Alastor's Furby Organ - Fic Prompt

Alastor's Furby Organ - Fic Prompt

Vox is attempting to sell the benefits of advancing technology to Alastor for the umpteenth time, either genuinely or patronizingly, when Alastor sees it.

The second greatest piece of technology he's ever laid eyes on.

He interrupts Vox in the middle of his tirade and zips up to it and is absolutely tickled pink by its creepiness and charming exterior.

Alastor, trying not to sound excited: And what's this delightful little thing?

Vox: Oh that's a Furby, a creepy kids toy up top, we're thinking of scrapping it actually-

Alastor: Oh? Then maybe I can take them off your hands.

Time skip to a few months later, Alastor and Vox are having another battle (duet) when Alastor manifests a new instrument Vox has never seen him play before made up of-

Oh no. no. no. nononono. NO.

A fucking Furby Organ!?

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7 months ago

I have this headcanon for Alastor's back story where he's trans, and just as himself, as he is in the show, even as a kid. So his parents sent him of to a convent, were upon ww1 breaking out in his late teens, he ran away, forged a new identity as a man, got found out once he was already over seas, blackmailed a superior into letting him stay on, where he was introduced to radio communication, and the rest is history.

But all that to say, I like to then imagine, whenever anyone tells him something mildly outlandish, but definitely true, he likes to respond with "Yes, Vox, and I took a vow of celibacy when I was a catholic nun"

To which of course people think, "so you don't belive me? I mean but aren't you a virgin? Are you not????"

And of course, this never gets asked because who's gonna ask The Radio Demom about his Sexy Life.

Angel Dust that's who.

I imagine him doing an interview on Al's Show, just a mix of publicity for them both, hanging out because they're friends, and it's all a big middle finger to the Vee's.

Maybe it's pride month and so they were planning some talk about that, Alastor joking about a possible comming out, even though its plenty well know Alastor is some where on the ace spectrum to anyone with eyes.

They get on the topic somehow, Angel says something like, "I never laid myself across the bar like that! Second set of arms at most! Never my butt, never mind my legs! not after the first time!"

"Mh-hm. You got desperate in your flirting, and I took a vow of celibacy, when I was a nun. We all do silly things, Angel."

"Well, maybe I've laid out on the pool table, but it makes for good pictures. Anyway, I been meaning to ask you about that."

"About being a nun?

"No," angel laughs, plays it off, thinking he's joking. "About your being ace and all. No pressure, but like, you really never even wanted to try?"

"No, I find it quite repulsive. The idea even,"

"You don't watch nothin'? Read nothing either?"

"Ha! No! The filthy little novel Sister Amillia sneaked in the once was quite enough- are you okay Angel?"

Angel had infact just chocked on his latte. "Wait? Sister Amillia? Sneaked in? To where!?"

"The convent, Angel. I was 14, she was 16. Wonderful woman, taught me how to handle a knife, she left shortly after the novel was discovered- Sister Tabitha was as squeaky a little rat as she looked- never saw Amillia again, though."

"Wait, sorry. You were a nun, like, actually? What the fuck?"

One of the little lights that says they have a caller lit up, but Alastor ignore it for now. "Yes, Angel, do keep up."

"Wait, so like that nun costume you wear on halloween?" Angel blows right past the fact Alastor just came out as trans, because yeah. Didnt see it comming but, the trains already wizzing by, and more importantly- "Is that like your actual nun costume?"

"Ha! No, I flung that horrid thing in a garbage can on my way to the enlistment office when I was 17."

"Enlistment?" Angels begining to see what Alastor meant when he said this episode was going to be a unique experience for his listeners at the start of the braodcast. "Like world War 1, right? You were alive for that..."

"Yes, I figured with all the confusion one little girl-"

Angel's phone goes off. It's Val. Angel hits ignore.

"Fuck off Val, I'm off today" Angel says into his mic.

But they get interrupted again and again until Angel turns his phone off.

At which point all twelve of the little light that indicate the show had callers on the line, light up.

"Ah fuck. What does he want that bad? Can you just answer it real quick?"

Alastor flips a switch and answers.

"The fuck you want Val-"

"I'm not calling for you!" It's Vox on the other end, his voice booming from the speaker "Alastor! Are you fucking serious? You were a fucking nun?"

"Yes, Vox." He says with faux patience. "My goodness, did you all stuff your ears with cotton this morn-"

"So you DID actually take a vow of Celibacy? The other day at the meeting during my presentation, you said "that'll work, Vox, sure- and I took a vow-"

"Yes. I was there."

"And!?!"

"Celibacy, among other things. If this is a dig at my sexuality than-"

"Nah fuck that, hang on I'm doing math! Okay you were born in 1901, makes you 17 in 1918, yeah that tracks. Okay so 2024 make you 123, minus the 17 years to be conservative, thats 106 yeah?"

"I was 15 when I took that vow, and under threat of being institutionalized, if that's what you're getting at-"

"108! Ha! Oh my God! 108 years! That's gotta be a record!"

"What are you getting at Vox?"

"You took a vow!" Vox screams through his laughter. "All the pomp and circumstance! On consecrated ground! before god!? To abstain from sex! And even here in hell, were sin and blasphemy are rampant and free-"

"Careful Vox, your televangelist is showing-"

"Who gives a fuck!? You're the one whos upheld their vow to God for over a century like some devout saint!"

Angel and Alastor sit there staring at eachother while Vox laughs his head off around them

"Saint Alastor the Abstinent! The pantron Saint of Virgi-"

Alastor hangs up. "Well that was informative!" Alastor chirps "Well, What's to be done about this? Hm, Angel?"

And for some reason, an unholy one, surely, the first thing out of Angel's mouth is "I could suck you dick? If that- would count?"

And it's a testament to how far they've come as friends, or pooooossbily Alastor's nerves, or maybe his sheer unwavering bravado, but Alastor only bursts out laughing, shaking his head as he get out between laughter "I don't- have one!"

And then they're both laughing and laughing and laughing, and eventually they calm down, and Alastor gets a thoughtful look. "Though, Vox did have one good point."

"Oh?"

"That does have to be a recorded, at least among sinners. Why! I very well might have redeemed myself! We should certainly bring this up with Sera at the next conference!"

And then their off both laughing again, imaging Serra's face when she realises she's going to have to look into yet more research onto the workings of redemption from Heaven's end.

1 year ago
Title card reading [Storyboarding Techniques: A Sequel to "Storyboarding Basics". Brought to you by NU Animation Club, Nov 2023]. A chibi drawing of Feeb holding a stylus waves in the bottom right corner.
Text reads: [Boarding Action Tip: Move characters in Z-space! Beginners have a bad habit of boarding in x and y only. Don't neglect moving in z-space! It can be dynamic and exciting!] A drawing of an axis sits above the text, showing a green arrow pointing up for Y (symbolizing moving up and down), a red arrow pointing right for X (symbolizing moving left and right), and a blue arrow pointing forward (symbolizing moving forward and back). Two examples are shown on the right, depicting Vash from Trigun Stampede drawing his gun. The first one shows him running to the left and drawing his gun, moving in X-space. It is more static and plain. The second one shows him running towards the viewer, drawing his gun when he gets close, moving in Z-space. It is more engaging.
Text reads: [Boarding Action Tip: Go close, then far. Bring the camera close to the character. Pull back without cutting. Moving the camera allows the viewer to feel like they're fighting, too.] The example shows Finn from Archmage Ascending holding up their magic staff, the camera close to where their fist grips the weapon. The second shot shows that the camera has pulled back to have Finn's whole body in view as they swing their staff downwards, causing an explosion.
Text reads: [Boarding Action Tip: lead the eye. Inevitably, action scenes have many moving parts. Use the composition & camera movement to guide the viewer's eye in the direction of the main motion.] The example shows Juri and Utena from Revolutionary Girl Utena engaging in a sword fight. As they move from the left to the right of the arena, the camera tracks their movement. Another smaller set of boards beside the example shows how the camera's view moves to the right, following the duelists.
Text reads: [Boarding Conversations: Perspective is power. The angle/perspective of the camera implies power dynamics. Low looking up: the depicted character has power over the viewer. High looking down: the depicted character is under the viewer's power.] There are two examples, both showing Makima from Chainsaw Man having a conversation with Denji. The first shows two over-the-shoulder shots, both characters on equal level, and is marked [NEUTRAL]. The second example shows Makima from the perspective of a low-placed camera looking up, so she looms over the viewer; and Denji from the perspective of a high-placed camera looking down, so he cowers under the viewer. The example is marked with a checkmark and the note [stronger sense of power imbalance].
Text reads: [Boarding Conversations: 180 Rule. The viewer must stay on the same side of the scene at all times. A way to test this is to make sure the character faces the same side of the screen (left or right) in every shot.] There are two examples, an incorrect one and a correct one, both depicting Dani and Dorian Wytte from Hooky having a conversation. The first example shows Dani on the left facing right, with Dorian on the right facing left. A small top-down diagram below shows that the camera sits on the right side of the twins. In the next shot, Dorian is now on the left facing right, and Dani on the right facing left. The diagram shows the camera has jumped to sit on the left side of the twins; this is incorrect. The correct example starts the same, showing Dani left facing right and Dorian right facing left. In the next shot, Dani is still facing right and Dorian still facing left. The diagrams show that the camera has changed its angle and position, but has remained on the right side of the twins.  This is correct.

some storyboarding techniques as a sequel to my storyboarding basics presentation. I focus specifically on tips for action and conversation scenes!

as always, these are general tips and tricks, but rules can always be broken. happy boarding! ✍️✨

5 months ago

S1E9 TimeTravel AU - Jayce enlists Jinx to blow up the HexGates. Cait and Vi bond over their siblings going crazy. Silco is tired.

Ekko arrives a bit earlier just as Jayce is shooting Viktor in the chest. Jayce gets sent back in time somehow from the combined power of the Z-Drive and the Commune's collective death.

Jayce's consciousness rockets back in time and splices with his younger self just as he's finished 'negotiating' with Silco. Still reeling from his Arcane induced-trauma and killing his partner as well as who knows how many people by proxy, he arrives half feral and about 99.7% convinced he's either hallucinating or in Runeterra's version of Hell.

Jayce, canonically suicidal, Talis comes to the conclusion that he needs to blow up the Hex Gates and that the resulting explosions will either jar him out of his hallucination or finally put him out his misery and let him join Viktor.

Unfortunately, after months spent in isolation in an apocalyptic future, Jayce has gained an unfortunate habit of talking to himself as he figures out problems.

And Silco has been standing there the whole time.

Silco reiterates that he's not going to give up Jinx and Jayce just goes 'I don't give a fuck about her anymore' and attempts to leave.

Silco is absolutely befuddled by Jayce's complete personality change, but refuses to show it. After raising Jinx, he's learned a few methods for bringing people back from the edge. And considering his investment in getting access to the Hex Gates, he is very unwilling to let Jayce just walk away.

Especially when Jayce mentions he's supposed to be dead.

----

Silco convinces Jayce he'll need an explosions expert and that he'd never be able to blow up all the Hex Gates by himself. Jayce holds resentment for Jinx blowing up his partner and pseudo-sister's mom but had calmed down enough to realize that if he was in the past, it would be better to be close to Jinx and prevent history from repeating itself.

Cue Silco and Sevika having to wrangle Arcane-ified Jayce and Shimmered Jinx and prevent them both from causing Hexplosions.

Jayce, dis-illusioned with the Council, decides it would be faster to just pull a Viktor and 'not ask for permission' before destroying Hextech. He tells Silco that if he's willing to help destroy the Hex Gates, he'll give him his nation of Zaun -- and pardon Jinx.

---

Elsewhere, in Piltover, Viktor has collapsed in the lab and entered a coma. There's a strange pattern on his chest and back. Almost as if he'd been shot with a very powerful energy blast from a very large hammer. But no injury, it was as if it had already been healed.

---

When Jinx kidnaps Cait and Vi, Jayce is the one to ask her to spare Cait and let her leave. But also, the one to stop Cait from shooting Jinx.

"Stand down, Sprout."

"What are you doing! She's killed people Jayce."

"So have I. And I need her." Jayce is still suffering hallucinations and time-travel-induced jetlag, so in the tense moment he forget when he is and admits to killing Salo and blowing a hole through Viktor's chest.

Caitlyn is more shocked by the latter, "You-you killed Viktor?" She liked Viktor as a friend, they got along despite their differences. "Why? Why would you do that!"

Jayce, dissociating and in complete sincerity, "Because I needed to save him."

Following that insane response, Jayce slowly walks toward Cait with a pleading look in his eye, "Jinx is going to help me destroy HexTech and then we can save everyone. And then I can focus on curing Viktor!"

Cait looks into Jayce's -her brother's- eyes and understands Vi a little bit more, her desperation to see the good in Jinx.

Caitlyn can see her brother in this stranger's eyes, but he feels miles away. She has no idea how she's going to reach him.


Tags
1 year ago

Radiohusk Analysis: Alastor Cares or Nothing Makes Sense (Part 1)

In the pilot, Alastor needs to bribe Husk to work as the bartender for his new fun project, Hazbin Hotel (HH)! However, as we're told in season 1 episode 5, Alastor has Husk's soul, and therefore, can make Husk do whatever. So why the fuck does Alastor need to bribe him? What reason would he feel compelled to do that if he already has the power to make Husk to anything he wants? Let's discuss some possible options.

A) Alastor feels as if he needs the extra incentive to get Husk to do his job.

This argument has no substance to me because we see in season 1 episode 5 that Alastor has no quelms with putting Husk (or anyone) in their place. If Alastor needed Husk to be obedient and to attend the bar for the hotel, Alastor could have just threatened Husk and reminded him that he has no choice, considering he has his soul.

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

B) Vivziepop forgot that in the canon pilot that she wrote Husk as needing to be bribed in order to work the bar.

This is very possible, considering Vivziepop did not write or create the dynamic and most of the interactions that makes Husk and Alastor's relationship. That being said, it is possible that she wouldn't remember the details of their dynamic/interaction from the pilot, but also not understand the characters and their relationship.

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

C) Alastor cares.

Alastor wants Husk to be satisfied under his care. It is the only narrative that makes sense, whether it was Viv's intention or not. Alastor gives Husk a choice to work at the hotel. It is why Alastor decides to bribe him instead of using his power and authority to do make Husk work the bar.

Alastor also listens to Husk's concerns about Mimzy and considers him. Alastor also trusts Husk enough to let him know his secret involving being on Lilith's leash.

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

THERE IS RESPECT AND TRUST THERE! He even lets Husk put a finger on him (making their argument physical!)

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

I mean, Alastor could have easily ripped Husk a new asshole for putting hands on him and verbally attacking Alastor by weaponizing the fact that he also has a leash around his neck, but he didn't.

Let's not forget that Alastor has 'killed' for less! He attacks Sir Pentious for tearing a piece of his coat!

You might be thinking something along the lines of If Alastor cares, why did he threaten Husk?

Nothing is black and white, the least of all relationships, especially relationships in Hell. Alastor isn't exactly a good guy. You can still care about someone and hurt/lash out at them. Also, Husk said something that was aimed to hurt Alastor. It's like if someone you trusted one day said, "That's why your dad left" in the middle of an argument. I'd be pissed too! I wouldn't fucking put a finger on them or threaten them (because I'm not made up of the same stuff a sinner in disney hell is), but it's understandable Alastor would BECAUSE IT'S HELL. Also, the fact that Alastor didn't even hurt Husk during this scene is proof enough that Alastor cares deeply and evidence that the pushing of Angel-Val parallels on this duo is absolute bullshit and makes no sense.

Whether Vivzie forgot or not, what is important is that her perspective of the story is not the only one that matters. A writer can have a specific vision in mind for their story and the characters in it; however, the viewer has the liberty to interpret the text however they want based on their imagination, experience, and relationships. Viewer interpretation helps to broaden perspectives and open up potential interpretations that differ from the writer's original perspective.

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aro-in-danyl - Sarcasm is my name. Sincerity is my game.
Sarcasm is my name. Sincerity is my game.

Send me asks about Headcanons. I'll talk your ears off.

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