Ghosts Feeling The Economic Squeeze

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22nd Suite Queen

Makeup and mathematics are about packing and unpacking life's possibilities.

Arched brows, lush lips, or just be an unabashed alien echinoderm?

In an alternate universe, all the warmongers around would be disciples of butterflies instead.

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Soul Nymph Engines

Platform idea: A micro-journaling app, coupled to a network of digital billboards displaying selected journal records, in which users post i

The NI Series (3): Madame Breakup Is Not Quite a Phantom!

Admin’s Message: After a long break, the noble idiocy trope is put under the microscope again! In this third installment, Vietnamese Canadian Mawiie, a drama reviewer who has also delighted K-drama fans with her clay figurines of popular characters, enthusiastically shares with us how her background has shaped her reaction to variants of the trope involving characters’ closest tribe members.

I need to start off by saying that my opinion comes from a second-generation Vietnamese Canadian who grew up with very liberal parents, but extremely conservative grandparents.

As a child, my grandparents (with whom I spent a lot of time - my grandpa was the one in charge for my education) would constantly talk about filial piety. They were expecting me to get high-paying jobs so I would be providing for them AND my parents. I was the eldest sibling, and also the most motivated for school, so they had extremely high expectations for me to help the whole family out.

So coming from my own experience, when I see family-related noble idiocy issues on the screen, I can believe that they are realistic, especially in a country like Korea where Confucianism is still highly valued, But I also think that, like 0kuo0 has said, the issues have been highly exaggerated in some dramas. I am mostly thinking about those crazy dailies. Are they rooted in some truth? I don't doubt it one bit. But are they always resolved with Niagara Falls level of tears and major life-altering decision sending one character over the Pacific? I sure hope not.

Now, like I have said, while my grandparents were very conservative (”How dare you take a job as a college student? That means that you will quit school! You have to forego a social life and your personal needs for money so you can study to be a doctor and buy us a house where we will ALL live together!"), my parents were pretty cool. I got to do what I wanted, as long as it was reasonable, but my parents would still bend to all the demands of my grandparents.

It was really weird and frustrating to see my parents tell me one thing, but not dare to do it themselves. So I always get super frustrated at characters in drama who can't stand up for themselves when they did no wrong!

TLDR: Growing up with conservative grandparents, I recognize many of the examples in k-dramas. I think that for most part, it's pretty accurate with some exaggeration in dailies. On the other hand, in the West, the Confucian way of thinking kinda decreases with new generations, so while I understand why the characters are acting the way they are, I can't get over the fact that OMG YOU ARE A GROWN ASS MAN/WOMAN, JUST TALK TO EACH OTHER AND DON'T LET YOUR MOM RULE YOUR LIFE.

Kelp diet must have played some part in Human's air nomadhood, which certainly has its downsides. On the other eight-trigram-palm hand, the troubled, wounded Earth all of us are stuck in need to go beyond taking sides. The real camp we need to join is Alternatives. Take up arms not by pulling up yet more rifles but by brainstorming and refining fresh ideas.

A Geopolitical Reading of Knulp

A Geopolitical Reading of Knulp

Identity has a peculiar relationship with itself. According to art and literary theorists, the act of naming or otherwise describing something replaces the true nature of the object with a representation which accuracy and comprehensiveness are constrained by human limits. Yet in public consciousness, one may contend, this caricature tends to be mistaken for the real thing in the long run. Thus,…

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The NI Series (1): Noble Idiocy Is Neither Noble Nor Idiotic

Admin’s Message: Hello Tumblr followers, thank you for reading The Asian Drama Philosopher (A-Philosopher)’s Chair all this while!  As a special treat for everyone, the Chair is inviting bloggers from different backgrounds to share their views on the relationship between culture and drama writing. First up is well-known K-drama commentator samsooki, who is of Korean heritage. Enjoy his breezy writing and express your support for him. 

written by samsooki

Well, you know it was coming.  It is episode 12 or 13 of your favorite k-drama romcom, after all.  The other kdrama shoe known as “noble idiocy,” must drop.

The Setup.  It has taken a dozen heart-tugging episodes, and a half of a lifetime from the time they attended the same elementary school, but the protagonists (let’s pick names – Bob and Mary) have defeated both (a) the evil scheming uncle who wants to take over the chaebol board of directors, and (b) the crazy ex-boyfriend/girlfriend who won’t take no for an answer.  After weeks of Wed-Thurs cliffhangers, Bob and Mary have finally become the OTP (One True Pairing) that we always hoped would happen!  Ooooh, but what twist hath fate wrought upon our starstruck couple!  The protagonists suddenly find themselves in a quandary – an unexpected and inexorable something (probably a dormant cancer, orphanage secret, and/or a chaebol proxy fight) is standing in the way of their happiness ever after!  What, if anything, can be done?

The Western Solution.  From a Western structural standpoint, the path toward Bob’s and Mary’s resolution includes:  (1) forthright communication, (2) working together to assuage each other’s fears, (3) gaining mutual strength for the Final Showdown, and (4) ending the cycle of individual misdirection by forgiveness and trust.  Seems pretty self-explanatory, doesn’t it?  All they have to do is work together!

The K-Drama Response. Noooo, we must be far more complicated. Bob and Mary must be cliven asunder by a unilateral and preemptive decision made by one of them as a dramatic score plays in the background, followed by heartbreaking preview scenes of “why isn’t he/she answering my texts” angst.  The first of Bob and Mary to blink away his or her single, pretty tear must leave Korea, forever, or at least a very long time.  Further, there must not be any further communication of any kind for at least a year, perhaps three.  Finally, each must suffer and cry alone while reminiscing through montage clips, wondering if fate will be kinder in future lifetimes.  And in the end, what appeared to be a noble effort to cause less pain, has now caused more, idiotically.  Let the sardonic eye-rolls, the knowing sighs of disbelief and cynical anti-tropist over-reaction commence.  Yes indeed, it is the kdrama trope of noble idiocy.

Surely, the kdrama’s PD (the production director) and the writers can do better? But maybe, what we believe to be a crutch for unoriginal writing isn’t what we think it is at all.  Perhaps the writers are merely introducing and then reinforcing an Asian principle that Koreans have long since internalized.

 What is going on here?  

 a.              Western Perspective – Y’all Are Noble Idiots.  The Western view, of course, is based on perspectives heavily influenced by individualism and discrete ethics.  In the Western view, each person is responsible for his or her actions and no more.  The Westerner would look at Bob’s silly actions and argue that, even if Bob initially believed that his own happiness would be greater if Mary is not burdened by Bob’s problems, how can Bob leaving the country without a word to Mary be the proper method for achieving such happiness?  And if Bob were acting in such a way for Mary’s happiness, surely Bob would not believe that he would be making Mary happier if he left her in a frozen state of uncertainty for years, perhaps forever? Pure madness and counter-productive!

 b.              Korean Perspective – You Don’t Understand Our Worldview. Surely, then, Koreans with their 5,000 year history, would know better by now!  Hmm, perhaps they do, though?  By way of background - the Korean worldview is framed by a Confucian philosophy integrally woven into every part of Korean society.  On whatever level, the general principle is the same – a person’s highest duty is to take responsibility for those who follow such person.  This is true of familial relationships (parent to child, spouse to spouse, sibling to sibling), educational and corporate relationships (seniors to juniors) and political governance (ruler to subjects) as well.  This worldview dominates Korean thinking.  It is the reason why one’s age is so important, and why honorifics are critical to conversation, even between family members.  One must always know who should be taking responsibility for whom, and likewise, who should be following and who should be leading.  It is the reason that students address one another by titles like sunbae (one’s senior) and hoobae (one’s junior) and that words like oppa and noona mean so much more than their literal meaning.  Family, friendships, corporations and even nations are held together by this principle of taking responsibility for those who follow you.  Is it any shock that this principle also applies between lovers as well?

Of course, one can argue that romantic relationships should not necessarily follow the Confucian philosophy, especially not in the post-modern age. My counter is that as true as that argument might be, Bob and Mary are not yet a couple at this stage in the kdrama.  As such, each of Bob and Mary is likely to fall back upon traditional relational notions to deal with the other of them.

Taken to its logical conclusion then, Bob cannot simply ask Mary to (1) share in the burden of the obstacle, and (2) work together to deal with the OTP crisis.  Such a request would be nigh on unthinkable because one of Bob or Mary must take responsibility for the other, and cannot share or delegate such duty.  And this kind of relationship is not unique to Eastern philosophies.  The concept that certain duties cannot be delegated is not just an Eastern concept, but it is part of the bedrock of Western jurisprudence as well.  A fiduciary duty is the highest level of obligation that a person can owe to another – and such obligation cannot be shared.  Just as an agent must act solely for the benefit of the principal, and a trustee cannot halve his liability by delegating half of his duties, Bob cannot breach his obligation to Mary.

It would be alarming then, for Bob, in the face of an obstacle that appears unsolvable without the help of Mary, to confess his burdens to Mary.  If Bob were to share his burdens with Mary, Bob would be abdicating his role as Mary’s protector.  Bob cannot have it both ways – if Bob has any designs on remaining the kind of person that Mary could rely upon, Bob cannot ask for help from Mary. Taken on a macro level, such an action would turn society upside down.  Bob’s only choice, therefore, if indeed Bob is the one who takes responsibility for the problems besetting our OTP of choice, is to remove himself from the situation entirely.  

Note that this is not because Bob thinks any of the problems is insurmountable and will inevitably hurt Mary, but because he believes he is not (yet) strong enough to deal with the issue. Note as well that even if Mary also stepped up and declared responsibility for Bob, each of Bob and Mary would be forced to take action unilaterally because of the impossibility of sharing duties under the Confucian way of thinking.

In Korean thinking, harmony in society, whether on a macro or micro level, depends upon the ability of those who take responsibility for others.  The good leader will cause his or her nation to prosper, and the good parent will cause her children to become good adults. Likewise, the person who capably wears his or her mantle of leadership will permit harmony to exist within the relationship.  And it is within this context of harmony that love can truly exist and flourish.

 Hope that helps quell the anger of anti-tropists out there seeking another noble idiot to skewer!

[Meteorizing Mondays] Expeditions

We're alien globes to each other remote-nursing other alien globes, so we don't really miss out that much stuck here in our seemingly little lives instead of roaming the globe.

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Monday Purples

To someone, you may be the most compelling superhero.

Athletic / Aesthetic Passions

Athletic and aesthetic passions normally won't feed you, they say. What they don't say is how these sides of yourself can funnel into you vibrant, imaginative energy that powers you through all the drudgery, provided that late-stage capitalist and chronobiological logics spare these tiny selves breathing space.

An entire series awaits. Check back on another Monday.

Ceramics Yoga, Anyone?

The world breaks everyone and afterward many are strong at the broken places. (Ernest Hemingway)

There is a crack, a crack in everything. That’s how the light gets in. (Leonard Cohen)

Luminescent Scars: As light pours into a cavernous space, participants in ballet tights practice their yoga poses within its ceramic-like, curved walls crisscrossed with fracture lines. Powdered gold, copper, brass, silver or platinum fill the lines. The instructor, in shimmering tights, is one of the bundles of rays that have descended to the weary and wounded. Shadows of other scar lines flit across participants’ bodies from time to time in acknowledgment of feelings all around, before transforming into waves of light. The above quotes reproduced by Critical Dance from program notes of Aurum, a ballet set in motion before such patterned backdrops, have told us the art form kintsugi’s ideal of embracing and growing more beautiful through broken parts. Ceramic surfaces portrayed across the sessions hail from a number of masterful or storied wares

:: Full concept ::

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💬 0  🔁 1  ❤️ 2 · Many-Worlds Liminal Yoga · Physical Experience Bubble: A breathtaking network of yoga complexes and outdoor yoga locations

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Whale Map

Interactively explore satellite image distribution of four 🐳 species

Young-woo's tastefully assembled room provided the very first blueprint.

Strange Waters

Strange Waters

“The Sixth Dragon – Joseon’s Top Swordsman, Moo-hyul” Hong Kong fiction and its Korean counterpart, heroism and escapism, the corporeal and the illusory—entities in these pairs nestle within each other in symbioses at times wondrous and at times sobering. Hong Kong martial arts fiction has made an impact on the South Korean popular culture scene since the 1960s. In 1967, the Hong Kong film Come…

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