Richard Hugo, Essay On Poetic Theory: The Triggering Town

on winter and longing

Sarah Kay, Natalie Diaz, Craig Keenan, Clarice Lispector, Mahmoud Darwish, Brittany Cossette, Franz Kafka, Edvard Munch, Richard Siken, Haruki Murakami, Holly Warburton, Mahmoud Darwish

buy me a coffee

Heinrich Heine, from “The rose and the lily, the sun and the dove” (tr. by Hal Draper)

'...from the nineteenth century onward, Cinderella conveyed the explicit message that personal goodness and virtue merit reward, and that goodness and virtue are, and will be rewarded. As a generality, it is fair to say that most people believe themselves both good and deserving; thus the message that goodness will be rewarded is well suited to the hopes and needs of the large part of every country’s population that does not live in comfort. Furthermore, stories like Cinderella, in which magical assistance plays a prominent role, foster an existential belief in eventual assistance, whatever the presenting problem may be, and support hope for a happier and better future. For poor girls in the nineteenth century, for whom so few opportunities for social rise from the depths of misfortune to the highest imaginable joys existed, Cinderella could stand for a way out and a way up.'

Ruth B. Bottigheimer, 'Cinderella: The People's Princess' in Cinderella across Cultures, ed. M. H. D. Rochere (Detroit: Wayne State University Press, 2016).

Writing Notes: The Story Circle

The Story Circle by Dan Harmon is a basic narrative structure that writers can use to structure and test their story ideas.

Telling stories is an inherently human thing, but how we structure the narrative separates a good story from a truly great one.

The Dan Harmon Story Circle describes the structure of a story in 3 acts and with 8 plot points, which are called steps.

When you have a protagonist who will progress through these, you have a basic character arc and the bare minimum of a story.

As a narrative structure, it is descriptive, not prescriptive, meaning it doesn’t tell you what to write, but how to tell the story.

The steps outline when the plot points occur and the order in which your hero completes their character development.

These 8 steps are:

You - A character is in their zone of comfort

Need - But they want something

Go! - So they enter an unfamiliar situation

Struggle - To which they have to adapt

Find - In order to get what they want

Suffer - Yet they have to make a sacrifice

Return - Before they return to their familiar situation

Change - Having changed fundamentally

The hero completes these steps in a circle in a clockwise direction, going from noon to midnight.

The top half of the circle and its two-quarters of the whole make up act one and act three, while the bottom half comprises the longer second act.

In their consecutive order, the Story Circle describes the 3 acts:

Act I: The order you know

Act II: Chaos (the upside-down)

Act III: The new order

Working with the Story Circle enables you to think about your main character and to plot from their emotional state.

The steps will automatically make your hero proactive as you focus on their motivation, their actions and the respective consequences.

Sources: 1 2 3 More On: Character Development, Plot Development

You walk with stars on your feet

trailing glory in your waking path

rosy fingers grazing smokey clouds to meet

the dawning skies above

Melissa Febos, Abandon Me

—Ocean Vuong.

—May Sarton.

All houses are haunted. Everywhere I’ve ever lived has been haunted

1. Ash, Tracy K Smith 2. Anatomy, Kitty Horrorshow 3. Little talks, Of Monsters and Men 4. Doctor Who 5. Why are you haunted: a survey, Joan Tierney 6. I know the end, Phoebe Bridgers 7. Dark Places: The Haunted House in Film, Barry Curtis 8. The Dictionary of Obscure Sorrows, John Koenig 9. Things We Say in the Dark, Kirsty Logan 10. Ghosts in the attic

Overthinking

I dream in hurried whispers

frantically calling for settled peace

amongst troubled thoughts

and empty seats

crowded by a droning babble

forever in a constant struggle

I claim only ease

in my own troubled company

watching their restless words

clamour for attention

over nothing but an empty dream 

I read to escape but then I always get trapped in a world that closely resembles mine