He's not everyone's cup of tea, but after going back and forth about this a few times with different watches I've decided he's mine (oddly enough).
Detractors call him stiff (and he is) and aloof (I get it), but those are choices that make sense when you understand the logic behind his portrayal. "Unsocialized" doesn't [always] have to look like "unhinged;" it can also look...detached, hyper-rationalizing, wheels turning in head at all times.
^^^ And that would get old were it not for the fact that Lovett plays that vision very methodical and consistent so that it can all be undone in the final lair. His Erik's arc is calculating/processing by imitation -> learning how to feel organically. His tension: "Oh shit, I'm actually feeling things. I wasn't supposed to feel things."
Slightly hard to tell bc of the glare in the boots, but 95% sure he embraced Christine back (hesitantly) during the kisses/hugs and also held AO'B's hand, and that decision matters for his portrayal (saves it from being too stiff and consistent and he plays it like he's embracing her despite himself--stopped thinking, started to feel).
Also has to be paired with the right Christine, which he was with Anna O'Byrne. She got it; they played off each other well.
Forget Raoul, that veil is Lovett's real antagonist in the final lair.
'Blair Witch Phantom' by @illuminaughty and 'Mr incel dungeon' by @flora-gray as alternaitve titles
The VHS quality in general made it so cozy
Someone noticed how this production's Carolotta really embodies Belle Époque, I see that
Someone has said it was 'one of the Three Sit-Down Productions in the U.S. back in the 90s' - this one by Christine Company (LA), and @phantoonsoftheopera kindly listed all 4 companies: Phantom (Broadway), Christine (LA & SF), Raoul (2nd Natl Tour), and Music Box (3rd Natl Tour)
apparently, Oracle of Delphi was high from the geothermal vents @illuminaughti-online . It seems like academics found some evidence for gases which could cause vivid imagery, but it's up for a debate whether there were enough exposure to chemicals to cause these hallucinations
Trivia about the Crawford production that's new to me: apparently, at first many expected little from Crawford's Phantom since he was more used to comedy parts @stephistopheles
In the same lieu, from @glassprism: '@daaesviolin I remember Operafantomet talking about how both Crawford and Brightman sang using, what, an elder RP accent is what it might be called? It's not really taught anymore I think, so you don't hear it nowadays'
List of Phantom actors with 'ghostly' voices: Michael Crawford, Hugh Panaro, Davis Gaines, Alexander Goebel, Masachika Ichimura, Peter Karrie
Someone noted Crawford moves like a panther (in parallel to other Phantoms who are lizard-like)
@lit-ari-ture has found an academic article that discussed Michael Crawford's hands a lot! "‘Think of me fondly’: Voice, body, affect and performance in Prince/Lloyd Webber’s The Phantom of the Opera" (tmblr doesn't let me link the pdf here, but if you google it it should pop up on the 1st page)
Isabel Leonard in her trouser roles like Cherubino (when discussing Christine's Serafimo)
@haunted-hideaway: Aww man I miss Car Talk @illuminaughti-online: Gondola Talk got you covered
I forgot to copy it, but I think Celina mentioned how the monkey costume during Masquarade both mirrors Erik's Monkey music box, and possibly represents Christine's anxiety about him
it was far-reaching (which was the original, until someone ad-libbed it, and then it was transferred to libretto; most of this PotO trivia here is from Celina, thank you for sharing the knowledge!)
Legs.
1. Jeremy Stolle 2. Davis Gaines 3. Hugh Panaro 4. Ivan Ozhogin 5. Ben Lewis 6. Gary Mauer 7. Howard McGillin 8. Earl Carpenter 9. Mathais Edenborn
Earl Carpenter
Hear it, feel it, secretly possess you
@whynotraisealittlehell
‘It has to be said that Warlow put on a magnificent performance, providing Brightman with unstinting backing and support – even if he did eclipse her in some parts. […] He lifted many of the duets, such as Amigos Para Siempre (Friends for Life) and All I Ask of You, above some of the original versions.’ (x)
Anthony Warlow singing an utterly swoon-worthy Raoul alongside Sarah Brightman’s Christine during The Music of Andrew Lloyd Webber concert tour in 1996
(And yes, I still can’t believe this exists. His “Christine” asdfghjkl)
Franz Kafka, from a letter to Milena Jesenka featured in "Letters to Milena,
-Gregory Orr, “When Eurydice saw him” from Orpheus & Eurydice
Gaaaaaah that first gif is literally a permanent fixture in my brain.
earl
If this is the level of character analysis Jordan Donica put into his performance as freaking LANCELOT DU LAC then I CAN ONLY IMAGINE WTF HE WOULD COME UP WITH FOR THE TITLE CHARACTER IN PHANTOM OF THE OPERA AND IF THERE IS A GOD PLEASE ANSWER MY PRAYER AND MAKE THIS CASTING HAPPEN I AM BEGGING YOU.
I'm banging my head on the walls of my enclosure don't text DON'T CALL!!!!!!!!
#I am screaming
Not this…
[X]
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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