So I Am A Really Big Fan Of Animal Point-of-view Fiction (or Xenofiction As It's Sometimes Called), But

Concept: xenofiction sci-fi where the main characters are different alien beings. It’s all treated and framed as “normal” from both the audience’s and each other’s perspective, even when their behavior is obviously not something a human would do.

Eventually, we meet a human character, whose actual name appears to be “Smith the Human”, and who acts like aliens from mediocre pop sci-fi stories – like, someone goes “Oh, I’ve never met a human before!” and he responds by spouting random (technically-accurate-to-real-life) factoids about human culture and biology in a way that no real human being ever would, i.e. “Humans are social persitence hunters and apex predators – on our harsh homeworld of Terra, we evolved to form hierarchal hives or colonies, like your world’s Zoink-Ants or Frisk-Bees! We weren’t that fast over short distances, and so we caught our prey, not by ambush or by pursuit, but by simply walking, brisk jogging, and tracking our prey until the prey tired itself out, allowing us to catch it at our leisure!” He always maintains the same stilted but forceful tone of voice, devoid of any emotional content, and his facial expression never changes from “we didn’t bother to animate his face”-style dull surprise.

He wears American soldier gear and says “Humans are a Proud Warrior Race™!” without a trace of irony.

Now, one possible punchline would be that the protagonists eventually meet other humans, and it turns out that he’s the only human who’s Like That. However, I think that in order to commit to the whole “xenofiction” bit, you’d need to make every human completely identical, in exactly the same way that members of an alien species in pop sci-fi are identical. The way I personally would do it is,the loud-deadpan-weirdo routine is just an “unreliable narration” due to the perceptions of characters who aren’t familiar with humans; as a group, even if the nonhuman characters are like “Wow, they really are synchronized like a hive of Frisk-Bees!” or whatever, the humans behave exactly how an actual group of humans would behave in that kind of situation, if you read between the lines. (And, y'know, a squadron of uniformed soldiers with a CO in the background is inevitably going to act differently from a similarly-sized group of civilians; the nonhuman characters, and hence the audience, just don’t get to see how they are “normally”.)

The actual punchline is that after the “human” plot is resolved (maybe they’re antagonists, and the prior ramble about their biology proves to be a vital component?), there’s a scene where the viewpoint character is a human, and the whole situation is precisely reversed: humans look more diverse and talk like normal people, and all the nonhuman characters of each species are identical and do the loud-deadpan-weirdo thing.

Watching lion xenofiction and, why the most are literally copycats of the other? There's a lot of interesting things on lions life just to make the same thing over and over. And some of the "realistic behaviour" is not really realistic, is just a lot of misconceptions and stereotypes.

Just, Holy hell, i heard the entire story of the Mapogo lions coalition and why anybody writtes an story based on it? It's perfect, is HOLY SHIT like a xenofiction story actually happened. These lion coalitions have a LOT of potential to writte an story about it.

overslept

As someone who grew up with and loved and adored The Land Before Time (1988) and experienced quite a few of its sequels, too, it's amazing how similar the Ice Age series became to it as well - meaning sequels wise. Though in my opinion, Ice Age (2002) is leaps and bounds better than Land Before Time (1988) though I do deeply love BOTH of their original movies.

Both The Land Before Time and Ice Age (2002)'s original movies are gritty and dark, with a sense of "realism" grounding their events with migrations underpinning the journeys of the original narratives and with a greater xenofictional factor since in IA1, the Ice Age megafauna are treated like majestic creatures who growl and rumble (see Manny and Diego mostly) like they might've done so and with the threat of humans being a major conflict factor within IA1 itself with Manny's choice to return baby Roshan despite the knowledge that in doing so, the child has a chance to become a hunter one day.

However, just like its predecessor The Land Before Time, when it came for Ice Age to get continuations, the realistic underpinnings of IA1 were thrown out the window as its series went Lighter and Softer, just like Land Before Time before it.

And yes, in one of The Land Before Time's many direct-to-DVD/VHS sequels, aliens and an asteroid and end of the world themes (like Ice Age's much reviled IA5) become major plot points!

The Land Before Time sequel where Littlefoot reunites with his father involves Longnecks pushing back the sky to save everyone (because of a solar eclipse which was treated in-universe as an "end of the world" event) and the Stone of Cold Fire teased alien dinosaurs. .-. It was around those sequels that I put away keeping up with the TLBT sequels though when I was young I enjoyed them and it saddens me the Ice Age sequels followed the same route.

My hopes for the Ice Age sequels, even as a young (12/13 year old) child was that they'd buck the trend and remain dark and xenofictional and not devolve into silly Lighter and Softer-ness and Dense and Wackier plots like The Land Before Time did years before. In short, the Ice Age sequels deserved better - they deserved to not basically become a modern, theatrically-released "Land Before Time" sequels-redux!

i keep trying to phrase a post as like a helpful tip for people who like worldbuilding but. i have to be honest with myself. it is not a helpful tip because no one asked for it. i just want to rant about kinship terminologies.

[Canon: talking animals and fantasy monster (Fanfic Flamingo) Fanfic: humans! Humans everywhere!]

love stories about monsters are THE BEST because the idea of conceptualizing love in a way that is not human and fundamentally cannot be human and is AN ENTIRELY SEPARATE LEVEL FROM THE HUMAN is so great. 

made better when one half of the relationship is human and suddenly we’re dealing with a) a human learning to love like a monster or b) a monster learning to translate their love into human terms and that’s

the best thing

to me.

which often goes hand in hand with MONSTER TRYING TO HUMANIZE THEMSELVES but that’s.. not necessary, don’t worry monster, you don’t need to do that. your capacity for love does not need to be whittled and softened into a human shape. it’s okay. your heart can be brutal and all consuming. you will learn to cope and you will learn to funnel it, pieces at a time, into something conceivable and measurable to the human mind. 

and i don’t strictly mean monster monsters because there’s room here for divinity (alpha and omega, first and last, holy terror OF THE HEART. apocalypses OF FEELING.) or ghosts, or non-human, non-monster outliers (superheroes, androids, idek), or even human beings who are self-made monsters and whose expression and understanding of love is two steps removed and two shades off. 

but, you know what i mean. 

love stories about monsters.

Xenofiction stories that add the negative impact of invasive introduced species and how native animals react and deal with them are an absolute Top Tier for me.