I’m entering my Vetinari era. Going to start saying shit like “Capital!” and “Do not let me detain you.” and “A great rolling sea of evil. Shallower in some places, of course, but deeper, oh, so much deeper in others. But people like you put together little rafts of rules and vaguely good intentions and say, this is the opposite, this will triumph in the end.” Gonna start juggling knives.
was talking to my mom about how white people ignore the contributions of poc to academia and I found myself saying the words "I bet those idiots think Louis Pasteur was the first to discover germ theory"
which admittedly sounded pretentious as fuck but I'm just so angry that so few people know about the academic advancements during the golden age of Islam.
Islamic doctors were washing their hands and equipment when Europeans were still shoving dirty ass hands into bullet wounds. ancient Indians were describing tiny organisms worsening illness that could travel from person to person before Greece and Rome even started theorizing that some illnesses could be transmitted
also, not related to germ theory, but during the golden age of Islam, they developed an early version of surgery on the cornea. as in the fucking eye. and they were successful
and what have white people contributed exactly?
please go research the golden age of Islamic academia. so many of us wouldn't be alive today if not for their discoveries
people ask sometimes how I can be proud to be Muslim. this is just one of many reasons
some sources to get you started:
but keep in mind, it wasn't just science and medicine! we contributed to literature and philosophy and mathematics and political theory and more!
maybe show us some damn respect
Dress
c. 1900-1910
Hallwylska museet
@madgrad
Another stone/creature.
I made a small series of these, I'm pretty sure I've posted these before - but I'm looking at them again because I like it when the edge becomes so important in a piece, and want to capture that in some new work.
Coperni Fall 2025 Ready-To-Wear
Do you accept horrible things that USED to have legs, but have now been rendered in a more vile and slithery form?
I will be honest.
#horrible things with legs is a VERY open, very vibes-based collection.
Show me whatcha got
TRAINA-NORELL MINK TRIMMED CHIFFON GOWN, 1948.
Long sleeve green silk with V-neck and back edged in brown mink, ruched midriff band and full skirt, neck having chiffon over nude insert and large cloth flower.
Coperni Fall 2025 Ready-To-Wear
Dress made of cotton
1870-1880
Grand Rapids Public Museum
How would you describe the art style of the fashion design illustrations? I love the antiquarian looking style
hello my dear! 💖
what an interesting question! 💕💕 either fortunately or unfortunately, you asked either the best or worst person to talk about this lmao 😅😅 as an art history phd student, pretty much all I do is analyze images, so I definitely have some Thoughts™️
first, I'll say that style varies hugely based on time period and publication. even within decades, I've seen a wide variety of styles used, so if you had particular images in mind that you wanted me to talk about, feel free to let me know and I'd be thrilled to discuss those more specifically! ☺️☺️
because there is such a diverse range of stylistic approaches to illustrating fashion plates/images, I'm hesitant to make any sweeping generalizations here, but I will pick out a few themes that I've seen come up a lot:
2d medium vs. 3d object – one of the key features of fashion plates is that, ultimately, they are trying to sell you a garment/style. of course, clothing is three-dimensional, and especially when looking at things like bustled garments, they take up a lot of space in real life that is difficult to represent in a 2d medium. because of this "conflict" between the necessity of depicting the garment and the realities of the medium of drawing/print, we tend to see some odd positioning of the figures. they might be awkwardly bent or twisting in order to show off both a bodice and a bustle at the same time (the figure on the left here is a good example). we also see some "flattening" of the picture plane, wherein the placement of a normally voluminous feature (like a bustle) doesn't really make sense in a naturalistic space, but rather is almost parallel to the chest/bodice of the figure, when in real life it would project backwards rather than weirdly sideways (you can see this in almost any 1880s fashion plate featuring dresses, but this one is a nice example). [also please note that this is not a condemnation of these choices, but rather an analysis of why they're necessary in this medium]
ye olde photoshoppe – connecting to my first point, fashion plates are trying to sell you something, and therefore their artists have incentive to make that product look as attractive/appealing as possible. I do get comments from time to time about how "people don't look like that" or "that's not how bodies work," which, while true, also elide the fact that these artists are not necessarily trying to be naturalistic in their depiction of the human body – they're trying to show you the most marketable version of the human body as determined by the cultural values of their day. just as today we might see impossibly thin models on magazine covers or clearly fake thigh gaps in online retail, so too are the creators of these fashion plates embellishing and exaggerating the human form to make it as appealing as possible to consumers – they're selling a fantasy, not a reality
non-specificity – another thing that is fairly common across historical fashion plates is the non-specificity of facial features on the figures portrayed. if you feel so inclined, take a scroll through the blog and compare the faces of the figures in the illustrations (obviously this does not work in the same way for photographs). you'll likely find that you keep seeing the same face over and over again. what's more, that face has almost no distinctive features, and is almost doll-like in its perfection. given what we've already discussed, this isn't a surprise, since fashion plates are meant to sell garments, and therefore a portrait-like rendering of a specific model isn't really the goal. the figures in fashion plates essentially are dolls – they are meant to be "dressed" in whichever style is being sold, and visually appealing yet non-specific enough to potentially interest a large population of possible consumers
whew! okay I will wrap up my ramblings now, but I hope this was at least a little bit helpful or perhaps mildly interesting! ☺️☺️ as you can see, I love doing this kind of visual analysis, so (as I mentioned above) if you have specific images you wanted me to talk about stylistically, feel free to let me know!! ☺️💕 and thank you again for this great question! 💖💖
if you've made it to the end, thanks for reading my ramblings, and let me know what y'all think about the stylistic features of fashion plates if you have thoughts! 🥰🥰
I got the Top 4.47% on this English Vocabulary test