Fuck Yeah!

Fuck yeah!

It really be ur own sometimes šŸ˜”

Lmao

Lmao
Lmao

Primarch simps of Tumblr, what is your verdict? (No hate to OP, just poking fun)

More Posts from Rulernogard156 and Others

3 months ago

Okay so I'm sitting here waiting for the wash on my mini to dray and I started thinking

(Aplogies to any non Fnaf fan followers, my old love once more resurfaces and is taking hold)

But I have to say the FNAF movie was kinda a B- (I know the most Luke warm take), but I have to tell someone this idea i had so ur all my victims.

The Movie, fantastic casting, literally couldn't have been better. The special effects? Phenomenal!! The fact they got Jim Henson company to help make the animitronics was a ture stroke of genius (I'm biased as I adore practical effects) but the writing? Eh.

I know that's not groundbreaking comitary/ nothing no one else had said. But, and I know I'm not the only one to think this, but this would have been a phenomenal TV show/ series.

A thriller series that follows the mad man Wiliam Afton himself (still played by Mathew Lilard) in a Dalmer/Breaking Bad/ Hanibal style.

Or we could follow Henry Emily and see from his point of view in an open secret cat and mouse game with William.

But also have a b plot that flashes to "the present" with grown-up Michael tracking down and cleaning up his father's messes. All in an attempt to save his brothers soul and stop both his dad and his sister.

I definitely want Elizabeth/Baby to be an over arching villain for Mike in the present, Think Sister location esque (season 1 - 2a)

Also, it'd be so fun to get someone who Matthew has really good chemistry with to play Henry Emily. Because you know, before all the child murder and burning alive, they were as close as could be (I always liked to think of them as platonic soul mates, or maybe more) but yeah maybe a 3-4 season show, though I could see it being a tight 2 seasons if written right.

Also, the same practical effects are absolutely nessasary, and I really need them to change the spring locks back to how they're described in cannon because that is way scarier than whatever the fuck the FNAF movie claw ribs have.

Thank you for coming to my Ted talk.


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2 months ago

Wtf? That's ridiculous! I swear people can't get it through their head that everyone is unique, and that carries over into how they consume media and interact with fiction.

Like, okay, technically, I'm pan, but im so very saphic leaning that i prefer to say I'm a lesbian. But u've seen how I drool over male mortarion and other male characters.

IRL, I feel really uncomfortable around men(childhood trauma) and am absolutely repulsed by almost every guy I meet for romantic/sexual encounters (It takes a very specific IRL guy to gain my attention)

But all this to say, I love ur interpretations of ships and relationship dynamics because you have that separate aroace lens you use. It gives me a new perspective to consider, and I love it!! ā¤ļø

Lowkey feel like shit for not being a multishipper and enjoying multiple ships with the same character like a normal person. Got accused for "discriminating" against poly people and having misogynistic/racist/too religious views on sex and romance. Idk anymorrre


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3 months ago
Feel Free To Print And Distribute This Image

Feel free to print and distribute this image

2 months ago
Digital canvas titled "How to: drawing characters with paralysis on their face" with "since I barely see it and would like to see more" written underneath. It features three colored drawings of different characters with various kinds of facial paralysis, labeled "ones that look more like this", next to a drawing of a heavily exaggerated character with cartoonish facial paralysis labeled "and less like whatever this is". There is a diagram in the corner of all the cranial nerves in the brain, with half of them scribbled out. The rest of them are labeled "i.e. what happens when any of these get fucked up". In the corner there is the artist's signature "@saszor" as well as "by: someone who has it" written out.
Second digital slide. It's titled "basic information". Underneath is a spectrum colored from dark green to red, with the dark green end labeled "works perfectly" and the red "complete paralysis". The light green, yellow, orange, and light red middle is labeled as "some degree of paralysis. It's not a 0:1 thing". Below that are 4 very simplistic drawings using the spectrum's colors to show different kinds of paralysis, including Moebius syndrome (complete full face paralysis), trochlear nerve palsy (both eyes being mildly affected), Bell's palsy (half of the face being slightly affected) and "multiple (me)" with the forehead, mouth, and eyes being labeled in different shades. The text around the characters reads "All these people have some kind of paralysis on their face. Before actually drawing a character, you need to pick what part of their face is paralyzed and how much. Having your whole face completely paralyzed is really rare. Weakness on one side of the face is the most common. You probably saw someone with it since it's very common after a stroke". Another block of text in the corner reads "If you have a simpler artstyle, paralysis of the eyes and/or mouth is the easiest to show. Jaw or forehead are more subtle (usually)".
Third slide, titled "Ok, but how do I draw it? (With asymmetry, mainly)". There is a drawing of a man with Bell's palsy, captioned "I will be doing examples showing unilateral (one sided) paralysis to showcase this since it will be easier to show the differences". In the top right are two drawings, one in anime style and other in a western cartoon one. The text box reads "While I encourage to try out multiple options, focus on the features that are more important in your artstyle. Big eyes? Focus on ptosis. Big mouths? Focus on lopsided smiles, etc. Otherwise it can look out of place". The main section of the slide is titled "Upper third of the face". There are simple drawings to accompany the text. It reads "paralysis on the forehead: it looks like one-sided botox essentially. The wrinkles will be weaker or non existent. Paralysis of the eyebrow: moves less. It rests lower than the other eyebrow and can have a crease under. Eyelid paralysis (arguably the most common one): generalyl affects the upper eyelid. It rests lower and has less or no movement". There is a drawing of a pair of eyes, where one is so closed the iris is invisible. Text reads "Note: paralysis very frequently comes with strabismus. Severe ptosis+hypertropia can look like the eye is just white. The iris can be hidden like that". Another text box to another drawing reads "it does get a bit trickier in angles that don't show both sides of the face; IMO focusing on strabismus+eyebrows pointing down is the easiest way to get it across". In the bottom left is a diagram showing different eyes with increasing severities of paralysis. Text reads "As a rule of thumb, more severe paralysis = eyelid rests lower. Here you can see how much of the eye could show".
Fourth slide, titled "Eyes specifically since people tend to put more detail into them than the rest of the face". The "First step" has 2 characters with unaligned eyes, titled "Step 1: give them strabismus (easy)". Below that are examples of eyes with strabismus, captioned "literally just draw the eyes to be unaligned. Inward, outward, up, down, etc.". Step two is titled "Don't make it into the most unfunny joke possible (very hard)". It shows two characters, one having a very exaggerated strabismus and the other having a more realistic one combined with a falling eyelid. The first character is crossed out, and is saying "I'm stupid because I look weird haha (laugh)", while the second character has the checker mark and is saying "I have a personality trait that is not related to having an eye condition". The text below the step 2 reads "Not every person with facial paralysis will have strabismus but a lot do and I never see that in drawings". In the bottom right is a designated square with a character who has significant hypertropia and slightly red eyes. The text reads "rarely, people will be unable to close their eyes rather than the other way around. I meant to put it on the previous slide but I ran out of space".
Fifth slide, titled "mouth and smiling". There is a simple drawing of a man with bell's palsy smiling, there are red lines illustrating how the smile is lopsided and pulls towards the nonparalyzed side. There is another "correct/incorrect" demonstration with the incorrect one, labeled "not how faces work", having their face essentially halved, with one side smiling widely and one actively frowning, and the correct one, labeled "it just pulls to the nonparalyzed side", smiling normally on one side and having a neutral/relaxed expression on the other. The incorrect one has additional text box: "if it looks like the ancient Greek theatre mask, stop. I couldn't do this really downward frown on my paralyzed side even if I wanted to. You need to be able to move your face for that...". At the bottom of the slide are two drawings of the same character smiling; he has bell's palsy in one but not the other, highlighting the differences. The text reads "There are other things that can also be affected but smiling is the main one, especially for drawing. What is not affected are like, jaw muscles. Someone can have problem with that as well but it will be from something else". The rest reads: "A lot of people will overdo smiling so that other people can actually tell they're smiling and essentially do a really wide smile on just one side of the face. So things like gums showing, nose skewing to the side, lower eyelid going up, lip being thinner on the smiling side, etc.". There is a colored disclaimer "also a disclaimer (in case that's not clear): not all people with facial paralysis have it visible on their eyes. I do it here so that you can easily tell which side is supposed to be affected".
Sixth slide, titled "have fun smile emoji". It features a Hindu woman in a powerchair, a Black man walking with a cane, a Brown girl posing, and a white guy looking stern. The first two are captioned "Most people have facial paralysis because of a stroke/traumatic brain injury and a lot will have other disabilities". The girl is captioned "Some people are born like this also. You can draw people with facial differences as pretty people BTW, it's allowed". The last character is drawn with a straight line scar going through his eye. He is captioned "if you're giving your scarred OC #3743 this fuckass scar then at least give them nerve damage like get real LMAO. He would not be fucking ablebodied". While the main drawing doesn't show the character with any sort of paralysis, there's a smaller one where his eyelid and eyebrow are clearly paralyzed. There is another box of text in the corner reading "We are also just normal people and yous on;t have to name your OC with bell's palsy some combination of "half-face" or whatever the fuck".

[ID in alt]

Tutorial on drawing characters/OCs who have some sort of facial paralysis. It doesn't cover all possible variants because I was using mirror as my main reference lawl

Keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every ā€œX is Zā€ statement will be true for Actual People šŸ‘

Consider supporting me on ko-fi if you find this to be helpful.


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1 month ago

This story was written by the super talented and amazing @utterimmolation

"A Chance at Redemption."

The first thing Horus noticed was the quiet.

The Warp whispered, barked, *screamed* to him constantly these days. It was harder to hear himself anymore. The Gods told him secrets and truths, but his own thoughts became quieter and heavier. He was so much more nowadays, but there was a tiny gasp buried deep within that dared to murmur that he had only diminished.

He's gotten used to pushing that doubt away. The Gods assure him of the righteousness of his path, his legacy, his drive to see the False Emperor dashed from his ostentatious chair.

But here, on one of Etheria's twelve moons, standing across from his lone sister, his head is shockingly, disconcertingly ~~mercifully ~~, *quiet*.

The siblings study each other in silence for several moments. This is one of the least developed moons of the dozen, which is no doubt why Adora had chosen it. He briefly wonders if she had rigged it to blow or perhaps intends to repay him and his Sons in kind for Istvaan but dropping nuclear armaments from orbit but dismisses the idea. Adora can be surprisingly ruthless, but she would not dare risk damage to the moons and especially not Etheria and its people.

It is a character trait that makes her predictable but dangerous, much like Vulkan: their love of mortals makes them easy to maneuver, but strikes against them must be fast, hard and final, lest they rise again with greater and overwelming fury and unfortunately, that last part has proven remarkably difficult to overcome.

"You know why I am here," he finally breaks the silence.

Adora's mouth twists. "I do," she acknowledges.

"And?"

Adora takes a half step forward, her honor guard shadowing her every twitch, like children hiding behind their mother's skirts, unwilling to let her be parted from them. He hears Abaddon scoff quietly, his First Captain disgusted at the weakness he perceives.

Horus sees what it truly is. Love, beyond reason or doubt, beyond sense. The Sons of She-Ra love her, with such intensity that to lose her risks triggering a fury to rival that of Angron himself. Of course, perhaps that is not so surprising. The Slave of Nuceria hated so much only because he had once loved so fiercely and completely that its loss had stripped him of all humanity and rendered him little more than a beast.

"You come to me with a proposition. Let me give one instead: turn away from your Rebellion. Disavow the Chaos Gods. Disavow the Emperor. Disavow the butchers and sadists and monsters you've aligned yourself with. And stay here."

Horus blinks, surprised beside himself. An appeal to him hadn't been unexpected. An opportunity to be granted asylum had. "You would welcome me to Etheria?"

"You would have to pay penance. To even *begin* to pay for the crimes you've committed, the atrocities you've done... would take millenia. But you would be free and protected from both the Warp and the Emperor. I would stand with you. You could find redemption. Could help me build a universe of connectivity, communication...love. You could find peace." The Princess of Power slowly extended her hand. "You need only ask."

The voice that has been silenced and stifled for so long under the burning Gaze of Chaos is screaming at him now, louder than it's ever been. He is abruptly aware, for the first time in weeks, how grimy and heavy his armor feels, how hungry and thirsty and tired he feels. He...he cannot remember the last time he ate. Slept.

He looks past his sister, up at the distant glow of Etheria, and remembers the peace of the world. The smiles of children. The brotherhood of Space Marines, learning, training...living. He remembers being...happy.

He looks at his sister's hand, and his soul screams at him to take it.

He swings Worldbreaker instead.

It meets her golden shield in an explosion of rainbow Warp energy, and both Primarchs are pushed back several feet. Their respective sons stumble, and many fall.

Horus looks at her and sees only sadness and pity, and he feels a hate to rival that which he feels for his very Father.

Abaddon must give the order, as the Word Bearer ships and that of Etheria's fleet begin to fire at each other. Adora has her sword now and she's coming towards him but he ~~doesn't want to fight her~~ can't waste time now, not when the Emperor's gaze searches for him and Ultramar's fleets grow closer to reinforcing Terra.

He presses the teleporter on his belt and slams back into his quarters on the *Vengeful Spirit* only to fall to his knees as the protective aura of Etheria's territory disappears and the God's Gazes return to him with renewed focus and force. They see his doubts, his fears and they sooth him even as they shred at him for his impudence.

He does not know how long he kneels in his quarters, body, mind and soul wracked by agony. He only knows his fury is incandescent when a Son arrives to inform him the World Bearer fleet has been defeated and they are in-route to Mars. He dashes the Marine and two dozen serfs against the walls before the rages abates itself even slightly, and as he makes his way ti the bridge he promises himself this:

When the Emperor lies dead at his feet, he will return, with all of his forces, and lay waste to Etheria, until its seas run red, it's sky turns black and Adora's wife is nothing more than a new carpet before his bed.

--------


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2 months ago

In regards of the Trump government scraping all trans inclusion in its queer information portion of its websites I have made this thing. Spread the word. Don't let them pretend we never existed.

text: "IT'S NOT LGB IT'S LGBTQ+" image: shows a digitally drawn intersex inclusive progress flag made with a paint like texture. Shows three kittens in front made in the colors light blue, white and pink.
text: "FUCK TRUMP" image: shows a digitally drawn intersex inclusive progress flag made with a paint like texture. Shows three kittens in front made in the colors light blue, white and pink.
top text: "IT'S NOT LGB IT'S LGBTQ+" image: shows a digitally drawn intersex inclusive progress flag made with a paint like texture. bottom text: "WE WILL NEVER FORGET OUR TRANS SIBLINGS" with the word "never" underlined in red.

P.S: Don't like! Reblog! <3

EDIT: Well this got a lot of attention! I got a few users asking to print or repost my art and I am unimaginably grateful to everyone's interest, especially since it's a really simple drawing I made on a whim haha! Anyone who is looking to print these out to hang or hand out or repost on another platform is free to do so, although I ask you to credit me and let people know it's from my Tumblr profile! If anyone wishes to do anything else with my art or post and wants to clarify what I consent to then they can message me privately and I'll explain! <333 all my love to my queer siblings

EDIT: I made an LGBTQIA+ version with a focus on trans and intersex folks, it's on my pinned if you prefer this version of the acronym.

2 months ago

Okay, here is the first character reference sheet for my comic, "Returning to our Roots"

Okay, Here Is The First Character Reference Sheet For My Comic, "Returning To Our Roots"

I present Professor Oliver. He helped develop the first version of animal HRT, and he was also one of the first to try it. Though much to the disapproval of everyone involved as he technically used himself as the first human trials.

He has lived a long while and cares very deeply for his fellow anthro's (known as Fur-splicers to the humans of the world)

He lives in the same apartment building as our main character, Debbie.

It is his disappearance that throws Debbie into the frey. Leaving her to find out the truth behind what it truly means to be an anthro.


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rulernogard156 - RulerNogard
RulerNogard

22| They/Them|Plural| Hello, I draw stuff from grimdark monsters to wholesome lesbians. (Also, I do NSFW sometimes, so NO MINORS!!!)

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