Blah Blah Blah Gaz Eats Pussy Unlike Any Other Man You’ve Ever Been With. It’s Not To Get It Over

Hey. Your brain needs to de-frag. Literally it needs you to sit there and space out.

If you want your memory or executive function to improve, stare out a window at the skyline or sidewalk or trees or birds on the electrical wires for like 20+ minutes per day. (With no other stimulation like a podcast or TV if you can manage but hey baby steps innit). If you're fortunate enough to have safe outside with any bits of nature, go stare closely at a 1 meter square of grass and trip out on the bugs and shapes of grasses and stuff.

Literally this will make you smarter. Our brains HAVE TO HAVE this zone out time to do important stuff behind the scenes. This does not happen during sleep, it's something else.

That weird pressurized feeling you get sometimes might be your brain on no defrag.

Give your brain a Daily Dose Of De-Frag.

for study... of course

I absolutely love the symbolism of Arthur Morgan as both the deer and the coyote.

When he is high honor he is a prey, he is hunted more than he hunts, he is hurt more than he hurts others. He gives everything in life and even in death, as a deer, he continues to give, being an easy source of food.

When he is low honor he is a coyote, he continues to hunt, he continues to hurt others, but he is also hunted. He isn't all and powerful, he isn't the top of the food chain, people still get to him, he still gets hurt and he whimpers like a wounded dog.

The deer is symbolism of gentleness, of a kind hand and unconditional love, but may also be a sign that your heart has been hurt and needs tending.

A coyote is symbolism for the duality of nature, the good and the evil, a foot in each camp yet never fully either. They can be selfish and cunning, bringing chaos into this world, but it also brings wisdom and inteligence to those around it.

Gérard DuBois (French, b. 1968, Argenteuil, France, based Montreal, Canada) - Guard from my illustrated book Rroû, a novel written by Maurice Genevoix in 1931, Graphic Arts

Me: tbh I love Soap fluff fics so much.

My daydreams: Soap is a manwhore slut bastard that thinks you're perfect wife material, only he's not ready to get married yet. Tells you he won't commit to an exclusive relationship before the first time you fuck, and it's such a good fuck that you go back to him whenever he calls.

He uses you to calm down after rough days/missions, cuddling you in the warmth of your home, head buried in your bosom as you gently scratch his scalp. LOVES your cooking and often stops by just to see what you made for dinner (you always make enough to share with him) or to raid your fridge for leftovers.

All while he's fucking other women too. Sure on his drunkest nights, he leaves them and barges into your home just so he can cuddle with you, but you know where he's been. He smells of their perfume, has their lipstick staining his skin, has their teeth and nails claiming what should be yours.

He knows you're in love with him. He knows that you're waiting for him, that you'll wait for him for forever. He knows that just because he's sleeping around doesn't mean that you are. You barely even look at other men.

It really is the best of both worlds for him. He gets to taste every pretty thing he sets his eyes on, then turn around and live the (fake) domestic life with you. It's perfect.

Until he gets too confident, too assured in your not quite a relationship with him. He invites you out with the lads, usually a night like that ends with him in your bed, so you happily meet them at the pub. You dress up pretty, do your make up how you know he likes (he likes when you wear mascara on your bottom lashes, likes to watch it run during the night). But when you get there, he's already wrapped around a pretty woman, arms caging her against a pool table as he teaches her how to shoot, as her ass presses right up against his crotch.

You sigh as you sit at the bar instead of meeting the group. This isn't the first time this has happened, him picking up other women right in front of you. You know this night will end with another piece of your heart breaking. His friends will look at you with pity, and you're not sure you want to face that right now.

So when a stranger slides up to the bar next to you and offers to buy you a drink, you think, fuck it, why not?

You face him, to offer a polite smile and thanks, only to be met with a startling mask. The only part of this man's face you can see are his eyes, beautiful pools of blue slightly down turned. He introduces himself, "König," and while his voice isn't as deep as his stature would suggest, it's pleasant and dripping with an attractive accent.

He pays attention to everything you say, tells you that you can do better than that little man across the pub, then changes the subject when he sees you get a little sad when you glance at Johnny. Most of all, he makes you feel like the only woman in the world. (Maybe you just have a thing for pretty blue eyes, cute accents, and big muscles).

THAT'S when Johnny finally notices you, with his arm still keeping the other tucked to his side, he's about to wave you over to the group ("just a friend" he tells her) when you stand up and leave with König, your arm wrapped around his massive bicep.

Gaz let's out a low whistle, "she did look pretty. No wonder that PMC bloke made a move."

"Lucky him." And "Good for her." Are said somewhere beside him, but Soap doesn't hear it over the ringing in his ears.

How could he pay attention to them when he just watched HIS woman walk away with another man?

my body sleeps on your boredom

SUGAR DADDY!PRICE X READER

18+ | sugar daddy/baby relationship. age gap. (implied) mafia au. dom!Price. (slight) dubcon breeding. breeding kink one so insane you can hear Mormons applauding in the distance. contraceptive control. implied financial control. rough sex. infidelity*. dad!John Price. cheating (not between reader and John). Old Money Rich.

What you have with Price is entirely transactional.

His job—the nuances of which he keeps out of the bedroom, the bed—eats up the bulk of his time, and you—pretty little tchotchke that warms his sheets, keeping him cradled between soft thighs, head nestled on the enticing swell of your chest (weary heads and all, you suppose); a homecoming he can sink his stress into—lap up the scraps.

It's an arrangement that works for both of you, really.

Your rent is paid. Closet bursting with clothing. Always tripping over more shoes than you know what to do with. Food in the fridge. Financial worries are swallowed down quickly when they arise (along with a whiskey-tinged glob of spit when he grips your throat and tells you to open wide). He takes care of you. And you—

You take care of him, too.

a simple creature, really: he just wants dinner on the table when he comes over (home), a pretty thing to stare at while he eats, humming around a mouthful as you prattle on about your day (non-negotiable—his appetite is archaic, oppressive: the man grunts around a piece of meat his woman cooked for him as her bare feet slide teasingly up and down his leg, and she fills the stifling silence with inane chatter), and at the end of the obligatory meal, he gets to vent his frustrations out on the wet, warm embrace of your cunt as it squeezes his bare cock (also non-negotiable).

It's an effortless synchronicity.

When you need money, you send a picture of yourself in lingerie he bought above a coy pretty please, daddy to soften the grump up, and after a few exchanges of him lamenting the unnecessary purchase (a part of you, wishful, idealistic, clings to the idea that maybe he just wants an excuse to talk to you, to let you lap at more of his time than think he can afford to give), he relents. The money is sent to your account. You walk out of the department store with an ache in your belly that no amount of expensive wine or truffle could ever hope of filling and bags dangling on the crook of your finger, and he gets to thicken in his trousers over the idea of spending his money on a pretty little thing he can bury his cock inside of whenever the mood strikes. A patriarchal sort of preening. Masculine ego stroke. The role of a dutiful provider all wrapped up nice under the hum of ownership, sex.

(Then he really gets his money's worth when he bends you over the settee. Bought and paid for.)

And you're fine with it. It works. It makes sense because this is the only way that the two of you, together, do.

He's older than you are (salt peppers his hairline; wisps of smoke slither out of the tips of wry, umbre curls. No laugh lines, but his eyes crinkle when he smiles). He has a career. A good one. The second bottle of Violet Sapphire he bought on a whim for you after you whined about running out of the first (a gift—sales lady said you'd like it, sweetheart) isn't cheap. Neither are the handbags. The Tuscan leather shoes. The teardrop pearls. A good man, too. Upstanding citizen, and all that—

(the thin line of pale, creamy skin against ripened peach: a married man. a crayon shoved in the pocket of his trousers: a father.

blood under his nails. ghosts in his eyes. the smell of gunfire and madness clinging to his skin: a monster, too.)

—and you barely finished community college. Scraped by with a degree you're almost entirely certain he paid for, too. But you get to float around a meaningless job doing empty, vapid things to fill your days when he isn't around. 

(An ornament doesn't serve a purpose if it isn't being gawked at.)

An imbalance, you suppose. Or a ballad: the timeless tale of a stupid, greedy girl sinking her teeth into a grown man's wallet like a dog with a bone. In his hand, the leash. A tug. Be good.

And you are.

You let him slide inside of you as many times as he wants, and pretend the burnished seaglass staring down at you isn't filled with longing. Kneel on your satin cushion at his feet as he stretches out on his throne, and guides your pretty, empty head to his cock. Good girl.

Always.

Even when you shouldn't be. Even when he's gone for long periods of time. don't wait up, peppering the air as he goes. Nothing but an empty bed. Rumpled sheets. The scent of sex and tobacco. Leather and motor oil. Smoke. Sage and stale sweat on your pillowcase. An ache between your thighs. The tattoo of his teeth seared into your skin. An envelope full of cash (just in case). The card he left behind (anythin' you want).

Little tchotchke put back on the shelf. Tucked away so the reason for that pale strip of skin and the broken crayon in his pocket won't ever see you. A dirty secret. Another skeleton in an overstuffed closet.

Predictable, really.

You know your place in his world even if he doesn't say it.

(until he does—)

Just not in so many words—a paradox considering how much he loves to boss you around, growling commands under his breath (on your knees, open up, suck my cock, pretty girl, want me bad, mm, missed my cock inside your cunt, didn't you? show me how much)—in fact, they don't even come from him.

It comes from the pharmacist when you duck inside to pick up your prescription for birth control, and instead of handing it over, he just shakes his head.

"You don't have any refills for this month."

He's gone for two months.

MayoClinic warns that this is the estimated window needed for the hormones to dissolve from your system. The risk of a pregnancy after this, it reads, is likely.

You ponder that in a penthouse suite, sitting pretty amongst shredded wrapping paper. A Dior Turtleneck Sweater wrapped around your throat instead of his hands. An apology—according to the embroidered card, the tight, messy pen strokes mention something about an unexpected business trip.

The return address on the box is in Liverpool.

It's listed for sale on Zillow. The asking price is just over a million dollars. A family home on a vast plot, it reads. Six bedrooms—five in the main home and an additional inside a detached coach house. A gated driveway. A secluded courtyard with a suntrap. Something called a self-contained annex seems to be the main focal point of the sale. It has five reception rooms and a sprawling garden.

Perfect for a family, it adds.

You thumb the alpaca wool on your knit sweater, and wonder if this is the leash being cut—

Or pulled tighter.

He doesn't bring it up.

And so, neither do you.

It sits like an oafish, gaudy elephant in the background as he walks into the apartment, fingers digging into his tie. Ignored. Dismissed. He grunts when the knot loosens. Shoulders falling lax. Calmed without the clench of something around his neck.

You place his plate on the table when he wanders closer, offering one of those simpering 50s era housewife smiles when his big, bearish hand swallows up your waist. The scent of char and gunsmoke clings to his collar when he leans in, pressing a kiss to your temple. Acrid. Metallic. Beneath it, you catch stale sweat. Animalic. Unwashed man, leather.

And nothing else.

There's old, greasy sweat on his nose. His hair is slicker than usual. Darker. Blood under his nails. Smoke between his teeth when he hums, offering a low, rasping missed you, sweetheart that scratches along your skin.

He didn't shower before he came to see you.

You hide the notion of it behind your teeth, letting it grace your smile with something that feels less plastic, rigid. More real. Artless. Clumsy. Like the dress he sent ahead of himself and the matching pair of designer heels that still sit inside their box. You'd never wear shoes in the house, but John Price isn't a man who does things in halves.

(a purse sits on the settee: a complete set.)

His eyes are dark—pelagic: the ocean at night; all dark, no stars, moonless—and when he looks at you (in the clothes he bought, in the penthouse he owns, cooking the dinner he wanted), something ripples across the surface. A frisson. Underwater quake. Deep and dark, and darkly possessive. Hungry. 

You like the look on him right now. Maybe even more than anything else he'd ever bought for you, done to you, because Price is, above all else, fundamentally human.

He has rules. Expectations. It's rare he's ever driven by instinct beyond anger—that thrilling thing you'd only ever glimpsed when he peeled back the curtain, tearing the skin he wore with you kneeling at his feet and growled into the phone at whoever stroke his ire. He's controlled chaos. Gruff and uncompromisable.

But the look on his face right now splits that staunch control down the middle until it falls, shattering into pieces at his feet.

He growls m’hungry, sweetheart, and you barely have a second to push the risotto aside before he lifts you onto the table, barely sparing a minute to swipe his hand across the surface, sending dishware and untouched food tumbling to the ground with that same little growl he gave to the man on the phone who disturbed him from the comfort of keeping his cock warmed on your tongue all day long. 

You're laid over the jacket he'd thrown down—rich with gunsmoke, tobacco, and something sharp and metallic—legs squeezed together, ankles tossed over his right shoulder.

It's messy. Artless. All animal despite the cocoon of finery bracketed around you.

Plates shake from the jarring force of his thrusts. Cups tip, spilling your glass of Roumier across the table. Something shatters when it hits the ground. But he doesn't stop. Doesn't even notice the chaos happening around him—as if the world ceases to exist beyond the sight of you taking his cock like a good girl. Spread out for his leisure. His pleasure.

He certainly looks like a hellish king as he stands above you. Towering. Terrifying. One hand wrapped around your throat, keeping you still as he slides his gaze from the tilt of your thighs to the tears puddling in the corner of your eyes as he stretches you open with the thick of him. The other looped under your knees, holding firm. Fingers digging into your flesh. Tight. Rutting like a beast.

There's sweat on his brow. His chest heaves. The hand around your throat slides down your collarbones in a damp spill of heat that makes your toes curl above his shoulder. Rough. Sticky with sweat. With you from when he pried your cunt open on three thick, scarred fingers, grunting at the sloppy mess he found between your thighs. Always so fuckin' wet for him.

It wasn't enough, but you think he likes that. Indulges in something archaic, sinister, when he catches the wince on your face as his too-big cock notches against your too-tight hole. Forcing himself inside with a grunt that sometimes sounds like a laugh when you whimper. When you cry and claw at the sheets and beg for mercy—just a minute to adjust, a second to get used to the burning stretch. The poignant ache when he slides down to the root—so deep, you sometimes think you can taste him in your throat.

He gives no quarter then, and he doesn't now.

Price likes fucking you rough. Edging on painful, bordering on too much. It's the juxtaposition, you think, from the way he treats you like a spoiled little princess who has daddy wrapped around her finger to the dressed up little whore he lays out on a table, bends over a settee, and brands your throat with the clench of his paw as he pounds into you like a beast. A little mean, a little cruel—just enough to balance out the rasp in his voice when he hands you his credit card and says buy whatever you want, sweetheart.

(and miss you, sweetheart—when he's tired and alone and already four glasses of whiskey deep; voice ground down to ash from the cigars he burned through. As soft as a man like him could ever get. Can't stop thinkin' about you, sweetheart. Need to see you, sweetheart. Need your pussy. Your cunt. Your mouth. That tight little ass. Want to fuck your throat until you can't speak for days, sweetheart.

(Want to push m'self so deep inside of you that you forget yourself, love. Forget who you are without my cock inside of you. Can't—can't live without me—)

Ash and soot. The next morning, another ten grand sits in your account. A knife slides cleanly, neatly, into your guts when the accompanying text says for listenin' to the nonsense of a drunk old man. don't take it to heart.)

Balance, maybe.

the thin strip of skin on his finger. the broken crayon in his pocket.

Maybe tonight was supposed to be the end. A clean break.

It makes you wonder if she found out about the tchotchke he keeps in his closet. The pretty little thing he begs to stay when he's drunk and alone, and then rips into pieces the next morning when money is promptly deposited into your account. A cruel-edged don't forget yourself, sweetheart.

But he's snarling as he peaks, grunting above you as sweat drips down his brow, heaving. Panting. Lips twisted up into a snarl. Eyes furious. Mad. His hand is a brand over your mound, possessive as he holds you in his palm, feels the way his cock splits you apart. Owned.

Bought and paid for.

Another grunt, and his thumb dips down to rub at your clit, barking at you to come—come on my cock, sweetheart, need to feel it—until you howl, clenching up so tight around him that it rips a molten, liquid purr from his chest. A throaty moan that breaks you into pieces. Tears the veneer of flesh and bone from your consciousness until your body liquifies, spilling out over the table, mingling with the Chambolle Musigny Amoureuses soaking into your back. Wrapped tight around him, as he batters into you without any finesse. Clumsy ruts. Sloppy. Animal. And then—

His cock swells. Throbs.

Over the roar in your ears, you hear him groan low in his throat, deep and brutal; the rumbling of a well-fed bear burying its dinner in the dirt. It sounds like mine now. Like ain't you, mm, sweetheart? gonna keep you nice and full. got all those rooms to fill, don't we—

wishful thinking.

But he comes inside of you. Bare. Raw. Your hands untangle from around his wrist, palm still wrapped around your throat, and drop down to your belly.

Price sees it and groans—

"that's it, sweetheart—"

(ain't gonna be empty for long.)

He's always had this little fantasy of knocking you up.

Used to growl in your ear about how badly he wanted to see you swell with his babies. Little broodmare he'd keep chained to his bed like a queen. Giving him five sons and five daughters because he could never seem to make up his mind on what he wanted—only that it was a lot.

(An improbable thing, really—he might yank on the leash, but you easily talked him down to four; two boys and two girls.)

He comes back (home) some days with fire in his eyes and sets on you like a man possessed, starved. Smothering you into the mattress with the thick of his body, grunting into your ear about knocking you up. Getting you fat and needy with his babies until you forget what it felt like not to be nursing, to be pregnant.

A terrifying concept. Something that made you rush a little faster to pick up your contraceptives, comparing the pill in your palm to pictures online just to make sure they were the same. And maybe at some point, it just became a game.

He'd press you into sheets and fuck you all day long, making you keep count. Each time he came inside of you was another baby to this empty house. A crazy thing, really. Midlife crisis, perhaps.

But you indulged.

Let him press his hairy, thick chest against yours as he folded your knees up to your ears and pounded inside of your aching, messy cunt, gasping out a tally into his sweat-slicked jaw. Laughed as he kept your legs bent and your hips tilted up, eyes riveted to the split of your sore, aching cunt. Growling an awful amalgamation of primal, masculine satisfaction at the sight of him spilling out of you and in anger at the fuckin' waste.

("gonna plug you up next time," he seethed, two fingers buried inside your bruised hole to stem the flood. "Wastin' it all, sweetheart.")

But that was before.

When he'd shower before he came to see you. Sometimes waiting days after he landed before he was back in your bed, grunting around the idea of another trip you wanted him to take you on, pretending to think about it despite the tickets to Egypt already booked. When he'd play house with you. I Love Lucy on the television, dinner in the oven. His hand curled over your nape as you bobbed your head up and down his cock. A dutiful wife taking care of her overworked husband.

Making babies in the dead of night. When he'd grunt say it, sweetheart into your ear, and you'd beg him to give you another one. Tears in your eyes, lachrymal, as you tried to convince your husband that the baby you put to bed in the empty room needs a sibling.

His hand on the leash, but your voice in his ear—paper soft—pleading don't make our child grow up as an only child, John.

(two weeks in Portofino booked. First class. Luxury resort. A Wolf & Badger swimsuit laying on your bed, one with a gold zipper on the front that he wears out by the sixth day and has to run to town to buy you a new one.)

But that was before. When it was just a rich, dangerous man's fantasy. When you had birth control to keep the unrepentant baby fever he had just a dream. Never a possibility. Never a reality.

MayoClinic says the possibility of conception is high.

The period tracker you glimpse on his phone one evening warns that you have two days before it comes.

When you swallow around the idea of it, half dizzy, half sick (six bedrooms), he rests his hand over your nape, tugging on the leash. His eyes are dark again. Midnight blue, almost black. Hadal.

He keeps them fixed on you. A ravenous black hole. Calmly closing the app as if nothing was wrong, as if he didn’t have your cycle locked into his phone. Rough, calloused thumb brushing over the soft patch of skin beneath your ear. Steady and soothing. Like calming a skittish mare. 

Unflinching. Unbothered. Entirely unconcerned when he kicks his foot over the line of what's expected, what you want, and fucks you again that night, bare. Raw. Groaning when he comes. Huffing into your ear about how he'll take such good care of you—both of you.

And when he tucks a pillow under your hips, you drag your hand down to your wet, swollen cunt in a clumsy, enticing attempt to keep him inside of you until he fills the empty space with the thick split of his scarred knuckles.

A performance, you think, when he groans like you gutted him. Bought and paid for. 

That's all this is.

But he doesn’t book a trip for this performance.

And he's gone when you wake (business, he says, in a messily scrawled note left on the end table), but there's a gift bag on the dining room table, sitting next to the stain you left when he pulled out of you. Dried come. Slick. Tinged slightly pink because he was rough with you last night. Hurried. 

The black box inside is an apology for hurting you even though you know he likes it when his come is a little pink as it leaks out of you. When you wince when you sit, and have to press a icepack against your sore, swollen cunt.

(it doesn't surprise you to find a pack already left out for you. coffee in a pot. breakfast warm on the stove.)

But the next thing he left is the real gift.

Divorce papers—already signed by him, the gold band he never let you see on top—sits on a stamped envelope, awaiting another signature. It just has to be mailed out. When you sift through them, the cause for the divorce is irreconcilable differences.

Balm to the shame is the little fact that he hasn't lived with his wife for the last year. The date of separation coincides neatly with that drunken phone call when he told you he wanted to bury himself so deep inside of you that you couldn't breathe without him saying you could. 

Domineering. Grossly possessive. 

He has you already, but that's not enough. 

It'll never be enough.

("wanna—mm, wanna give you everything, sweetheart. and I want everything, too. every part of you. wanna change your fuckin' name to mine—")

You tap your nail against the page labeled custody agreement, not even a little surprised that this docket has everything outlined, itemised. The table of contents says you'll find the prenup on page fifty-six and the proposed split of assets on page sixty-seven. It's thorough and every bit as intimidating and uncompromising as the man is wont to be. 

He's serious.

And John wants his kid. Non-negotiable.

That, too, doesn't really surprise you. Even when you were playing house, he'd always been a rather doting father—

("I don't want them to just have a sibling," he'd growl, firm and immutable, adding (intractable as always): "I want them to have a fuckin' team.”)

The address he gives for his primary residence, however, does give you pause. Liverpool. Chestnut Avenue, Moor Park. Six bedrooms. A guesthouse. 

The envelope is filled out, too. All it needs is to be tucked inside and mailed out. 

Already separated, his lawyer says, neat and tidy, like everything else in the pages. This was the most inevitable course of action, and my client, John Price, is ready to move on with his new life. 

Ready to move on. You scrape your tongue against your teeth, hand settling over your belly as you think about that. It's just—

He's always been a rather obstinate man. Stubborn. Once he gets his head around an idea, very little can change his mind. You'd seen it countless times before, but never this cold. Callous. 

Dismissive. 

Not to you, anyway. Not that you can remember. It's always been silk sheets, gifts from stores that would deny you entrance based on your credit score alone. A new wardrobe. A new place to stay. And that's—

That's kind of odd, you think. Maybe. 

He cut your lease the day after you dragged him home from the bar, back when he was just a bad choice after a terrible night out. Had the locks changed. A new lease in your hands—in his name—and a key under the mat beside a housewarming gift. An expensive espresso machine that would be a little too bourgeois in Starbucks. A penthouse that overlooks the ocean. Members only. 

There's a valet. A gym. A swimming pool. He joked one night that you'd feel right at home with the sauna it housed. Jus’ like a lodge, mm. 

You're not sure how he knew. It's one of those things that he just does. Like your name. The real one you grew up hearing before you moved to the city and changed it to fit in. How many siblings you have. Your parents. Their birthdays. A gift always sent out in your name, arriving just on time. 

All of your old things were donated. You didn't need them anymore—not when he ordered a whole new wardrobe from Loro Piana for you. Handed you his card and told you to fill the house up with whatever would make you happy. 

(Fitting, you suppose, since you barely have to think about anything except how to make him happy.)

He turned in your resignation less than three hours after you fell asleep on your lumpy mattress, worn out after a night of drinking. A night of him. More animal than man. Too tired to kick him out before you passed out under the weight of him still burying you into the mattress, hips flexing as he fucked you again for the third time. 

(the fourth, fifth while you were still sleeping. waking up to the sixth: him inside of you, a slow grind as he rocks in and out; he's bigger than you. too big. with your thighs wrapped snug around his hips, the top of your head barely clips the ledge of his shoulder. he wrapped an arm around your upper back, the other reaching out, gripping the pillows above you. panting into the thick bed of curls covering his chest as he threads his hand over your crown and presses you tighter against him. groaning into your ear. ducking his head down to rasp out how badly he wants to feel your messy little pussy squeeze him tight—

before he leaves, he hooks two thick fingers inside, and fucks his come into you. makes you come on his cum-soaked fingers before he wanders off with a small smile, the scent of tobacco and sex pungent in the air.)

And the ring—

You thought he never wore it because of some misguided sense of propriety. Decorum. The Madonna—a thin strip of pale skin, waterlilies and cashmere, a crayon in his pocket; tabloids dressing her up as a modern day Diana; a divot between his brow that grows and grows and—

and the Whore—

A penthouse. Dior sunglasses. Cucinelli heels. Colombo jackets. Loro Piana outfits that cost more than your parents make in a year. His credit cards left on your bedside table. Trips in a snap of a finger. Luxury a phone call away. 

(his voice pitched low. a smoldering rasp. stay, sweetheart, don't go. don't leave—)

—the divot melting into a brooding, heated stare. Desire drenched across his brow; want so thick, so palpable, you can feel his need throbbing between your legs. Dissolving into ash after, when he loops an arm under your body, cradling you close to his sweat-slicked chest as he leans against the headboard, smoking a cigar. Basking in the scent of sex. Satiety. Your finger curling around a thick whorl of damp, coarse hair. Content. 

It’s selfishness. Teeth digging into the man, refusing to let go. But beyond that, you know you’re good for him. 

Better for him, you think, and jog the papers on the table, right above that ugly little stain, to neaten up the pile. 

It takes five minutes to slip them inside the sleeve, peel the adhesive off of the sticky tab, and walk them down to the mailbox just outside of the lobby. Five minutes to initiate a divorce. 

If you had any qualms about falling into bed with a married man—not that he really gave you much room to think about it since he never showed up with his ring, just the mark of her around his neck like a noose; a constant guessing game—it’s put to rest when the metal flap snaps shut. 

Shame feels like an elephant. Something in the background. Ignorable. 

And besides—

(you place your hand over your belly and hum)

—you have other things to think about, to worry over, than a crumbling marriage.

He must have gotten the notice that you mailed the documents because a text comes later that night. Simple. Succinct. 

Good girl. 

The elephant slinks away into the moonless night as you pull open the catalogue of engagement rings he left on his bedside table, and circle a few that catch your eye. 

All of them sapphire. The same blue as the broken crayon in his pocket.

(The period tracker on his phone chimes a few weeks later.

You don't even bother peeking over his shoulder to know you're late.

You have more things to worry about, after all. Like moving to Liverpool next week when his divorce is finalised, and planning a wedding for the spring.)

Others can't understand the connection

Drew this long time ago, trying to depict the subtle atmosphere between you and Konig

happy qixi festival

Music

TEMPOREX - Around You

I lost the ask but it was about Soap in this specific shirt, and another one was about Ghost in a kilt, so here they are:

Leave at Johnny’s this time

In Limbo

simon "ghost" riley x fem!reader | mafia!au | masterlist

Chapter Twenty-Seven: to you, Aelin

tw: minor violence and gore, miscarriage, abortion mention, infidelity

“You see that girl right there? You stay away from her. She’s nothing but trouble.”

It’s the first thing John’s father says about Aelin Gilroy. Using one long, crooked finger, he points her out in the thick crowd of parents and students attending their Year 8 science fair. Projects and standing boards obscure her as they tower overhead on rickety folding tables, but that blinding smile and incandescent teal eyes shine through the crowd like a lighthouse leading a ship safe to shore. 

Trouble. He often disagrees with his father, and this instance is no different. He does not think Aelin Gilroy is trouble. She’s never disruptive in class, and he once saw her give another student her cardigan two years ago when she couldn’t stop shivering in class. It isn’t until her father steps into view that he realizes the meaning of this warning—crisp police uniform, hat held in front of his stomach, giving a firm handshake to the science teacher. An officer. An inspector. An adversary to his father in the most wretched of ways. 

Police officers always make the family business difficult. 

For many years, John heeds his father’s warning—if not for his own sake, then at least for hers—until Year 11. By some terrible twist of fate, his maths teacher sat Aelin Gilroy next to him in that small, two seater desk. She smells like roses freshly woken by morning dew after a spring shower. He learns she likes to doodle in the corner of her notebook during lectures, and she can’t stop tapping her foot against the floor while taking an exam. John finds that he likes the way her pale brows knit together in concentration, scrunching her forehead, and how soft her voice is when whispering answers to the table on her left. 

But he doesn’t have time to think about her. Not that he should. John Price is unfortunate enough to come from a long line of brutal patriarchs who often condition equally as cruel heirs. Once he turns sixteen, his father’s petulance only grows as he forces him to join him on escapades in the night after lectures have concluded. Bodies crumble. His fists split on begging faces pleading for the mercy that has long been snuffed out of his father’s chest. Each night his cheek grows tender with the force of his father’s hand, and his eyes droop with the weight of the secret life of a killer—of a true son born into the family business. 

“Red color corrector will hide the bruise on your eye.” 

It takes John several moments to realise Aelin Gilroy is talking to him, but even then he doesn’t fully believe it until he turns to see her already staring at him. She’s lazily leaning forward on the desk, hand propping her head up beneath her chin as her tongue darts out to wet her rosy lips. John’s pencil ceases its dance across his worksheet. 

“Color corrector?” he repeats. 

“Yeah, you know. Makeup. Green hides red marks from acne, orange hides dark circles, red for… very dark circles.” Her brows raise as she silently motions to his eye, bringing his own hand to touch the tender spot on his face. “I’ve got some in my bag, if you’d like. Though, you’ll have to find your own shade of foundation. I think you’re a bit too warm toned compared to me.” 

Her bluntness and unabashed reference to the shiner on his eye leaves him chuckling, transforming her coy smile into a small smirk. “You sound like an expert.” 

“I am,” she quips before grinning. After a quick glance around the room, Aelin carefully pulls the collar of her shirt to the side, exposing the side of her neck. At first, John finds nothing of any importance until she points out a line of covered hickies just above her collar bone, fingers tracing it as if lovingly. They grey beneath the concealer and foundation, blurring them to the point they’ve almost vanished. “A girl’s gotta have her fun.” 

John likes her humor. Appreciates it, anyway. Maybe there’s something comforting about knowing a girl like her gets in trouble; albeit, much less violent trouble than himself. A small flicker of hope ignites in his chest at the idea that perhaps there’s something in common between him and Aelin—that he has the possibility of even resembling something that’s normal. Something not drenched in blood.

It’s a short lived fantasy. When the end of term comes around, and they no longer share classes together, they drift. Aelin keeps her smiles polished while John continues to do the only thing his father ever bothered to teach him. By the end, Aelin’s A-Levels are enough to earn her a trip to anywhere in the country. Opportunities are thrown at her feet and offered up on dainty silver platters that glisten bright enough to reflect the future ahead of her. As for him, his father dies when he’s twenty. Murdered, and in a way that’s eerily similar to the way his mother had been. Cold, calculated, ruthless—his father’s existence is snuffed out by a single bullet, leaving behind nothing but a bloodstain coating the pillow that covers his face. 

The torch is passed down—the handle is still bloody. 

Over the years, he grows rigid and battle-hardened thanks to the business of violence that was bequeathed to him by his late father. He builds upon a decrepit empire until it’s thriving with sharp teeth and hired guns. It’s the only thing his father taught him; how to be dangerous. How to collect teeth and grind them to dust beneath the sole of his shoes. The Price family rises to power. The name forces people to tremble. John Price has nothing to lose but his own life, and even that pathetic amount he can scarcely get himself to care about. 

The only thing he holds close to him is the ghosts of his past. They always lurk in uncomfortable places, whispering into the shell of his ear, biting at the nape of his neck. It finds him at all hours of the day—it torments him. Slithers beneath his skin. Even now as he stands in line at the florist’s shop his skin itches, eyes flickering to the exit, fingers twitching for the knife stowed in his pocket. 

The only emollient he can find in this place is the voice of the woman in line before him. Demulcent and fleeting, he notes the way his heart slows. How the pathetic muscle quivers in his chest as she sweetly thanks the shopkeeper. When the redolence of roses reaches him, he tells himself he’s hallucinating, but when she turns to leave—small bouquet of flowers in her hand—he realizes who it is. 

Aelin Gilroy. 

Even after all these years he can still recognize her. The soft slope of her nose, the faint, bouncing curls in her flaxen hair, and her grace. How her chin is held high. How confidence exudes from every pore in her body as she floats toward the exit. Somehow, she’s even more perfect now than she was when they were children. He steps out of line, forcing the shopkeeper to stare at him with narrowed brows as he follows after her on uncertain feet. 

“Aelin?” 

All the air leaves his lungs when she turns to face him. She’s grown into her features now. Rosy cheeks and full lips, but her eyes are still the same. Crystalline like a low tide, filtering golden sunlight into fractals. Those eyes stare at him blankly, hands uncomfortably adjusting the bouquet as she traces him without a shred of familiarity. 

“Yes?” she asks tensely. 

Chuckling, he slaps his hand on the nape of his neck, rubbing out the tension there. “It’s John. John Price.” 

There’s something about the light igniting in her eyes that has him feeling warmer than he has in a long while. A precious grin breaks out on her lips as she steps closer, now comfortable with his presence. “Oh my god, I didn’t recognize you! It’s been years… staying out of trouble, I hope?”

“Getting in just enough to keep things interesting,” John counters. 

It’s as if no time has passed at all. She’s still that star pupil. Still that girl that had every boy tripping over their own two feet. Even now he can still hear her feet tapping against the floor as her pencil fills in test answers. 

“What’s the occasion?” he then asks, gesturing to her bouquet. 

“Oh,” she says. Her voice trips. Fractures. “Well, it’s—erm—the anniversary of my dad’s passing.” 

John blinks. He can vaguely recall the news. Rolling clips of the police station and the accident that stole his life away. Somehow he never put two and two together. 

“I’m sorry to hear that, I hadn’t heard,” he quickly apologizes. 

Despite the terrible awkwardness of the conversation, she still smiles. Always graceful. Always poised. “It’s alright. I’m… making my peace with it.” She pauses, throat clearing with a tense cough. “What about you?”

“Oh, just some flowers for mum.”

His response makes Aelin smile something small and bittersweet. “How lovely. I bet she’ll love them.” 

“They’ll make for good decoration.”

Something settles between the two of them—something that had never been there before. Not while they were children, growing up with one another in different corners of the world. It’s unfamiliar. Suffocating. It leaves John floundering, but the warmth it brings is intoxicating. 

“Well, I ought to get going,” Aelin excuses politely. “Got a few more errands to run. But really, it was good seeing you again, John.” 

This is the part where he should say goodbye. Wish her farewell just for her to vanish into a life of fortune where he’d never see her again. If he was a smart man, John would have done just that, but instead he finds his hand diving into his pocket where he retrieves a pen before quickly stealing one of the shop’s business cards to scribble down his number in the negative space. 

“Here,” he says, holding it out for Aelin to take. “I’m certain you get this a lot, but if you need anything, anything at all, I’ll be there.” 

To his surprise, she takes the card without hesitation, aqua eyes scanning his rushed handwriting while quietly thanking him. As she holds the card in front of her, something catches John’s attention. There’s a glint on her finger, one that reflects the light so brightly it nearly blinds him. Upon closer inspection, he realizes it’s a large, gaudy ring. Something given in poor taste. Something that attempts to steal the spotlight of Aelin’s beauty rather than compliment it. 

“Did you get married?” John asks in what he tells himself is mere curiosity. 

“Oh. No, not yet. Just engaged,” she says with an odd tone. Aelin glances at the ring—at the small band and large diamond that looks heavy enough to weigh her down. As if she can’t stand to look at it any longer, she shoves the card into her pocket before smiling at him. “Thank you again, John.” 

As Aelin exits the store, she tries not to think about how this interaction with a long lost classmate of hers has her feeling lighter than she has in years. That’s all she feels these days. Heavy. Weighed down by a stony gaze that used to look at her with adoration as the looming nature of her own failure hangs over her head as if each step she takes brings her closer to the gallows. 

There is little reprieve to be found in the cemetery where her father lays. Knees digging into the fresh grass, trembling fingers propping the flowers against his headstone, she does not pay attention to the tears streaming down her face. She’s learned to ignore them, if not welcome them. The wind picks up, cooling her feverish face as she traces the engraving of her father’s name letter by letter with her index finger. 

“I miss you so much,” she whispers. “Everything’s gone to shit since you left. I dunno what to do without you.” 

Her days have been foggy. Each waking moment leaves her stumbling through the dark all while she pretends she’s still the radiant girl she’s always been. It’s difficult to keep up the facade when her bed is cold in the mornings, and her fingers itch for the card John Price gave her. Ghosts follow behind her in the bedroom, her rearview mirror—the toilet. 

So then, it should not come as a surprise when she returns home from her mother’s to see the lamp on in the living room. The television drones but no one is listening. A hand on a thigh. Unfamiliar lips pressed against ones she should have memorized but hasn’t felt the touch of in months. The woman looks nothing like Aelin. Inky locks cut into a short bob that her fiance weaves his fingers through as his nose kisses her cheek. 

“Adam?”

Aelin’s stomach drops when they jump, heavy eyes now on her as she stands in the entryway. When Adam’s chest heaves with a sigh, she’s suddenly in the bathroom again. Hands clutching her stomach as she waddles out. Eyes full with tears as she sees him sitting on the couch, focused on the football match. It’s the same thing all over again.

She doesn’t wait around long enough to hear his excuses. The front door slams shut behind her but the sound is muffled on her ears as she slips into her car and speeds away. 

Night has long since fallen by the time she reaches the park. When she was a child, her parents used to own a home in this neighborhood and she often came here with her dad. The swingset is painted blue now instead of red, but she makes no effort to approach it as she seats herself on an algid, metal bench. 

During times like these, Aelin would often go to her dad for comfort. His office smelled like leather and Earl Grey, and he always kept a recliner in the corner of the room for her to curl up in to do homework, or cry about boys at school. He always knew what to say. What to do. Guiding her with a soft hand and sweet heart—she always wished she was more like him. 

Now—without the luxury of paternal comfort—she does something stupid. 

Fingers haphazardly digging through her bag, clutching the florist’s card, shakily punching in the numbers into her phone; Aelin knows she’s insane. Insane for thinking John Price is the person to call for something like this. Insane for thinking he’d even do anything at this time of night. Still, he answers. His voice bleeds through the speaker next to her ear like lukewarm wine. Intoxicating. Comforting. 

The only greeting she can choke out is a sob. 

By the time John finds Aelin, all of her tears have run dry, having been replaced with a brutal fury instead. A thick numbra clouds the park as the halogen lights hardly hold a torch bright enough to fight off the darkness. Still, he approaches her, noting how her knees bounce just like they used to all those years ago during exam season. Her bottom lip is bright red—irritated and cracked, abused by her teeth. 

For as much effort as he puts into looking calm on the outside, there is nothing in the world that can settle the nerves fraying within him. Hearing her cry, hearing her beg for him to come and get her scared him more than he cares to admit. The tear stains on her cheeks make his fists curl. If only she knew the dangerous power she holds. The power to say bite and for John Price to respond where. 

It doesn’t take long for him to coax out the truth. The rage swirling within Aelin nearly erupts as she spews every brutal detail. How Adam had been acting strange the last few months, how he used to show her off but has been keeping her locked away like a dirty secret, or something he’s ashamed of. 

“Two fucking years, John,” Aelin seethes, teeth gritting so hard that they nearly crack. “Two years of being with him just for him to do… to do that? He moved me into his home, wanted me to quit my job because he said he wanted to take care of me, to take care of… of…”

Terrified that you’ll disintegrate before him, John reaches a careful hand out and brushes it against her shoulder. The tension melts beneath his touch, and if he wasn’t so concerned, pride would swell in his chest. “Easy, love.” 

“I could’ve been great,” she continues, voice cracking as she leans into him. “I was able to go to any school in this country. I got my degree. I could’ve kept at work and been… something. And I didn’t need to. Not really. There was never anything I was trying to prove to anyone. I could’ve had a few kids with that white picket fence and stayed home to care for them, and I would’ve been completely happy living that trophy wife life if it meant I was loved. But I’m not, and it fucking hurts because I know I’m worth so much more than this.”

She crumbles like dust. The kind that’s so thin and fine you can only see it in the air when sunlight hits it. John’s arms wrap around her, pulling her close, palm cradling her head as she shakes in his grasp. 

“Fuck, I’m so stupid,” she babbles. 

“You’re not stupid,” he attempts to persuade. 

“Adam only proposed when we found out I was pregnant,” she says. Her voice shatters. Fractures. Each syllable catches in her throat, slices the tender flesh. “T-Then my dad died and… It was stupid to think he’d want to stay after I lost it.” 

John’s blood runs cold. His vision clouds with ichor—vermillion and thick. It’s so close he can nearly taste it. A violent man to a violent end, he craves it now more than ever. Instead, he holds her closer and gathers enough bravery to kiss the top of her head. 

“None of that was your fault, love,” he assures. “You’re brilliant. Downright brilliant, and he’s a sorry sod for not seeing it.” 

It takes a little convincing to get her to agree to stay at his place for the night. Really, there’s something comforting about being somewhere else. Away from her mother and that house that’s still haunted with her father’s ghost. John gives her an old t-shirt and a pair of joggers he’s been meaning to throw out for some time before ensuring she’s comfortable enough in his guest bedroom. 

When he’s certain Aelin’s asleep, John sits in his office, hand over his mouth, teeth grinding as he stares at his phone. It takes only five minutes of deliberation before he’s dialing up the only man he knows he can trust. 

“Yeah?” Simon Riley. His blunt greeting cuts over the line over the sound of thrumming club music and a cacophony of chatter. 

“Riley, I need a favor. I’m sending you an address and I need you there as soon as possible,” John says, voice rumbling low and dark as he taps his desk with the tips of his fingers. 

“What for?” 

“A friend,” John excuses. “I need any items that seem like they belong to a girl. Clothes, toiletries, things of that sort.” 

There’s a pause, and John can already see the expression on Riley’s face. A raised brow, tight lips, and a small huff. “Somethin’ ya can’t get yourself?” 

“If I go myself, I’m breaking the jaw of the bastard who lives there,” he growls. 

Inhale. Exhale. “This have somthin’ to do with the girl earlier? The one cryin’ on the phone?” 

“Yeah.” 

A hum. “I’ll be there in an hour.” 

Much to John’s surprise, Aelin doesn’t ask too many questions when morning comes. She doesn’t push when he gives a vague answer about how he got her items, and she doesn’t question where her engagement ring vanished to, or why Adam hasn’t bothered to call or text her since she stormed out of the house. He tells her to stay as long as she likes—as long as she needs.

But she doesn’t leave. 

Aelin Gilroy lingers in his home—not as a ghost, but as a dream. Something drifting between his fingers, just out of reach, that he wants so desperately to hold. He finds residuals of her in the shower with her golden hair stuck to the wall and the silage of rose toying with his nose. She’s there in the kitchen when he comes home, cooking up a late dinner, asking him to join her for a movie. 

There is no effort on her end in leaving, just as there is no effort from him in getting her to leave. He would keep her forever if he could. Hold her in his arms like he did that night in the park, cradling her head against his chest. All she would have to do is ask him. 

But as the weeks meander on, John finds himself sitting next to her on the couch. There’s too much wine in their bodies, ichor red and brimming full in his stomach, diffusing the light of the television as it illuminates her skin, her smile, everything. He decides that he likes this. Her. Enjoys the warmth of another human in this too-large house, always a void greeting him when he gets home, a black hole waiting to crush him. He doesn’t know how his father could have ever treated his mother so cold when the touch of a woman seems to make this home flourish. 

She feels his gaze. Heavy lidded and murky with alcohol. She stares back, aqua hue bleeding into something darker, like the depths of the ocean instead of the mere tide lapping at the shore—unknowingly profound. He has yet to scratch the surface of Aelin Gilroy. 

Yet he gets close to it when she places her glass on the coffee table and swings her leg over his lap. Bum resting on his knees, her hands steady her swaying body as she grips his shoulders, curls cascading down her back like a waterfall of sunlight. John stares up at her with awe blurring his vision. She smiles like she knows the mess she’s making of him. 

“Kiss me.” She does not ask. She demands it. Requires it. 

He leans back until his skull hits the cushion, then shakes his head. “You don’t want me to do that.” 

Her eyebrow quirks. “Why not?” 

“I’m not a good man.” 

“I know.” 

Those words are a baton to his diaphragm, forcefully expelling a chuckle from his throat before he can stop it. She tilts her head and he nearly grabs the nape of her neck to devour her whole. “How do you know?”

“I’ve always known,” Aelin insists. “I’ve always been a daddy’s girl. Besides, if you were a good man, you’d be dead by now. The good ones are always quick to go in your line of work, aren’t they?” 

John wants to pretend that he’s surprised she knows, but of course she knows. Aelin Gilroy, daughter of Sean Gilroy, Chief Inspector, top of her class, the looks to kill and a brain to go with it. It does not take a genius to sniff out the blood that stains his hands. Dirty hands. Soiled hands. Ones he can’t help but place on her waist. 

“If you know that much, then you know that you don’t want me to kiss you,” he insists. 

“Why?” Her turn with the questions. 

“Becuase I’m not dragging you into a life like this. I’m not letting you get hurt because of me.” His admission comes with plaguing visions that are so noisome they sting his eyes. Rose pink brains soaking into a mattress. Fingers plucked free of the palms they used to call home. His mother, dead and left to rot like a warning. “You don’t want this.” 

“No. I just want you,” she hums. Aelin’s hands begin to wander, fingertips brushing against his hairline as she tilts her head, curiously inspecting him, spinning eyes hardly able to focus on one part of him before moving to the next. “You’re not your father, John. You share his name but not his mistakes. You are not a bad man.” Palm to cheek, warmth swelling together against his feverish skin—she presses her thumb to his lips. Drags down over them until they’re parted. “You might not be a good man, but you’re too kind to be a bad man.” 

It isn’t until her lips meet his that John Price realizes that he’s been caught in Aelin’s trap for quite some time—she’s just now decided to rein him in. It’s the closest to heaven he’s ever been. Even as her teeth sink into his flesh, even as her nails rake across his back, even as she drowns him—nothing but a corse floating among stilly water—he knows he cannot starve himself of this one desire. 

After so many years, he finally has something to live for besides the circle of life and death. Besides being a slave to his family name simply because paternal law decrees it. Now, he has something to build. Someone to love. A future that holds more than decrepit bones. A ring covers the old scar on Aelin’s finger. His bed is always warm in the night when he returns home and in the morning when he can’t bring himself to wake with the rest of the world. 

The room she slept in during her first night with him now holds a crib. 

It’s made of wood and engraved with pumpkins and rabbits, a project Aelin took upon herself and has been whittling away at with a small carving tool. Hunched over, stomach swelling quietly but still enough to be noticeable in her sundress. The image has been burned into his mind all night while he’s been away at work, hunched over his desk, listening to pathetic excuse after excuse. 

He leaves early tonight, hands buzzing too much to quiet, fingers screaming for his wife. To hold her face and smooth over her stomach. She’s gotten more emotional these days; crying at any kind gesture, or any time she looks at the crib for too long. John hates to see the tears that stream down her cheeks but doesn’t mind the excuse to hold her close, to chuckle into her ear, to toy with the ends of her hair. 

When John steps inside, there’s nothing but blood to greet him. 

Watery. Bright red. It stains the couch in the very spot Aelin curls up in at the end of the day with a warm cup of tea and something quiet to put on the television. John stares at it. It spreads, ichor floating through the veins of the couch similar to the way it spreads on a mattress, soaking deep—too deep to get out. Deep enough to scar. 

He panics. Her name rings through the house as he trips down the hallway, following the sparse trickle of blood like breadcrumbs. There is no answer, but he hears her quiet, muffled sobs. Hand clasped over her mouth, eyes squeezed shut as if that could ever stop the tears; she’s on the toilet. He doesn’t even knock before entering, but she doesn’t have the energy to chastise him for it as she sits curled over herself, sundress bunched around her waist, arms cradling herself as if she can hold the remaining bits of her child within her shattering womb. 

“Love,” John breathes. Within an instant he’s on his knees before her, but she won’t look at him. He reaches forward, cups her face in his palms, wipes his thumb at the never-ending flood of tears. She’s feverish to the touch. 

“I-I’m sorry,” Aelin sobs. Her arms press further into her stomach as she leans forward, head attempting to bow, but John keeps her head above water—keeps her from drowning. “I really thought it would be different this time, I just… ah… John, it hurts so bad.” 

Her sobs come unheeded now, and each rattling reverberation that cuts through her shatters his newly mended heart. John holds her with trembling hands. His own eyes squeeze shut, faint tears wetting his eyelashes as he rests his chin on her head. Even against his neck he can feel how warm her forehead is—how it nearly blisters his skin. 

After fifteen minutes of his world ending, he takes her to the hospital. Ultrasound visits turn sour now that there is no baby to look at. The bleeding stops. Their child is gone. When they arrive home, all they do is lay in bed with nothing but the sound of their hearts shattering to break the silence. 

It is the first time, but it is not the last. 

It happens again. 

And again. 

Eventually, after the years, they give up. Their hope flickers and wanes, but the desire still lurks in their eyes every time they pass a stroller during date night or they look at that empty nursery-converted-to-guest-room. John puts that love into the men who work for him instead, and Aelin gives it to her adopted sister. But at the end of the night, no matter how long they were out laughing or chuckling, they come home to a warm bed, desperately searching for the grubby hands of what could have been. 

But it comes back. It barrels like a bullet into their lives, embedding into deep tissue, nestling too far to rip it out without doing more damage. It arrives as a phone call. A sob. A begging to be free of this torture. John finds it in the bathroom with Aelin, curled forward, ripped boxes strewn across the floor, along with three positive pregnancy tests. 

She looks up at him as he enters the bathroom, eyes red and irritated, her usually neat hair now frizzy. “John, I can’t do this again,” she chokes. 

Wordlessly, he joins her on the floor with an arm snaking around her back. Aelin collapses into his chest, legs slung over his lap, head resting against his collarbone as he cradles her. For a long time, he is silent. Neither of them speak as the weight of the situation begins to crush them under impending pressure. It squishes the blood clean from their bodies, suffocating their brains of all helpful thought. 

The world is ending all over again. 

“I’ll support whatever you want to do, love,” John murmurs against the crown of her head. 

Brows furrowing, she stiffens. “What do you mean?” 

His words get caught in his throat for a long, aching moment before he’s able to choke them out. “If you… want to terminate, then we can do that. Or if you want to keep it then we’ll do that, too.” 

Aelin is quiet for a long time. There is nothing but soft sniffles and the occasional pule that slips from her lips, but John doesn’t rush her. Instead, he holds her until her muscles relax, and she’s nothing but a limp mess against him. 

“One more time,” she decides, malice slipping into her tone as she wipes her nose on the back of her hand. “One more time, and if it doesn’t work, I’m getting a hysterectomy. I can’t keep doing this b-but… I just… want to pretend to hope for a little while.” 

Nodding, John places one more kiss on her head. “Okay, love.” 

For the first few weeks, Aelin is near unconsolable. Nesting on the couch, blankets obscuring her body, hugging a pillow to her chest as her glassy eyes watch flashing images on the television. She attempts to distract herself with the company of her adopted sister, but the connection feels severed. Smiling and pretending to be happy when she’s harboring a secret that will surely demand blood before she has the chance to sing its praise. 

But that secret keeps growing. And growing. 

Each passing day that Aelin wakes and there’s no blood to follow her throughout the day, a glimmer of hope roots in her chest. It burrows and whispers. It promises love and fulfillment. It promises something she’s never been fortunate enough to achieve previously. It’s enough to make her skin glow, rosy and golden like the sun kissing the horizon before bed. It’s enough to make her cheeks swell as shiny, opalesque teeth peek between glistening lips. It’s enough for now, and then—

“Oh my god.” Hands on her stomach, smiling through the tears, bottom lip trembling. “John, it’s twenty-four weeks. It’s viability week.”

—and then it’s everything. 

Time rolls backwards as the guest room is once more turned into a nursery. Bunnies and pumpkins, soft oranges and fluffy whites, and a perfect hint of peach. A changing table with ribbons along the side. A rocking chair for the long nights when none of them will get rest, and it will be worth it to have a sleepless night due to love rather than turmoil. 

But joy is a meal that tastes better when it’s shared. 

So, Aelin stands in the kitchen. Film refracts the light above her through the sonogram in her hand, thumb holding the picture so firmly as if she’s afraid it will slip through her fingers. Heavy feet rattle the floor behind her before she feels warm palms smooth over her stomach and a chin on top of her head. 

“She’s beautiful,” he murmurs.

Smiling in agreement, Aelin scans every little feature. The curve of the baby’s nose, how her lips part as if already babbling, hands squished up to her face like she’s trying to chew on her fingers. “Just over halfway there.” 

Just as she lowers the sonogram, the baby kicks against John’s palms. His chuckle hits her, warm and dripping with adoration. He squeezes back, pulling Aelin against him. 

“Are you sure you don’t want me to come with you?” he questions. 

“Yeah, I think it would be better this way,” Aelin nods. “I feel… a little bad. Having been sort of ignoring her these last few weeks. I know Simon is taking good care of her but… well, it’ll be nice to have dinner with just the two of us.” 

She turns her attention to the card before her. The outside is plain. A simple white background with frilly lettering asking Guess what? On the inside, there’s that same lettering with the triumphant announcement of It’s a girl! followed by enough space to put a sonogram. Then, there’s a mini calendar of August, with a circled due date. She shoves everything inside of a light peach envelope before sealing it shut with the tip of her tongue, but as she stares at it, she feels it doesn’t quite look right. 

Inspiration strikes her, and she quickly retrieves a pen from the junk drawer before scrawling Auntie Chip on the envelope. Smiling, she sticks it in her purse. 

And with that, she is ready for dinner.

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