How Do You Draw Hair In Your Syle?

Feet + shoes reference by http://kitasite.net/

i hope this is readable omg

yea take this with a grain of salt because granted half the time i have no idea what im doing and yea

step by step explanation of  this

Sun Kissed Soul - Submitted by @zedetta

#db7287 #ee9da1 #a34762 #3c2f3a #b0668f

Here’s an example of body motion and fluidity of movement :D featuring Roxas, of course.

Here’s the link to part 1 of 4 of Force drawing by Mike Mattesi that I found helped me immensely

Genice, can you give me some advice with hands? The hands i draw sometimes end stiff and ugly. Also hands in perspective, because sometimes they end too big or small. Thanks!

i mostly got better at drawing hands by just practicing how to draw them a lot!what i would do is draw a pose or two over and over again (maybe at slightly different angles and stuff) first with reference, and then draw them again without looking at anything to see how much i can draw from my mind, and then go back and forth between the two until i get enough of a “feel” to draw a certain pose decently without relying on reference. i think after a while you kind of develop patterns in the way you draw hands and from there it becomes easier to draw different hand poses and stuff from scratch

to make the hands you draw look less awkward/stiff, i think it helps to focus more on the overall flow of the composition and silhouette of the hand rather than getting all the details in and anatomy right and stuff in the initial stages

when drawing hands in perspective i think it helps to visualize them as 3d shapes

to get the foreshortening right (aside from using perspective guides and whatnot) i like to just draw the hand first, and then eyeball the perspective and adjust its size and position until it looks right

(select with lasso tool > ctrl+t to transform +right click for more transform options)

another thing i do is take reference pictures with my ipod (any camera works tbh. i just find using a mobile device to be more convenient)by holding the camera close to my hand i can get a really exaggerated perspective like this:

it’s nice because i can get the ref for the exact pose and angle i’m looking for without having to do a lot of internet fishing

I got multiple people asking for help with eyes, so I threw something together quick

EDIT: ah yeah, my bad! thank you @yipyo20

Hey Ross, I'm currently 15, a Junior in high school, and love to animate. I don't think going to an art institute/university is the right move though when I get out of HS - financially or for many other reasons. Community College is a huge possibility though, as it's less expensive and would still teach me more things about animation all together. For the most part, I believe animation can be a self-taught experience, but I'd like to hear your thoughts on this.

That’s great dude.  Don’t feel like you HAVE to go get an education in animation to succeed.  I tried it, but it wasn’t for me.  I found I wasn’t really learning enough compared to what I learnt just fiddling and making mistakes by myself.  I mean look at Arin, he didn’t even finish high school yet he taught himself  to be an animator.  Some people learn better being pushed by an education system, some are better left to figure things out for themselves.  If think you’re better going it alone then GREAT!  You’re an autodidact!

Here’s some stuff I’d recommend you focus on while getting started: 

Learn Flash or Toon Boom.  

Maya/3DS Max/Zbrush if you’re interested in 3D (I have a minor background with it)

Study life drawing and human anatomy.  Try this if you’re at a loss for material: http://www.posemaniacs.com/

Keep an organized folder of art reference (find it by following art tutorial blogs or your favorite artists).  I have gigabytes of reference in my folders.

Get your head around cinematography.  Watch legendary films and figure out what makes the shots great.  One exercise is to take your favorite shots and make silhouette thumbnails of how things are placed, helps you  break it down in your head.

Composition!  It’s crazy and even those who get it sometimes don’t get it.. but just look it up online to get your head around it.  It’s all about placement and arrangement of shit.

MAKE FRIENDS!  Talk to other artists like yourself who are starting out.  I met Arin online through Newgrounds when I was 16/17 and we’ve been friends ever since.  It’s important to have like minded friends!

Keep a sketchbook, draw all the time.  If you prefer doing it digitally then that’s fine, but keeping a sketchbook is a magical thing.  Also helps with your line confidence, at least I think so.

If you want to develop your own stories to go along with your animations, consider the following books: Screenwriting 101 (I LOVE this book, really great read AND it’s written by someone pretending to be The Hulk), On Writing: A memoir of the Craft (Stephen King!  Haven’t read this one yet but friends recommend it) and also Save the Cat! (this one is more so about selling scripts and writing to a formula, don’t take it as gospel.. But it’s interesting).

Voice act! Shit man, just get a decent microphone when you can.  Make goofy voices, do imitations.  Get silly!  Lots of animators have at least some experience doing voice acting!

WATCH STUFF.  Seriously, I can not stress this enough.  Everything is derivative from other works and that’s okay.  Inspiration comes from everywhere and anything.  My late friend Monty also preached this, he even proudly told me some of his early influence for RWBY such as Black Rock Shooter.  Finding influence breeds passion.  You’re not slacking off watching cartoons, you’re researching.

ANIMATE! Do it however you can!  Stop motion lego, flipping paper.. I don’t care.  Just do it. Whatever you learn, It all translates across any version of the medium.

ANIMATORS SURVIVAL KIT.  This book is a must and most animation schools highly recommend it.  It was written by Richard Williams the director of Who Framed Roger Rabbit (among other things).  If you’re not big on reading, then you’re in luck because it’s MOSTLY pretty pictures.  http://www.amazon.com/The-Animators-Survival-Richard-Williams/dp/0571202284

Lastly but not least.. Just don’t stop.  The people you see online and on TV right now, they’re not kicking ass because of some god given talent.  They’re there because they didn’t stop.  They persevered through it all and kept going, no matter what anyone else told them. 

Good luck!

I'm kinda ashamed to ask this, but could you make a tutorial on how to draw hands? ;A;

omg dont be ashamed at all!! Hands are generally tough to get used to, lots of artists struggle with it! so dont be ashamed i feel you.

and I actually have made a hand anatomy guide before in fact! If you want to get better at drawing hands I def recommend you learn the basic anatomy first. Please check out the ones I made, I try to make it simple and easy to understand:

Artistic Anatomy: Hands Part 1

Artistic Anatomy: Hands Part 2

There’s my guide to the anatomy, but here’s some more tips that I’ve noted to myself that I’d like to include

First off, I’d like to just note on the fingers: if you pay close attention to your own hand, you may notice the fingers are ever ever so slightly curved inward. It’s a very subtle detail, but I noticed that, despite how slight it is, it can make a hand look more lively, and less stiff.

Second, the “M” on the palm! Your hand moves in many ways, and because it does it creates creases in your hand. The most prominent creases appear to make an M shape; this is handy to remember for what I’m going to talk about next. (It also could be a “W” I guess, or to be more specific a “ )X( “; just think of it in whatever way helps you remember!)

SO now that you see the M, draw your hand as a basic blocked shape and add your details. As you do, you can see that the M divides the palm into four basic parts!

When the hand moves, parts A, B, or C of the palm, alone or in different combos, will create the general poses that the hands do normally. These parts are the parts that move, with D being stationary, no matter what!

Here’s a chart of all the possible combos. Once you have down what part of the hand moves for a certain pose, you can change up the fingers and tweak it a bit to do what you need to make it more specific!

This is simply my method of drawing hands. God knows there are hundreds of tutorials out there by other artists, but personally, this way helps me the best (after learning the anatomy first). 

This way I can divide the hand and combine the parts in any such way I need! 

Hands take a lot of effort to grapple, and you need to practice them a lot, especially foreshortening of the hand; that’s really something you need to learn through your own studies. Look at your own hands, draw hands from life, from magazines, shows, comics; just draw hands! You’ll eventually figure out a method that works best for you. So to get better at drawing hands; draw hands!! And don’t stress over it, have fun with it!

i rr like ur art and i was wonderin how you pick out your color schemes when you draw? like do u just kind of yolo it or do u have like a thing u do lol

thank u !!! actually i already tried to explain one way i pick colors here , tho thats pretty old and only refers to analogous color schemes so… im gonna try to update it a lil bit! (btw everything ill say from this point on is just based on my own experience, im no art student and im sry if anything i explain makes no sense….!! ANYWAY moving on)

1) probably the thing i use the most are analogous color schemes bc theyre easy to do and look very calm and harmonous:

the two colors i show on the color pick thing are the ones farthest to the left and right, every other color is somewhere between them! bc of this the drawing looks calm and natural. most of the different colors u can see are created by playing around with the saturation!

2a) something i only recently started using frequently is the analogous color scheme with a highlight:

the most part of the drawing is done in analogous colors, but i added a highlight to kinda of… “break open” the closed off feeling that analogous schemes usually have! for that highlight i tend to use a higher saturated color on the other side of the color wheel, or at least one that doesnt “match” the other colors.

2b) most of the time i do the highlight not like this tho, but in the lineart:

thats a lot more subtle !

3) and sometimes i just do…..whatever lmao

Hope this helps!