Hey so I’m scared now
I’m on early Rhythm of War, no one spoil future stuff!!!
I’m genuinely baffled what the hell Shallan is suppressing that could possibly be worse than what she already remembers. Like. What. What the fuck. How.
Moash should get over himself too. I can fix him too also
Mm.,.,. Kaladin just- get over being mad and stuff.,., it makes you less attractive.,, I could fix him if he gave me the chance.
we love Luce
Aaaaaaahhhhhhhh Kaladiiiiinnnn you were so cool don’t. Stop. Don’t let your grudge fuck everything up. Please. Fuck, man just. Just stop.
Oathbringer Stormlight Spoilers
I really like how the chapter headers sort of trick you into thinking the book is by Jasnah, before you start learning more and more about Dalinar.
gasp!!!!!
I’m on early Rhythm of War, no one spoil future stuff!!!
I’m genuinely baffled what the hell Shallan is suppressing that could possibly be worse than what she already remembers. Like. What. What the fuck. How.
Stormlight Archives Spoilers
Hmmm… the Fourth Ideal, something Kaladin cannot say… if we look at the themes of his story so far, it’s probably something like “I will protect only those I can”. Kaladin has always struggled with accepting that he can’t save EVERYONE, because he is just… too compassionate, but it’s gotten to the point where it’s crippling his ability to act, to save anyone. I expect Rhythm of War is gonna have a lot of Kaladin brooding
Had some people commenting that it’s not a true Conlang-!!! And you’re like so right lmao. It’s closer to a translation cipher akin to Brainfuck.
This is for one very very simple reason: usability. This was made with the primary intention of being a fun, cool thing for the community to use and interact with. Basing the language on English as opposed to making a wholly unique language lowers the barrier for usability immensely. Which is like! The goal!!
So… I may or may not have written an entire Conlang based on a single joke in Minecraft Parkour Civilization 2. That would be ridiculous. Aha. Hahahaha. Ha.
*cough*
You add these in front of blocks to change their meaning. There’s a key at the bottom containing the Parkour alphabet which demonstrates how the space, 180°, 360°, and 720° Flourishes are used to refer to specific English-Letter analogs.
_ = Space
C = 180° Flourish = 5 spaces
O = 360° Flourish = 10 spaces
8 = 720° Flourish = 20 spaces
? = Reverse = Reverses input
^ = Vertical Jump = Raises Intensity
v = Drop = Lowers Intensity
These are the building blocks (lmfao) of the language and are what would be counted as an “input” or “letter”. Also included are short legends under each block describing what each flourish does to each block!
(Note! _,C,O, and 8 cannot be applied to any block other than [ ] and H)
[ ] = Block = Grammatical Value
(?[ ] = Capitalized)
(^[ ] = Impassioned)
(v[ ] = Depressed)
H = Fence = Numerical Value
(?H = Negative)
(^H = Exponential)
(vH = Square Root)
u = Pot = Period
(?u = Comma)
(^u = Hyphen/Equality)
(vu = Parentheses)
I = Pane = Question
(?I = Exclamation)
(^I = Command)
(vI = Sarcasm)
% = Brewing Stand = Addition
(?% = Subtraction)
(^% = Multiplication)
(v% = Division)
a = [ ]
b = _[ ]
c = __[ ]
ch = ___[ ]
d = ____[ ]
e = C[ ]
f = _C[ ]
g = __C[ ]
h = ___C[ ]
i = ____C[ ]
j = O[ ]
l = _O[ ]
m = __O[ ]
n = ___O[ ]
o = ____O[ ]
p = OC[ ]
r = _OC[ ]
s = __OC[ ]
sh = ___OC[ ]
t = ____OC[ ]
th = 8[ ]
u = _8[ ]
v = __8[ ]
w = __8[ ]
x = ___8[ ]
y = ____8[ ]
0 = H
1 = _H
2 = __H
3 = ___H
4 = ____H
5 = CH
6 = _CH
7 = __CH
8 = ___CH
9 = ____CH
————————————
?8[ ]____C[ ]__OC[ ] ____C[ ]__OC[ ] OC[ ][ ]_OC[ ]__[ ]____O[ ]_8[ ]_OC[ ]?%
____C## + _## ^u _###
?C[ ][ ]____OC[ ] 8[ ]C[ ] _OC[ ]___C[ ]___[ ]^I
————————————
Big thanks to my friend PrismaticKoi for giving me the idea and helping me figure this all out! Working with her made this process super fun!!!
Enjoy Parkour-!!! I’ll be coding an English<—>Parkour translator at some point, so stick around to find that!!
All of you need to go watch Minecraft Parkour Civilization though. It’s seriously fantastic.
You guys have no idea at all how much I both A) Dread the upcoming Eshonai corruption arc and B) Desperately need an un-corruption arc
If you bastards come into the tags like “oh she dies in Book 4” I will END your pitiful lives. She’s gonna get married to and kiss Kaladin and live happily ever after.
Fundamentally, every work of art, every story, is an attempt at communication. The author chooses to ask us a question, and we find the answer in the dialogue between the author and ourselves.
Cradle is a series that asks the question “If one dude did magic kung-fu to another dude so hard he exploded, would that be sick or what?”
And we, the readers, answer “Absolutely the FUCK yes.”
Cradle is a world where everybody has the capacity to practice the Sacred Arts, which are primarily the discipline of using mystical energy to be as bullshit awesome as possible. You aren’t allowed to be a major character in this series until you have committed at least one (1) act that would look sweet as hell if it was airbrushed onto the side of a stoner’s van.
At one point we meet a member of a king’s landscaping staff. Her job is to mow the lawn, trim the hedges, and keep those damn slugs out of the vegetable garden. She can also command trees to rip you apart and devour your life force for herself, because fuck you, it’s Cradle. People just do that here.
The main character is a young man by the name of Wei Shi Lindon, who has a natural deficiency that makes him extremely weak in the Sacred Arts, and is therefore banned from studying them. He responds “respectfully, no” and proceeds to spend the following ten books learning Sacred Arts and punching everything.
It’s a little rough around the edges, but I had fun reading it and the author clearly had fun writing it, so I think it succeeds as a series. Would absolutely recommend if you just want to have a good time reading something.
(Naturally, I got deeply attached to the biggest bastard in the main cast, because he’s hilarious. This man is a bitch and I like him so much.)
As a delightful bonus, unlike most action series, the treatment of the female characters is genuinely excellent. The author is not here for fanservice, he is here for FIGHTSERVICE, which is when EVERYONE FIGHTS SO HARD THE LAWS OF PHYSICS GIVE UP. We’re ten books in to a twelve book series and I have yet to see a single woman’s boobs described on-page.
In Cradle, when a teenage girl is worried about her body changing, what she means is that she’s unsatisfied with the amount of swords she can use at one time, so she’s going to grow six extra arms to hold six extra swords. Surprise! THE NEW ARMS ARE ALSO SWORDS, because the time spent picking up a sword to fight with it is time you didn’t spend swordfighting, and that is unacceptable to her. Now she and her eight swords are going to suplex a dragon, because on Cradle we know no gender politics, only THE BLADE.
Also, there’s a turtle.
a professor told his class “consciousness doesnt exist. there are only neurons”
a student stood up “would you eat a raw egg and then drink oil and vinegar?”
“no” the professor replied.
“would you eat mayonnaise? perhaps on a sandwich or with some fries”
“of course” the professor replied, unsure of the purpose of this inquiry.
“mayonnaise is made from these very things and yet when combined, new properties arise.”
the professor was astounded. “what is your name?” he demanded
“shadow the hedgehog” said the student