SO HERE IS THE WHOLE STORY (SO FAR).
I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people on senselessly panicked avenues that no longer lead anywhere.
IN SHORT
Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.
When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using
his dyslexia;
his intent to implement a tip-system for the plagiarized authors; and
a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,
as reasons we should allow him to continue monetizing fanwork for his own financial gain.
When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer listed.
THE TAKEAWAYS
1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain;
2. Fandom can really get things done when it wants to, and
3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again.
The timeline, the details, the screenshots (behind the cut)
Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):
This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)
I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:
Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.
I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice.
I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.
After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.
While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:
And then I went to bed.
By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:
@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.
That response came only an hour or so later:
Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.
I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.
A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)
A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.
Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.
Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :
Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):
which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)
... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)
After which Cliff went ahead & deleted his messages altogether.
It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:
And then word-stream started throwing a DNS error.
That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:
They were completed works;
They had over several thousand kudos on AO3; and
They were written by authors who had actively posted or updated work over the past year.
If anyone knows more about these perimeters or has info that counters my observation, please let me know!
I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.
I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.
Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***
That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.
Sooo—
We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them.
This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:
Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.
Also FUCK generative AI. It has NO place in fandom spaces.
THE 'SMALL' PRINT (some of it in all caps):
*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that.
**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation.
***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.
Again, please, please PLEASE reblog this post instead of the one I sent originally. All the information is here, and it's driving me nuts to see the old ones are still passed around, sending people on wild goose chases.
Thank you all so much.
My favorite thing about hobbits is how no other race has any idea how they work so they can just… bullshit their way through literally anything? Bilbo turns invisible and the dwarves just go “Yeah sounds about right, Gandalf did say they’re very sneaky” and don’t guess about the Ring. Frodo gets stabbed by a troll spear and survives unharmed and Aragorn goes “Oh right, hobbits are supposed to be resilient, that checks out. Very impressive!” and nobody thinks to ask if he’s got perhaps some kind of armor. I need to know what the line is. How weird does a hobbit need to get before they get called out??
This is one of my top favourite shows ever. It’s a comfort show for me, although I recall the age gap of characters being 9 years put me off at first. Still, I tried the show and I am so glad I did.
The main plot of this show is the age gap. The issues between the characters stem from the age gap. With Shin being 17 when they meet and Minato being 27. I felt that the drama handled the age gap very well.
With the character of Minato, he does not feel creepy for being with a teenager. His character finds Shin attractive and that is where it stops. He is very strict about nothing happening between them while Shin is underage despite all the flirting and seducing Shin tries. Minato absolutely refuses to see Shin in a sexual or romantic way until he is of age despite all the other characters choosing to see their relationship as romantic. Minato continues to treat Shin almost like a younger brother despite it all, even when he gets flustered.
I was very glad to find a show where despite being attracted to a younger person, the character kept to their morals and waited until the person was 18+. Even when Shin has turned 18, minato waits until he has graduated high school.
While I would normally hate a drama with such a big age gap for the usual sexualisation of a teenager, this show didn’t do that. Whenever it started to lean in that direction, minato shuts it down.
Even so the dynamics between the characters was gold and there was a real growth and development for them. (Less so in season2 but we don’t need to talk about that). Shin learned that although he wanted Minato, he grew to respect the boundaries Minato set. While Minato learned to let Shin dictate what he felt comfortable with while also maintaining though boundaries. Throughout all of this the show maintained a light and almost puppy love atmosphere, perhaps to offset such a large agar gap.
I won’t lie and say that there’s not negatives to this show. Such a large age gap between characters itself is problematic. But despite my initial misgivings I really loved this show. The ages and dynamics work well with their characters and the actors did a great job.
Available on Bilibili and KissKH.
Despite this show only having five episodes, it has a unique atmosphere and really works well in terms of pacing and storyline. It is a comfort show with a simple but engaging plot and it explores a story normally overlooked in BL.
This show is about 39 Nozue who is a boss of a team in a company that he has been working in for over ten years. He is feeling his age and getting stuck into a rut. This frightens him as it is affecting his mental health. When lamenting about how carefree a couple of teenagers look to his coworker, Togawa, he mentions how he’s feeling. Togawa suggests doing things that teenage girls would do (basically as a metaphor of breaking out of their comfort zones and trying new things). This leads them to a series of dates with a lot of desserts and eventually to love.
This story was so enchanting and sweet. While the characters worked so well together. The fact that both were independent adults meant that the age gap never really came into play other than when Nozue was joking about his age. The antagonist being more Nozue’s fear of leaving his comfort zone than their age gap and work dynamics. Also, they had such great chemistry that you forget about all the negatives.
Available on KissKH and Viki.
Another all time fave drama of mine.
This drama was beautiful. With a unique and indie filming style and story telling you got a real sense of the characters and the cinematic style really worked.
While the age gap between Jihyun (20) and Jaewon (24-26) being a minimum of about four years (they never explicitly state it but it is said that Jaewon is around four or more years older) the drama revolves around Jaewon’s mental health and how it affects him. The characters grow through their own personal growths and it is only with these changes that they can be together. Jihyun learns to find his confidence and grows to be a self assured young man who knows what he wants, while Jaewon learns to know when to be a people pleaser and when to set boundaries and fight for what he wants too.
The way mental health was portrayed in this drama was the part that drew me in the most. It was not glorified, or brought in for just some angst before being forgotten. It was a real and persistent problem to Jaewon and despite going to therapy, he had bad days and good. It fuelled decisions that he may not have made if he wasn’t feeling so self destructive and low. Even with the happy ending of the drama, his bad mental health does not go away. It remains something that he still deal with but with far more support and in a less toxic environment. It was a realistic portrayal of how things like trauma and depression can follow someone. It may not hang over their heads like a looming storm, but they persist like an annoying strand of hair. You may not notice it at first, then something can remind you and all of a sudden it’s there.
This portrayal of mental health and its effect on a character was raw. The romance interwoven between it was sweet and lovely to watch. This show really captures the viewer, though due to its unique style some may say that it feel disjointed.
Still, this show is unique.
Available on Viki and KissKH.
A city boy goes to a countryside village to clear up his grandfather’s will and meet a young man who falls head one heals for him.
This drama is very cute and has a real ‘back to basics’ atmosphere. SeonYul (27 if I remember correctly) is a city boy through and through. At first this return to the countryside and all its old fashioned ways disgusts him, yet as time passes he begins to love the community and the peace it brings him. While YeChan (20-23 if I recall) is utterly smitten with this new face and takes great joy in helping him learn countryside life.
Is the plot complicated? No. Are there cliche tropes? Yes. Is YeChan a bit of a himbo? Definitely. (He’s more than just a himbo but he has his moments and we love him for it).
Either way this drama is cute and wholesome with two guys falling in love in the countryside. The age gap is barely ever mentioned other than a few stray comments. It’s not much of a plot point and doesn’t pose a problem between the characters.
In all, while simple, this drama was refreshing and an easy watch.
Available on KissKH and Bilibili.
Where Shi Yi Jie, a divorced teacher in his thirties with an eight year old daughter meets Fei Sheng Zhe, a college student in his early twenties. What starts as a simple child care job for Sheng Zhe becomes more as he slowly rebuilds and joins the little family.
I am not going to lie, at first this age gap and the power dynamics put me off. Yi Jie is a teacher at Sheng Zhe’s college, while not his lecturer for long (for one class which Sheng Zhe only had for a semester) the power dynamics that are involved put me off. Yet when I started watching this drama I found that despite Yi Jie being the older one, Sheng Zhe is the one who takes the lead in everything. Yi Jie is a bit of a wreck of a man before Sheng Zhe turns up.
He’s a workaholic with bad habits who often misjudges time and is late to collect his daughter. As the drama progresses Sheng Zhe convinces Yi Jie to take better care of himself and enables the father and daughter to bond more. What could have been a toxic mess turns into a wholesome found family with the pair raising the daughter together.
Any age gap toxicity was made null simply by their characters. Sheng Zhe being mature enough to handle the issues that could arise and Yi Jie allowing him to take the lead.
It is a sweet drama that does not shy away from the difficulties of maintaining a job while being a single parent with a messy divorce. Another great show by History.
Available on Viki or on Bilibili.
While the main couple of this show are both the same age. The second couple, Sun Bo (18) and Zhi Gang (26-30 though his age is never explicitly stated) have an age gap of around 8-10 years.
Again, much like other shows the romance between this pairing is mostly pursued by the younger.
Sun Bo works at his cousin’s gym part time where he develops a crush on regular and small time business owner and openly gay man Zhi Gang. He doggedly pursues the older, to which Zhi Gang refuses due to age gap issues. As a character, he is jaded by his past relationships and does not believe that a young man still in high school would want him. Eventually Sun Bo wears him down and they get together. (But not without a sex scene in the gym first. Which definitely surprised me on the first watch). However, despite all the angst between them, while the main couple end in tragedy (I still cry) these two make it into a lasting and healthy relationship. In history 4; Close to You (set around five years after MODC) they even make a cameo and get married.
For a couple that had the potential to be toxic and unhealthy, they actually surprised me and I grew to love their dynamic. Sun Bo is all enthusiasm and ‘follow your heart’ while Zhi Gang is a bit too restrained. He has experienced the downsides and consequences that following your heart can lead, especially when it comes to gay relationships and homophobia. The plot follows Sun Bo as he encourages Zhi Gang to take a chance on him.
Despite my misgivings it was lovely to see this couple get together and develop as characters. I loved both couples in this show and both couples made me cry at various points.
Available on Viki and KissKH.
This drama, though short is sweet and adorable. There is a movie version of it available as well.
The plot covers Song Shi On (20-23), a university student studying contemporary dance, who is in debt. He has no family to depend on and no friends. Jin Hong Seok (27-30) works as a debt collector and has to go and collect money from Shi On. Instead of collecting money, he instead helps Shi On practise for an audition where he can get paid the money to repay his debt. While doing this, they fall in love.
Despite the age gap and power dynamics that could come to play in this show, the romance is equal and actually very sweet. It is two people, one who gave up on their dream and one who is fighting for his, bonding and living together. It’s a very short drama but ultimately about finding kindred spirits and the age gap doesn’t pose a problem. It’s actually very easy to forget the age gap between them as each of the character’s experiences mean that they are almost on equal footing.
Wholesome and sweet.
Available on Viki and KissKH.
These are all I can think of so far. May add to this list later. Hope you enjoy.
In England, in a town called Uckfield, there is a skate, surf and snowboard shop on the high street. It’s called pipedreams. Which automatically reminds me of Andreil.
Maybe Neil owns a extreme sports shop in the uk and Andrew is travelling with Kevin and they go to get equipment.
(I sort of think that Neil would be a kickass skater/snowboarder. Maybe Andrew is a skier? Or he surfs?)
But they meet and get all competitive and the story goes on from there?
Someone one expand this idea please!
That Bodhi Rook is an underrated character in the star wars franchise. Like all the other Rouge One Crew gets additional content, like Cassian gets his own tv show. But the man who made it all possible? The dude who all we know is that he’s 25, Jedhan, was a cargo pilot, grew up with his mother and took up gambling while in the Empire. And though that’s at least better than some, compared to what the rest of his team gets its just sad.
And aside from the franchise barely recognizing him I feel like the fandom doesn’t either. Like for fanfics and fan art it’s a literal effort to find anything where Bodhi is the main focus and not a secondary character. My man doesn’t deserve that. I personally have like a small coin pouch full of ao3 fics on Bodhi but compared to the amount of Cassian, Jyn, Baze, and Chirrut fanfics it doesn’t seem to matter.
Maybe it’s because he doesn’t have a “key” relationship in the movie like Jyn/Cassian or Baze/Chirrut, but to me that makes him even more interesting. The outlier, the pilot, the only one of the Rouge One crew who dies alone, doing whatever he can to help. The one who unintentionally(but helpfully) got the rebellion’s attention on the death star files. Who got one of the most horrifying scenes in the movie(in my opinion) with the bor gullet, and kept on moving.
Bodhi Rook is amazing and I wish more people can see that.
with how sqq looks at lbh here, how was sqq ever surprised that lbh fell in love with him ;-;
Me, watching MDZS the anime: “Jin Guangyao is a sneaky little shit. I can’t wait for him to be revealed”.
Me, watching The Untamed: “oh no, this poor baby. Someone save him before he kills anyone else”.
The untamed gave me feelings. If only Meng Yao had been given a better life, he may not have been so evil.
Flash backing to the time I used a clip from Kinnporsche in an editing assignment during second year.
A graded assignment.
And when my lecturer asked what clip it was, I answered “oh, a mafia drama from Thailand”. All while my friend (who knew exactly what KP was) was trying not to die behind me.
I got a good grade on that assignment though.
Bisexual Bingo!
wow! if I had a nickel for every time I read about a character who was oblivious to feelings of their eventual love interest, but went head over heels in love with them as soon as they learned about those feelings, basically going from “he can’t stand me but i admire his skills” to “we are basically married” I'd have two nickels. which isn't a lot, but it's weird that it happened twice. right?