The Entire Point Of Snape’s Character Is To Show That Someone Socially Unpleasant And Physically Unattractive,

“Snape hated Harry because Harry looked like James.” Okay. Let’s dig into this. Because it’s not a matter of, “Your dad bullied me and I’m getting back at him by being hateful to you.” It’s more complex and insidious than that. When Snape knew James as a teenager, Snape was “twitchy, like a spider.” He stuttered. He knew he could be under attack at any moment, and he was powerless: poor, with no social clout, unattractive, generally disliked. After James died, Snape was trapped back in the place where he’d been bullied, trying to be an authority figure to kids only a few years younger than him who’d watched him being bullied and assaulted. It must have been incredibly hard, but he did it. When we see him ten years later, he no longer stutters. He can keep a classroom quiet with a soft voice. He’s in control. Then, suddenly, there’s this face in the crowd again, the one his instincts associate with danger. He has to fight the automatic response to take cover or defend himself when he passes Harry in the halls. He’s twitchy again, his nerves are raw, it’s uncomfortable all the time. And then he gets face-to-face with him in class. And it’s like the clock has turned back and he’s a teenager again. Only, he’s managed to take all the things he’s fought so hard for with him: he doesn’t stutter, he can clearly say all the insults he ever wanted to; he’s the one with the power, with social standing behind him. And so all the things he would’ve liked to say to James come pouring out: the carefully created insults, the disdain. And the laughter of the Slytherins feeds the dark places in his soul. And then Harry leaves, and he hates himself. What is wrong with him? He knows this isn’t James, it’s not helping anything to treat him like this. He’s going to stop. He will just ignore the boy and get on with his life. But it never lasts. His control slips, and he says one thing, and then it snowballs, and he’s lost all that hard-won control he’s fought for all his life. He’s acting like a teenager again, and he hates it. He despises himself for it. But he won’t let anyone know his weakness. Better that everyone thinks he is petty enough to loathe the boy for no good reason than that they know how his control crumbles at a touch. So he sneers and insults him to other teachers and gets on with his self-loathing. He’s used to it, after all. And he does his best to protect the boy, to keep him alive despite all the idiot does to undo his efforts. But every time, he ends up screaming at the kid like he’s crazy. Maybe he is crazy. Normal people don’t feel out of control like this, for no reason. Just because a kid looks like his dad. So, yes. Harry looks like James, and Snape hates him for it.

happy ninjaposting friday your ninjapost is this joke titled I Loved Season Four And Have Drawn Like 3 Different Versions Of This Same Joke

I drew Franziska again in her outfit from the collaboration cafe at the time of the 20th anniversary…

There is also a time lapse from the middle to the middle. The file size was too large to record all the way through😂

Days at the cafe

The REAL Crystal Council

Rewatching Part one of Crystalized just makes me more enraged at the season so far. A big issue is the council having too many uninteresting and disconnected villain’s. I feel there are far more relevant, competent, and interesting characters to build a season off of that are accessible in our current timeline. 

I’ll run down a small list of gripes with each current member and then I’ll explain some of my choices, as well as their far more interesting relationships.  

CURRENT MEMBERS

Harumi: Her arc was complete in Hunted and rewriting her death would backtrack the most impactful moment she had. Passes by just barely because she is an interesting character to explore and redeem further, but so far they reversed her to Lloyd angst instead of pursuing the far more interesting and dramatic relationship she and Pythor would share. 

Aspheera: Talk about a waste of space. Her lore was contradictory to Ninjago history when it first came out in Fire chapter and I figured we were finally done and could renounce those events from the timeline. She is beyond idiotic in nature, and her motivations have always been ridiculously shallow, even to the point of satire in this new season. The only thing she can add is Wu angst that was already put to rest during the completion of his arc in Hunted and Motm (Her relation to Wu is also fairly annoying. Do the writers seriously think Wu is in the wrong, or is Aspheera simply this selfish and ignorant to her own actions?). She has no relation to any other character in the entire show and her base personality is difficult to watch at times. 

The Overlord: Cool voice and all, but resurfacing this after so long with no lead up is just opening old wounds again. For the sake of structure I’ll keep him, as he is the main point of the council, but even the Crystal King is on thin ice. (My theory is Oni magic tipped the balance enough to let him escape but there has been no inclination up until now that he would return, so having him appear as the big bad feels like a poor, fanservice decision.)

The Mechanic: The worst offender. This guy is on the same level as Fugidove and Ultra Violet. They were a trio and he never “leveled up” as they say in the show. He was always a one off, or a stooge for someone stronger, smarter, more devious, or more motivated. The Mechanic on his own has no intentions, no goal or purpose. He’s literally a low level thug who wasn’t even named until season 6. If they need a Prime Empire representative, I’d much prefer a plot about a villain kidnapping Unagami, since they are essentially code that could be reprogramed. That would open up a good story for Jay and Zane to bond over together. But no. The mechanic has no reason to be this high up. He has committed nothing on his own, has a bland personality, and his metal tech should be easily defeated by Jay, who is a skilled technician with lightening powers. 

Mr. E… er F: If they are not Echo Zane, it’s literally dead weight. The pinnacle of nothing. Mr. E was a mysterious badass biker robot that was good friends with Harumi. They gruesomely died in front of Harumi to give her doubts about her decision. Pythor just ‘rebuilding them” without any notion of the same hard drive/soul device just means they essentially just have a nindroid drone from Rebooted on the MAIN COUNCIL. The one hope for them is if they are actually Echo Zane, like the original draft. We saw the lighthouse, and Nya very distinctly screamed “Is anybody there???” to no response, despite knowing Echo Zane exists. If Echo is not Mr F, than both that scene and the character inclusion is irritating. 

Pythor: He’s fine. Always been a staple petty man just slithering around. In the Canon novel, Pythor’s Revenge, he was last seen begging the Serpentine for help in sabotaging Borg, to which he was kicked out of the caves. He’s charming, entertaining, has a long standing history with the overlord, and could have a plot with Harumi if they choose to mention it. 

Skull Sorcerer: He was so forgettable I literally forgot to type him on the list until just now. Although a staple of Cole’s season (and I love that season), this role for him is disconnected from his previous appearance and practically OOC in my book. King Vangelis loves his people and created the mines to make the city prosperous. He clearly wants to protect his daughter as well. The real villain of that season is the Skull itself, which is seen to corrupt Korgran in the flashback, and is implied to mess with Vangelis’ psyche. When the skull disintegrated, he immediately begged for mercy and forgiveness. The best course of action for Vangelis is a redemption arc, since he was just a King of an isolationist country disconnected from Ninjago that partook in slavery. We can visit him in prison and he could reveal everyone who was buying from him, although it was under a codename so he has no idea who it really goes to after the middle men pick it up. Instead of this approach, I fear he will just be some boring powerless guy wearing a mask. Vangelis as the SS did not have a single interesting thing to say. it was tropey generic villain jabber and it seems they may fall back on that instead of pursing something better. 

THE COOLER CRYSTAL COUNCIL. 

The council I have created, along with my sister, may be too much to unpack in one grand season, but I can simply no longer ignore how boring the current members are when others out there can be justified. It is grand, yes, but even one of these additions instead of the latter inclusions would make for a more exciting season.  

Pythor: The snake can stay. Forever endearing, with a background in helping the overlord and a connection to season 1, as well as the long lasting Serpentine war arc. 

Clouse: He only got his time to shine in Canon Malaysian plays, and off screen in books and semi-cannon Tommy fanfictions. This man is, in the shows current lore, still out there in the Underworld. Since WotD is still a WIP, we don’t know what his end is, but for now he could be back with something as easy to get as Travelers tea. I’m sure the Overlord is quite aware of portals and proud of how Clouse succeeded in merging Ninjago back into one land using dark matter. 

Harumi: If Canon is reversing her death than I suppose I can too. I can’t ignore the potential she has outside of Lloyd and the character growth she still could obtain. 

Nadakhan: A bit of an OP one, but you could make it work. Wishes can be very powerful and the Overlord could see the potential. He already wanted revenge on Ninjago since they destroyed his homeland and the Overlord could easily make that happen. The Overlord is also incredibly powerful. I’m sure there are wishes and ways to keep Nadakhan in line. We know he is currently in the possession of Clutch powers, making him more a part of WildBrain than Mr E. He is also personally connected to Jaya, which was something very important from last season. 

Time Twins: Lloyd says since their location is ‘unknown’ they are ruled out. I disagree. The best villains to bring up are the ones with no known location and there is no reason that the Ninja should rule out that possibility based on location alone. They just had a short reminding us of their existence. I would place them in Aspheera’s spot, serving as a reminder of Wu’s past, while also being in it for petty vengence. These two were also wronged by the Alliance and this new, darker alliance could be the push they need for redemption, as I’m a raved Twim sympathizer. 

Oni Garmadon: I know he has been shown in the trailers. It would be cool if he were a spy of some sort. He gets sent the invitation as a notorious villain at the end of his journey in the Garmadon comics. Having regained some humanity, he accepts the invitation to sabotage the organization. The Overlord could help him remember the past, or at the very least his time has Lord Garmadon, which was still kinder than how he acts now. 

THE RELATIONSHIP CHART

Look at all those lines. Now that’s a group of characters and not a bunch of useless bland faces about to be vessels for the Overlord. I’ll run down this list for you under the cut. 

Keep reading

THIS THIS THIS! I think the doe as a patronus fits Snape so well and Lily is only part of the reason that is, he fits the traits pretty well and is definitely a lot more feminine than masculine making a female animal work for his natural patronus. There’s no proof that his patronus changed or even that his love for Lily is romantic. I think the idea that the doe is his natural is more likely than it having been changed especially by the fact that he insults Tonks’s patronus for taking the form of Remus’s (would be a bit hypocritical if his had changed too)

going insane and i need to infodump about severus snape’s patronus being a doe for a second. i personally don’t think it changed, or lily necessarily influenced it- i think it’s always been a doe, casting the charm in dumbledore’s office was meant to show that he and lily were supposed to be viscerally aligned with each other and he knows he fucked it up and that’s why he’s spent almost two decades trying to atone for what he did. on a representative level, the doe symbolizes peace, protection, and innocence, and no three words could possibly represent severus snape more.

all he wants is peace: a peaceful life for himself, a peaceful world, a peaceful school. everything he’s ever done has been to create as much peace as possible. some of it can be considered misguided from a black and white moral standpoint, but it’s what created peace for himself. for example, aligning himself with the purist views of his housemates made him less of a target for bullying- he’s not a pure blood, and they’d know, and having powerful ambitious students on your side instead of alienating yourself from everyone means you have at least a semblance of protection from harm some of the time. he becomes a double agent for dumbledore to help bring about peace from voldemort’s reign. it might not have been peaceful for him per se, but it was still with the intention of peace in some form. he tries to give other people peace- he takes a vow with narcissa to protect her son because she’s crying and scared for him, and it gives her peace. he doesn’t throw draco under the bus to save his skin when voldemort accuses him of being the elder wands owner, giving draco and narcissa peace even if they weren’t aware. it’s either for himself, or for others.

he’s the most protective teacher at the school- would mcgonagall have thrown herself in front of three kids facing a wolfsbane-less werewolf? would flitwick take the burden of an unbreakable vow to protect draco malfoy from voldemort? would any of the DADA teachers have run towards the sound of a screaming woman? he consistently vows to protect everyone and everything he can. and, leading into his innocence, when he realizes he’s only been protecting harry for him to die, it breaks him.

he’s not necessarily innocent in that his hands are clean and he’s never done anything wrong in his life, but he’s innocent in that he’s naive. he trusted voldemort enough to be drawn into the death eaters, he trusted dumbledore enough to be manipulated into his bidding. it feels like he forgets that dumbledore screws him over constantly, dangles things in front of him and takes them away, makes crude assumptions, and has left him to fend for himself essentially their entire relationship. the times that dumbledore abandons him- physically, mentally, metaphorically- he gets very upset. like it’s new information to him that dumbledore treats him like shit. from an abuse perspective, he probably had to spend his childhood mentally erasing what his parents and home were like so he could feel safe and normal, so the constant ebb and flow/back and forth of his and dumbledore’s relationship is familiar to him. when dumbledore draws him back in with whatever method, he’s right back to behaving as dumbledore wants, doing what dumbledore wants, and believing what dumbledore believes. the times that he remembers that dumbledore doesn’t care that he let the guy who’s tried to kill him or assault go, or that dumbledore thinks he wants only lily saved because he desires her romantically or sexually, or that dumbledore has only been using harry and, by extension, him (as he’s been the one protecting harry) to play the long game of destroying voldemort are the times that he’s emotional in the books. he cries, he’s vulnerable, he raises his voice, he begs and he pleads and he defers. he doesn’t do that any other time, other than when he found harry watching his memories. he trusts and he forgives (or he forgets, or he feels safer pretending he doesn’t care what’s been done to him/how he’s been treated.) a doe is perfect for him. reducing it to something like tonk’s patronus being changed as soon as she’s in a relationship with lupin or that it’s only a doe because of lily evans completely erases his entire way of thinking and behaving and being.

also, in a self indulgent addendum, it’s a very feminine animal, and severus is consistently aligned with femininity. hermione calls the half-blood prince’s writing feminine. he wears his mother’s clothes as a child, and lupin encourages neville to dress his boggart as his grandmother. he’s quiet and docile and tries to be non-violent unless he’s pushed to his breaking point, and even then it’s screaming or crying or getting animated. he’s emotional and frequently painted as hysterical. he gets the “woman character treatment”: to the average viewer who doesn’t think about him long enough to understand otherwise, he only desires lily. the consensus is that he chases her, he only thinks about her in the context of attraction. the line about looking at her greedily is constantly understood to be lust, and not a desire for love or a desire for a peaceful relationship for once in his life (and a relationship that only ever seems to be platonic at that). he even backs off and all but disappears from her life when he’s asked to, while james (the one with the stag patronus, the classic triumphant male character) harasses her and pursues her and behaves in a way that makes his son decades later wonder if he forced lily into a relationship. he’s behaviorally aligned with what femininity in the eyes of misogyny is supposed to be. he keeps to himself, he’s quiet, he sacrifices every bit of himself for students and coworkers and superiors and expects nothing in return, he pushes his students to be the best they can. (i’d say nurtures with my whole chest, but as the narrative comes from harry, we can’t really be sure. in my view, his house won the house cup for several years in a row which was only interrupted by dumbledore awarding a fuck ton of points to his gryffindor prize pony, his classes are seen as high performing and advanced by even dolores umbridge of all people, he only tries to punish students albeit a bit violently after several attempts of getting them to understand why what they did was wrong, which seems to be pretty nurturing in comparison to what other teachers allow and do). whether he’s trans, or had been influenced more by eileen, or he was intended to be deeply complex and contradictory and that meant that he had to have these traits, or any other of the multitude of reasons for snape being an inherently feminine character, it’s there. his patronus wouldn’t be a stag, he wouldn’t be anything overbearing and he wouldn’t be anything aggressive. it doesn’t make sense with his soul and his personality and his life. the peaceful protective innocent/naive doe, however, does.

Severus: studies shown that you are the stupidest person in the world

James: source?

Severus: me

Spoilers under the cutoff because there is no way I'm jumpscaring ya'll with the biggest gut-punch in the game. Also I'm pretty sure it'd be taller than me if printed out so bare with me!

I'm going to be talking about a very important section in Case 5-5: Turnabout for Tomorrow...

...because good god almighty, can we talk about how GOOD Simon's Mood Matrix segment is?!

Pretense: Facing Your Fears

Let's set the stage for Simon and Athena before we build to what I want to talk about. Context is important and in this case it helps make the following revelations that much more effective.

Both characters at this point have gone through hell and high water to save the other from a dreadful fate; Simon enduring 7 years on death-row to protect Athena from punishment for Metis' death, Athena studying law in spite of her intense fear and trauma to undo the damage done by his false confession. By the time we get here we've seen how deeply Athena is affected by her trauma. We've seen how far Simon is willing to go in the name of protecting Athena, going so far as to disregard his own sister's concern for his safety.

By the time of Turnabout for Tomorrow's trial, they have practically been pushed to their breaking points; Athena is indicted for Clay's murder and is confronted with the idea that she herself is responsible for the death of her mother - her memories of UR-1 resurfacing and being pushed back at the same time as the worst-case scenario becomes apparent. Simon's efforts to save Athena from this punishment have been rendered practically useless with her incarceration, the phantom slipping from his grasp, the guilt Athena would bear being the only thing he stands to protect her from.

At the end of Phoenix and Edgeworth's initial skirmish and seeming Guilty verdict, Simon steps in with one last effort to protect Athena's innocence in this matter. Even though she's set to be convicted for Clay's murder, this carries a lot more weight if ever she realised what he saw that day would prove her guilty of killing Metis Cykes.

Athena - despite a practical mental breakdown earlier that day - pushes herself to stand at the Defense's bench to achieve what she has been working towards from the day Phoenix inspired her to persue this career. She's very much still afraid, still rattled by the accusation Aura had made, stating that she wants to run out of the courtroom as she speaks. Despite this she pushes herself to stand there and ask Simon for the chance to face her worst fears - that of the UR-1 trial and the horrible idea that she could be guilty herself - by letting her reveal his true emotions.

Simon accepts, confident that his prowess in psychology can deflect her efforts, though nevertheless wary of the emotions he has kept under wraps for 7 years. Athena (& Phoenix I guess...) slowly dismantle his testimony in full-knowledge that he is lying for a reason - one that could potentially destroy her if proven true. Both of them are staring down the worst-case scenario for each other and trying desperately to keep the other away from that event.

Let's go over that testimony then, shall we? I'll go through it section by section.

Part 1: The False Confession

Simon's lie relies on people seeing him as a heartless killer. We see him build and reinforce that image in his trials, acting as beligerently and violently as he can muster without causing any real damage. By this point he's already slashed at & sicked his bird on just about everyone who's ever stood in court, save for Bobby Fulbright. He's had to be shocked by him just to stop.

Suffice to say it was pretty effective since it took a hostage situation to convince officials to give UR-1 a re-trial (even after the HAT-2 bombing implied that the crimes that day were purpetrated by another party).

To this end, he brought out every trick in the book to keep his true memories on the event at bay from prying eyes; his closed-off nature, his mastery of psychology, his training with blade and hawk alike, his time in prison exposed to the worst humanity had to offer. All of these were ample tools in ensuring that his image is not broken.

His anger and joy regarding his false murder are almost complete lies. At best, he's enraged that such a thing happened at all and glad that his scheme had worked to protect Athena. The phantom later on demonstrates that people can indeed fake their emotions, though some genuine feeling will slip through the cracks if you try.

Enter Athena. Not only does she have a keen ear for one's tone, she has studied psychology and put her mind towards applying her talent to the coutroom. Her Mood Matrix program makes what she hears apparent to even the least informed person and she's already cracked a good number of testimonies with this power (well, two in 5-3 since Apollo and Phoenix did all the others, though they couldn't have without her explaining things).

For most people, Simon's anger would overshadow the relief he felt when he found Athena in the laboratory. Just enough to keep his lie sound for the untrained ear. That same relief for Athena's safety is weaponised in the next two lines as he talks about how cathartic the act was, cementing his intentions to others.

His relief at Athena's safety did need some explaination - leaning on people's poor perceptions of Metis to help his story along - though aside from that? This testimony is practically impenetrable with only one easily explained oddity that only Athena could have ever picked up on.

As I said however, one's true emotions can't help but leak out. Even the best liars like Simon and the phantom can't help that.

Part 2: A Ronin's Remorse

Only two statements change at this point so those are the only ones I'll show here.

One, he's dropped the anger in the second line to focus on his relief. Before he only mentioned that he found her instead of Metis, using his anger to mask his thoughts as frustration that he had to wait for his plans to go through.

Two, his joy is replaced with intense sadness towards the act of plunging the katana into Metis. There's no mention of catharsis here; only describing what had happened to her. To that, he would feel a great sadness.

Naturally he would grieve Metis, though that would not track with his prior satisfaction with the act. So he leaned on Athena again to explain his emotions, and that does explain things rather cleanly.

Note that this is the only time his Noise Level drops, too. It goes from 100% to 40% here - it's the closest he's willing to get to how he truly felt about the event without giving the game away. Any closer and he would start revealing emotions that do not match his words in the slightest.

Part 3: Brief Shock

His noise level rises to 60% here, so the emotions displayed are less accurate to how he truly felt. Although his tale of grand homicide has shifted somewhat...

Now, his concern at the beginning wasn't killing Dr Cykes to rescue Athena; he entered the room because he heard that Athena was upset in the other room while looking for her in the Psychology Lab.

How true it is that Athena was crying at that moment is debatable given future revelations, though nothing's contradictary about this section. Perhaps at this point she hadn't thought to put Metis on the repair table having only just woken up, reacting much like any child would at the sight of her mother's body before the idea crossed her mind. We do have an hour's gap between Metis' death and Simon leaving the lab, after all.

In any case, Simon's relief has turned to shock in the moment he finds Athena in the Robotics Lab. Any mention of Athena at this stage is long gone - he only talks about his hurry to the Robotics Lab. It isn't clear what he would be so shocked by at this stage. Most anyone would know, not much was out of the ordinary when he walked into the room.

Look at how he hesitates before arriving at this explaination. His words are a lot shakier than they were for prior testimony, the excuse he gives a blatant lie to cover his tracks. The noise level goes up again with this as well, from 60% to a full 100%; Simon has completely obscured the events he witnessed once again.

This was the closest Athena and Phoenix got to poking at what he really saw in the lab and it clearly rattled him. Before, his reasoning was sound. Now, we're left wondering what he actually saw in there to result in that much shock...

Part 4: The Blade of Evidence

Unfortunately, this is where the Mood Matrix becomes useless. Simon has explained his contradictory emotions deftly up to this point; his relief at Athena's wellbeing, his grief at the loss of Metis Cykes, his surprise upon entering the lab. In stark contrast to a good few people subjected to Athena's therapy, Simon is the only one in the game that completely evades her attack. He knows how she operates & is well-versed in analytical psychology himself which shows in just how reasonable his explainations are up to this point.

But stacking lies upon lies only gets you so far until it begins to contradict the one thing he can't re-interpret; evidence.

This is the only time he takes damage during his entire time on the stand. When his words no longer match what is physically verifiable, there is no recourse - his psychological prowess cannot disprove cold, hard facts. Just as Athena's abilities cannot be used as hard proof, rather requiring proof in and of itself (usually in the form of a confession from the witness).

Simon can no longer lie about what it is he saw in the lab that day. There are no avenues through which he can explain his shock and by now Athena & Phoenix have dug through his thoughts quite extensively. With that decisive cut they've managed to open Simon to one last attack...

...saldy, by opening one of his deepest, most painful wounds.

Part 5: That Terrible Scene

By this point it's clear everyone is getting much more than they bargained for. Simon's shock was only the tip of the iceberg; a raging storm of emotions had been hidden from earshot for 7 long years, far away from even Athena's keen ears.

The fact she's surprised that Simon has been carrying this for so long shows just how early he's managed to keep this under a lid, that he's had to hide it from young Athena as well (who's hearing was much more sensitive than now).

Athena herself has managed to endure the sound of people's hearts this entire time, in stark contrast to when being around people too long made her dizzy to the point of needing headphones. We've only seen two emotions at most go overboard at once with Marlon Rimes and she managed just fine with that noise - the grief and anger associated with the loss of his lover Azura Summers (at that point her empathy is the only thing that really shows). Simon is different. He feels everything all at once with such intensity that it pains Athena to hear for the first time since her debut. It changes the Mood Matrix screen we see here to purple for the first time that wasn't her demonstrating something to her co-workers (see Yuri Cosmos' MM sequence). Beyond volume and intensity of emotion, the fact that the person she cared so much for as to practice law to save from death row is experiencing so much mental anguish himself is distressing. Something terrible happened that day. It shook the ever-stoic Simon into a state not seen in even the most wild witness so far. He's hidden it for Athena's sake this entire time, but... why?

He's intentionally vague about it this time, compared to his more detailed accounts of the events. "That terrible scene!" leaves a lot to the imagination and nothing that comes to mind is comforting.

We all know why Athena's the defendant in this trial; Aura thinks she killed Metis Cykes that day. Edgeworth supports her theory through evidence that even Phoenix can't counter up to this point. Simon intervened in order to stop their efforts to indict her by lying about what happened that day.

Lying about... what, exactly, is the most concerning question. At this point the only two plausible explainations are that either Simon or Athena had done it. Savvier players might remember that Clonco stops by for a recharge at 2PM, same time as the crime, though Simon and Athena left the room at 3PM. There's a SMALL chance that what he saw could contradict what's been posited so far, though chances aren't looking great.

Also note that his line "I had no choice but to kill my mentor!" has gotten shorter. No mention of not wanting to hand Athena over. Just declaring in sheer hysteria that he did it and had no choice but to do it.

Simon is in a panic. Athena is reeling from her old friend's inner turmoil. No one is quite sure if what's about to be revealed will be in their favour.

He's very obviously concerned with Athena first and foremost; this entire act goes against even his own sister's wants, after all. That's where the centre of his most complex emotions lie.

And what do we find at the eye of the storm?

Part 6: Fixing Her Mother

Dr Cykes was already dead. Athena stood before her body on the repair table, bloody katana not too far away from her. She's covered in blood and no doubt in shock, but otherwise safe and sound.

Then Simon drops the bombshell; Athena looked at him with this look on her face and told him the following:

So.

Allow me to impart how gut-wrenching this entire sequence is.

On its own, it's already dark as dark can be. A smiling, dead-eyed little girl covered in blood is a sight to shake the hardiest to their core (the suspension of disbelief not withstanding - this is a cartoon depiction). I'm not the biggest fan of how Dual Destinies tends to jump between 3D and 2D anime but it can work. And boy does this work.

In context, this is Athena looking at Simon when he finds her mother Metis dead on the repair table. There's a bloody katana right by her and a stab wound on Metis. Athena has her mothers blood on her. She's smiling. Completely detatched from what is going on around her while looking Simon dead in the eye, telling him that she's about to take her mother apart to "fix" her.

Simon is in a whirlwind of emotions over this; grief at his mentor's death and for Athena's loss, relief that she's alive and well, furious that Metis had been murdered, and shocked that not only that this happened, not only that it seemingly happened because of her daughter... but that she's smiling as she's telling him the most horrific thing he could hear after seeing all of this.

Although. Simon isn't the only one Athena is looking at in this image.

She's also looking at herself. Her older self, the one that's just been told she killed her mother and how she intended to "fix" the situation.

Athena has not processed what happened that day by this point - her memories are still tucked away behind 5 Black Psyche Locks as a truth even she isn't aware of. Some parts of that memory come back to her here; the memory of stabbing someone with a blade, telling Simon she's going to "fix" Metis... but nothing more. The phantom is still hidden away from view. So the only logical conclusion she can come to at this point is that she did kill her mother that day.

She processes all of that while looking at herself, dead in the eye, covered in her mother's blood and smiling as if nothing's wrong.

She's looking back at the most innocent form of herself during the single worst event in her life. And she's smiling back at her.

Even better, she's looking at YOU. The player. Taking all of these dreadful things in while you and Athena are forced to witness something that shook SIMON SODDING BLACKQUILL to his core, before Athena finally breaks and screams in a combination of denial and anguish that her worst fear had come to light.

It's only worse when Simon explains that Metis Cykes truly did love Athena. Everything that she had done - especially the headphones Athena hated oh so much - was done to help her lead a normal life in spite of her condition. Simon, being well attuned to the needs and motivations of others, picked up on this and saw the Cykes for more than what they appeared. He did not want to believe that Athena would so callously kill her mother and rip her apart on her own machine. Without any evidence to prove the contrary, he took the fall to save her from guilt he saw as unjust. It had to be some kind of mistake... right?

Athena, on top of reliving UR-1 under the worst possible context, is practically frozen in her shivering pose the entire time. Without any evidence to the contrary, she has no reason to believe it wasn't her. Her faith in herself has completely shattered at this point. She was brave in wanting to confront the truth Simon had hidden all these years - especially after what Aura said while she was in the Detention Centre. Unfortunately it only revealed the worst for both characters; Simon's drive to protect Metis' daughter had been for naught, and Athena now has to live with the knowledge that in the abscence of decisive evidence, she had set every terrible thing that happened to the her, Simon, and Aura in motion 7 years ago.

I could nark about Phoenix's involvement here. How he steals much of Athena's thunder and how she would have been more fitting to point out the flaws in Simon's testimony, perhaps even showing some growth as a standard evidence-presenting lawyer through disproving the Ponco explaination. I do wish he was written and utilised better, though I completely understand why Athena specifically is out of commission for this part of the re-trial, especially immediately after Aura and Simon's revelations about her part in UR-1.

The trauma Athena experienced has a significant affect on her throughout DD and she's shown that enough pressure being built on her is enough to shut her down completely. UR-1 itself is horrific enough to warrent such a total shutdown in the times it occurs - specifically in regards to not being able to save a friend from a false conviction. The game does a good job in building up to and justifying her reactions. Having her truck on in spite of this is very much in the Athena spirit but there's a clear breaking point; going past that would reduce the impact significantly.

I do still think it would have been more effective for her to pick apart Simon's testimony though. You can't have your faux-protagonist make a big hoo-ha about being given a chance and then hand the steering-wheel to the guy who only learned of Simon's situation THAT SAME DAY-

Ahem. Sorry about that.

My gripes aside, this is a very effective and powerful sequence that makes the triumph later on all the more impactful. This struggle between two people trying to save the other, briefly falling into the darkest moment of both their lives, then somehow coming back from it is the main reason I cried over Simon thanking Athena while she finally let loose those tears of joy.

Dual Destinies can be amazing when it isn't being stupid, you know?

recent observation: kazuma's armband is loose on ryunosuke in all his sprite animations, because kazuma is more muscular than he is......the level of detail in this game is INSANE.

but beyond that, i also wanna point out that the armband is noticeably adjustable:

he keeps it as kazuma's size by choice.....i'm so normal

The Hidden Tragedy of Snape's Sacrifice is He Died at 20, Not 38

Where does the idea of selfish Severus Snape and his possessive love come from? Do people really believe that Snape died in the Shrieking Shack at 38, at the hands of Voldemort? Do they honestly think that, until he was 38, he lived a normal, happy life, full of hope and dreams, right up until that last minute when everything was suddenly ripped away from him?

Snape didn’t just die in that moment. His life ended 18 years earlier, when he was 20 years old, standing on a hill in front of Dumbledore. That’s when he gave up everything—his freedom, his future, and his life—in exchange for the safety of the Potter family: James, Lily, and Harry.

From that moment on, Snape no longer lived for himself. He had no control over his own fate; his life had been bargained away to protect others. Every step he took after that was part of a long, ongoing sacrifice.

People say they don’t like Snape because he didn’t make up for his mistakes the way he should have, that his redemption arc wasn’t complete. Excuse me? I’m not sure what more a person can give than their life. What’s more precious than their time and youth? What’s more important than their freedom? Snape sacrificed all of that—what else did he even have left to give?

He was barely out of his teenage years when he chose to give up everything—his youth, his dreams, his ambitions, even his loyalty—for people who didn’t care about him. Yet, Snape stayed on that path with unwavering courage for the next 18 years, never backing down.

In truth, Severus Snape was a boy who lost his life at 20. The only thing is, they didn’t bury him until he was 38.