No You Lost Him Immediately

Here is the Sunday Times McLennon article in full for non-British readers:

It's a weekly series apparently so I'm going to have to buy this Murdoch shitrag again next week, the things I do for you guys

People who are oppressed and traumatized die several deaths and are reborn multiple times. Mickey 17 is Mickey Barnes' greatest desire to live. Mickey 18 is Mickey Barnes' deep rage and violence; his reaction to being continuously ground under the boot of the higher class. No one can be expendible, because none of us are made to be expendible, yet some lives are treated as expendible. Some lives have less value than the upper class' "taste". 18, in the end, regains power through self-sacrifice—this is the extent of what he can do to free 17, his purest, most child-like desire to live. The traumatized fight back eventually; 17 channels 18 when he dreams of the wife printing herself and her husband, when he sees the bowl of blood (where did it come from? Who did she kill?) and this is his nightmare because he feels like his new found freedom is once again at risk; that he once again needs to be brutalized by tragedy. But he knows he has to resist and he finds strength in 18. "Fuck off". This movie has such heart and is a tribute to those of us who are crushed by the ones above them with more money; more power. Robert's portrayal of 17 is beautiful and personifies the best of humanity. It's just so well made and earnest and I'm so disappointed that so many of the reviews seem to have completely missed the point, instead failing to find satisfaction in some superficial perception of what makes a movie artsy.

besties❤️‍🩹❤️‍🩹❤️‍🩹

George painting practice ❤️

He truly did.

love, george 💗

paris 1961 wip

hehehehehehehehehe

I love them all

Some abstract bugs I keep forgetting I have tumblr lol

me when it comes to liking questionable straight men💔