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Words to describe someone's voice

adenoidal: if someone’s voice is adenoidal, some of the sound seems to come through their nose

appealing: an appealing look, voice etc shows that you want help, approval, or agreement

breathy: with loud breathing noises

brittle: if you speak in a brittle voice, you sound as if you are about to cry

croaky: if someone’s voice sounds croaky, they speak in a low rough voice that sounds as if they have a sore throat

dead: if someone’s eyes are dead, or if their voice is dead, they feel or show no emotion

disembodied: a disembodied voice comes from someone who you cannot see

flat: spoken in a voice that does not go up and down. This word is often used for describing the speech of people from a particular region.

fruity: a fruity voice or laugh is deep and strong in a pleasant way

grating: a grating voice, laugh, or sound is unpleasant and annoying

gravelly: a gravelly voice sounds low and rough

gruff: a gruff voice has a rough low sound

guttural: a guttural sound is deep and made at the back of your throat

high-pitched: a high-pitched voice or sound is very high

hoarse: someone who is hoarse or has a hoarse voice speaks in a low rough voice, usually because their throat is sore

honeyed: honeyed words or a honeyed voice sound very nice but you cannot trust the person who is speaking

husky: a husky voice is deep and sounds hoarse (=as if you have a sore throat), often in an attractive way

low adjective: a low voice or sound is quiet and difficult to hear

low adverb: in a deep voice, or with a deep sound

matter-of-fact: used about someone’s behaviour or voice

modulated: a modulated voice is controlled and pleasant to listen to

monotonous: a monotonous sound or voice is boring and unpleasant because it does not change in loudness or become higher or lower

nasal: someone with a nasal voice sounds as if they are speaking through their nose

orotund: an orotund voice is loud and clear

penetrating: a penetrating voice or sound is so high or loud that it makes you slightly uncomfortable

plummy: a plummy voice or way of speaking is considered to be typical of an English person of a high social class. This word shows that you dislike people who speak like this.

quietly: in a quiet voice

raucous: a raucous voice or noise is loud and sounds rough

ringing: a ringing sound or voice is very loud and clear

rough: a rough voice is not soft and is unpleasant to listen to

shrill: a shrill noise or voice is very loud, high, and unpleasant

silvery: a silvery voice or sound is clear, light, and pleasant

singsong: if you speak in a singsong voice, your voice rises and falls in a musical way

small: a small voice or sound is quiet

smoky: a smoky voice or smoky eyes are sexually attractive in a slightly mysterious way

softly spoken: someone who is softly spoken has a quiet gentle voice

sotto voce adjective, adverb: in a very quiet voice

stentorian: a stentorian voice sounds very loud and severe

strangled: a strangled sound is one that someone stops before they finish making it

strangulated: strangled

strident: a strident voice or sound is loud and unpleasant

taut: used about something such as a voice or expression that shows someone is nervous or angry

thick: if your voice is thick with an emotion, it sounds less clear than usual because of the emotion

thickly: with a low voice that comes mostly from your throat

thin: a thin voice or sound is high and unpleasant to listen to

throaty: a throaty sound is low and seems to come from deep in your throat

tight: a tight voice or expression shows that you are nervous or annoyed

toneless: a toneless voice does not express any emotion

tremulous: if something such as your voice or smile is tremulous, it is not steady, for example because you are afraid or excited

wheezy: a wheezy noise sounds as if it is made by someone who has difficulty breathing

wobbly: if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry

The sun and the moon 🌙☀

Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?  5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

Oh my f u c k click this #pretty #art

What a sad looking Eliza :(  Maybe you should click on the image? It might make her feel better. 

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have you ever watched your peers win the scholarships you've also applied to (and get rejected in) and feel just... really worthless? especially if you put in a lot of effort. Sometimes it's discouraging to think there's always someone out there that's much smarter than you. You don't have to reply, I just felt like venting haha.

Good evening, anonymous! Thanks for the ask!

I’ve been in similar situations many times, and it’s Not A Great Feeling.  Although you asked about scholarship applications, I hope you don’t mind if I talk about application rejections more generally.

First off, some of my more recent rejection experiences include…

During my first wave of graduate school applications, I was rejected unanimously. It was extremely discouraging. (Contrast this with my second wave of graduate school applications a year later, wherein I was unanimously accepted and received several amazing financial offers.)

Because my subfield is financially-limited, there’s a lot of people applying for a very finite pool of money. Of course, my research group needs funding if it’s going to keep doing science, meaning rejection is an expected part of the process.

I’ve been rejected many times over by certain research-relevant summer schools that my colleagues have attended.

And so, with these experiences in mind, I’d like to provide some…

~Advice For When Your Application Gets Rejected~

Rejection in general can be extremely painful, disappointing, and discouraging. Then add the pressure of that rejection impacting your future? Cue heartbreak.

Here are several facts that help me maintain my spirits through repeated rejections. For instance, when it comes to the persons who evaluate applications, I keep in mind that…

They survey a TON of people. As a result, they end up with a larger number of qualified applicants than they have available spots. Being rejected doesn’t mean you weren’t qualified. I know plenty of hyper-qualified individuals who get rejected simply because of the luck of the draw.

They observe only a FRACTION of you. Applications are necessarily finite, so reviewers don’t get to evaluate the whole of you. Rejection of your application is not a rejection of you. You are so so SO much more than an application.

Furthermore,

An application rejected by certain reviewers might be accepted by others, and vice-versa. Consequently, if you get a rejection and someone else gets an acceptance that does NOT mean they’re better than you. An application can’t enable judgments of that complexity.

You are growing and changing every day: the pieces of you that go into an application can be improved upon or reworked for future applications. Rejection can inform you what areas you might try to focus on in the future. 

Finally, my most IMPORTANT piece of advice is to keep in mind that…

~even the strongest applicant will receive rejections~

There’s an element of luck whenever you apply for anything. That’s the nature of these systems and it’s not your fault.

Remember:

Success isn’t a matter of always succeeding, but persevering until you do.

Best wishes, my anonymous friend.

Details, version II : Dancing Fairies, 1866, by August Malmström. Can you hear them whisper?

When my daughter asks me why I named her Rhony I’ll just show her this video

Page 2 has been updated! Still can’t express how excited I am for this comic!

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