Heretic, Digital Collage, 2025.
Norman Lindsay (1879–1969) - Where Life Ascends, 1924
etching
Felix-Hilaire Buhot (1847–1898) -“The Owl's Château”, detail, 1867–98
etching
Vic Huber • Homage to Edward Steichen, 1994
Herbert Bayer. Diagram of the Field of Vision.1930.
Maria Denise Dessimoz, The Inevitable Anguish of Desire
Anandhika
“Dairian” by Manuel Barbadillo, 1973 ➤ monochrome rhythm
Lygia Pape. Untitled, 1957
Emily Kame Kngwarreye - Untitled (Yam) 1996
Fidus
Sol LeWitt / Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane / Painting / 1984
KAZIMIR MALEVICH “BLACK CIRCLE” | 1923 [oil on canvas | 105.5 × 106 cm.]
CY TWOMBLY / "UNTITLED" / 1955 [graphite on paper | 35 x 28 cm.]
"INSEGNA 7E–8E" MARIO SCHIFANO // 1961 [enamel, on paper, on shaped canvas | 43 ½ x 59 ¼"]
Raimund Girke
oil and tempera on canvas 200 x 180,5 c ; 78¾x 71 in. executed in 1973
Francois Morellet
ink on tracing paper on card 50 x 50 cm executed in 1978
Concorde II (State), Ellsworth Kelly, 1981, Tate
date inscribed Purchased 1986 Size: image: 425 x 284 mm Medium: Etching and aquatint on paper
http://www.tate.org.uk/art/artworks/kelly-concorde-ii-state-p77144
Square Form, 1951, Ellsworth Kelly
Rudolf Koppitz (German, 1884 - 1936)
Nude Study, 1932
A Homage to Sappho | Norman Lindsay (C.1928)
Jacopo de’ Barbari, Ritratto di Fra Luca Pacioli con un allievo, (oil on panel), (detail), ca. 1445 / before 1516
Ludwig Hirschfeld-Mack. Reflected Light Composition, 1923