TW: Murder, Suicide, Influenced killing
So bloodlust in the Life Series is quite common and wellknown with the premise basically being that red-lives are splashed with this effect of a murderous rage to murder those around them. Regardless of their allies or opponments/rivals.
My headcannon or idea is that the only moment when Grian was enveloped or persuaded by bloodlust was during the final fight in 3rd Life. From the POV of Scar during the events of 3rd Life, it's inferred that bloodlust are more instinctual and a force of encourgement and the "kills" Grian committed, were more of an assistance and allyship to Scar.
Going more headcannon-omy, Grian's final fight against Scar had him receive an altered bloodlust as a final gift from the Watchers during that Life game. This kinda of bloodlust that would have Grian have tunnel vision onto escaping no matter how the deed is executed. In turn, killing his partner or ally, Scar, in his rampage for freedom but would end up trapping him. Until he ended his life to end his torment but also restart the cycle of the Life Games.
So basically Grian's only instance of bloodlust was during the final duel in 3rd Life against Scar where it was placed upon him by the Watchers as a final gift or punishment. That would result in him killing his ally.
:P that all for now.
long-awaited anniversary
This is actually it. Like this is the point of the show
Yeah yeaaah yeah yeah
dont feel like writing one rn :/
hi !!! i wanted to know if you have a few tips on how you do your poses ? im not the greatest at them and want to see what others have to offer ^v^''
also , i absolutely ADORE your art ! it motivates me a lot
first of all thank you sm!! poses are literally my favourite thing to plan out so ill try my best to explain ghdfskl
so i usually break the body shape down like this
the body is basically like a 2-part rectangle which i can push in whatever direction i want to lead the pose- i like to exaggerate the shape to emphasise the uhh force of that push ig? i just play around with it until i get the energy i want
for idle/straight on poses i try to make them seem like they're doing something so that the pose forms more of a trapezium than a stiff rectangle, let the characters have some fun!
at this stage i don't really mind if the anatomy isn't completely accurate since i can fix that at the lineart/2nd sketch, im just focusing on getting the flow down so i let my lines be loose, just as long as i know which limb goes where then im good
also back poses!! most of the time you see the front of the character so drawing the back can be refreshing for me :) they flow just as well as the front ones too!
the same pose can be drawn in different angles- sometimes i put down a (very freestyled) perspective grid to define the space around the character and see where they can stand, and imagine a floating camera depending on where i want the focal point to be
you also don't really need to fret about following the grid to a T, just as long as they look grounded and the angle seems right
i like to slap down a few random grids to see how the character can interact with them, and they don't even need to be touching the character- they're just guidelines after all
for me i think of poses with a main line of action and a secondary contrasting motion (though sometimes one main line is enough), the second line adds a little flair and weight while the main is what you see at first glance
use references also! i can't emphasise that enough!! there's always pinterest or (especially for action poses) fight scenes from storyboards or from the finished film, which i love looking through frame-by-frame bc the keyframes and in-betweens are gold mines for inspiration- lego monkie kid is one of my go-to's for high energy poses!
aand that's all i got for now, hope this helps ^_^
Canary curse but no longer as a curse that dooms Jimmy, but as a curse he inflicts on others
Menace to society + canon meets ageswap
DDVAU Hotguy and Cuteguy :3
they both be chilling
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