La-HA! Hit Me Like A Fucking Drug.

This National Park Just Shoots Poachers to Protect The Rhino Population

culturenlifestyle:

Kaziranga National Park has been successful in the conservation of rhinos — to protect the fellow critters, its workers will shoot and even kill a potential poacher. To date, the park has killed 50 people.

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Alright guys.

So everyone seems to be raving over

James Baxter

Because of the scene in steven universe when steven fused back together.

But did you know this man also did….

THIS?

And this?

And….THIS???

And this????

He is a truly amazing animator and he is such an inspiration, His work inspires me as an artist and his work should be well known all over!!! check out this awesome horse lad.

((You’ll see why I said horse lad if u look him up. ;) ))

You can only reblog this today.

i’m so soft right now!

[i hate those credits in front of him. i love his face]

Writing Female Characters

Anushia Kandasivam: So, Brandon, you just introduced a really amazing female character [Spensa] to us. Your female characters throughout all your books are resourceful and independent. Some of them are leaders, some of them go through very interesting journeys of growth and self-discovery. Some of your female characters, like Vin and Sarene, they have mentors and teachers who are men, but their decisions about who to be and what to do are always their own. They always have agency. Was it a conscious choice to write these female characters and their journeys like this, and can you tell us if the process was easy or difficult?

Brandon Sanderson: So, there are a number of different responses to this. One is, I came into fantasy by way of some excellent female novelists that I highly recommend. Barbara Hambly was my first experience with fantasy, and then Anne McCaffery, Melanie Rawn, and Jane Yolen were kind of my introduction to fantasy. It's how I got pulled into it. To the point that when I was first given a David Eddings book, I was hesitant, because I was like, "Is this a genre guys can write?" was my honest reaction to that.

So, when I started writing my own books, I knew I wanted to do a good job with this, but I was really bad at it at the start. It was very embarrassing to me as a writer. And this happens to all new writers. There are things that you want do that, in your head, you imagine yourself doing very well, and then when you start out, you just do poorly. And the later in life that you start writing your stories, the more you're generally able to recognize how poorly you're doing things that you want to do well. And my very first book, that I didn't publish, particularly the female lead was very generic, and written very much to fill the role of love interest rather than to be a character. And I recognized it, even as I was writing it, but I didn't know how to do it differently. And it took practice. It took a lot of work. It really shouldn't, on one hand, right? Write the characters as people. rather than as roles. That's what you have to learn is - everybody is the hero of their own story in their head. They're the protagonist, whoever they are. And writing the characters so that they view themselves that way, and so they have autonomy, and they aren't being shoved around by the plot or by the protagonist, or things like this, but it's just very hard to do. I had a lot of early readers who were very helpful. I often credit my friend Annie as being one of the big reasons why Sarene eventually ended up working in Elantris. And she gave me some early reads, and things like this.

But, you know... it is hard to abandon our own preconceptions that we don't even know are there without practice, effort, and somebody pointing them out to you. And it was just a matter of practice and trying to get better. And I still think that there are lots of times I get it wrong. And you mentioned Mistborn. And I was really determined that I was going to do a good female protagonist. I try to stay away from the kind of cliched term "strong female character." Because we don't talk about "strong male characters."

We talk about characters who are distinctive, interesting, flawed, and real people. And I was determined to do this with Vin. And I feel like I did a pretty good job. But, of course, I had a completely different blind side in that I defaulted to making the rest of the crew that Vin interacts with all guys.

This is because my story archetype for Mistborn was the heist novel, the heist story, and my favorite heist movies are Ocean's Eleven and Sneakers and The Sting, and these are great stories. I absolutely love them. But they all are almost exclusively male casts. And that's not to say that, you know, someone can't write an all-male cast if they want to. But it wasn't like I had sat down and said, "I'm intentionally going to write an all-male cast." I just defaulted to making the rest of the cast male because that was the archetype that was in my head, that I hadn't examined.

And so, when I got done with those books, I looked back, and I'm like, "Wouldn't this have been a better and more interesting story if there had been more women in the cast?" And I absolutely think it would have been. But becoming a writer, becoming an artist, is a long process of learning what you do well, what you do poorly, what you've done well once and want to learn how to replicate, what you've done poorly and want to learn to get better at. It's a very long process, I think, becoming the writer that we want to be.

being in a public restroom and hearing someone shitting really loud

i cant stop laughing about this website

If you're ever bored, here's a list of Studio Ghibli films you can watch for free.

Castle In The Sky (1986) Grave of the Fireflies (1988) My Neighbor Totoro (1988) Kiki’s Delivery Service (1989) Only Yesterday (1991) Porco Rosso (1992) Pom Poko (1994) Whisper of the Heart (1995) Princess Mononoke (1997) My Neighbors the Yamadas (1999) Spirited Away (2001) The Cat Returns (2002) Howl’s Moving Castle (2004) Tales from Earthsea (2006) Ponyo On A Cliff From The Sea (2008) The Secret World of Arrietty/The Borrower Arrietty (2010) From Up on Poppy Hill (2011)

If any of the links stop working, please let me know so I can fix it.

For Castle In The Sky, wait for the free user button to be clickable and it will send you to the video.

Don’t panic. It’s just a spacesuited mannequin named Starman. As the sunlit crescent of planet Earth recedes in the background, Starman is comfortably seated at the wheel of a Tesla Roadster in this final image of the payload launched by a Falcon Heavy rocket on February 6. Internationally designated 2018-017A, roadster and Starman are headed for space beyond the orbit of Mars. The successful Falcon Heavy rocket has now become the most powerful rocket in operation and the roadster one of four electric cars launched from planet Earth. The other three were launched to the Moon by historically more powerful (but not reusable) Saturn V rockets. Still, Starman’s roadster is probably the only one that would be considered street legal.