Outofambit - Out Of Ambit

yall arent ready yet but one day were going to talk about how the young wizards series is better than harry potter. the language is more complicated but trust me, its better 

(MIKE FUCK OFF WE’VE BEEN OVER THIS ALREADY I H8 U NO LOVE)

im cryin this is what im doing with my life wowowow a ma zing !!

Rebloggable-d by request: Names in the Speech

So this may be an odd question, and not one you’ve thought about much — but how would the Speech interact with someone who uses/identifies as a different name than their birth/legal name? I don’t mean like Kit — presumably his name in the Speech would include a phrase along the lines of ‘Christopher, called Kit’ — but a case where the birth name has been ‘rejected’, and isn’t part of the wizard’s identity at all.

intheafterlight

As someone currently spite-writing the second draft of a project...this fills me with such a sense of purpose and inspiration. XD

What inspired you to write Young Wizards? A relative, a dream you had? Did the story come to you as you were writing it, or was it hammered from bits and pieces of thoughts made plain on text? Were there parts you struggled with, parts that came easier than others? (Have you already answered these questions in an interview you can link to?)

What inspired me to write So You Want To Be A Wizard?

Partly humor. Partly rage. (More about both under the cut...)

The subject's come up in interviews every now and then, but let's tl:dr; it here.

The humor: Often enough while I was nursing, and seeing the bizarre things people would do to their own bodies, I wished out loud to other fellow professionals that human beings came with some kind of instruction manual. Now, I'd known the "So You Want To Be A…" series of (US-published) career books from my childhood. One day when I was thinking about them—and for no reason I can understand at this end of time—the word "…Wizard" plugged itself onto the end of the title template.

Instead of a simple instruction manual for people, I found myself considering what a wizard's manual would look like. Where would it come from? Who would it have come from? Might it, itself, be an entirely bigger manual than the one I'd been joking about—but the full instructions and background material you'd need for (maybe) understanding life, but (definitely) doing magic? A book as big or as small as you needed for the work in hand, and full of the answers to questions you never thought you'd get answers to? ...

From that basic concept, the wider concept of wizardly culture built itself up over the next couple of years. ...Naturally I'd read Le Guin's "Earthsea" books years before, and I'd noted (but decided to pass on) the concept of a school-for-wizards. While it was interesting enough, it'd already been done by a writer far more skilled. What interested me more was a DIY-ish approach, where you learn by yourself, do things that interest you, and join up with other like-minded practitioners when the mood moves you or circumstances require.

Anyway, now comes the rage. While all this was percolating in the background, I was finishing up a YA series by another writer. When I hit the end of it, I was profoundly upset by the events of the series’s closure. They seemed to me to have treated strong and resilient young characters as helpless creatures without agency, subjecting them “for their own good” to an amnesic end-state they absolutely didn’t deserve. I got mad about this. I dove into the writing of the first Young Wizards book with the intention of treating my young characters a whole lot better—since if there was anything I knew about kids from my nursing, it was that a lot of them were tougher than many of the adults around them.

Once I was started, the writing went straightforwardly from book’s beginning to book’s end (because as I was already a screenwriter, and screenwriters outline, the novel was naturally outlined too). The writing took about six months, as right then I was also writing for Scooby and Scrappy-Doo to pay the rent. I turned in the book and didn’t think much more about what might happen next (though I knew there was quite a lot more story to tell) until I ran into Madeleine L’Engle at some event of my publisher’s. She took me aside and said, “I read your last one. I liked it a lot! When’s the next?”

That was when I realized I had a problem... so I got busy.  :) ...And I’ve been busy with the Young Wizards universe ever since. I’m busy with that universe right now, though it may not look like it. And I expect to be busy with it for years to come.

HTH!

I would find a way to be there.

wowww

things that would be expensive: renting an RV

things that would actually probably be less expensive: inventing technology for teleports

Tree honorifics

You whose roots go down forever; the whisperer of all twelve winds; strong against the storm; harbour of birds; knot of your own tying; you whose glades dance in dappled delirium; seeder of a thousand saplings; who stands alone at the hilltop; anchor of the oldest forest; you of the dancing green; you who rise again after endless Winter; the thorn in the thicket whom no axe will move; you who have grown silently; observer of nine centuries; to whom all paths lead; whose branches snag both clouds and dreams; the lord of your own grove; berry-provider; moss-grower; whose heartwoods are ancient secrets.

I had to do a "home budget" project in econ during high school, and we had to "buy a car" as part of our budget planning and so I used a listing for one of these as my "purchase" because I am nothing if not a massive nerd. It still delights me to think about. ^__^

I'm desperately trying to look for the specific model of Lotus that you referenced in the first of the Young Wizard series. I've been wanting to draw a storyboard for a long while for it and for some reason Google is useless.

It's this one: the Lotus Turbo Esprit. Lovely, lovely thing that it was...

(Sorry, the YouTube video seems to have failed to insert correctly. But check it out:  https://youtu.be/CQnOusKNDKs)

...Later in the eighties they softened its lines down. But this is the one that made me stop and stare when I passed by the Lotus showroom in Manhattan in ‘81...

Space is so creepy and wonderful. Who the hell needs hell when there’s space.

Like there’s an old constellation called Eridanus that you can see in the southern sky, and its not a very interesting constellation. It’s a river. It’s actually the water that’s pouring out of Aquarius, so in the sky it’s kind of boring. It’s a path of stars.

But within Eridanus, in between the stars, there’s a place where the background radiation is unexplainably cold. Because after the Big Bang, there was all this light that scattered everywhere, and it’s the oldest light in the universe, but we can’t see it. It’s so dim that it only shows up as a glow of microwaves, so to us, it just looks like the blackness of the night.

But there’s this spot in Eridanus where that little glow of ancient microwaves isn’t what it should be. It’s cold and dark.

And it’s enormous. Like a billion light year across. Of mostly just emptiness. And we don’t know why. One theory is that it’s simply a huge void, like a place where there are no galaxies. Voids like that do exist. Most of them are smaller, but they’re a sort of predictable part of the structure of the universe. The cold spot in Eridanus, if it were a void, would be so enormous that it would change how we understand the universe. 

But another theory is that this cold spot is actually the place where a parallel universe is tangled with our own. 

"With!"

Clouds Around V1331 Cyg Processing by Judy Schmidt

A complex nebular fountain-like structure that appears to originate from the star it was found around. The morphology of the nebular structure is quantified and discussed. Evidence for secular outflows is found from the optical data.[**]