FARAS : Leaked MakHa Archived Images

FARAS : Leaked MakHa Archived Images

FARAS : Leaked MakHa Archived Images

Date: 29th July 1948

 The species is identified as 'MakHa', a name arising from the unique sound they produce during communication.

 The MakHa are humanoid in form with tall, slender bodies and elongated limbs. They possess a distinctive elongated cranium, earning them the nickname "horse-head" among initial contact teams. Skin color varies from pale white to a more muted grey hue.

 Unlike the Roswell aliens, they did not speak English. But one of them was able to use English, and the other learned quickly, so communication was soon possible.

FARAS : Leaked MakHa Archived Images

 MakHa society appears to treat all individuals equally, irrespective of their apparent age. Our observations suggest that this may not stem from moral or ideological concepts, but from the lack of significant functional and experiential differences between younger and older individuals.

FARAS : Leaked MakHa Archived Images

 The MakHa show clear signs of hostility towards the Roswell aliens, despite their likely shared origin. Our inquiries indicate that this antagonism is primarily due to pronounced ideological differences. The MakHa lean towards a more totalitarian and collectivist system compared to the Roswell one.

FARAS : Leaked MakHa Archived Images

 These MakHa were presumed to be artificially created creatures. They learned everything, but they felt mechanical, not by curiosity. Some officers taught them to play hide-and-seek, which they performed very well, but did not appear to have any pleasure or curiosity.

 They didn't show much emotional change even after they understood that there was nothing they could change here. It's supposed to be because, in addition to their senses and nerves being different from modern humans, their view of time already has a good understanding of how these deterministic events work.

 They just seemed content to understand and remember things around them. If they could have changed something, they would have acted as best they could, but they had already figured things out, so they didn't show much agitation or take any particular action in contact with some of the surviving Roswell aliens. Their behavior seemed very strange, but it wasn't that officers couldn't find their human side. They were fully communicative beings, and they wished their ancestors good luck.

More Posts from Promptyper and Others

1 year ago
The Forgotten Vision Of The Electro-dynamic Human Harnessing Apparatus (EHHA)

The Forgotten Vision of the Electro-dynamic Human Harnessing Apparatus (EHHA)

This piece unravels the often overlooked aspect of Nikola Tesla's pioneering works, the early designs of an Exoskeleton suit, revealing how this vision from the 1890s fell into obscurity yet subtly influenced the path of human augmentation technologies today.

 In the later part of the 19th century, the name Nikola Tesla was synonymous with bold innovations, dazzling demonstrations, and, most importantly, a future shaped by a novel understanding of electricity and electromagnetism. However, a lesser-known aspect of Tesla's expansive body of work was his early designs for an Exoskeleton suit, which he worked on in the year 1893.  Tesla, a man with an extraordinary vision, recognized the potential in the field of human enhancement technology. He foresaw a future where humans could achieve extraordinary physical feats through a fusion of technology and biology. He drew up blueprints for an electromagnetic powered exoskeleton suit. He called it the "Electro-dynamic Human Harnessing Apparatus" or EHHA.  In Tesla's own words, "The EHHA is an application of my studies into the nature of electrical and magnetic fields, a machine designed to enhance the natural abilities of a man." The concept behind the EHHA was a suit powered by a compact electrical generator, the same alternating current (AC) system that Tesla had championed and which would soon power the world. The suit was designed to provide increased strength and speed, along with enhanced durability, to the wearer.  However, Tesla's vision was far ahead of his time. The technology required to build such a suit simply did not exist in the 1890s. The miniaturization of power sources, the development of lightweight yet durable materials, and the computing capabilities to manage such a system were all beyond the capabilities of the period.  Also, the world's focus was drawn to his pioneering work in electrical distribution and radio wave technology, which had more immediate applications and monetary potential. Thus, the EHHA was deemed as an impractical fantasy and was soon overshadowed by his other groundbreaking inventions.

 Over the years, the EHHA's designs were relegated to the back pages of Tesla's expansive body of work. His more immediately practical inventions like the AC motor and radio technology took center stage, while his more speculative and futuristic designs fell into obscurity. Tesla's death in 1943 further pushed the concept of the EHHA into the realm of forgotten ideas.  However, the idea of exoskeleton suits was not completely abandoned. They resurfaced again during the late 20th century, with advances in miniaturization, battery technology, and artificial intelligence making it more feasible. Despite the early designs being forgotten, Tesla's vision of a human-augmenting exoskeleton suit, in many ways, prophesied the path of technological development.  Today, as we look at the emerging technologies in the fields of wearable robotics and human augmentation, it is fascinating to think that the seeds for these ideas were planted by Nikola Tesla over a century ago. Although his initial design for the EHHA was lost in the pages of history, its spirit lives on in every piece of technology that seeks to augment human potential.

Prompt:

high quality, masterpiece, 1940s \(style\), real photo, old photo, torn photo, damaged photo, crumpled picture, greyscale, jpeg artifacts, lowres, low quality, rf1exo, exoskeleton, machinery, rf1, <lora:RetroFuture_rf1_V1_Soft:0.2>, <lora:Exoskeleton_ex1_V1_Soft:1>

Negative prompt: 

(semi-realistic, cgi, 3d, render, sketch, cartoon, drawing, anime, mutated hands and fingers:1.4),

Steps: 25, 

Sampler: Euler a, 

CFG scale: 6, 

Seed: 1663020950, 

Size: 384x512, 

Model hash: e6415c4892, 

Model: realisticVisionV20_v20, 

Denoising strength: 0.45, 

Clip skip: 2, 

ENSD: 31337, 

Hires upscale: 1.5, 

Hires upscaler: Latent, 

Eta: 0.2


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1 year ago
In 2035,

In 2035,

Great United States of America is ruled by AI.

You can't pay a fine to a machine or something.

Freedom warriors begin to rebel.

I created a simple image with stable diffusion and then composited it in Photoshop. It was a fun job.

In 2035,

original ai image


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1 year ago
Monster The Movie : Johan Liebert

Monster The Movie : Johan Liebert

 I made a live-action film poster for Naoki Urasawa's original manga &lt;MONSTER>.

 I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.

Monster The Movie : Johan Liebert

 Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.

Monster The Movie : Johan Liebert
Monster The Movie : Johan Liebert

 Johan was a very unique character. I felt creepy and pity for his actions at the same time. Is evil made or is it born? It's easy to blame those who create evil. But if someone is born as evil, who is to blame for it? he was a character that made us ask these questions.


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1 year ago
Doom : Rip And Tear The Live Action Movie Poster

Doom : Rip and Tear The Live Action Movie Poster

 I made a live-action movie poster for DOOM.

 It was thought that the process of coordinating the description between the symbolic form of the original DoomGuy in the game and the details suitable for realistic movies would be quite difficult. But I was able to finish this work easily, because I found a good LoRA that someone had made.

Doom : Rip And Tear The Live Action Movie Poster

 The image resource of DoomGuy in the game seems to have quite short arms, which continued to apply to the results. I tried to offset this with a few prompts, but when I lowered the weight, I had a problem moving away from DoomGuy shape. I just decided to supplement this in Photoshop.

Doom : Rip And Tear The Live Action Movie Poster

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1 year ago
FARAS-1947 : 

FARAS-1947 : 

Interaction with Extraterrestrial Lifeforms from the Roswell Incident

Date: August 7, 1947

 This report details the surprising interaction with the extraterrestrial beings who survived the FARAS-1947 crash. Remarkably, these beings showed not only an ability to understand and speak English but also demonstrated an array of behaviors similar to human characteristics.

 Upon discovery, these beings were compliant and cooperative. Their capability to communicate in English came via small micro-speakers embedded on the surface of their biological spacesuits. The sophistication of these micro-speakers led some scientists to initially suspect the use of telepathy.  The beings wore what appeared to be biological spacesuits but without helmets. They said they abandoned their helmets to comply with their security protocols. But at the same time they added that if we wanted to find the helmet, we could. Despite not wearing helmets, they showed no signs of respiratory distress. However, unlike humans, they did not appear to respire through a mouth or nose, but rather through an enclosed system provided by the suit, located beneath their necks.  Their eyes appeared to be largely black, akin to sunglasses. Upon closer observation, it was found that beneath this black exterior, they possessed eyes similar in form to human eyes. They described this aspect of their appearance as part of a biological containment system. When scientists illuminated their eyes, they could see tiny lights floating under their outer black eyes.

FARAS-1947 : 

 While generally expressionless, these beings occasionally displayed human-like emotions, such as sadness, light-hearted laughter, and smiles. Their ability to converse in English led to a degree of skepticism among some observers, who questioned whether this could be an elaborate prank.

 They explained that they had deliberately crashed to bypass certain protocols of importance to them. Despite some suffering severe injuries during the process, they indicated they had foreknowledge of the outcomes before the incident occurred.  The beings suggested that their survival was limited to the lifespan permitted by their biological spacesuits. They proceeded to share specific pieces of information they wished to impart before their anticipated demise. However, due to the sensitive nature of these discussions, they cannot be disclosed in this document.


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1 year ago
 It Was A Fun To Make These Images. For Kenzo, Getting A Similar Feel Wasn't Easy.

 It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.

 He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.

 In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.

 I also tried to depict their characters, situations, and symbols in the background of the poster.


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1 year ago
FARAS-1947 : The Roswell Descendants And Their Message From 1947

FARAS-1947 : The Roswell Descendants and Their Message from 1947

Date: August 14, 1947

 This report synthesizes the extraterrestrial Descendants' narrative concerning the past, present, and future of human civilization, their own development, technological advancements, and the predicaments they face. Their revelations illuminate a startling trajectory of human evolution and transformation.

Historical Disclosure:

 The beings narrated a tale of humanity that stretches far beyond our current understanding. They spoke of a unified global government that, after a period of prosperity and crises, ushered humanity into a prolonged era of peace. During this period, humanity embarked on a path of self-evolution and cosmic colonization, spreading across the cosmos in pursuit of sustainable prosperity.

Stagnation and Despair:

FARAS-1947 : The Roswell Descendants And Their Message From 1947

Intervention in Time:

 In a bid to further advance their civilization, they came up with an audacious idea—to intervene in their past and direct their own evolution. While this idea seemed preposterous, they soon discovered that they had already intervened in their timeline, thousands of years in the past. In essence, they were set to undertake a mission they had already completed, and the effects of which they were already experiencing.

Acceptance and Persistence:

 Recognizing their inability to control the past, present, and future completely, they conceded to the inescapability of certain aspects of their existence. However, they remained active agents, carrying out their mission in line with several protocols. These included minimizing their exposure to beings of the past and ensuring the beneficial influence on their lives. The most critical protocol was the prohibition of disclosing future events to the past.

Current Scenario:

FARAS-1947 : The Roswell Descendants And Their Message From 1947

 The beings' revelations fundamentally challenge our understanding of time, free will, and our place in the cosmos. This information, though perplexing and disruptive, presents an opportunity to reassess our perspectives on life, existence, and the universe. The question of how we navigate this newfound knowledge is a complex task that requires a careful, interdisciplinary approach that balances scientific inquiry, philosophical understanding, and ethical considerations.

Quantum Blueprint of Universal Knowledge:

 The extraterrestrial entities, survivors of the Roswell crash, expressed a key motive for their mission - to pass on their consolidated knowledge of the universe to humanity. However, they did not intend to hand over this information readily. They presented a set of conditions before the disclosure of this knowledge. They have encrypted all the knowledge they intended to impart into a string of digital characters, a code, to be precise. This code could only be deciphered when humanity has successfully constructed a basic quantum computer and has navigated through several crises to form a united global government.

 They gave the officer in charge something like a compact disc that they had been making in advance, and the instructions that told him how to decrypt and operate it were elaborated directly on paper.

FARAS-1947 : The Roswell Descendants And Their Message From 1947

 The extraterrestrials underlined the significance of these conditions - they would inevitably lead to human unification and collaboration, steering clear of destructive wars. They confessed that they were already aware of the dazzling progress that humanity had made over the past centuries, thanks to this knowledge. However, they also admitted the disappointment and despair they faced when realizing there was nothing left to accomplish.

FARAS-1947 : The Roswell Descendants And Their Message From 1947

 Expressing regret over the inability to encounter other alien life forms and the laxity of their information security protocols as a consequence, the extraterrestrial beings started to deteriorate one by one. Their lifespan was limited by their bio-suits, and as the end neared, they accepted their fate with solemn grace.

 As they began to fade, they left behind the encrypted knowledge, a testament to their existence and a beacon for human advancement. Even in the face of death, their faith in humanity’s potential to grow and evolve was unwavering, their legacy and the mission of knowledge transfer was proof of this belief.

 The person who obtained this information, which was leaked during the digitization of the archives associated with the Apollo program, left some notes.  "If you look closely at the records leaked through PROMPTYPER ®, you can assume that somewhere underground in Area 51 is something like a little compact disc with this cosmic knowledge. But it's just an interesting inference. There's no telling if it's really there, or if it' There could be a few insignificant spaceships, a bio suit worn by aliens, and so on. Where the important disk is located seems to be classified as the most important information. The whereabouts of it are unknown."  "We are unable to disclose the full text of this report format document, so we have asked GPT for a summary. I hope you enjoyed reading it."


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1 year ago
 I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.

 When I was a child, the concept of being an artificial person itself felt strange, and it felt very scary to have numbers on their names.

 I actually barely remember the process of her pairing up with Curirin. I was attending an academy at the time, so I couldn't remember the contents in between. I think I'll have to watch it again someday. In the process of turning us humans into humans, I think reading comics and manga well also plays a pretty important role. Much of our childhood memories are cartoons, manga, and animations.


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1 year ago
FAUAP : KR2-UFOLRG73

FAUAP : KR2-UFOLRG73

 This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.

 What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.

 Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.

 From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.


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1 year ago
 I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.
 I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.

 Kuririn is known as the strongest Earthman. Nevertheless, I remember that it was painted as a human symbol of trying and overcoming despite clear limitations.

 I think Kuririn is the main character who preached the importance of effort to children. There are many natural geniuses like alien, Goku in the world, but they have shown that even with ordinary skills like Kuririn, they can stand shoulder to shoulder.

 above all else. He won the heart of Android 18, and married her. What does this say? Having a good wife, more than anything else, means a true winner in life.


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