Find it on AO3 and on SWA!!
The cut is to avoid AI to scrap my work, even if I modified my parameters.
The prompt is from here.
A nice breeze was flowing between the buildings, bringing with it the smell of spring and freshly cut grass.
It was a wonder, really, how they managed to rebuild so fast and even have nice grass growing again.
Inko was standing in the middle of the buildings, calmly looking around and watching workers all around busily continuing their work for the one-year festival.
She walked toward the biggest building, the one with the best view of the city, and started to climb up the stairs.
She could've taken the elevator, but what was the fun in that? Especially since they had decided to give the new building so many windows to light up the place and make it livelier for both the students and teachers alike.
The staircase also allowed her to see all the people outside and within the more secured ground, complimented by the grass she smelled earlier.
It was filled with stands being built and with students bustling around, 1-A, no, 2-A included.
The kids had face so much in such a short time, and then continued on the very second they were allowed to! A nice break of routine like a festival was the best possible thing to happen.
With a smile on her face, she continued to climb up the ungodly amount of stairs. But doing some cardio can only be good for her.
Once she finally reached the top, she pushed the service door to the rooftop, letting the much stronger wind blow her hair around and glad to receive a way to freshen her a bit. The sun blinded her for a second as she stepped out, but it was nothing compared to the man she could see the back of.
Her man.
He had gone through hell too. As much, if not even more than the kids back on ground level. And damn if she was to let him go on his own after everything. So she had confessed. Not in the best of places nor at the best of times, but she did. And the end result was what they had now. Among other things, of course.
She got closer to him, sure that he had heard her come. He was still a bit on edge, always expecting something to happen. But he hadn't moved or cringed, or reacted in any way she could notice, at least. And this was an improvement.
He was just... standing. Straight, maybe a bit too much, his hands in his pocket and his body close enough from the border to look down to what was happening underneath, but not too close for an accident to happen. She couldn't get what he was thinking at times. Especially when he would just stand like that at the top of a building. And any building, really. But she knew that her presence would not be brushed away. She even liked to think it was soothing.
After a few minutes of sight-seeing, he finally moved by pulling his hand out of his pocket and letting it down, inviting her to take it, which she did eagerly. She liked his hands. They were rough from fights, the skin on it having ben cut and bruised many times. But he was oh so gentle with them. When they would brush against her skin in the mornings, or stroke through her hair to style them in a way she had never tried before, or when they would hold her hands, cold and shaky on bad days, looking for comfort, but oh so warm and strong on the good days. They were the latest, today.
When she got close enough, she grabbed his arm and held onto it with both hands, putting a bit of her weight on his side. She stayed like that for a while, looking at the city at the bottom of the hill. It was breathtaking.
The view had changed so much. Almost everything had been destroyed, and yet, a year later, a good part of the city has risen from the rubbles, stronger than ever.
She had hoped so. It was bound to be a nice day, and she liked to see him happy. He deserved it and she would make sure that he did get this happiness.
She was still worried, sometimes, that she wasn't enough compared to the other. That she was just putting a balm on forever opened wounds and nothing of all this was fully real or reciprocated. But before she could go down this lane, her hand was squished gently, and her face moved towards the sky.
She knew of two. The normal sky, the one everyone was accustomed to. And the one she adored, the one encased in darkness, smiling at her, in unison with his smile. The one she never grew tired of. The one that was shining at her and enraptured her.
"Are you alright?"
She nodded. "Everything is alright."
He let out a chuckle. She loved that too.
It took her a moment to notice, but he was currently bending toward her, hand steady under her chin and tilting it slightly. Oh. She rose up on her tiptoes suddenly in order to meet him sooner but miscalculated her speed.
What had supposed to be soft kiss ended up in both their faces smashing into each other and making her lose her footing, not that she had any with how she had been standing. She didn't stumble long though, as the hand holding her face swiftly moved down to her side in order to hold her closer.
"Let me do the bending next time," his low chanting voice said.
She pouted a bit, "I wanted to meet you faster. I'm allowed to reach you too." She received a kiss on her hand at that.
"Inko, it's easier for me to bend down than for you to reach up like that," he pointed out.
"I know, but I like doing it," she retorted. "Example number 1."
At that, she rose up again and took his face in her hands to lower it to her height. Finally coordinated, their lips met in a soft embrace. "Example number 2," she murmured to his lips, before kissing him more passionately, breaching the soft opening with her tongue and letting him taste her lips.
"You taste sweet," he said, finally allowing them to take in a breath.
She had eaten cotton candy earlier, a small gift for having helped their son's class put up some decorations. She knew he still wasn't allowed to eat too sweet things, or anything too hard on his stomach for that matter, but she still could make him taste those wonders in another way.
"I know," she smiled. She let herself stand normally again, looking at him one more time before turning around and pulling him with her.
"Now come on, Toshinori, they're about to start the festival soon and I don't want to miss it!"
She felt his hand hold hers tightly, not needing to turn around to see him smile again, his hearty laugh was enough.
Ok, I think that for Rediscovery I’ll make the actual chapters as finished, and add it to a series
I think I wrote the first Norwegian fanwork on SquidgeWorld? The language wasn't listed...
Sewing is a very fun and productive hobby, until you start losing your pins on the floor, and then you’re suddenly in a very low budget Saw movie.
Oh fuck me
So hummm
You the work skin isn't downloaded when you download the cork, which means that I have at least two works broken lmaoooo
I have no strength at the moment to look further into it, but I guess I'll have to make a secondary file or look how I can change the work skin to make it work??? idk
HE4S WALKING TOWARD GET AWAY GOOO RUUUUUUUUN
Editing Software:
StyleWriter 4 is fantastic. It’s an add-on for Microsoft word and has a 14-day trial period. It goes through your text, picks out “glue words”, misspellings, long sentences, homonyms, passive tense, shows your reading grade level, and more.
Editminion *FREE* checks for adverbs, weak words, passive voice, cliches, and homonyms among other things.
Pro Writing Aid is another online editor. It is mostly free, but offers more features if you pay.
AutoCrit offers free analysis for under 500 words, otherwise you have to pay for more text and more editing features.
Paper Rater offers a free service for editing, but it is designed for essays.
Formatting Checklist: This follows the general guide of formatting a manuscript in Microsoft word. However, some literary agents and editors have their own requirements.
Under the paragraph option, change the special indentation to first line at .5”. Change to document to double spaced.
There should be no spaces between paragraphs.
When showing a scene break, center # on a blank line.
Font should be easy to read. Courier New and Times New Roman are preferred at size 12.
All margins should be 1”.
Start chapters on a new page and put the chapter title 1/3 down the page. Write the chapter like so: CHAPTER ONE - CHAPTER TITLE. Press return 4 - 6 times before starting the text of the chapter.
For the header, put YOUR NAME/BOOK TITLE/PAGE NUMBER in the upper right-hand corner. Start this header on the first page of the first chapter.
The cover page of your manuscript should have your name, word count, and contact information in the upper left-hand corner.
The title on the cover page should be in all caps. Your name should be underneath in all caps. If you use a pen name, write YOUR REAL NAME (WRITING AS PEN NAME).
At the end of the manuscript, start a new page and write END.
Self-Editing Checklist:
Spelling:
If you are using Microsoft word for your word processor, use the spell check. After that, go through the manuscript line by line to make sure everything is spelled right. You may have used “form” instead of “from” and skipped it because Microsoft word did not see it as misspelled.
Printing out your work or viewing it in another way (such as a pdf on an ereader) helps find these mistakes.
Beta readers can find what you missed as well.
Use editing software to check homonyms or look up a list of homonyms and find them in your document using ctrl + f. Check these words to make sure you used the right spelling.
Grammar and Style:
First use Microsoft word’s grammar checker, but be aware that it is not always right. Check grammar girl if you are unsure.
For dialogue, you can always pick up a professionally published book and look at how the dialogue tags are used, where commas are placed, and when other punctuation is used.
If you’re in school and your English teacher isn’t too busy, have them take a look at it.
Look out for prepositions. Most of the time, you can omit these words and the sentence will still make sense. Beginner writers use a lot of these in their writing and it slows the flow.
Check for adverbs. You’d be surprised at how many you use in your writing, sometimes up to five a page. Using a few in narration is okay, but only a few. Delete adverbs you find, especially those that end in “-ly”, and rewrite the sentences in necessary.
Delete gerunds and forms of “to be” if writing in past tense. Instead of “were running”, write “ran”.
Check subject-verb agreement.
Use correct dialogue tags. People don’t bark their words. They shout.
Two digit numbers should be written as words (twenty-seven) while numbers with more than two digits should be written with numbers (123).
Avoid passive verbs.
Vary sentence length.
Show with the five senses rather than telling.
Most of the time, you can delete the word “that”.
Avoid using “unique” or “significant” words too often.
Consistency:
Make sure all your font is the same size and type.
Make sure you have no plot holes. Use the comment feature in Microsoft Word to track these plots.
Make sure your time line is consistent.
The tone should fit the scene.
There should be one POV per scene. Unless you’re a brilliant writer and can pull off third person omniscient.
Verb tense should be consistent.
Keep track of the details you release of people, places, and things. The reader will remember if in one chapter you say your protagonist has blue eyes and in another you say green.
Pacing:
The whole book should flow in and out of fast paced scenes to keep your reader interested and slow scenes to give them a break.
The middle should not “sag”.
Sentences should flow smoothly.
Plot:
Keep track of all your plots and sub-plots. Readers will remember them.
There should be a beginning, middle, and end.
Is the initial problem at the beginning of the manuscript?
There should be at least one antagonist. This does no have to be a person.
Is there enough conflict?
There should be a resolution.
All scenes should have something to do with plot.
The climax should be the most exciting part.
Character:
The protagonist should change by the end of the book.
Make sure all characters who come in contact with one another have some kind of relationship, whether good or bad.
Characters must have motivation for everything.
The protagonist must want something right from the start of the conflict.
The protagonist needs to be captivating. The readers wants to root for the protagonist. This does not mean the protagonist needs to be likable all the time.
The readers likes to relate to characters. Make sure your characters are diverse enough that readers can identify with one.
Know who your protagonist is. The main character is not always the same. For example, Nick in The Great Gatsby is the main character, but Jay Gatsby is the protagonist. This is important to know while writing your query letter.
If you can delete a minor character from a scene and nothing changes, then delete that character.
Sometimes you can make two minor characters one without losing any essential parts of the story. If you can, do this.
All characters react and act.
Each character has his or her own life.
Dialogue:
Dialogue should be believable. Read it out loud.
Don’t go overboard with phonetic spelling if a character has an accent.
Dialogue should be informal and natural. It does not have to be grammatically correct.
Prose:
Avoid purple prose. I’ve never met anyone with “emerald eyes” or “hair of fire” (except for the Flame Princess).
Don’t use too many adjectives.
Avoid cliches.
Other:
Don’t info dump. Pace information through dialogue and narration.
The first sentence should spark interest, or at least the first three. If it does, the first paragraph should be the same. And the first 250 words. The goal is to get the reader past the first page.
Let your story rest. When you’re ready to edit, start at the end. Writers tend to get lazy at the end of their story whether they are writing it for the first time or revising it after revising the rest of the story.
Make sure your manuscript is within range for your genre’s word count.
artists reblog and tag this with which part of the body you start drawing first
Weekly art tip: Drawing folds!
Hope you guys enjoy it I’ve put a lot work to make this ^^
I tried to make it as simple as possible :)
xey/xem French Don't be fooled, I'm a platypus, I don't much stuff (art side account)
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