Plot Bunny - She Wasn't Her To Claim

Something something the concept of granting meaning and importance to an object/phenomenon/person by giving them a name

It is especially relevant in the world like the one ASOIAF is set in, where the name serves as an extremely important defining factor for many characters (mostly a family name but also their given one). And boy, did HotD writers lean into this - in their own way.

I am not the first one to point out that Jaehaera's name hasn't been mentioned in the show at all - not once. But guess who got to have one?

Sure, everyone absolutely needs to remember a girl who was raped by the prince (who is now the king) and who, except for that fact - which serves the purpose of vilifying said prince (and, in some way, by association, the entire TG) - had zero relevance to the plot. And so we have Dyana - because this absolutely unbiased show can't have anyone forget that the Greens' candidate for the throne has some deplorable proclivities. She even got some extra screen time in season 2: once again, absolutely unnecessary except for reminding the audience of her existence - and of Aegon's sins.

But who cares about the only remaining child of the king; the girl who came within a hair's breadth from death and then lost her twin brother; the one true joy left to her mother? Why would she even need a name?

Jaehaera's fate in the show is uncertain (the writers didn't do away with her at the very least) - but for now she is not even a tool of the story but merely a dead weight that just had to be there for Blood and Cheese to have someone to choose from. And then she was simply conveniently (nearly) forgotten becoming just "Helaena's daughter" - no name, no face, no emotional attachment from the audience. I just wonder if the writers' unwilingness to actually involve Jaehaera in the story (or just let the viewers properly see her) comes from them being equally unwilling to make the audience remember her brother whose death and its consequences they are so eager to sweep under the rug in order to minimize the PR damage done to the Blacks.

P.S. Speaking about the importance of names - they need to be not only revealed but also remembered. Jaehaerys didn't end up nameless - but how many times was he actually called by his name in the show? Right off the bat I can remember only one such case: Aegon asking Helaena where he was in episode 1. And while I believe this was not the only time (I am terribly sorry but right now I can't make myself rewatch any part of season 2, not even for science - so feel free to point out the rest), I have a distinct feeling that he still was far more often referred to as "boy", "child", "son", "heir to the throne" and whatnot. Once again: no name, no memory - which IMO is exactly what the writers were going for.

Plot Bunny - Jace took Harvin's lessons a little too close to heart

This plot bunny is destined for the stew, because I simultaneously under-squeezed and over-squeezed it. According to the original idea, purely logically, Aemond should die (you'll understand later), but the thought of it almost gave me a heart attack, a stroke, and thirteen seizures at once. You will take my little beloved son only by digging up my grave and tearing him from my rotting hands. So realism goes somewhere where I have never been and will not, okay?

* * *

"You will die screaming in flames just as your father did!" Aemond growls, holding a stone over little Luke's head. Jace's eyes dart between the stone and his brother, looking warily at his uncle, who has just managed to fight off the three of them and take a hostage. However, as soon as he hears this threat, his face immediately changes - from confused and fearful, it becomes attentive and focused.

"My father’s still alive!" Luke yells, and suddenly Aemond has no interest in threatening physical violence. No, his sharp-tongued uncle has better things to do - while he loved a good fight, consistently winning in his training, he found his true calling in taunts and threats, putting his mind before his sword.

Jace feels his blood boiling like a true dragon's - he's not a cold-blooded seahorse, is he? He's the son of a dragon princess and Harwin Strong. He's lost a father he won't be allowed to mourn, a father he never knew as a parent. More than that, it means he's a bastard, a sin in the eyes of the gods and other men, and everyone, everyone knows it - and Uncle Aemond isn't shy about saying it out loud.

"He doesn’t know, does he, Lord Strong?" Aemond sneers, and that's the last straw for him.

Jace draws his dagger and charges into battle. Aemond throws Luke towards him, and Jace, without much tenderness, throws his younger brother, who had just been choked and almost hit in the head with a rock, aside so that he would not be in the way.

A swing, another swing of the blade - all misses. Aemond is too fast, too agile, even though they are the same age, but the level of combat skills is simply unattainably different in his uncle's favor.

Jace remembers what his father Harvin Strong taught him, and, dodging a rock aimed at his head, strikes again with the dagger, this time faster, more accurately, and harder. And hits.

Aemond does not scream. He gasps weakly, strangled, and sinks to the ground, pressing his hand to the hilt of the dagger protruding from his stomach.

The cave shakes with the deafening, enraged roar of Vhagar.

* * *

The idea, basically, is this: what if Jace had stabbed Aemond in the gut? In canon (BOOK! IT'S THE ONLY CANON I RECOGNIZE! show just gives me characters, a few scenes, and a distaste for life), Vhagar went nuts when her boy got his eye cut out. If Aemond thinks he's dying, the old war criminal lady will burn half of Driftmark before she can be calmed down, and the whole island will be fucked if Aemond actually dies.

But he won't die, because plot armor will suddenly appear, the maesters will patch him up better than a Swiss hospital, because Corlys will do anything to save any part of his house, and because I fucking said so.

There's no denying that this was an assassination attempt on Jace's part anymore - it's weird that the show doesn't say anything about it. How will the investigation go in this case, who is right, who is guilty, and who should get what cut off as punishment? I don't know, but it will be fun =)

PS. English, if you ever come back with the milk you went for, I will throw you out, we barely knew each other, but you made me so many children =/

Aemond: Ask me why I love you.

Y/N: My dear why do you love me?

Aemond: *pulls out 200 parchment papers*

Aemond, smiling: I'm glad you asked.

Sometimes I hate this show, and then I come to my senses and just despise it

I'm a feminist because I'm a woman and deserve all rights and opportunities. But this show, I swear to God, does everything it can to make me feel like a terrible person.

The show's adult Rhaenyra is just…ugh. There were a thousand ways to transfer her personality, actions, and decisions from page to screen, and the writers chose the worst possible one. Somehow, they managed to strip her of her personal qualities while simultaneously filling her to the brim with other people's accomplishments.

Young Rhaenyra was practically perfect, given the changes the writers made to the book plot. She was a young, capricious, selfish girl whose world collapsed in an instant, and she had to find her way on her own. She was unpleasant, nasty, mocking, charismatic, charming, sweet - and very real. Her actions could be condemned or supported, she was interesting to watch, and I loved her. Not everything Rhaenyra did was to my liking, but when she was on screen, I watched her without taking my eyes off.

Adult Rhaenyra is literally Frankenstein's monster, assembled from incomprehensible junk from the attic of Condall and Hess. She does not have a drop of the charm that young Rhaenyra had, as if they were written by completely different people. Every questionable action of hers is whitewashed, 90% of her decisions and achievements are recycled and reused plots of other characters from the books, any actions are extolled to the skies. It's like eating cold unsalted French fries, you feel punished for some unknown sins by tasteless crap.

I want to love Rhaenyra, I really tried the entire half of the first season and whole second to feel at least a little love for this homunculus, but it is simply impossible. Just when I'm starting to sympathize with Rhaenyra grieving so heartbreakingly for her son and wanting justice, and getting involved in show, the writers decide to indulge their nun fetish and have Rhaenyra dress up as a septa and go talk to Alicent about some useless bullshit. One minute she's not afraid to defend her opinion, the next she's playing Mother of Dragons 2.0 (Vermithor scene was indescribable cringe, as was posing with a goofy grin with three dragons while Aemond scampers away with his bloodthirsty granny). Here's Rhaenyra having a great dialogue scene with her son, and here she is kissing a SA victim who just shared her tragic backstory, but don't worry, it's very romantic and everyone is happy.

And it wouldn't be nearly as bad as it feels if Rhaenyra were like young Rhaenyra, whose flaws were real and not smoothed over by the constant reminder that this woman was the best thing to happen to the world since the invention of latte macchiato. Young Rhaenyra, if she were in the sept with Alicent, would have yelled at the woman, risked getting caught, and wouldn't have been shy about reminding Jace who was in charge and that he had no right to scold her. Would she have been right, or smart in her actions? Still no, but she wouldn't be hailed as fair, peaceful and perfect - she'd be a selfish, confused, grieving woman who'd lost so much and was desperately trying to figure out how to salvage what was left and take back what was taken.

The show does everything it can to make me despise Rhaenyra. She's selfish, self-righteous, smug, arrogant, delusional, self-important, dumb as a rock, spineless, one-dimensional cheap knockoff of Daenerys from the early seasons of Game of Thrones. And the worst part is that all of these qualities would be interesting if the show would just stop holding me by the balls and demanding that I must love and adore her for every little thing because Rhaenyra is always right, the best girl in the world, worthy of all praise, and perfect to the core. Let me decide for myself whether I want to like a character or not, because unlike some people, I have an IQ above room temperature and can empathize with a complex, ambiguous character with adult morals, not just Bloom from Winx in a white wig.

I constantly have to remind myself that it's okay to dislike a female character if she's written terribly, and that doesn't make me a bad person.

Ps. Still not native speaker and dgaf about mistakes, english can suck my imaginary dick; apparently somehow part of text was translate in my native language wtf

Plot bunny - Daemyra meets the consequences of passion on the beach

Okay, this isn't my usual yapping about how I desperately want to ask HBO to provide the public with a report on the show's expenses and find out how much they pay those nine monkeys with typewriters and one college student with three other jobs who are posing as the House of the Dragon writing team.

But one thing leads to another, so I'm thinking about how convenient it is for Daemon and Rhaenyra to indulge their fetish for public intercourse, and somehow no one found them at all, even though they were not just simple servants, and they couldn't just disappear for a whole night without someone noticing.

And if someone had found them? Maybe someone like Laenor Velaryon?

Laenor, mad with grief, having almost drowned himself a few hours ago, and unable to sleep, escapes from surveillance and goes wandering around Driftmark and the surrounding area. He can't help but think about how his sister died, the one he hadn't seen in years but loved so much; how scared and desperate she was when she couldn't give birth herself, and how much pain she must have suffered; how she spent her last moments in agony and terror. He lost his sister and the nephew who killed her, and whom he almost hates, but knows Laena would never forgive him for those feelings.

And now he stumbles upon his wife and brother-in-law fucking like wild animals on the sand, hidden from the world by a rotten boat hulk. From the world, but not from Laenor.

A part of Laenor understands what these two feel, and is happy for them. His marriage to Rhaenyra was an arrangement that grew into friendship, but never into love; his true love died on the floor of the feast hall, beaten to death by the hands of Criston Cole. He is happy for her, finding solace in their cold, empty marriage, first in Harvin and now in the man she has desired for decades.

He is happy for Daemon. They are friends as much as they are family, which is rare in their houses. They fought together in the Stepstones, and Laenor was happy for them and Laena, the kind of man he would have wished for his sister - almost, Daemon had an unfinished gestalt with his niece, so it was not perfect. But Laena was happy, or sounded so in her letters, so Laenor accepted it as it was. True, now Laenor is more inclined to hate Daemon for laughing at the funeral, but Daemon is Daemon, and someday the pain of loss will pass and Laenor will be able to look at him again without disgust.

But this part is small, quiet, and immediately drowned out by the anger, fury and betrayal rising inside like a storm wave. How dare they! At the funeral of Laena! His sister! Who died giving birth to Daemon's son! Died far from home, far from her family! Daemon didn't even bring her body, just charred bones!! The coffin didn't even touch the seabed, and these two had already stuck together with their crotches!!! HOW DARE THEY HOW DARE THEY HOW DARE THEY!!!

And Laenor, in whom a sea of ​​hatred rages, takes up the blade. He doesn't think about anything, doesn't understand what he's doing, but he knows that these two people, half-naked and shuddering with vile pleasure, are his and Laena's traitors. They are monsters, and Laenor doesn't understand how he could have considered these two his friends.

Daemon Targaryen is still a rogue prince even with his pants down, and Laenor was never considered the best swordsman, at best a good one. Rhaenyra screams at them to come to their senses, but it's no use to Laenor. Daemon dodges the sword, disarms Laenor, but it's doesn't help at all - Velaryon does not listen, his eyes are empty and dark with hatred, he rushes at Daemon empty-handed, wanting to hurt him, just as he and Rhaenyra did to him and Laena.

And Daemon makes a mistake - he, a skilled warrior, underestimates Laenor's rage, and when he swings his blade, intended to drive Velaryon away, he pierces him. Laenor does not die quickly enough - he screams in pain and anger, screams so loudly that he attracts the attention of the guards, who were alerted when it became clear that Corlys' son had disappeared and every servant and guard rushed to search for him.

And what a picture the guards find - the heir of Lord Velaryon, husband of the crown princess and the father of her children, future king consort, Laenor Velaryon, agonizing on the dirty sand. Daemon, shirtless and with unbuttoned pants, with a bloody sword in his hands. And Princess Rhaenyra herself, Laenor's wife, looking at what is happening in horror, wrapped in a dress with loose lacing and pulled off her shoulders, disheveled and covered in sand.

The events that followed have not yet come together in my head in any confident way, there are so many possible consequences.

Rhaenyra and Daemon are caught at the crime scene with bloody hands, one of them not even metaphorically. Denying the fact of murder and sexual intimacy is simply stupid.

Rhaenyra has two options:

1) Lie about how she and Daemon were enthusiastically doing a vertical tango on the beach as soon as they had the chance. She will wring her hands, roll her eyes, and start crying about how her evil uncle tried to take advantage of her, and how the noble and fearless Laenor rushed to her rescue. No one will believe her, of course, but the consequences will be mostly laid on Daemon. He won't be executed as a kinslayer, because Viserys is a spineless whiner, but he will be sent to the Wall.

2) Stand with her uncle and go for broke, and if they die together, they will die together. Again, Viserys' spine is a monkey noodle, he will never kill his sweet daughter in his life, and will try to leave her as his heir, because she is the daughter of the woman he once cut up like a pig in a slaughterhouse.

In any case, what will happen for sure in any case is a complete loss of the Velaryon support for Rhaenyra, Luke losing his rights to inherit Driftmark and the Velaryon name in favor, most likely, of Baela, the loss of Daemon's rights to his daughters - this will be one of Corlys' first demands to the crown, he will not allow the only thing left of his daughter and children in general to remain in the hands of the man who killed his son. All of Westeros will discuss and condemn the actions of the Princess of Whores, Uncle's Delight, for many years. It would take a miracle for Viserys to leave her as his heir, but will he succeed, and what kind of reign awaits a woman with such a background?

Anyone want to add anything that I might have missed?

P.S. If someone wants to use my idea and turn it into a fanfic, be my guest, just tag me, and left a link in the comments down below, I REALLY want to read a story with such a plot =)

PPS. English can kiss my ass me in that scary and dark place where I learned it through sheer force

This show is cursed, I swear

Once I started, I can't stop. Can someone explain to me how exactly Addam managed to ride Seasmoke?

I mean, in canon (I mean the book, it's the only source I'll accept, the show is just a hotd-edition adaptation of "My Immortal"), Addam and Alyn are unconfirmed bastards of Laenor, and Addam being able to ride a dragon supports that theory. Of course, Martin wouldn't be Martin if he didn't also give us Nettles with her dubious origins, leaving us wondering if she really does have a drop of Targaryen blood in her veins, or if she's just a girl who managed to ride a dragon through friendship magic and sheeps bribery.

But the show is actively convincing me that you absolutely need to have at least Ariana Grande as a great-grandmother (or Aeriana Targaryen, I'm not sure, all I remember after Rhaenyra found Steffon Darklyn's fanmade family tree is my hysterical howl) to even look at a dragon, and even then the dragon can have a fetish for handsome black men (I understand you, Seasmoke, Addam is fucking gorgeus), and the dragon chooses its own rider (hello to those who were foaming at the mouth while yelling that Aemond stole Vhagar, I see you and you're annoying me).

Corlys hasn't had Targaryen blood for at least the last 130 years. We've known every Targaryen since the Conquerors, and almost everyone since Daenys and Gaemon. If Lord Velaryon ever married a Lady Targaryen, it was at least 200 years ago.

Was this hint of dragonrider blood enough for Seasmoke? Then why look for dragon seeds with nearest Targaryen parent in family tree, just rake out the entire population of Flea Bottom, every third person will have about the same amount of dragon blood in their veins.

If the purity and quantity of Targaryen blood is not important at all, why this prophecy "from my blood the promised prince will be born"? Why fight so fiercely for the dynasty, when any peasant whose great-great-great-great-grandmother was once graced with the attention of some Maegon Targaryen can mount the Cannibal and go deal with the Night King, especially since their help is not needed, Arya Stark can handle it herself.

What is Rhaenyra fighting so hard for when the show has made it clear that she doesn't want power because power is a dirty toy for despicable men, and she is the Gods-chosen Dragon Queen who is above worldly pleasures and blood doesn't matter if you're pretty, morally simple enough for ten-year-olds to empathize with, and can pose for trailers?

Now I'm starting to sound like a purist, disgusting. But unfortunately, that's how ASOIAF works, so I need answers. Please.

Ps. Still not native speaker and dgaf about mistakes, english can suck my imaginary dick

Who would be the best ruler of Westeros? Me, I have the desire to do good deeds, even when others beg for mercy

Jokes aside, but really - who? The show actively tells me that Rhaenyra is the only possible option, because this woman glows in the dark from all the blessings received from every god in existence and shits wisdom and greatness.

But is she? Let's hear my useless opinion.

First, where are we looking - at canon (the book), or at the screened fanfic (the show)?

In terms of canon, I think Jacaerys was the best option, but only because the other candidates were complete failures. The way Martin described this boy, even through the lens of the biased Black and Green sources, sounds promising. Yes, 90% of his decisions ended up being failures - he suggested recruiting more dragonriders from dragon seeds, and got Hugh and Ulf; he suggested sending Aegon III and Viserys to Pentos, and they were captured by the Triarchy; he went to rescue his brothers with a bunch of newbies who could barely stay on their dragons, and he ended up getting killed.

If it weren't for the circumstances of his birth, which would inevitably lead to a rebellion by the lords outraged by a bastard on the throne, Jacaerys might have been a good king. He just needed time to grow up.

But on the show? No one. No one at all. None of these people, they are all absolutely terrible.

Rhaenyra? That woman wouldn't know the word "responsibility" if it ambushed her in a parking lot and beat the crap out of her. She doesn't understand what ruling is even twenty years after being named heir, and she asks helplessly "what should I do?", wringing her hands at every difficulty. She does one stupid thing after another, driven by anything but common sense. If she were queen, we'd have another crisis in ten years or so.

Daemon? Lmao. No. That dude lived, fucked and died for shits and giggles, he can't be trusted with snow in the winter.

Jacaerys? That's the boy who solves problems with violence (pulling out a dagger when insulted, punching his uncle in the face when insulted, need I go on?), and loses every fight he starts. He doesn't speak Valyrian, constantly whines and cries to his fiancée and mother that he doesn't know what to do or how to be, and is practically useless during wartime (because his smart decisions were given to Rhaenyra, but that's another story).

Lucerys? Yeah, sure, how can you forget how he handled himself so perfectly at dinner when he should have just kept his mouth shut, but instead he decided that laughing at the crazy uncle he maimed and never apologized for was the height of comedy, better only fart jokes. That boy had one brain cell, and it was on permanent sick leave for the entire season.

Rhaenys? A woman who talks about the slavery of the patriarchy and submits to the decisions of her ambitious to the point of stupidity husband. Marrying her little daughter to her forty year old cousin? Why not. Losing two children because of Rhaenyra and Daemon, and continuing to serve their interests, even though they use her as they please, because Corlys hopes that someday it will pay off? Excellent solution, let's also scold husband for not loving his own bastards enough, and then die ingloriously and uselessly. Yes, the queen we deserve, Rhaenys the Spineless.

Aegon? He can only be a good king if a miracle happens and he stops listening to the idiots around him, gets rid of his mommy and daddy issues, and starts using his head for more than just pouring wine into mouth. Which won't happen, because the writers HATE this man. He'll be pathetic and useless, and then he'll die, because gods forbid there should be an equal fight between a woman and a man for the throne, a woman needs to kick a body sprawled on the ground, disarmed and incapacitated, so that everyone understands that she is superior to him in everything.

Aemond? Season 1 - maybe after a couple of years of therapy, Season 2 - no, he literally doesn't have a single thought in his head except "blood revenge hate aaarrrgghhh", and only occasionally do we see glimpses of a complex character, thanks to Ewan's insane talent.

Helaena? Poor girl, who was just like Aemond crippled by the script so much that even Martin couldn't stand it (Helaena will die just because, for no reason… wow, such deep character development…), give her her bugs and leave her alone.

In canon, the dance of the dragons is the result of well-intentioned stupidity of several generations, in the show - a parable of why incest is bad, just look at how much the mental capacity of people whose family tree looks like a wreath has suffered.

Ps. Still not native speaker and dgaf about mistakes, english can suck my imaginary dick

EWAN MITCHELL House of the Dragon 2.03 "The Burning Mill"

if I see one more post about Aegon “bullying Aemond his entire life”, I will go fucking ballistic, I swear to g—

scratch that, I will actually go ballistic right now. this is the “Aegon doesn’t deserve such a shitty treatment” club and I’m the self-proclaimed CEO. we are about to do some analyzing and reading so BUCKLE UP.

gonna make one thing clear first — Aemond was bullied when he was a child. no one denies that, no excuses can be made for that. I’d only like to note that there wasn’t only one bully. here’s a quick reminder:

now that we successfully counted to three, let’s look over Aegon’s other horrible crimes relationship with Aemond throughout the years.

📍 the night Aemond lost his eye (S1EP7), Rhaenyra suggests he should be “sharply questioned” (she means tortured) so they can learn who told him that her sons were bastards. Viserys, in his perpetual denial, angrily asks Aemond “who spoke these lies” to which he replies that it was Aegon. it is clear that Aemond does that to deflect suspicion from their mother but his words come as a surprise to Aegon.

he’s in a tough spot — Viserys demands the answers “as their king”, not their father (to signify his authority and pressure them into telling the truth). and Alicent screamed in Aegon’s face and slapped him just a minute ago, so he may be less eager to defend her. he can easily lie and say that he overheard some maids gossiping or that he can’t remember where the rumor came from. instead, it takes Aegon about 5 seconds to back Aemond up.

📍 we didn’t get many scenes with young Aegon and Aemond in general, but here’s a short bit people keep overlooking: when Harwin and Criston start fighting, Aemond and Aegon instantly gravitate toward each other. and moreover, Aegon puts a hand over Aemond’s back (which to me is either a protective or a comforting gesture). what a horrible brother, truly.

📍 next we see them all grown up before dinner in S1EP8. I think it’s safe to assume that if Aegon has been bullying Aemond all these years, Aemond wouldn’t want to spend a second in his company. he’s seated between Helaena and Otto, both of whom are dear to him, so Aemond can stay at the table and chat with them. and YET, not only does Aemond voluntarily talks to Aegon, but their conversation seems friendly (you can barely hear it in the show so here’s the enhanced audio). Aemond makes a joke about Aegon’s drinking habits — Aegon quips back — and then, what a shocker! Aemond starts venting his frustrations to Aegon (“Even when the noose is so tight, they expect us to break bread”). nothing would’ve stopped him from venting to Otto but Aemond stays with Aegon. he wouldn’t have done that if there hadn’t been some level of trust between them. he wouldn’t have done that if he hated Aegon’s guts.

📍 at dinner, when Aegon pisses Jace off and the brunet springs to his feet, Aemond stands up too, which forces Jace to act as if nothing happened and come up with a toast. Aegon watches him with a shit-eating grin on his face. it’s the face that screams “I know you won’t dare to act up in front of my brother and my brother has my back”.

when Aemond makes a toast and calls Rhaenyra’s sons “strong”, Aegon raises a cup to that. he can sit this one out — Aemond has his personal vendetta against the boys, and it would be safer for Aegon not to meddle. but what does he do instead? when Luke gets up from the table (clearly intending to go to Aemond), Aegon instantly stands up, comes up to Luke and not just stops him but slams his face into the table right in front of Rhaenyra without thinking twice. and it doesn’t look like Aegon is just messing with him — no, it looks like he wanted to do that for a while. like Aegon finally got his chance to stand up for his brother too. AND he also stops Baela from joining the fight.

📍 S1EP9 is when we get a glimpse of Aemond’s ambitions: he deems himself better than Aegon, he thinks he deserves to be king. but once he finds Aegon and they get into a fight, it turns out that Aegon knows that Aemond is a better choice. he doesn’t want to fight him, he begs Aemond to let him go. and Aemond can do that — Criston has his back to them, so Aemond could’ve pretended that Aegon managed to break free. and even once they caught Aegon, I have no doubt that Aemond could’ve helped him escape. but it seems that, despite his displeasure, Aemond values his family the most. he can’t betray his mother’s trust, and he knows Aegon is the first in line to the throne. Aemond envies him, yes, he may even hate him because of that. but he values his family the most.

📍 as @florisbaratheons noted, during the coronation scene, when Aegon glances at his family, Aemond looks right at him and gives that tiny nod that says “I may hate this and think I am better for the job as king. But I’ve got your back.” I like that Aemond is the one who keeps eye contact in that scene. He could’ve turned away to signal his dissatisfaction with the situation, there wouldn’t have been any consequences for that. But he didn’t.

📍 what I find interesting about S1EP10 is the beginning of Aemond’s dialogue with Luke. that’s the boy Aemond wished to get back at for years and yet, he starts by saying “Did you think that you could just fly about the realm trying to steal my brother’s throne at no cost?”. Aemond could’ve skipped that part — imagine him saying smth along the lines of “Wait, Lord Strong! Don’t you think you and I have other matters to discuss?” (to which Luke answers that he doesn’t want to fight and the conversation goes on). instead, Aemond makes a point to remind Luke: my brother is the king, and I came here on his behalf. you can argue that Aemond doesn’t do it for Aegon specifically but for his family in general. but Aegon is a part of the family, and S1 Aemond has his priorities straight.

📍 as much as I hate comparing the show and the book (these are two different things and should be viewed as such), I’d like to remind you that Aegon was the only one who stood by Aemond’s side after Luke’s death. I wonder why we didn’t get that scene… I guess it’s because it would be kinda hard to call Aegon “the main bully” after he literally throws Aemond a feast. but we do get to see Aegon supporting his brother: in S2EP1 he welcomes Aemond at the small council meeting despite his mother’s protests (“Aemond is my closest blood and my best sword”). and he trusts Aemond wholeheartedly, that much is obvious.

📍 let’s get to the most controversial part — the brothel scene in S2EP3: some people believe Aegon is being a bully at that moment. those people seem to forget one little detail:

it’s been only a few days after the death of Aegon’s son whose murder was a direct result of Aemond’s ruthless actions. does Aemond ever address it? does he express his condolences? does he mayhaps help to catch the killers, being the skilled fighter that he is? the answer is NO.

I do think Aegon’s joke was cruel (I wrote a whole post about it) but that’s all it ever was — a JOKE. the humiliation comes not from the things he says but from the fact that Aemond is found in a vulnerable position and surrounded by a group of strangers while his brother laughs at him. TGC explained it best:

I also love @notbloodraven’s take on that scene:

Aegon lashing out so cruelly at Aemond seems to be an effort in making Aemond feel as badly as he does and blaming him for Jaehaerys without actually saying the words.

would this be the right way to act? no. but there’s no right way to grieve and to cope with the loss — and HIS SON WAS BEHEADED so maybe take 1% of the sympathy you show your favorite character(s) and cut Aegon some slack.

+ other things worth talking about:

📍 @bietrofastimoff23 analyzed S2EP3 beautifully and I can’t help but mention the scene that happens before Aegon goes to the brothel. it’s the moment when Larys suggests that Alicent and Aemond are plotting against Aegon. he isn’t surprised by the idea that his mother can do that — but the second his brother is mentioned, Aegon’s face falls and he shakes his head no. because there is no way Aemond would ever do that to him. and instead of asking for any proof, he asks Larys “who spreads these lies?” and then commands him to “tend to them.” Aegon can ask him to spy on Aemond, to find any dirt on him, find any weaknesses he can use — he does not.

📍 it turns out to be true — Aemond was plotting behind his brother’s back. which is treason btw (I don’t think Criston intended to keep things from Aegon — he probably believed that Aemond would let Aegon in on their plan). and Aegon does have the power to remind Aemond of his place — he can throw him off the council with a snap of his fingers, he can take offense at Aemond’s attempt to publicly humiliate him (their conversation in High Valyrian — Ewan himself calls it a “public execution”). but that’s not what happens: as TGC phrased it, Aemond’s betrayal “breaks a bit of Aegon’s heart off”. an actual bully would’ve immediately pushed back, but Aegon silently sits down and doesn’t argue, he’s so defeated he can’t utter a word. he has the means to be a bully but he doesn’t contemplate it for a second.

📍 I don’t want to talk about S2EP6 because it makes me sick but I will reiterate one thing: never ONCE Aegon made fun of Aemond’s disability or tried to cause him any physical harm. just want to point that out.

there is no moral to this story, I guess. if you managed to read till the very end, thank you. if you still hate Aegon, that’s your opinion and you are allowed to have one — but please, for the love of god, just stop making shit up. no, Aemond was NOT bullied as an adult, absolutely nothing suggests that he was. Aegon was naive to blindly trust him and it backfired on him, that’s the actual story. and if you are so eager to hold Aegon accountable for his mistakes, maybe it’s time for Aemond to take responsibility for his actions too.

+ some of my favorite critical posts about Aegon and Aemond: x, x, x, x, x, x, x, x.

P.S. I will not argue with anyone so please don’t waste your time — I consider all my arguments solid and that’s enough for me. if you are thinking of sending me anon hate, pls go take a walk instead, it will do you more good. 🌿

My perhaps controversial take on the HOTD characters, the GOT characters the writers are trying to mold them into, and the GOT characters they actually most resemble in the books (in my opinion - feel free to disagree).

Disclaimer: these are entirely disconnected series with unique characters, so it's impossible to do what the writers of HOTD seemed to be trying to do in season 1 i.e. mold the characters from Fire and Blood to fit the characters of GOT to try to recreate the success of the early seasons. Given this, I tried to choose one single character analogue from GOT that each HOTD/FB character is most like, but oftentimes the reality is that if any single character from Fire and Blood resembles a Game of Thrones character it is likely that they are a combination of more than one. All of this said, here is who I think the writers are trying to fit certain HOTD characters into vs the character they are actually most like (according to Fire and Blood):

Rhaenyra Targaryen: obviously the show wants her to be the new and improved Daenerys, a protagonist everyone can root for who wants to revolutionize the existing order. In reality, Rhaenyra is most like Cersei: a woman who seeks to use her three bastards to usurp thrones and gain even more power than she already has, all while committing incest with a family member and using her power to punish and silence her enemies. She uses the existing system to raise herself up and keep others below her. She does reach her goal of ultimate power but ultimately she is unable to hold it. In pursuit of holding onto power or gaining more of it, she watches as her children die early deaths. The smallfolk despise her for her methods of ruling. Eventually, she will cause her own downfall and die before her time.

Alicent Hightower: the show wants her to be Cersei, a mean-spirited, jealous woman protecting her problematic children and using her status as queen to put others in their place (they even used Cersei scenes as audition material for the role). In reality, I see Alicent as most like Catelyn - a flawed woman, mother to a king, seeking to further the rights of her son in the hopes of protecting her family from those who would harm them, guided by her own sense of justice, honor, and understanding of the laws of the land (and of course, hyper aware of the bastards in the room). All she wants is her and her children's safety, and she is willing to go to war for it. In the end, however, she watches as every last child is taken from her before she herself dies alone.

Viserys I Targaryen: the show wants us to see him as the ultimate father who loves his child unconditionally and always supports her, and that his view of right and wrong should be what guides the world. In reality, he is most like Robert Baratheon: a weak king unsuitable for rule whose mistakes and complacency lead to civil war after his death. His preoccupation with past events and people, and his role in a former love's demise, leads him to neglect his current wife and their children and make decisions that create long-term issues for his family and the realm.

Criston Cole: as soon as Criston turns away from Rhaenyra, the show wants you to view him as a Meryn Trant type of Kingsguard - a man unconcerned with honor and violently anti-women, more than willing to carry out terrible acts commanded of him. In reality, Criston is like more like Jaime: he seeks to make a name for himself as a knight, guided by his own sense of honor and justice, though he is judged by others as lacking such principles. His devotion to his position on the Kingsguard and his love for the royal family motivates him. Occasionally his self-confidence and delight in goading his enemies can make him appear callous and proud. Although he is not officially the royal children's "father," he has guided and protected them and their mother from early on in the absence of their official father.

Daemon Targaryen: the show wants you to both love and hate Daemon. It seems he should fill many roles that Jaime did - a sword fighter whose swagger and danger mix together, whose dishonorable acts follow him through the world. He acts primarily out of love or his pursuit of it, whether for his brother or his lover and her children. The viewer is supposed to see that deep down he is a good guy, no matter how many characters say that he's not. In reality, I see Daemon as a more capable Viserys III: a man adamant in his family's racial superiority, who believes he and his loved ones should have access to unchecked power because they're better than everyone else. A man who enjoys exercising his power over others and demanding obedience out of fear of his wrath. A man who uses his younger family member to further his own interests without much thought to her own wishes or agency and willing to hurt her if she doesn't act the way he wants her to.

Otto Hightower: the show wants you to view Otto as a new Littlefinger, someone sly about his intentions who uses spies, information, and unsavory methods to take advantage of the ruling family and further his own interests and increase his own power. I see him instead as more similar to Tywin: a Hand of the King seeking to put his family close to the throne in pursuit of legacy and advancing his family's station, a man who arranged for his daughter to marry the king so his blood would sit the Iron Throne and bring his family power for generations, a man acutely aware of the political world and how the game is played and willing to get his hands dirty to play it.

The Strong boys: the show wants you to root for Rhaenyra's perfect, good natured and pure intentioned sons as if they were the Stark boys (mixed with Jon Snow). Raised in a good family, these boys know right from wrong and love each other. Yet some people unfairly think less of them for their birth. In reality, the Strong boys are closest to Joffrey, Tommen, and Myrcella. Bastards set to inherit positions they have no claim to, they are coddled by their mother and protected from any consequences to their actions. When one attacks another child, their mother demands that the other child's family is punished for their actions (and doesn't even reprimand the child for his role in the conflict). The result is the child has no remorse for the harm done, and the other child's family festers resentment against the child. Some people uncover the truth of their birth and object to their place in the line of succession, and these people are killed for speaking the truth. Eventually, a war is fought to keep them and their mother away from the throne, resulting in all of them being killed.

Aegon II Targaryen: the show wants you to see him as Joffrey 2.0. A man interested in viewing sadistic acts for his own pleasure, who abuses women for his own enjoyment, and who is unfit to rule. In reality I see Aegon as closest to Robb: a first born son reluctant to rule as king once his father dies but who rises to the occasion to try to keep his remaining family safe. A king willing to fight his battles alongside his men, no matter the risk it might pose to him. A king who tries his best to rule but makes mistakes along the way that cost him dearly. In the end, he watches as he loses everything, and he dies young.