Edit!! (i’m Adding This Thanks To @okama-kaizoku Hehe)

Edit!! (i’m Adding This Thanks To @okama-kaizoku Hehe)

edit!! (i’m adding this thanks to @okama-kaizoku hehe)

Edit!! (i’m Adding This Thanks To @okama-kaizoku Hehe)

More Posts from Sulongmirko and Others

9 months ago
Save This Middle Aged Man
Save This Middle Aged Man
Save This Middle Aged Man
Save This Middle Aged Man
Save This Middle Aged Man
Save This Middle Aged Man
Save This Middle Aged Man

save this middle aged man

2 years ago

SOBBING

SOBBING

Love was more than just a three worded statement to Zoro, something just to be said. For Zoro, it had to be shown. It had to be earned.

He could never just say that he loved the other Straw Hats. It would never be enough. Zoro had to make sure that they never were in danger and put his life on the line for every one of them. That they had someone to do all the heavy lifting when they couldn’t, even if he may grumble periodically if it’s the Cook. Hell, if needed, he had to make sure that they had a nap buddy. And most importantly, he always liked to listen to them talk.

Zoro never has to say that he loved them. They all know. He never expects for his gestures to be returned. But they always are, without fail.

Luffy always wanting Zoro to play some stupid game with him or even just hanging out while he trained. Using his devil fruit in some of his exercises, something that Zoro didn’t know would be helpful. But Luffy, looking up at him, would shoot him the biggest ear-to-ear grin. 

“Well, Zoro needed those resistance bands to work out. I don’t know how those help but I thought I could help better,” Luffy stated obviously but so sweetly as Zoro used part of his arm to stretch his shoulders. Zoro smiled a little softer at the knowledge of how closely his captain listened. How aware of him he was. 

Usopp, creating a gadget that was even more durable enough to hold his swords, with Zoro watching behind him. So experimental and dexterous, he messed with the metal of the soon to be fully formed carrier. Making sure it could withstand anything Zoro could encounter. He watched him move, his head tilting to the side as he watched. 

“You’re very intent on making sure this doesn’t break,” Zoro pointed out amusedly and Usopp nodded, fixing the final screw of his holder.

“Well, of course. I don’t want you to lose your swords,” Usopp said, the tone of voice also much softer than he’s used to being directed. 

Nami and Sanji he would find cleaning his swords, Nami holding Enma in his lap and Sanji holding Kietsu in his lap. Meanwhile, Wado rested on a towel and was practically given a pillow for it to be rested on. He watched the gentle care that Nami and Sanji performed on his swords, treating them like something of care to the both of them. All of his swords have a history, he knew that to anyone else they were a hunk of metal.

Not to his crew. Not to Sanji and Nami right now, unaware of Zoro watching them.

“This oil you picked out is so nice. It makes the swords shine,” Sanji said to Nami, finishing the wiping down the tip of his blade with an intense concentration. Nami was giving him a look that even Zoro couldn’t read and she hummed in agreement, still cleaning Enma down.

“Cleaning and sharpening his swords were also a good idea,” Nami replied, a tone gentle as she stared down at Enma. The two of them sat in silence as Sanji and Nami both cleaned his swords.

“Zoro! Why are you working out now!?” Chopper scolded, staring down at his bandaged torso as he lifted a smaller weight. Zoro finished his rep and he placed it down on the ground next to his feet.

“I need to keep training-”

“Well you’re not going to get stronger if you stay injured,” Chopper said to him with crossed arms across his chest. Despite his frown, Zoro didn’t miss the worried glint in his eyes down at him. His little blue nose twitched as his hoof pressed into his side.

“Alright fine. But I want to keep my swords by my bed,” Zoro requested as they walked to the hospital bunks.

“Nami got you a stand. So you’ll be okay.”

Zoro nodded and when they got to the bunks, Robin was fixing Zoro’s bed and fluffing up his blankets and pillows. When she finished, she sat on the chair and picked up a book on the history of swordsmen. She looked over at him with a gentle smile, a much warmer smile.

“Figured you needed some company, Swordsman.”

2 years ago

Ghost Train - a ZoLu fic

image

Summary:  "This isn't happening, right? I'm going crazy." Zoro panicked. "I thought you wanted this?" - Supernatural/Modern ZoLu AU where Luffy is a rockstar and Zoro is just hopelessly in love.  [mature in later chapters // crossposted on ff.net, wattpad, ao3, and quotev]

A/N: Hello all! This is my first story in a while, I saw this prompt on tumblr that seemed very interesting but of course it won't be exact. I don't know how long this story will be to be honest. The prompt that this story is mostly based on was made by @cupofwri-tea​. Hope you enjoy !

[--♥--♥ 𝓢𝓽𝓸𝓻𝔂 𝓟𝓵𝓪𝔂𝓵𝓲𝓼𝓽 --♥--♥]

𝟣. 𝒢𝒽𝑜𝓈𝓉 𝒯𝓇𝒶𝒾𝓃

𝟤. 𝒪𝓃 𝑀𝑒𝓁𝒶𝓃𝒸𝒽𝑜𝓁𝓎 𝐻𝒾𝓁𝓁

𝟥. 𝑀𝑜𝓂𝑒𝓃𝓉𝒶𝓇𝓎 𝐵𝓁𝒾𝓈𝓈

𝟦. 𝒜𝓃𝒹𝓇𝑜𝓂𝑒𝒹𝒶

𝓽𝓸 𝓫𝓮 𝓬𝓸𝓷𝓽𝓲𝓷𝓾𝓮𝓭...

Next Chapter: On Melancholy Hill


Tags
9 months ago
first slide. top right reads: There are many types of cleft lip. unilateral (on one side), bilateral (on both sides), and complete (self-explanatory), incomplete (self-explanatory), and post-surgery (there is no cleft), no-surgery (there is a cleft). next to it is a photo of Joaquin Phoenix with no facial hair captioned "Joaquin Phoenix has it BTW (unilateral + incomplete)". below that are four drawings captioned "Examples". They're all the same bust sketches but with different mouths and noses. The first one is Unilateral + complete (post surgery). Text box reads "teeth can sometimes be slighly visible, scar present, tip of the nose points downward, if they had surgery you won't be able to tell half the time if you aren't looking for it, easier to tell from the nose than the lip/scar TBH". Next to it is one captioned "unilateral + complete (no surgery). Text reads: "teeth are visible, upper row of teeth goes with the shape of the lip, tip of the nose points other direction". Third one is "bilateral + complete (no surgery). Text reads: "two front teeth visible but they go to the sides, upper lip split into 3 parts: one attached to the columella and two to the outer nostrils, nose and nostrils are wider". the last one is "unilateral + incomplete (no surgery)". text reads: "teeth can sometimes be visible but mostly no, nose can sometimes be flatter + wider on the side of the cleft, doesn't go into the nostril."
second slide. the title reads "Drawing a character with cleft lip post lip surgery". the caption reads "some people also get rhinoplasty (nose surgery) but I won't go into it because it just gives you a "regular" nose and I don't think this needs a tutorial IDK". Below that are three drawings from the neck up. First one is of a woman with a faded cleft lip captioned "it's not always very visible". Second is of a Latino man with a gap in his moustache and slightly visible teeth, captioned "teeth can show". Third is of a Black woman with a large keloid scar, captioned "keloid scars sometimes happen". under those is a section called "what it can look like" with "can" in all caps and underscored. text reads: "cupid bow higher on the side of the cleft, nostril lower on the side of the cleft, actual scar, pulling from the scar creating a small opening right below it, nose pointing downwards and/or towards the scar". the drawing next to it has all these differences highlighted. note below it reads "if it's bilateral: the lip and nostrils can still be asymmetrical, the lips would probably be parted in the middle if at all". the last drawing at the bottom shows a person from the side-view and highlights the nose and lips. Text reads: "from the profile, the upper lip pokes out less". a note in the bottom right reads: "note: the scar is surgical. in most cases, it will be poorly visible, and in adults, faded. in some people it's honestly invisible, but it can also be reddish or paler than the rest of the skin. facial hair doesn't grow on scar tissue no matter how visible the scar is."
third slide. it's the same as the previous one, but for characters with no surgery. the three drawings show a Black man with an incomplete cleft lip showing his teeth, a white woman with a complete cleft, and a Black girl with a bilateral complete one. the section below shows a person with a bilateral cleft from the side, as well as a close-up on the mouth itself. text reads: "the middle part protrudes further than the nose (generally), nose and middle part are on a similar angle, when the mouth is closed the upper lip goes into the lower one". a note under the drawing reads "(the mouth here is slightly open to see everything from the side)". a text box under both drawings reads "incisors can be more hidden or visible (same with gums) and they can be straight or go to the sides. the actual lip is usually invisible on the middle part because it's often on the more inner side. it can look like the profile above but it's not as common". a section next to that one shows a person with an unilateral cleft lip and misaligned teeth on a 3/4 angle. text box reads: "upper teeth go towards the nostril with the cleft" and "the higher the cleft the more they will do that. compare the chara in top left vs the one above this text box."
fourth slide. it's titled "ok but what else". below that are two busts, one of a person without a cleft lip and the second of a person with a repaired cleft but no visible scar. caption reads "how to draw the subtle differences". text continues "distance between nose and upper lip is shorter, nose more down turned (can be much more than I drew TBH), lip pulls upward below where the cleft was. This way it's still visible even when there's no easy-to-see scar." the two drawings have all these differences color-coded. section below features the same drawings, but this time they show a character with a complete unilateral no-surgery cleft. first one shows the skeleton underneath, second has skin on. text reads "in a no-surgery uni complete cleft lip, think of the rows of teeth not as two horizontal rows but more of a triangle. the upper teeth are parted into 2 sections and they don't meet, but can overlap in the actual cleft spot. they don't go into the nostril BTW." a small note reads "gums are dark red and teeth are blue so you can tell which is which" and the drawing is color coded accordingly.
fifth slide, titled "the chibis the cartoons etc." with a header "(by someone who doesn't really draw in that style I'll do my best though). it shows two chibi drawings - one of a girl with a bilateral no-surgery cleft lip, second of a girl with a unilateral post-surgery one. they each have instructions below. for the first one, it shows a horizontal 3 with an additional bump, captioned "you can do this shape (it's kinda nose shaped?", next step draws two squares to the middle part, captioned "add teeth to the middle part, boom no nose needed." second drawing has its first instruction as "draw a basic smile, don't bother with subtle differences TBH just simpify it", followed by "draw an anime girl fang upside down, remember that the lip follows the shape. you can throw in a scar too."
sixth slide, titled "other types of clefts + things to consider for the character". it features two drawings: one of an East Asian woman with a cleft going from her lower eyelid to the corner of her mouth, and second of a South Asian woman in a headscarf with an indent in the middle of her eyebrow. she also has strabismus and her cleft eyebrow is very wide. they're captioned with cleft type 5 and 10 respectively. a text box reads "these are called Tessier clefts and they're like cleft lips but on different parts of the face. There's 14 of them in total and they can be comorbid with cleft lip and palate." the last section has no drawings and just a text box titled "info that you might find useful: most people with cleft lip worldwide didn't have surgery, most people in wealthy countries get surgery as babies, some people choose to get cosmetic revisions rhinoplasties etc. when they're older (most don't), first cleft lip surgery was in 390 BC, most people with a cleft lip have a cleft palate as well, don't call it a fucking 'hare lip' it's offensive and weird".

tutorial for drawing characters with cleft lip! sorry that it's mostly unilateral-centric but it makes up the vast majority of resources and photos. still tried to get tips for drawing bilateral clefts in though.

please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People : )

if you draw any characters using this feel free to tag me!!

9 months ago

zoro in opla: I guess I’ll join you…………….*goes thru a near death experience where he wakes up to luffy saying he needs him* you are my captain & I am your loyal and devoted first mate I would die for you I will never disappoint you again I will follow you like a weary traveler to a flame I —

zoro in the anime/manga, within a week: ha ha ha you’re the son of the devil! sure I’ll float around in a dinghy with you aimlessly for weeks! yes I’ll carry a cage that took five men to move while bleeding out from a massive wound for you! sure I’d die for you! of course we’ll follow our dreams together!

7 months ago

Pinned

If you use the art tutorials I make for free, consider supporting me on Ko-fi. I also sell adopts there (starting at 12 USD) so you can have a new character and support a disabled artist at the same time.

Artfight

DNI and stuff

My @ is pronounced сашор (SAH-shor)

You can find my art here.

This blog mostly runs on queue.

2 years ago

Hi! I really like your blog and was wondering if you would do some angel x demon prompts and one-liners?

Thank you very much! I love this pairing so much I can’t even describe. (A is the angel, B is the demon)

Angel x Demon OTP Prompts

Prompts

B was a human, but unknowingly was turned to a demon. A is sent from heaven to get rid of B, but is shocked to see B living a normal life, oblivious to their new demon abilities. A decides to watch B for a while, and things grow more complicated when they fall in love.

B is the rule-abiding, ‘I want what’s best for humanity’, do gooder and A is the reckless, flirtatious, rule breaker instead of the other way around.

A has been kicked out of heaven and will do anything to get back in. Officially, B is trying to convert A to ‘the bad side’. Unofficially, B is annoying A as much as possible because they’re so cute when they’re mad.

B is trying to be a bad influence to / turn a random human. The human’s guardian angel, A, does everything they can to stop B.

A is running away from heaven, hiding in plain sight as a normal person in earth. They run into B, who is doing the exact same thing.

Oneliners

“Who knew angels were so . . . morally ambiguous”

“Did it hurt when you fell from heaven?” “I don’t think that joke’s appropriate”

“You . . . you make me want to be good”

“Come on, I know you got a bad side”

“Wait, you don’t have wings?”

“I’d give up all my powers for you” “But you can’t”

Also see:

Forbidden Love prompts and oneliners

Enemies to lovers masterlist

Prompts masterlist

5 months ago

Luffy wanting to greet Saul because he took care of Robin:

Luffy Wanting To Greet Saul Because He Took Care Of Robin:

Reminds me of Ace wanting to meet and thanks Shanks for taking care of his little brother:

Luffy Wanting To Greet Saul Because He Took Care Of Robin:

Luffy is so much like his older brother.

5 months ago

My favourite type of zolu fanarts are the ones where you know they’re married because luffy has one of Zoro’s earrings. I eat the shit up

6 months ago

Mouthwashing if Anya told Swansea instead of Curly

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Izzy // She/Her // Just here // 24

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