they're so cute they make me cry
OKAY so im drawing john and sherlock and somehow i'm having a harder time drawing john than sherlock
is that like, common or something? i would have thought I'd find it harder to draw sherlock ðŸ˜ðŸ˜
my tragic boys
here's the lineart just because im proud of it loll :3
you’re girly pop 💅
Being a non-UK listener of the Magnus Archives/Protocol means I'm always playing a little game called 'Is this a real thing that exists in England or are Jonny and Alex just pulling things out of their twisted imaginations again', and then becoming even more worried when it turns out it's real
train !!!!!!
what a polite looking guy
🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.
Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.
Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.
Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.
Be criticizes anti-migrant policies and Trump and his ilk.
Jackboot Jump is about the global wave of fascism and about protest and resistance.
Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.
Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%
Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.
If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.