Walking 30 Minutes Just To Suck Dick Call Me The Horseless Headman

op finally put into words my gripe with this genre

Hsien-ko my beloved

People who believe Atlantis is real are so silly; Imagine if thousands of years from now people of the future thought that the Lord of the Rings books weren't fiction and started to look for Middle Earth.

Comfort Food

Something I love about these two scenes is that it shows just how much influence his mother has on Luigi. If he takes after anyone when it came to his parents, then his mother is whom he takes after the most. He grew up around her kindness and learning by example, grew up around their mother’s amazing cooking and knows how comforting it can be.

To Luigi, when their mom brings them food, food means comfort, food means love and warmth. Food is their mothers way of showing them her love and her affection. So when Mario leaves the table, obviously very upset and frustrated. Luigi brings him food, he takes that positive influence from his mother and extends that to Mario.

He’s not only bringing Mario food to make sure Mario eats (that’s part of it cuz Luigi is a nurturer at heart) but also because he’s trying to comfort his big brother and make him feel better, and show him that he cares him and that he’s there for him. Which further shows how much Luigi loves Mario and how he does his best to comfort his brother anyway he can.

@pianokantzart and @multicolour-ink @jell-o101 @the-brucest-fan @roscolate since i know we all love our green bean

Hey man we're here for you

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH HOUHUHHHH HO OHHHH AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH AGAHHHHHHHHHHHHHHHHHHHHHHOHHHHHHJHH

Hi Jerrod! I'm a college student taking a music appreciation class, and I have to use the musician I talked about on Day 1 for a project, and that so happened to be you, haha. Is there anyone who has inspired you musically for some of your horror work like Kiss Me/Kill me (which happens to be the song I chose cause honestly? A bop). Thank you so much in advance!

Hmm. Honestly, in cases like that one, I don't really have any conscious inspirations aside from the obvious song itself (as I've mentioned in the past, Kiss Me was mainly inspired by hearing the song on the radio and really listening to the lyrics for the first time and thinking "woah what if she keeps asking to be kissed next to increasingly-creepy things" lol). Started with the lyrics, then once I got the vocals back from Juliëtte I just started with "basic cover of the original song, then just see where I can take it".

The previous work "The Boys are Back (to kill you)" was a much more subdued 'remix', in that many elements were a 1:1 recreation (the backing guitar and bass are remade but mostly adhere to the original) or direct sample (that lead guitar riff) that I built up on in a more subtle way - different drums, lil blips and bloops here and there, but more of a cover than a remix in vibes. Kiss Me starts in a similar way, there's some added synths but it's mostly a close following of the original track with minor embellishments. But as part of the bait-and-switch (in that the listener was intended to assume it's the same situation as the previous one, both in terms of the remix style and the vocals being a sentence-mix), the plan was to just keep winging it in a new direction and see what happens.

Like most of my stuff, the rest kinda formed in this real hazy-to-remember bout of extreme productivity and luck. It's kinda like one of those cartoon fights where you just see a dustcloud and the occasional fist - like I'll zone out (or I guess in) into this very intensely-focused session for hours, and emerge having made a ton of progress thinking "I honestly don't remember how I got here". Sadly can't do it on command (hence my usual low output), but in this case I left everything so last-minute that the stress of the Halloween deadline was really propelling me forward, haha.

Come to think of it, is any of this useful at all? Was the project specifically just about inspirations? If so, kinda sucks that I guess I just went "huh, not really", sorry about that. Obvs not trying to claim my work is immaculate and wholly original and incomparable or whatever (it sure ain't), just that any inspirations for this one were more just my own ingrained inspirations and less conscious ones that I could pinpoint and list, yknow?

A lot of people think Boys are Back was inspired by Neil Cicierega. Which I totally get (on multiple levels, both the sentence-mixed mashup PLUS the "creepy old 90's-style computer UI" stuff are SO his bag), but tbh his work wasn't a direct inspiration in this case, it was mostly another accident. Maybe kind of a "man invents Frankenstein 200 years after Mary Shelley" vibe for sure. Though funnily enough it does take a lil conscious inspiration from one of Neil's works in a less-expected way, in that a distant memory of his track "Super Hey Ya" popped into mind while I was partway through the remix and inspired the lil bouncy chip-arps you hear from 0:50 onward. SHY came to mind on account of being what I guess I'd call an "additive remix", in which he took the whole song and put his own additions on top of it, which was only partially the case for TBaB but it was a bit of a similar process (I specifically remember thinking like "ok so I've got this pretty direct cover of the backing track, I don't want to go full capital-R Remix here but let's add some lil embellishments... oh hey, remember Super Hey Ya?").

Is any of this helpful? Sorry I couldn't really answer the question in a very satisfying way.