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Character Movements #1

╰ Sighing

Not just “he sighed.” That’s lazy. Give us the why behind the air. Is it the kind of sigh that deflates their whole chest, like they’ve been holding the world on their lungs? Or one sharp exhale through the nose, all frustration and fed-up energy? Maybe it’s quiet—barely audible. Maybe they don’t even realize they’re doing it. But the room shifts a little when they do. Sighs can mean “I give up,” or “finally,” or “not this sh*t again.” Just depends on what’s dragging at their ribs.

╰ Shivering

This isn’t just about cold. A character can shiver in a warm room if they’re scared enough. Maybe their skin prickles before it starts, like tiny goosebumps racing up their arms. Maybe it hits in a full-body tremble, their breath catching like something primal in them just screamed “danger.” Or maybe it’s subtle, like a soft internal quake they’re trying not to show. It’s the kind of movement that betrays the truth they won’t say out loud.

╰ Trembling Hands

Shaking hands are so intimate. They’re not dramatic—they’re revealing. It’s the way their fingers fumble to light a cigarette. The way they have to tuck their hands under their thighs so no one sees. Maybe they keep reaching for the glass but can’t quite get a grip. Or maybe they do grip and the tremor runs through the whole glass like a warning. It’s not about the shake. It’s about the fact they wish they weren’t shaking at all.

╰ Clenching Fists

This one? Its tension incarnate. And it doesn’t always mean someone’s about to punch something. Sometimes they ball their fists just to keep from crying. Or because they’re trying so hard not to say something they’ll regret. Look for the subtleties: white knuckles, nails digging into palms, fists flexing open and closed like they’re trying to wring out emotion. It’s control. Rage. Determination. Or the act of stuffing all that inside a cage of fingers.

╰ Biting Nails

It’s more than “they’re nervous.” It’s compulsion. Habit. A survival tic. They might not even realize they’re doing it—just fingers to mouth, chewing down without looking, like their body’s trying to chew through the waiting. Maybe their nails are ragged. Maybe they flinch when they bite too deep. Maybe it’s the sound, the soft click of teeth and nail in a dead-silent room. It’s vulnerability dressed up as fidgeting.

╰ Tapping Fingers

This is the soundtrack of a restless mind. Is the rhythm sharp? Fast? Jittery? Are they tapping with one finger like a countdown—or all five, like a rainstorm on the table? They might not even notice. But other people do. Someone asks them to stop, and they bristle. Or they stop mid-tap when someone says the wrong thing, and that silence? That silence is loud. Tapping fingers are rarely idle. They’re keeping time with the character’s thoughts.

╰ Pacing

Pacing isn’t just walking back and forth—it’s the body trying to outrun a thought. They stand. They sit. They stand again. They move because stillness feels like being buried alive. Maybe their footsteps are soft, barefoot across carpet. Or hard-soled and echoing through a hallway like a threat. Maybe they walk a perfect loop, over and over. Maybe it’s erratic, jerking toward the door, away, toward again. Their mind is spinning, and their body’s just trying to keep up.

╰ Slumping Shoulders

This isn’t just a posture change—it’s the moment the weight wins. Shoulders that sag say “I lost.” Or “I’m done.” Or “Please don’t ask me to care anymore.” Maybe they slump in a chair and stare at the floor. Maybe they’re standing, but something in them folds anyway. Their spine’s still straight, but their shoulders fall like scaffolding giving way.

╰ Tilting Head

Simple movement—loaded meaning. They tilt their head when someone says something that doesn’t quite click. Or when they’re trying to listen harder, like angling their body will help them hear the truth under the words. Maybe the tilt is sharp and skeptical, like “You sure about that?” Or soft and curious, like “I’m trying to understand.” Or just a little too slow, too drawn out—like a predator sizing up prey. It’s instinctual. And it always means they’re paying attention.

╰ Rubbing Temples

This one screams I’m trying to hold it together. It might be frustration. Migraine. Bone-deep exhaustion. They press fingers to their temples like they’re physically trying to squash the problem before it leaks further into their head. Maybe their fingers circle gently, trying to soothe themselves. Maybe it’s two fingers, firm pressure, eyes closed, jaw clenched. It’s the gesture of someone whose brain won’t shut up—and whose body knows it.

Something I made while dealing with my own stuff and hoping drawing this would pick me up somehow. Maybe it worked.

FT my cat. His name is Mischief

The words they're afraid of.

(Read on our blog.)

The recently appointed Department of Defense head Pete Hegseth (formerly Fox News pundit, perpetually soused creepy uncle, and current group chat leaker of classified intel) banned images of the Enola Gay from the Pentagon’s website for the offense of “DEI” language. In keeping with the far right’s stated war on anything vaguely resembling diversity, equity and inclusion, even historical photos are up for cancellation. When a literal weapon of mass destruction is censored for being a bit fruity under the Trump administration’s war against inconvenient truths, what exactly is left untouched?

This is clown show stuff, but the stakes are far from funny. While some might be hesitant to compare the current administration to the very worst history has to offer, we can at least all agree that they are dyed-in-the-wool grammar Nazis. Policing language has been the objective of the MAGA culture war long before Project 2025’s debut—the wave of book bans orchestrated by astroturf movements like Moms for Liberty, and Florida’s 2022 Don’t Say Gay bill have already had a profound effect in the arena of free speech and freedom of expression (despite the far right’s long tradition of doublespeak performative free-speech martyrdom to the contrary). Don’t Say Gay ostensibly targeted K-3 education, but LGBT+ content at all levels of education (and beyond) was either quietly censored or entirely preempted in practice. The results were not just a war on so-called ideology, or words alone—but on reality and essential freedoms.

Now, words as innocuous and important as racism, climate change, hate speech, prejudice, mental health, and inequality are targeted as subversive. Entire concepts are being vanished from government institutions, scrubbed not only from descriptions but from metadata, search indexes, and archival frameworks.

If you don’t name a thing, does it exist?

These words are as numerous as they are generic: women, race, Black, immigrants, multicultural, gender, injustice. But what is painfully unserious is also particularly dangerous in its real-world consequences. The process of controlling words is a well-worn authoritarian tendency. Fifty-two universities are now under investigation as part of the President's effort to curb “woke” research and thought crimes. Institutions are being coerced to comply with a nebulous set of ideological demands, or face budgetary annihilation. That means cutting funding for entire departments, slashing financial aid, defunding scientific grants, and pressuring faculty to self-censor.

The possibilities for censorship extend far and wide—interfering, by extension, in everything from reproductive healthcare programs, to libraries and museums. The Trump administration’s proposed budget slashing all federal funding for libraries, including the Institute of Museum and Library Services, will effectively gut an infrastructure that supports over 100,000 libraries and museums across the country—community centers, educational lifelines, internet access points, and archives of marginalized histories (starting with the Smithsonian Institution).

When you erase access, you erase participation. And when you erase participation, you erase people, and the means by which future generations might even learn they existed. A culture that cannot remember is a culture that cannot resist.

The erasure is, yet again, unsurprisingly targeted at minorities and LGBT+ people. The National Parks Service quietly revised the Stonewall Monument’s website to remove references to transgender people—a fundamental part of the original protests. Not an oversight, not a mistake, but a deliberate excision—one point in a wider plan of erasure depicted in stark detail in Project 2025, a blueprint to dismantle civil rights, defund LGBT+-related healthcare, and rewrite history from the ground up.

Dehumanization by deletion—welcome to the reactionary resurgence of doubleplusungood governance. In Trumpland, words are weapons—but not in the way they intend. Their fear of language betrays its power; that’s why they’re trying so hard to police it.

Words hurt them.

Hurt them back.

- the Ellipsus Team

writing a multi-chapter fic is posting a chapter that is 1,000 word long and another that is 10,000 word long. there's no in between

To any future readers of my (still in progress) novel, I really hope that the hours upon hours of personality quizzes of characters and sketches of maps and history timelines really shines through my writing. My procrastination has to have an impact on my eventual work, right? Right?

Writing Prompt #4

“Noooo, I’m not worried about us at ALL.”

“It’s just a match.”

“EXACTLY!”

Hurt/Comfort Dialogue Prompts

Hurt/Comfort Dialogue Prompts Part I

Hurt/Comfort Dialogue Prompts Part II

Hurt/Comfort Dialogue Prompts Part III

Hurt/Comfort Dialogue Prompts Part IV

Hurt/Comfort Dialogue Prompts Part V

Caring for their partner prompts

Comforting the caretaker prompts

Injury Dialogue Prompts

Sickness Dialogue Prompts

Fighting & Making Up Prompts

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Overused Words in Writing & How to Avoid Them

We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.

1. “Very” and Its Cousins

Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.

Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”

💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.

2. “Looked” and “Saw”

Why It’s Overused: It’s functional but flat, and it often tells instead of shows.

Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”

💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.

3. “Suddenly”

Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.

Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”

💡 Tip: Let the action or pacing create urgency without needing to announce it.

4. “Said” (When Overdone or Misused)

Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.

Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.

💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.

5. “Felt”

Why It’s Overused: It’s a shortcut that tells instead of showing emotions.

Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”

💡 Tip: Let readers infer emotions through sensory details or behavior.

6. “Really” and “Actually”

Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.

Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”

💡 Tip: If a sentence works without these words, cut them.

7. “Walked” or “Ran”

Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.

Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”

💡 Tip: Use verbs that convey mood, speed, or attitude.

8. “Just”

Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.

Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”

💡 Tip: Delete “just” unless it adds essential nuance.

9. “Thought”

Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.

Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”

💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.

10. “Nice” and Other Vague Adjectives

Why It’s Overused: It’s generic and doesn’t give readers a clear picture.

Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”

💡 Tip: Show qualities through actions instead of relying on vague descriptors.

Final Tips for Avoiding Overused Words:

1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.

2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.

3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.

Write it shitty, write it scared, write it without a clue but don't you be so spineless and have an AI write fanfic for you.

Hello!

Hello, everyone! You guys can call me Persephone, and I use she/her pronouns <3. I'm a writer and artist with a very unhealthy sleep schedule. I love psychology with all my heart, and I'm working on being more in tune with myself spiritually and emotionally (because self-improvement is always fun). I write books, poetry, and funny little drabbles and draw various things (usually relating to the fandoms I'm in or for commissions). I also make jewelry and stickers.

I love Greek mythology and anything science. I'm currently part of the Sky: CotL, Epic, The Cruel Prince, Over the Garden Wall, and Hadestown fandoms. There's probably more XD. I love reading and musicals.

I am very strongly anti gen AI when it comes to any art form.

This blog with be a strange compilation of literally everything and have no structure whatsoever so… just a heads up <3

Feel free to ask me things! I shall answer. My ask box is open <3