Remember You Are One

Remember You Are One

Remember you are one

More Posts from Antiboba and Others

10 months ago

fiction and fantasy are so fun because it's like. if i met this man in real life i would drop kick him off a cliff within three seconds of him opening his mouth. luckily for him he doesn't exist so we can all happily ignore those red flags and pretend we could fix him

11 months ago

Hey so do you think in that episode with Clara and twelve where the tardis shrank Sutekh shrank too?

Did Clara Oswald put the god of death in her handbag like a chihuahua?

11 months ago

“It is a lonely feeling when someone you care about becomes a stranger.”

— Lemony Snicket, When Did You See Her Last?

10 months ago
ID: 1. Waist up of Guillermo and Harvey Guillén on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Harvey!' Harvey's skin is slightly tanner than Guillermo's, his hair is sun-bleached and curling freely over his forehead, and he is wearing a blue knit crop top and denim overalls. He is hugging Guillermo from behind with his chin on his shoulder, grinning up at the viewer. Guillermo, wearing a white shirt and brown patterned cardigan, is cupping Harvey's hands with his own over his chest and looking at him with a fond smile, cheeks pressed together.
2. Waist up of Nandor and Kayvan Novak on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kayvan!' Kayvan's skin is a rich brown against Nandor's vampire pallor and his half-up hair and slightly longer beard are graying; he is wearing a dangly gold earring in his left ear and is wearing a lime green button up tee with a red watermelon pattern. He has picked Nandor up in a hug with his arms wrapped around his waist. Nandor, wearing a long brown kaftan under a orange diamond-patterned coat with short furred sleeves, has his right hand braced on Kayvan's shoulder and the other wrapped around his back. They are both grinning widely and looking at the viewer.
3. Waist up of Nadja, Nadja doll, and Natasia Demetriou on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Natasia!' Natasia is lightly tanned and has chest wavy length hair with bangs, dark brown at the roots with honey brown and blonde highlights throughout. She is wearing a periwinkle skirt and bandeau top with an outer layer of translucent chiffon in the same color, along with poofy off-shoulder chiffon sleeves, several rings, and a thin chain necklace with her name on it. Nadja and Dolly are matching in dark blue v neck gowns with a gold pattern and front buttons, their hair half up in twin horns. Nadja is grinning at the viewer, fangs out, and leaning heavily into Natasia's side, pressing their shoulders together. Dolly sits on their shared shoulder space, perched directly between their heads with her arms around them, smiling up at the viewer. Nadja's right arm is up under Dolly to support her legs. Natasia's right arm is bent upward like one might do to support a perching bird and her left is palming Dolly's knees to keep her in place. She is smiling over at the Nadjas, half bent over from their weight leaning on her.
4. Waist up of Laszlo and Matt Berry on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Matt!' Matt is pale (but clearly more alive than Laszlo), with wavy shoulder length hair streaked with gray and a graying beard that has been allowed to grow a bit further past his chin. He is wearing a plain white tee shirt, denim jacket, and silver chain necklace. Laszlo is wearing a red button up dashingly open at the collar under a dark blue waistcoat and lighter blue jacket with a darker damask pattern. They are standing mirrored, back-to-back with their arms crossed and shoulders pressed together, looking back over their shoulders at each other. Matt smiles at his character lazily while Laszlo offers him a mildly salacious smirk.
5. Waist up of Colin Robinson and Mark Proksch on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Mark!' Mark is standing facing the viewer with squared shoulders, wearing a blue and white plaid shirt with a chest pocket, only the top button undone. Were it not for the color and a slight shape change to his glasses, you wouldn't be able to tell him from his character. Colin is standing directly behind and to the right of him, wearing a brown v neck sweater over a beige collar and dull red tie. His head is tipped back and his mouth is open in a wide grin, eyes glowing bright blue behind his glasses. Mark glances at him from the corner of his eye with a slightly amused smirk.
6. Waist up of the Guide and Kristen Schaal on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kristen!' Kristen is pale in a human way with chin length curly brown hair and is wearing a loose empire waist black tank top under a translucent yellow chiffon top with a frilled neckline and elbow length balloon sleeves. The Guide is smiling open-mouthed at Kristen and wearing her usual black square cap, jacket, skirt, and gloves. They are back to back, elbows linked together to keep each other close, with Kristen leaning backward into the Guide so she stoops forward slightly. Kristen's far hand flashes a peace sign as she grins over at the Guide, tongue between her teeth. /end ID

AND THAT'S A WRAP ON WWDITS FILMING...[wails loudly]

I hope these actors know how much they have done for me, specifically. And how many times I have drawn their dumb faces dkjfhk.

Please consider donating to Medical Aid for Palestine! It's what Kayvan would want. :) 🍉🍉🍉🍉🍉🍉

(ID in alt and under cut)

ID: 1. Waist up of Guillermo and Harvey Guillén on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Harvey!' Harvey's skin is slightly tanner than Guillermo's, his hair is sun-bleached and curling freely over his forehead, and he is wearing a blue knit crop top and denim overalls. He is hugging Guillermo from behind with his chin on his shoulder, grinning up at the viewer. Guillermo, wearing a white shirt and brown patterned cardigan, is cupping Harvey's hands with his own over his chest and looking at him with a fond smile, cheeks pressed together.

2. Waist up of Nandor and Kayvan Novak on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kayvan!' Kayvan's skin is a rich brown against Nandor's vampire pallor and his half-up hair and slightly longer beard are graying; he is wearing a dangly gold earring in his left ear and is wearing a lime green button up tee with a red watermelon pattern. He has picked Nandor up in a hug with his arms wrapped around his waist. Nandor, wearing a long brown kaftan under a orange diamond-patterned coat with short furred sleeves, has his right hand braced on Kayvan's shoulder and the other wrapped around his back. They are both grinning widely and looking at the viewer.

3. Waist up of Nadja, Nadja doll, and Natasia Demetriou on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Natasia!' Natasia is lightly tanned and has chest wavy length hair with bangs, dark brown at the roots with honey brown and blonde highlights throughout. She is wearing a periwinkle skirt and bandeau top with an outer layer of translucent chiffon in the same color, along with poofy off-shoulder chiffon sleeves, several rings, and a thin chain necklace with her name on it. Nadja and Dolly are matching in dark blue v neck gowns with a gold pattern and front buttons, their hair half up in twin horns. Nadja is grinning at the viewer, fangs out, and leaning heavily into Natasia's side, pressing their shoulders together. Dolly sits on their shared shoulder space, perched directly between their heads with her arms around them, smiling up at the viewer. Nadja's right arm is up under Dolly to support her legs. Natasia's right arm is bent upward like one might do to support a perching bird and her left is palming Dolly's knees to keep her in place. She is smiling over at the Nadjas, half bent over from their weight leaning on her.

4. Waist up of Laszlo and Matt Berry on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Matt!' Matt is pale (but clearly more alive than Laszlo), with wavy shoulder length hair streaked with gray and a graying beard that has been allowed to grow a bit further past his chin. He is wearing a plain white tee shirt, denim jacket, and silver chain necklace. Laszlo is wearing a red button up dashingly open at the collar under a dark blue waistcoat and lighter blue jacket with a darker damask pattern. They are standing mirrored, back-to-back with their arms crossed and shoulders pressed together, looking back over their shoulders at each other. Matt smiles at his character lazily while Laszlo offers him a mildly salacious smirk.

5. Waist up of Colin Robinson and Mark Proksch on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Mark!' Mark is standing facing the viewer with squared shoulders, wearing a blue and white plaid shirt with a chest pocket, only the top button undone. Were it not for the color and a slight shape change to his glasses, you wouldn't be able to tell him from his character. Colin is standing directly behind and to the right of him, wearing a brown v neck sweater over a beige collar and dull red tie. His head is tipped back and his mouth is open in a wide grin, eyes glowing bright blue behind his glasses. Mark glances at him from the corner of his eye with a slightly amused smirk.

6. Waist up of the Guide and Kristen Schaal on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kristen!' Kristen is pale in a human way with chin length curly brown hair and is wearing a loose empire waist black tank top under a translucent yellow chiffon top with a frilled neckline and elbow length balloon sleeves. The Guide is smiling open-mouthed at Kristen and wearing her usual black square cap, jacket, skirt, and gloves. They are back to back, elbows linked together to keep each other close, with Kristen leaning backward into the Guide so she stoops forward slightly. Kristen's far hand flashes a peace sign as she grins over at the Guide, tongue between her teeth. /end ID

11 months ago
Old SPN Collage Made B4 The Whole Series Finale Disaster

Old SPN collage made b4 the whole series finale disaster


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11 months ago
Janice And Floyd As Ponyo's Parents

Janice and Floyd as Ponyo's parents <3

I did this drawing on valentine's day and now I'm reposting it from instagram. I'm still debating if I should repost the whole muppetational may on here and delete it from instagram because of all that meta ai stuff. Idk

Janice And Floyd As Ponyo's Parents
Janice And Floyd As Ponyo's Parents

Also, close ups of the sillies <3

10 months ago
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS

COMPANIONS

aaaaaah looking at them all together is so satisfying!! and i’m so proud of actually finishing this🥰

11 months ago

sorry for being a hater i want to be a lover but everything pisses me off

10 months ago
Perfect World As Described By The Twelfth Doctor
Perfect World As Described By The Twelfth Doctor
Perfect World As Described By The Twelfth Doctor
Perfect World As Described By The Twelfth Doctor

Perfect world as described by the Twelfth Doctor

11 months ago

I swear it's always "I love you so much!" but never

"I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world's cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to divide fractions, and no matter how difficult is it to memorize the periodic table. I will love you no matter what your locker combination was, or how you decide to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform.

I will love you if I never see you again, and I will love you if I see you next Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if abandon your baticeering and I will love you if you retire from the theatre to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and and as the horseradish loves the miyagi, as the tempura loves the the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer.

I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written.

I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm wale loves the flavor of naval uniforms.

I will love you as a child loves to overhear the conversations of their parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safe keeping.

I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanism. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery, and as a crow loves murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence, and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a falling shingle off a house.

I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp, and as a blimp loves to chase after it.

I will love you as a dagger loves a certain person's back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home.

I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as a noise of a glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping out into the world.

I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest policeman. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes that S. is not worthy of his love and N. realizes he is not worthy of V. I will love you until the bird hates the nest and the worm hates the apple, and until the apple hates the tree and the tree hates the nest, although honestly, I cannot imagine that last occurrence no matter how hard I try.

I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and that long, slender spoon, between our lips and fingers respectively. I will love you as the chances of us running into each other slip from slim to zero, and until your face is fogged by a distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don't see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me, happens to you as I am discovering this. I will love you if you don't marry me. I will love you if you marry someone else—your co-star perhaps, or Y., or even Q. or anyone Z. through A., even R. although sadly I think it will be quite some time before two woman can be allowed to marry—and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned.

That Beatrice, is how I will love you even as the world goes on its wicked way. Always. Continuously. With increasing apprehension, and decreasing hope."

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antiboba - 🎺womp womp
🎺womp womp

Liberté Egalité Bisexualité

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