Some People Think Writers Are So Eloquent And Good With Words, But The Reality Is That We Can Sit There

[ HOSPITAL ]

Now. You might be wondering why on earth my first thought was that I was a reincarnate rather than—well rather than something normal like coming out of a coma or being miraculously saved at a hospital. 

(Miraculously—heh. You’ll get that joke soon enough). 

But let’s review the facts, shall we? 

Firstly, I got stabbed and bled out. I felt myself die. It was horrible, and agonizing, and quite frankly horrifying, but there’s no mistaking that sensation. Nothing else would compare, and I knew that I’d carry that feeling for the rest of my life. (Would that be the appropriate term, if the way I was alive counted for anything? The rest of my existence, maybe?)

Secondly, I woke up somewhere cold and unfamiliar. Not in an ambulance, not in a hospital bed, but rather with the strangest bone-deep conviction that I was somewhere warm and all-encompassing and suddenly wasn’t. This confused me the most, because­­—as I said—there was no possible way for me to have survived in any normal sense. It would take a miracle and a half, and evidently that hadn’t come up if the way I was carried around in the arms of strangers as though I weighed nothing had anything to say about this absurd situation.

And thirdly. This was the most damning part of it all: the last words I’d heard before I’d fallen asleep.

“Félicitations, c'est une fille!”

With my limited high-school French, even I could understand this.

Congratulations—it’s a girl!

So, with all these clues, with everything adding up the way it did, is it even a mystery that my first thought was reincarnation?

***

When I wake up from my impromptu nap, it’s to warmth. Cosy, pleasant warmth, the kind that makes you want to burrow further under your covers and maybe kick your feet due to the sheer contentment you feel, and drift lazily to sleep.

I was set on doing that—determined, even, to push away all thoughts of the sheer magnitude of this situation, and the absurdity of it—but my stomach decides that it’s going to rebel and make me aware of the fact that I was starving. The sensation is overwhelming, my tiny body wracked with hunger that felt devastating, and I do the only thing that this tiny body is capable of doing. I scream. I cry.

This is vastly different from my last outburst. That was the confused, panicked wail of an adult-turned-baby, and with the confusion and overstimulation and bright lights and cold and the smell of hospital disinfectant and being wet and slimy and being slapped on my rear­—

Yeah, there was nothing left for me to do except scream; no recourse available apart from distress that was devastating in its intensity.

This cry of mine is instinctual. It’s what this body decides to do, and before I’m even aware of it, I’m doing it again. Louder, even, as though my mouth and lungs have remembered what to do and are compensating for the initial delay. My limbs are trapped in fabric, and before I can panic at that, I’m lifted. Cradled.

My eyes are closed, squinted, and I’m sure that even if I could open them, I wouldn’t be able to see anything. But my ears don’t have that problem, and I can hear a soft voice murmuring in that same musical language—which I can now tentatively identify as French­—and I can hear the snap of something, a strap loosening and then—

Oh.

Oh.

Warmth. A new kind of warmth. It’s sweet, and rich, and flows down my throat like I’m starving. (As an aside, this was my first taste of food in this new life, no matter the source. No wonder I felt euphoric, almost drunk on finally filling my stomach, when this tiny body had never even felt so much as a hunger pang before).

I don’t think; I just act, latching onto the offered source of food and drinking as though my life depends on it. It’s humiliating. It’s weird. It’s something that I adamantly don’t want to think about, my mind shying away from exactly where I’m greedily guzzling from.

The voice above me hums softly. It’s a lullaby I don’t recognise, and it sounds soothing. My eyelids droop, a deep satisfied sleepiness creeping in again. This body betrays me by falling asleep, and honestly? I don’t fight it. I don’t want to think about what happened. I don’t want to process all that’s happened. Not now. Not yet. 

I sleep.

[PREV] [MASTERPOST] [NEXT]

***

FIND THE REST HERE:

https://archiveofourown.org/works/64262899/chapters/164948017#workskin

🎉 Writing commissions are now open! 🎉

Hi! I’m Mae, and you might have seen me lurking around on here. I’ve decided to open commissions for writing, and that includes short stories, original works and fanfiction!

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If your fanfiction request is from outside of these fandoms, I will need a thorough grounding of the character, how they interact, and the universe itself in order to deliver a high-quality story. Please provide any details and traits that you would like to be in the fic and would be focused on.

- Original works: If you have a story idea, world building you need help with, dialogue, or anything else, then I will be able to help. If you’d like to just provide an idea, and have me build on that, then that’s fine. If you need help with your own writing, then take a look at beta reading.

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I offer stories ranging from 0 words to 20,000 words. If it is any longer than this, then please be prepared to either be rejected, have to pay more, or have to wait longer.

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Ending 2

Everyone: Happy birthday, Tim!!

Tim: what?? Holy shit i forgot it was my birthday!

Jason: yup and you’re 18 so you know what that means

Dick: jason no

Jason: i got you a pack of cigarettes for your birthday gift!

Tim: uhh, thanks but… i don’t really plan on taking up that habit

Jason: wow golly gee. That’s a real shame right there. Huh guess i have no choice but to enjoy these myself. Welp it’s the thought that counts right timbo

Tim: yeahh, thanks Jason…

Steph: anyyyway, i got a cake, your favorite!

Dick: no, gifts first!

Damian: indeed. Opening presents should be top priority.

Duke: I’m hungry and there are a lot of presents so I vote cake!

Cass: …cake would be… nice

Alfred: might we let master Tim decide? It is his special day after all

Bruce: Tim, cake or gifts first?

Tim: cake!!!

[Rolls out cake]

Tim: wow Alfred it looks great! But… and I’m not complaining it’s just… it says I’m 17

Alfred: ? Indeed you are master Tim

Tim: uhh, this is my 18th birthday. We already established that

Damian: -tt- what are you on about, Drake? Just blow out the candles

Tim: but… [sees the banner above that now reads happy “17th birthday” instead of “18th” birthday]

Tim: but… but…

Dick: r u feeling okay, Tim?

Tim: jason u know I’m 18 now right? You literally just tried to give me cigarettes for my birthday?

Dick: jason you did what??

Jason: i didn’t I swear! I got him a pair of socks, white and plain like him. Although thanks, Replacement, now i know what you want for next year i guess

Steph: tim… you’re 17…

Tim: no I’m not! Here I’ll get my drivers license… [looks at license]

Tim: but this says I was born in… no i was born a year earlier than this! Guys something is really wrong!

Duke: dude ur really starting to freak us out

Bruce: tim… i assure you that today is your 17th birthday

Tim: … today is my 17th birthday? Is… that can’t be… is today really my 17th?

Dick: yeah and congrats on turning 17, Tim! You’re finally a dancing queen!!

Duke: just think next year you’ll be an adult!

Tim: ha… yeah… next year… it’s just… i feel like I’ve heard that before

Tim: ha, must be tired. Oh well! [Blows out candles] happy 17th birthday for me, I guess

Time for some BatPham and DPxDC fic recs

I got a comment asking for some recs and I thought it’ll be easier to have a masterlist or something in my tumblr and link that

SOOOOO I asked the BatPham server for recs and I’ll just slap them here and add some that come to my mind in no particular order because it’s 4:20 am (blaze it)(not really, kids, dont smoke) and ill comment some ive read personally

cheers!!!!

Now with Part 2!

Keep reading

i am shrunken down and brought to the gnome world and when i attempt to assimilate to their culture I use an acorn cap as a hat and they all laugh cheerfully at my silly mistake of wearing what they use as a bowl like a cap and though this is a transgression that would have humiliated me in my human life I am instead laughing alongside them at my humorous misunderstanding

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

Marinette's House

During Miraculous Ladybug, Marinette is often put down for being a baker's girl and a poor girl amongst her millionaire peers but then I looked at her home and thought to myself, "Aren't homes with more than two floors expensive? Especially if they include a walkable balcony?" Which led me down a road of frustration as I couldn't find the concrete cost of the bakery it's based on nor the house prices in any arrondissements.

However, I decided to make a poor man's attempt at an estimate with what I could find on the internet that wasn't advertising the real life bakery it's based on, Instagram posts, or the prices of baked goods.

I will explain my workings out below the "read more", but be warned of questionable reasoning and less than accurate findings. Please don't take this post as fact as I know I'm far from the truth.

Warning: maths ahead.

Since you've consented to read my shenanigans, I'll attempt to explain my thought process.

Since I couldn't find the cost of the IRL bakery, I searched for the Average Home Price in Paris. Results:

$1,150 per square foot.

A start, more than expected and in dollars, but a start. So, what's the dollar to euro exchange?

0.96 euros to 1 dollar.

We'll save that for later, but good to know for now. Next, since it's a bakery, I searched for the Average Sized Bakery:

At least 800 square feet, ideal being 1,200 square feet.

Alright, that gives us a boundary for the lowest and highest result with leeway for head canons. So, how many floors is the Dupain Cheng bakery? This is to know how many times we multiply the floor space. From top to bottom:

5F: Rooftop balcony

4F: Marinette's room / attic

3F: Living Room and kitchen

2F: Tom and Sabine's room

1F: The Bakery Itself

So five floors. For my sanity I didn't include the stairwell extension from the 1st to 3rd floor, not how the attic curves in, I'm taking excessive liberties to stop myself weeping. Now comes the maths of it all, starting with the smaller possibility.

$1,150 × 800 = $920,000 per floor.

$920,000 × 5 = $4,600,000 altogether.

A steep number, it shocked me as well the first time I calculated it, then I remembered that was the smaller guess, the larger being:

$1150 × 1,200 = $1,380,000 per floor.

$1,380,000 × 5 = $6,900,000 altogether.

Both well in the millions, to my shock, then remembered about the dollar to euro exchange rates so bunged those through a calculator to reach the following results:

€4,416,000 for the 800 square feet

€6,624,000 for the 1,200 square feet

Still in the millions. I'm still reeling from the final results of all this. I nearly forgot why I started looking for the cost of Marinette's house while looking at the numbers.

Ok, Marinette's family is absolutely loaded if they could afford to live in the bakery if someone considered my numbers, whether they rent or purchased the building outright, they're still wealthy regardless.

For being "a normal girl with a normal life", Marinette sure is oblivious to the wealth she walks on.

I'm not going into detail about the cost of her hobbies or the trip to Shanghai, those can be separate posts I can make as I recover from how her house may cost millions.

I WISH Jorge had referenced the part of Luck Runs Out where Odysseus tells Eurylochus to be quiet because I feel like that’s an element missing from a lot of Eurylochus interpretations.

“I need you to always be devout and comply with this /Or we'll all die in this” is important because Eurylochus fails to do it by questioning Odysseus’ words (the bag is NOT treasure, it’s storm) and opening the wind bag and his actions lead directly to the facilitation of the death of most of the crew. I hesitate to say he’s to blame because, well, Poseidon is taking revenge due to Odysseus’ decision, but Eurylochus handed him means and perfect opportunity to do it.

So, after that, Eurylochus obeys everything Odysseus says to do. He takes men to explore Circe’s island. He stays put instead of running when Odysseus goes to rescue him. He follows intl the Underworld despite the fact that “hey this witch is helping us now by sending us to death’s realm, this is definitely not a trick” probably raised some questions. He doesn’t (or at least we don’t see) stray or talk to the souls in the Underworld even though Odysseus ends up doing it. He traps and kills the sirens.

He lights and gives out six torches.

So, if devotion to Odysseus wasn’t enough to save them? If Odysseusnis now using that devotion and trust to get them killed as long as he gets to make it home to his wife? What is he meant to do now?

Eurylochus doesn’t sound… fully there, during the second half of Mutiny. Whether there was divine intervention pushing him or madness or simply the pain of it all, he’s not acting rationally. He just saw six of his trusted men brutally murdered, asks Odysseus to lie and say it was a trick, and can’t even kill him when the truth comes out. Odysseus’ wounds are bandaged! (I’m not sure that he doesn’t actually know where Helios’ statue is from btw, both due to the melody and bc it seems outrageous)

We’re all talking about Odysseus pleading for Eurylochus to stop before killing the cows, but Eurylochus is pleading too. He asks how much longer is he expected to suffer, to push through doubt, to follow the orders. And Odysseus’ first plea is “I need to get home” (later “we can get home”). Let’s not forget Odysseus is selfish and Eurylochus knows that, maybe even loves that, but he’s not just hungry, he’s tired.

When Polites gets the location of the sheep cave from the lotus eaters and takes the men to it, he leads several of them to death and himself to his doom. When Eurylochus stumbles upon the cows, does he remember that? Does he deliberately invoke it?

Killing the cows isn’t about the hunger, not really. It’s about the devotion that was asked of him, the price he paid to learn that lesson, and the pain that silence put him through anyway.

Down Bad in Distress - Part 2

Part 1 | Masterpost

The many—MANY—instances of Bruce's bodyguard being terrifyingly brutal for him and his family and how that turns Bruce on.

Bruce isn't stupid. He knows Danny knows. It’s obvious—damn obvious—considering the way Danny just knows. There was that one time, the alley, Bruce barely holding himself together after 50-something hours with no sleep. He could barely stand, muscles sore and head swimming. And then, like some kind of twisted serendipity, Danny shows up.

Takes one look at the mess Bruce is in—Batman—and doesn’t hesitate. Not even a breath. Just pure, unfiltered instinct.

Danny moves like a blur, swift and terrifyingly efficient. A punch to the throat here, a knee to the gut there. A quick, brutal twist of a wrist. The next thing Bruce knows, the guys who dared lay hands on him are unconscious, twitching, moaning on the ground.

God, Bruce is so turned on.

Danny doesn’t even break a sweat.

"Bruce," Danny hums, voice steady despite the adrenaline. It’s a casual thing now—calling him by name, no more “sir” or formalities. It’s just Bruce.

Then, like it’s nothing, Danny looks at him with that grin—sharp, dangerous. “Ah, Batman,” he corrects with a wink, scooping Bruce up like he’s weightless.

Bruce can’t stop himself from groaning as Danny effortlessly pulls him into his arms. “I should get you a mask,” Bruce rasps, more out of breath than he should be. “Makes you less... noticeable...”

Danny just chuckles, the sound low and throaty, almost predatory. “I wouldn’t worry about that for now,” he whispers, brushing his thumb across Bruce’s cheek—the cowl was a bit damaged then— gentle for a moment before his eyes harden. He turns to the Batmobile, his gaze narrowing as he finds it.

Bruce doesn’t remember much of the ride after that. Just that Danny shut the door, locked it from the inside with an ease that makes Bruce’s head spin. Then, Danny was gone—just for a couple minutes.

And in that short span of time, Danny makes sure every bastard who dared lay a hand on Bruce pays.

Bruce tries not to think about what that means. But the sound… the crash of broken bones, the sickening snap of necks twisting the wrong way, the gurgling sounds of blood, the wet, gut-wrenching thud of bodies hitting concrete—

Danny’s movements are terrifying. Almost animalistic. Every strike, every slam of a fist into someone’s jaw, every bone-crushing hold, speaks of an intense, controlled fury. Danny is a blur of muscle and violence, one second here, the next there, and then there’s another man crumpling to the ground in a heap of broken limbs.

None of the blood on him is Danny’s.

Bruce should be terrified. He should be scared, heart racing with the realisation that this man—this force of nature—has just torn through half a dozen people who hurt him. Hurt his boss.

But instead, Bruce just feels fascinated. Mesmerized.

And when Danny finally returns, grinning with blood splattered across his face like some deranged warrior, his eyes are wild—alive in a way Bruce can’t explain. He slips into the driver’s seat, that same grin still there, as if nothing had happened at all.

And Bruce? He’s too exhausted to care. His body aches, but there’s a strange comfort in knowing Danny’s got this, got him. That no one can get to him.

Danny's here. Danny's always here. And Bruce can rest. He can finally—finally—breathe.

Another time Danny made it painfully obvious that he knew about their vigilantism—and didn’t give a single damn—was with Tim. Tim, who’d gone off on a mission for Young Justice, thinking he could handle it alone.

Only, it didn’t go well. Not well at all.

Tim ended up cornered, a stab wound slashing through his side, blood pouring out fast, dark, and sticky. He could feel it, the sharp sting, the coldness creeping in as his vision blurred. He was surrounded, and the world seemed to close in.

Until it didn’t.

Until something shifted. A glimmer of blue, a flash of eyes that—holy hell, they looked like Jason’s. But no, this wasn’t Jason. Not by a long shot.

Tim’s breath catches as he watches Danny step into the scene.

And then—shit.

Shit.

Tim can’t look away as Danny rips through his attackers like they’re nothing. A fluid, terrifying motion as he dissects each man with brutal precision, a graceful violence that makes the blood freeze in Tim’s veins. The way Danny moves—it’s like he knows exactly where to strike. One punch to the ribs and a sickening crack. Another knee, this time to a face, and the crunch of bone sounds like it could split the air. The men go down, every one of them, but not dead. No. Danny doesn't kill them.

Danny makes sure they’re never the same.

Tim swallows hard, fighting the tremble in his limbs. This—this isn’t just violence. This is... art.

Danny doesn’t leave any of them in one piece. They’re crippled. Broken. Their bodies are alive, but their spirits—those are shattered, scattered across the ground like so many forgotten things. It’s agonizing to think about, the kind of agony that Tim can feel deep in his bones.

And that’s what makes Danny so fucking terrifying. Because he doesn't leave bodies behind—he leaves wreckage.

"Hey, little red," Danny hums, a voice that cuts through Tim’s foggy mind. The next thing Tim knows, he’s being lifted, cradled with a tenderness that shouldn’t exist in a situation like this. Tim winces at the wound, trying to hide it, trying to do something—anything—but he’s too slow. Too weak.

Danny sees it instantly, those eyes of his—green and blue—zeroing in on the bleeding wound like a hawk.

Tim’s breath catches, but he doesn’t fight. He can’t. Not when Danny is already lifting him up, his hands gentle, soft in a way that feels so wrong against the violence.

And then—everything shifts.

In one second, they’re in the middle of nowhere. The next, reality seems to tear apart. Like it’s nothing to Danny, like he’s just walking through a door no one else can see. Tim watches in awe—horrified awe—as the fabric of the world bends around Danny, as he steps into that tear and pulls Tim through with him.

Tim can’t breathe. Can’t think. This isn’t possible.

Danny isn’t human. The family has known that for a while now.

But right now? All Tim can do is bask in the warmth Danny gives, listening to the soft hum of his voice, the way he whispers words Tim can’t even hear as they step further into the rift. The world warps with every movement Danny makes, every step a new layer of reality bending under his feet. And Tim? He’s safe. Safe in Danny’s arms. Safe in the strange, dangerous embrace of a man who would tear apart the world just to keep what is his from harm.

And for a moment, Tim can’t find it in him to care about anything else.

Jason’s been saved by Danny a couple of times now—he’s basically Jason’s emergency contact at this point. But it’s not just about the saves. Hell, it’s not even always about the blood and the violence (okay, mostly it is). It’s the fact that Danny won’t hesitate to fuck someone up—no hesitation, no second thoughts—just because they laid a hand on him.

Jason’s seen what Danny can do with his bare hands, and that’s impressive. Fucking terrifying, even. But there’s something else, something better, when Danny takes Jason’s guns and uses them. Every time Danny picks one up, it’s like the gun becomes an extension of him—like it was him. Jason’s watched him shoot with the precision of a trained gunslinger, every shot landing exactly where it needs to. It’s flawless. It’s beautiful.

And every time, Jason can’t help but feel this sick kind of gratitude.

His aim? On fucking point. And Danny—Danny’s so damn sure of himself, so sure that the bullet will hit its target, that Jason can’t look away. Can’t stop being in awe of him.

“Kid, you good?” Danny’s always smiling when he turns back to Jason, handing him the gun after the fight. That smile—there’s something about it that Jason just... wants to hang onto. He almost doesn’t want to take it back.

But he does. Because Danny always says the same thing.

“Take it back, kid. I ain’t using it anywhere without you. I know to not use guns around your dad.”

And fuck, that makes Jason flinch.

Danny. Danny.

For all the violence in the world, Danny’s the one who always holds back around Bruce. He’ll go feral, he’ll tear through anyone who dares hurt Jason—but never, never around Bruce Wayne. There’s no gun, no weapon anywhere near Bruce when Danny’s around. Even when it’s needed. Even when it’s called for. Danny won’t break that rule. He just won’t.

Jason once saw someone give Danny a gun during an attack at a Wayne gala. What did Danny do? He didn’t even think about it—just aimed it right at Two-Face’s head and then fucking beat the shit out of Dent with a fucking chair. Like it was nothing.

“Hey, kid? You know I ain’t as human as most should be, right?” Danny’s voice pulls Jason out of his thoughts, like he’s trying to make sure Jason’s still listening.

Understatement of the fucking century.

“Yeah?” Jason mutters, glancing over and blinking when he sees not the usual sharp blue eyes but glowing green.

“Wanna know why?”

Jason pauses, the weight of Danny’s words hitting him. He nods.

Danny ruffles his hair, that fangy grin still stretched across his face.

“I died at fourteen and came back different.”

And Jason? He freezes. His heart drops, confusion slamming into him like a fucking truck.

What the fuck?

Danny Fenton, what the fuck?!

Dick Grayson is instantly reminded of Clark the first time he meets Danny. All smiles, sunshine, and that whole "I’m here to save the day!" vibe. But then Dick hears about all the crazy shit Danny’s done for his family, and—okay, maybe this guy isn’t just sunshine and rainbows after all. He can tear into people with detached precision if they touch Bruce. He tracks down Tim like a bloodhound, leaving a trail of broken bodies in his wake just to make sure Tim doesn’t get into trouble. And, hell, he looks at all the carnage around Jason and just dives right in, getting himself bloody for the guy like it's nothing.

Yeah, Dick wasn’t entirely sure about Danny at first. Too sunny, too good-natured, too... weirdly capable, you know? But then, one day, he gets the chance to sit down with the man during an outing—on a beach, of all places. Danny’s on duty, of course, but he’s hanging back under the shade of an umbrella like he’s chill about it. Not that anyone in the family needs to be guarded at the moment, but Danny’s still there, staying alert like a hawk.

And it’s… well, it’s amazing. And a little unnerving how dedicated he is. He just sticks around, no complaints, never asking for a break. Like, this is his life now—keeping them all safe, no matter what.

“You should go on vacation sometime,” Dick suggests, sidling up to where Danny’s lounging. He’s trying to be casual about it, but honestly, the guy works too much.

Danny raises a brow, his grin widening. “Are you trying to get rid of me, Boy Wonder?” he laughs, tilting his head like it’s some kind of joke.

Dick feels personally offended by that. “Ugh! How dare you think I’d get rid of our amazing bodyguard! What would we do if Damian can’t reach a kitten in a tree? Call Superman?” Dick presses a hand to his chest, dramatically swooning like Danny’s just committed a capital offense.

Danny’s grinning back, but he sighs. “You could. But honestly, I’d appreciate the vacation. It’s just… I can’t get a good night’s sleep if I leave any of you alone. It keeps me awake. Thinking about you people.”

Wow. Just… fuck, Dick has never heard someone say that about their family. Heroes and vigilantes, they’re supposed to be competent, right? It’s expected. But Danny? He looks at all that competence and still chooses to protect them anyway. He doesn't need to, but he does. What a fucking gem.

“Not that I don’t want to go home! My sister and kids keep nagging me about it, actually,” Danny adds with a huff, fond and amused.

Dick freezes.

“You have kids?”

Danny blinks, clearly confused. “Yeah? I have two. A son and a daughter… Erm… My son, Dante, is around Jason or Cass's age. And my baby girl—Janelle—is… a little older than Damian, I think.”

Dick blinks.

“Wait, you’re a father?!”

Masterpost

“It doesn’t count,” she murmured. “Not if all he knows is the perfect persona. That’s not me. Do you get what I mean?“ 

Adrien’s words flowed out of him without real thought, his tone casual. He was still reeling.  "I’m a model, Ladybug. I know exactly what you mean.” She stilled, studying his face with growing horror.  He patted his own chest. “This is not me. I’m not perfect and warm and kind. I get jealous and mean just like everyone else. I can be impulsive and make stupid mistakes too. And no one knows that.”

–from a witch’s familiar by @metawohoo​ this scene filled me with a mighty need to do some ladrien yesterday. i swear there’s so much potential for delicious angst in this ship, i love it. ;0;