fuck you
50 BILLION MISCELLANEOUS SHIBUSAWA DOODLES ATTACK
Gentle reminder that Dazai, who was also in the Port Mafia, could use driving as a threat due to how poor his driving skills are
Kyouka being able to drive at 14 whilst Atsushi can’t will forever be my favorite thing about bsd
I was thinking about it last night, how some people say Chuuya is a second choice, and I can see why but honestly Chuuya reeks of being a sacrifice to me. Everytime, he gives up something he wants, including himself, for the greater good — or what Mori deems the greater good for the Port Mafia, or Yokohama.
He knows, he will never see that part of himself again after losing his friends — or better yet, family. Constantly, Chuuya sacrifices a piece of himself in various events, with the Flags, to The Sheep; all costs him his sense of belonging. And where do you belong, when you're a sacrifice? Are you even human?
As soon as he gets comfortable with others, he begins to lose them. He's chosen to do it all, because he's the best option for it. Who is the best option to destroy yourself other than you?
'Corruption' begins to make sense even more because it's a corruption of not only his humanity but his trust too, his ability to believe these bonds will ever get to age.
I think that's another reason why being with the Port Mafia works for Chuuya, is because all his sacrifices amount to something in a way. It gives him a place to belong.
Some style experimentations with The man
Gif can be found here.
The beach sat in the sunset, the waves mulling over the sand endlessly. The sea was always restless, it had always returned to find something on the shore. Whether it was the remains of dead sea creatures that no longer lived, or the abandoned toys of a kid that once played there but had now succumbed to being a memory.
Lotte sat on a bench, observing the endless life of the forgotten shore. Her fingers gently held the cigarette. It was unlit, yet she would still hold it. She didn't know how to let go. If it was just there, that was enough. The tears of the sea splattered once more on the sand, curdling as it was dragged back into itself.
"You like the sea." He said, approaching her. His footsteps were muffled by the sand.
She glanced at Dazai, before looking back at the sea. She remained riddled with silence, the cigarette brought to her lips once again; no smoke followed. The sea and the sand, even with all their different hues, seemed tainted blue.
"I need the sea," She said wistfully. "I can't be somewhere without the sea. I'd be miserable."
Dazai sat next to her. "I suppose I can understand that. The sea is serene – consistently doing nothing."
Lotte looked at the waves once more. "No, it's not doing nothing. It's moving forward. It may not look like it to us, but it is."
For a moment, she became a window. She had allowed some form of understanding to be made – a translucency. Her eyes looked close to tears, yet remained firm and unchanging. The wind yawned past the two of them, the shiver of nearby trees soon halted. Everything was unwilling to move. The air was damp, the faint scent of salt haunted its being.
"I want a house by the sea." She said.
She said it like a prayer.
There was a moment's rest of silence. Dazai smiled at her, a pitiful expression painting his face. They sat for a moment, watching the same wave return to nothing.
"A house by the sea? That won't be enough for you." He said, sighing with emphasis. He peeked at her with one eye open. She snickered and nodded.
"You're right, I'm too greedy."
Hello!!
Something that has recently come to mind is the impeccable usage of coats in Bungo Stray Dogs, and their different meanings — so I just wanted to quickly examine them!! ( ◜‿◝ )♡
There may be spoilers for Stormbringer ahead!^^
Throughout characters such as Dazai, Tsujimura and Chuuya, we can see the pattern of open coats/jackets throughout their designs. I believe it can be summarized as 'resignation'. Within Dazai Osamu's The Setting Sun, self-resignation is a concept reappearing throughout the whole story. To resign oneself, is defined as submitting to something unpleasant in which you have no way of changing.
For Dazai, it can be taken as Oda's wish is something he must fulfill — and my particular reason for thinking it was unpleasant for him, was because of the conversation he has with Kyouka during season 2, detailing the struggle between being a good person when having a history of doing bad deeds.
Possessing a skillset which encourages him to remain Port Mafia black, how on earth is he supposed to assimilate to the light? Additionally, when he asks Atsushi, 'Do I look like such a good person?', Atsushi responds positively. His self-perception does not align with being in the ADA, but regardless — due to his friend — he has resigned himself to it.
For Tsujimura, though I have yet to read Gaiden, I believe this is the resignation she has come to after the legacy her mother left her, which she strives overcome due to her complicated relationship with her.
For Chuuya, despite the attempts of The Flags, he can only resign himself to being in the Port Mafia. Though, it is not unpleasant to him, I believe it is moreso a case of him not really seeing himself anywhere else. Though he used to be a member of The Sheep, he was betrayed and no longer held a place there. The Port Mafia is his home, in the same way one cannot help but call home, well, home due to the sentimentalities towards it.
Essentially, I believe the open coat represents a doubtful resignation to one's position, however an unwavering desire, or internal promise to remain there. Of course, this may be flawed! But that's how I've perceived it so far.
The closed jacket is one that took a while for me to understand, to be quite frank. Examining the designs of Ango Sakaguchi, Chuuya's outfit from Stormbringer, Dazai's design in The Dark Era & Atsushi's design from BEAST, it's reasonable to believe it is a shield against something internal.
Ango Sakaguchi works for the government, the Special Division, and therefore is thrown into whatever role suitable to get the job done. This was explicit in The Dark Era, where Mori and Takeda discuss his safety for the permit. His suit is a representative of how he uses his job as a defense of his guilt over Oda's death. His role gives him a sense of agency, which he can tell himself, 'I had no choice, it was for the sake of my job'. The reason I assume Ango feels guilty is because of how he takes care of Dazai, in a way. During the DOA arc, he assists Dazai. I believe it was also revealed he had went to the seventh agency to clear Dazai's list of crimes, in memory of Oda.
On Chuuya, I believe in his timeline, he was recovering from the sharp betrayal of The Sheep, and growing into his role in the Port Mafia. Though he had a similar demeanor in Fifteen, I believe it becomes more clear he is less trusting and more guarded about his relationships. His demeanor of being irritated or distant is merely a facade to keep him from being hurt once again.
With Dazai, his coat is buttoned up, which can be viewed as Dazai using his role and duty as a Port Mafia executive to shield him from the overwhelming indifference he possesses on why he should live at all. This is also voiced when he confesses it to Oda, feeling if he got closer to the raw instincts of humanity by being in the Port Mafia, he may achieve some sense of meaning.
Lastly, BEAST Atsushi was one of the points I think is most explicitly explained to the audience. He says:
In BEAST, Atsushi ensnares himself with Death to keep him from his fear of it. His jacket is zipped up, covering a portion of his face in pitch black. The cause of this is his guilt towards what he did to the orphanage director. Atsushi at his core, is a guilty person, irrespective of whether he has committed a crime or not. For BEAST, there is no alternative environment for him to atone, and leaves him isolated with Death.
Overall, I believe that the closed/buttoned up coat represents characters using their roles and duties as a shield from an internal anguish which they suffer from. Usually, this coat gets switched out for an open jacket, which could symbolize a form if closure with that chapter of their internal conflict.
As well as symbolizing authority, it may also symbolize a burden given to the character by society or another.
For example, to return to Chuuya again, he carries the burden of killing The Flags, however, it is also something that cemented him in the position of being a staple executive (that is, if he wasn't one already) due to his loyalty. I believe this is also intrinsically tied to his position as an executive, finding himself once again in a position of leadership.
Another example is Dazai, specifically at age eighteen. Mori views him as an heir of sorts, due to his intelligence and what he perceived as detachment from sentimentalities, which is a burden onto Dazai. He has no such desire or fondness of the position, constantly disregarding ranks and importance when befriending Oda and Ango. Furthermore, as he rushes to Oda's side as he bleeds out, his coat flies off his shoulders. He forsaken his authority, and loses his burden for the sake of Oda.
There are other characters with such a burden, such as Ayatsuji from Gaiden and Paul Verlaine — however I am unqualified to include them in this analysis because of my lack of knowledge on the two and their materials.
Overall, I believe it's such an interesting way to dress up characters whilst simultaneously discussing their journeys, even if that sounds pretentious. I look forward to seeing the progression of characters and, in general, the continuation of Bungo Stray Dogs.
Thank you for reading.
LUCY, Lucyris Asare. - Info, WIP.
^Insp'LUCY by Anna Tsuchiya.
Death crowds me in the garden of life. Am I not but a mere body? Soon to decay?
Lucy is someone who's been dragged all her life.
Her partner (D), is someone who is a sadist. As an effect, that changed her.
Once a person filled with bliss and life, was now drowning in death and nihilism. Life is outgrowing her, yet she clings to it.
D is running a company, one that thrives on death and nihilism. His ex-girlfriend still recovering from the wounds of, well, him - is soon to leave a mark on Lucy.
5 reasons of living and she departs herself. It's not worth it to hang around him, he is making her, a living woman, into a corpse.
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Old.
That's how she feels. Though she lives in her 20-something year old body, the world keeps outgrowing her. The break she's taken for the past to years, has only brought her to greet D's ex-girlfriend.
Living with her for the past 6 months hasn't changed her life completely, but it's changed her life nevertheless.
Equipt with a bow and arrow she never uses. Her time flow is unchained, as soon as their house is in flames.
Do you fight corruption with redemption?
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Her personality:
Someone who's playful and genuine. She's focused, and someone who doesn't anger easily. She likes to think she's 'level-headed' but in reality, she hasn't felt her adrenaline rush since 16. She loves to show she loves others in different ways - e.g, letting them use her home name/Ghanaian name when she's really close to them, buying double of the foods they love, and burning memories into objects.
She's also similar to the wax door. She's soft, but the doors she's put through hardens and shapes her.
Her board;
If you have questions about her, I'd love to answer! (◍•ᴗ•◍)
(1/3?)
Literary Stray Letters
This wraps up Lotte's collection of short stories. I personally found this and the first story to be my favourites, so I hope you enjoy them too.^^
How do people feel about Eleceed OCs? 🧍🏾♀️
Valentine's Chocolate Bars ♡
My special space for dumping about OCs & Art :)
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