sorry but i've been thinking about this forever
You can see a really noticeable shift in Sebastian Stan's career when you work through his very extensive, varied and mixed filmography.
He started off playing sort of sad traumatised gay figures generally emotionally abused by some kind of father figure.
Then there was Marvel.
And since then over the last few years he's sort of gone completely the opposite. Playing these sort of aggressively heterosexual sometimes toxic man characters.
This man will not be typecast clearly.
And the thing that really strikes me is how good he's been at these roles that are polar opposites of each other. To the point where so many people don't even realise it's him he just disappears into the role so well.
Idk if this is just insane ramblings but I just wanted to write something nice about my fave actor.
iconic dances in cinematography. Pulp Fiction (1994) Fresh (2022) La La Land (2016) Wednesday (2022 - )
Woman of the Hour (2023), dir. Anna Kendrick
Shoutout to whoever lives in that flat for having a cardboard cutout of shirtless Sebastian Stan on the balcony 🤭
Chungking Express 重慶森林 (1994) dir. Wong Kar Wai
Of lost chances, forbidden love and remorse.
It's better to have loved and lost than never to have loved at all.
Films in frame: Past lives, La la land, Fleabag, Normal People, In the mood for love, Atonement, Potrait of a lady on fire, Maurice, Blue Valentine, Her
so it’s a wednesday night in july and you’re at home and you’ve showered and you’ve masturbated and you’ve gnawed at the inside of your mouth and you’ve eaten and washed the dishes and fixed a corner of the fitted sheet on your bed and texted your grandmother and thought positive thoughts and still the feeling comes. what then
How could I ever leave him? He can remove with you to Donwell. You know he never would. He could not stand it.
EMMA. (2020) dir. Autumn de Wilde (requested by anonymous)