You Know, These People Like Eastman And Dick James And People Like That, Think That I’m An Idiot. They

Paul calling George Martin “Daddy”

When my uncle told Lennon that I was born near Frankfurt, the son of a Jewish-American father and a German-Protestant mother, John quipped that I was lucky to belong to both the Chosen People and the Master Race. He then began peppering me with German phrases he remembered from his early days in the red-light district of Hamburg with the Beatles, for instance: “Um zweiundzwanzig Uhr müssen alle Jugendliche den Saal verlassen” – At 10:00 p.m. all minors must leave the premises – and “Ficken, lecken, blasen!” – fuck, suck, blow.

John Lennon: Living on Borrowed Time, Frederic Seaman (1991)

“George was younger, the little one. He was very sweet, with his little tooth and the cocky songs he was singing. He was really cute, and was an essential part of the team. When all of them were harmonising together was incredible!”

— Klaus Voormann, “Hamburg Days” (1999)

“When he has that funny grin on his face, so that his little Dracula-tooth was showing — that was it! There he was, this little cocky underage boy singing cocky little songs like “C[‘mon] every body” or Joe Brown’s “I’m [Hen]ery the eight[h], I am” and then he played his little guitar solos, unmistakable George, nearly breaking his fingers on this cheap guitar, he hated so much. He couldn’t wait to earn enough money, to at long last be able to buy an expensive guitar. So when he got his first Grets[c]h, he proudly showed it to everybody. 1971 George let me have this Guitar. I loved it. Finally I had to give it back to him, which I think is perfectly right. He gave me a beautiful tel[e]caster as a replacement. Ain’t that great?”

— Klaus Voormann, “Hamburg Days” (1999)

“…George grinned his cheeky, crooked boyish grin beneath his thick brown head of hair. He was irresistible, and not just for the girls.”

— Klaus Voormann, on the first time he saw The Beatles; translated from “Warum spielst du Imagine nicht auf dem weißen Klavier, John?” (2003)

"On the subject of coloured landscapes, I was the last in the group to take LSD. John and George had urged me to do it so that I could be on the same level as them. I was very reluctant because I'm actually quite straitlaced, and I'd heard that if you took LSD you would never be the same again. I wasn't sure I wanted that. I wasn't sure that was such a terrific idea. So I was very resistant. In the end I did give in and take LSD one night with John. I was pretty lucky on the LSD front, in that it didn't screw things up too badly. There was a scary element to it, of course. The really scary element was that when you wanted it to stop, it wouldn't. You'd say, 'Okay, that's enough, party's over,' and it would say, 'No it isn't.' So you would have to go to bed seeing things." - Paul McCartney, The Lyrics, 2021

Hold up ,,, Mal called Paul his love in his diaries?

Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).

As January 1970 came to close, Mal began drifting into an emotional slide that had been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *

[...]

On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:

Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **

By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul's surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."

In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.

***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.

“and you don’t stroke hands with guys”

“not unless you’re secure..”

—

ringo is so tired

Nothing I Love More than Old Beatles Sites

Live long, my angels.

the fabled pink nightie

this is the particular post im referencing, no clue how accurate it is but the imagery was so vivid i was instantly obsessed

@m1ssunderstanding

Some mcharrison doodles! really missed drawing these guys.

If you don’t undertstand the B7 reference; there’s a story when they were kids in which they took a bus across Liverpool to learn the B7 chord from someone who knew how to play it. So i just drew them happily saying they learn the B7 chord, finally.

The Beatles' first pet: George Harrison's vomit. ㅡ From the book "One, Two, Three, Four: The Beatles In Time" by Craig Brown.