Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
As you like it: you'll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
I haven’t drawn a lot lately and thought this funny expression meme by @capochiino would be a good way to get back to it.
I changed Bri’s expressions a little bit because I don’t picture her to show annoyance to someone who just… can’t help being annoying.
A character with the mentality, if I’m not dead I’m fine. They hold out under torture, go through extreme conditions like starvation and dehydration, and don’t shrink back from danger. Every time they feel themself getting scared they rebuke themself, sneering contemptuously at the fact that they would even think to act frail when they know better. Getting hurt is never a problem for them. It can’t ever be a problem for them because they have to.
Even if they do start to sniffle a little when they’re alone out in the cold, rocking while cradling a broken bone, knowing no one is coming to help them.
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!
This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!
The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)
(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!
However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
While I drafting for my fictober fic I has this question suddenly popped out in my mind : “How would marichat in PV version work?”
So… I think it’d be nice if somehow Chat Noir always find Bridgette near the crime scene and it happened so often that he nicknamed her a “crime magnet”.
(she just trying to find a way to transform but it seems like her bad luck attract the black cat???
Cue
Bri, Everytime Chat Noir manage to find her even though she’s sure she’s well hidden : “JENDJSOSJSJS” )
Hi my name is Marinette Dark'ness Dupain Raven Cheng and I have shoulder length black hair with a pink streak tied in two ponytails and a lot of people tell me I look like Shadybug (AN if u don't know who she is get da hell out of here!). I'm not related to Adrien Agreste but I wish I was because he's a major fucking hottie. I'm half Chinese but my eyes are blue. I have pale white skin. I'm also half French and I live in Paris with my parents in a apartment on top of their bakery. I'm a goth (in case you couldn't tell) and I wear mostly black and pink. I love fashion and I make most of my clothes myself. For example today I was wearing ripped pink jeans, a white t-shirt, a black jacket and black boots, with black fishnet fingerless gloves and a black and pink ascot. I was walking to school. It was raining and thundering, which I was very happy about. Chloe and her friends stared at me. I put up my middle finger at them.
in the ever first bible, there’s one particular difference regarding kwamis that stands out.
it’s the fact that kwamis only grant wishes of the user.
those that hide behind anonymity tend to do evil as their identities are no longer tied to their actions. this is a well known fact which has been proven many times in the real world. it’s also known that those in power, or have power, tend to fall into corruption.
in early miraculous, kwamis basically do that. they give users power, and it is up to the user themselves to choose what they can use this power for. good? or evil? is the question. and what defines good/ evil? kwamis are essentially the catalysts in bringing out one’s own morality, forcing them to confront it face to face and question themselves: what do i do?
it presents moral dilemmas and the complexity behind morality, when paired with anonymity and power. unlike current miraculous ladybug in which everything is more black and white.
for example, a person might start out wishing to right the wrongs of their past, giving them the ability to time travel. but in trying to change the past, they alter the future for the worse. are they good? or are they bad? both? or neither?
in another example, a person might start out wishing to be strong so that they can stand up against bullies. but upon receiving super strength, they become corrupted and become the tormentor, what they used to fear.
in a last example, a person might also start out wishing bitterly to make everyone in the world suffer like they have, in poverty, hence granting them the ability to manipulate the weather so that crops will dry, and people would suffer. however, they realise the consequences of their actions and instead use them for good.
ladybug isn’t being a hero because she’s “destined” and “chosen” to be one. ladybug is a hero because she wants to use her powers to help others. similarly, chat noir is a hero, despite having powers of destruction and starting out only having powers for freedom, because he ends up wanting to do things for the greater good.
their justice aligned moral compass overcomes the temptation of abuse that their power comes with. the fact they can easily fall into corruption yet they don’t is what makes them respectable heroes because their actions aren’t influenced by anything except themselves and what they believe in.
i think this makes for a far greater lesson than whatever miraculous is doing right now.
“feeling emotions, both negative and positive, is perfectly fine, but it’s what you do with those emotions that is most important.” vs “don’t feel negative emotions or else you’ll hurt people around you!!!” (is basically what i get from miraculous ladybug)
tripping over your mobility aids while walking is the most embarrassing things ever omg 😭
✨ Day 15 - Battle of Wits
From prompts given by @felinettenovember