’t stress this enough — character charts are incredibly useful tools for writers and I don’t know what I’d do without them. They’re a great way to keep track of important information about your characters in an organized way that’s easy to access when you need to quickly check a detail. I’d also strongly recommend making your own charts, not using templates online (I find it a lot easier to stay organized when I’m using my own organizational system). If you need a place to start, though, I normally create charts with 4 categories: role (protagonist, antagonist, etc.), name, identities (gender, ethnicity, sexual orientation, etc.), and description (just a brief few sentences about them). You can also make personality charts with things like their greatest flaw, greatest strength, story goals, etc.
- Come up with a few detailed memories/anecdotes from their past. Think of them as mini-stories you can drop into your main story to build a more realistic life around the character. These don’t have to be crucial to the plot, and should be brought up in a natural way, such as in conversation with another character or in the main character’s thoughts. For example, your MC’s best friend might compliment her necklace, and she tells them how her sister gave it to her as a birthday present before moving away. You can also use these anecdotes to drop in important information in a non-obvious way. Continuing the example above, the MC could mention that her sister has the same design necklace, but in green. Later, this becomes a clue, when she finds the green necklace outside the villain’s lair.
- Keep a record of their backstory. This one doesn’t really need much explaining… Just keep notes of your character’s backstory as you come up with it so you don’t risk inconsistencies, which tend to break down realism.
- Remember that the reader can’t see what’s in your head. Your characters may be fully developed, realistic people in your head, but that makes it easy to forget that your readers don’t automatically understand them the way you do — they only know what’s on the page. Asking other people to read your work can help you understand how your characters come through to an audience, but if you don’t want to do that, just re-reading it yourself is also helpful. If you do the latter, though, go through an entire chapter at a time, the way a reader would, not small sections.
requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color
description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.
ways to incorporate...
... a description of appearance:
when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')
the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"
the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"
when appearances create a contrast: "I immediately noticed them because they were the only other black person"
... ethnicity:
let the characters mention it where it makes sense
regarding the narrator you've chosen for your story, it can also be blended into an inner monologue
include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)
show their struggles: are they affected by social struggles? then show it!
words to use to describe skin colour:
... basic colour descriptions:
brown
black
beige
white
pink
... more specific colours (try sticking to familiar/common words that can be easily visualised):
amber
bronze
copper
gold
ochre
terracotta
sepia
sienna
porcelain
tan
... prefixes or modifiers (can be easily combined with basic colours):
dark
rich
warm
deep
fair
faint
light
cool
pale
... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):
yellow
orange
coral
golden
silver
rose
pink
red
blue
... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.
That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3
And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3
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YOU’RE NOT DEAD YET YOU’RE NOT DEAD YET GET THE FUCK UP YOU’RE NOT DEAD YET IT ISN’T FUCKING OVER DRAG YOUR CORPSE KICKING AND SCREAMING INTO TOMORROW ONE DAY YOU WILL STOP SURVIVING AND START LIVING YOU ARE NOT FUCKING DEAD YET.
Moving from one scene to another in your short story or novel can be challenging. If your plot spans more than a day or a week, you've got plenty of time to cover.
How do you transition your scenes without jumping over crucial plot points or making the pacing feel rushed?
There are a few tips you can try when you're facing this problem.
Let's say you've started a chapter with your protagonist encountering people they don't like while shopping at the grocery store with their exhausted two-year-old. The experience is frustrating, so your protagonist is simmering while sitting at a red light on the way home.
The main action of the chapter happens when the babysitter arrives that night, but it's only 12 o'clock in your scene. You needed your protagonist to encounter the people that annoy them to establish motivation for the action later on.
You could jump time by teasing the action itself. Your protagonist could thrum their fingers on the steering wheel and glare at the red light.
They opened their arms to the resentment churning under their skin. It sank into their bones, morphing into electricity that kept [Protagonist] plodding through their day. The red light mocked their need to take action, but they could wait.
Because when the babysitter showed up that night, they would take their revenge out on the city.
That could be a great place for a scene break or even the end of your chapter, depending on how much you've written. The reader won't mind a time jump because their interest gets piqued. They'll want to know what revenge means for that character and what will spin out from the choices they make.
If you're writing a 3rd person POV story with perspectives from at least two characters, you can also transition scenes by switching narrators.
While one character completes a plot-relevant action, the other could move the plot along by being a bit further in the future.
Consider something like this as an example:
Sarah's heart beat wildly in her chest as the heavy words finally fell from her lips. It was just the two of them in that park, but it had felt like the whole world had watched her admit her love for Melanie in the molten gold rays of the setting sun. All she needed now was an answer.
[Scene break symbol or the start of a new chapter]
Melanie heard Sarah's heartfelt words echo in her ears long after she had mumbled something about needing time. Time to think, to process. Sarah had been so understanding, even when she dropped Melanie off at home right afterward and skipped their usual Facetime call that night.
It wasn't until Melanie woke up the next morning in a sweat that she realized she finally had to unearth her biggest secret—she had only started the friendship with Sarah because she'd been in love with Sarah's older sister since the second grade.
You could make that time jump into however long you needed. Play with the scene set up in particular and then give the page or two to whoever loves to read your writing. They could talk about if it felt like a rushed scene or if the time jump felt right for that moment.
Most of the time, I find myself struggling with a scene transition because the moment that I'm writing isn't finished.
Recently I was writing a scene with two friends in a wagon on their way to a new city. They have a great conversation that sparks some character development in-between plot points, but I could feel that conversation coming to a lull.
It felt like the right moment to insert a transition, but something didn't feel right.
I had to walk away from my work and come back to it to realize that I needed to wrap up the moment to move anything forward.
The solution I found was ending the conversation by making them appreciate their friendship more than before, based on what had been said, and then the protagonist ended the scene by reflecting on how they knew they could face anything in the new city with their friend by their side.
The next scene started with their wagon approaching the city walls after a night of sleeping under the stars. The reader will still understand that it took more time to reach their destination, but they don't have to read excessive details about the cold night air or hard ground under the protagonist's back to get to what they're most looking forward to—the arrival at the new city.
Nothing about that night would add anything to the plot, so dropping the overnight experience at the beginning of the sentence makes for a great transition to the next scene.
Whether you end a scene with a cliffhanger, a heartfelt moment, or by switching between points of view, your transitions should always help the plot.
You can always edit them while reworking the finished draft later or ask for beta reader opinions from the people who always love reading what you write.
It's been a long time since my last visit here on Tumblr, right? So, as a comeback and since you loved my masterpost of websites for writers, I am bringing you my favorite Tumblr blogs to follow if you're a writer and are interested in finding lots of inspo on your timeline, as well as prompts, tips, and useful resources. Shall we start?
@givethispromptatry
@dailystoryprompts
@here-haveaprompt
@dark-fiction-and-angst
@youneedsomeprompts
@deity-prompts
@whygodohgodwhy
@writinghoursopen
@fluffyomlette
@promptsforthestrugglingauthor
@novelbear
@gfuckign
@ghostly-prompts
@worldbuildingprompts
@locationbuildingprompts
@wbqotd
@wildworldwritingprompts
@worldbuilding-question
@thealpha-chronicles
@happyheidi
@enchantedengland
@ancientsstudies
@greeksblog
@yourocdoeswhat
@questionsforyourocs
@oc-question
@oc-dev
@characterization-queries
@oc-factoids
@tag-that-oc
@some-oc-questions
not all of the following accounts post things but they reblog useful info
@writing-with-olive
@tstrangeauthor
@everythingwritingg
@writerthreads
@heywriters
@thewritersphere
@writelively
PS: If you think your account fits any of these categories, feel free to comment! Someone will check it out!!! :D
A recent search for a specific type of site to help me build new characters led me down a rabbit hole. Normally, that would make me much less productive, but I have found a treasure trove of websites for writers.
There are a few different places you can use to create a picture of something entirely new. I love this site for making character pictures as references, instead of stock photos or whatever pops up on Google Images.
thispersondoesnotexist: every time you reload the page, this site generates a headshot of someone who doesn't exist. This is great if you're thinking about a character's personality or age and don't have specifics for their facial features yet.
Night Cafe: this is an AI art generator that takes your text prompt and generates an image for it. I tried it for various scenery, like "forest" or "cottage." It takes a minute for your requested photo to load, but no more than maybe five for the program to finish the picture.
Art Breeder: this website has endless images of people, places, and general things. Users can blend photos to create something new and curious visitors can browse/download those images without creating an account. (But if you do want to make an account to create your own, it's free!)
You might prefer to set a story in a real-life environment so you can reference that place's weather, seasons, small-town vibe, or whatever you like. If that's the case, try:
MapCrunch: the homepage generates a new location each day and gives the location/GPS info in the top left of the screen. To see more images from previous days, hit "Gallery" in the top left.
Atlas Obscura: hover over or tap the "Places" tab, then hit "Random Place." A new page will load with a randomly generated location on the planet, provide a Google Maps link, and tell you a little bit about the place.
Random World Cities: this site makes randomly selected lists of global cities. Six appear for each search, although you'll have to look them up to find more information about each place. You can also use the site to have it select countries, US cities or US states too.
Thesauruses are great, but these websites have some pretty cool perspectives on finding just the right words for stories.
Describing Words: tell this website which word you want to stop repeating and it will give you tons of alternative words that mean the same thing. It typically has way more options than other sites I use.
Reverse Dictionary: type what you need a word for in Reverse Dictionary's search box and it will give you tons of words that closely match what you want. It also lists the words in order of relevancy, starting with a word that most accurately describes what you typed. (There's also an option to get definitions for search results!)
Tip of My Tongue: this website is phenomenal. It lets you search for that word you can't quite place by a letter in it, the definition, what it sounds like, or even its scrambled letters. A long list of potential options will appear on the right side of the screen for every search.
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Hope this helps when you need a hand during your next writing session 💛