@lu-is-not-ok
So wellcheer’s story is like, this employee getting drugged and taken aboard a ship, and eventually coming to enjoy his work there, finding it better than working in the city. In general this reads to me as the escapist fantasy of the employees, wanting something that’s more fulfilling, more satisfying, hoping for a change. While I think Hong Lu having it is somewhat self explanatory, I think we need to consider Ryoushuu as well, since both can provide context for one another. I will also bring up the fact that someone pointed out they could correlate to the types of work that give grape wellcheers, those being attachment(being kind and friendly) and repression(denying the abnormality in some way)- which I didn’t quite agree with at first, but I think I understand better now that yes, it’s likely. With that out of the way~! Let’s talk about Hong Lu, since he’s the one we understand the most about! These are not clean sections by the way. They’re ramblings of a mad man.
Keep reading
are we going to notice that in the last chap Fukuzawa got hazy eyes as he was assuming direct control over a shitton of people despite his opinions on the matter of people controling others? No? Okay.
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#piracy efforts will keep media alive for far longer than corporations will even bother attempting
What makes us human is the Nintendo 3DS
the reason people get tired of educating, explaining, reasoning, sounding out
is that it just never ends
and its the same shit over and over again
people just continually fuck your shit up
and you have to smile and grit your teeth and go, ‘yo thats actually fucked, please don’t do it’
and when people you like and admire do it
do and say the same stuff you are forced to devote your energy to fighting
its like being kicked in the teeth
this is why people have flash temper reactions to bullshit, even if it was done without malicious intent
a thousand micro aggressions building up over your life
‘why are you so angry’ 'why can’t you just explain it calmly'
maybe its because it never ever ends
and you explain it to one person and they get it and you feel good, because thank fuck, someone listened! someone grew! someone changed! someone genuinely meant it when they said sorry
turn around
and there are more people doing the same thing
what are you supposed to do
what are you supposed to do, other then scream
everyone has those authors that you would be so unhinged about if they were introduced in bsd right?
mine are: emily dickinson (it might be too late for her but I’m in denial), franz kafka, and any german author but especially goethe (c’mon asagiri give us the rest of the transcendents) and schiller. I’m not able to describe how unhinged I would be if any of them get introduced
Originally this post was supposed to be a reply via reblog to this post, but it got a bit too sidetracked and I felt bad for hijacking OP’s post like this.
Initially I was just going to say this through the comment section of the original post, but then I realized that I have way too many thoughts to fit into the small word limit of a tumblr comment.
Anyway, that’s why I’m posting a screenshot of the original post rather than just reblogging it. I don’t want to derail OP’s original points or hijack the post and go off topic.
@chaosgranted you’re right and you should say it. I’m just gonna elaborate on this topic a bit. Gonna scream into the Tumblr void with hopes that the void won’t scream back.
<long ((and mostly negative)) rant about Dazai, so. Read at your own discretion>
I know I already commented on OP’s post a hundred times, but this got me thinking about the subject and now I can’t stop. So lemme burden you all with my never ending stream of thoughts on this matter.
Before I get into this rant, I wanna clarify something. I do, in fact, like Dazai as a character. I think he’s very interesting. I enjoy when he shows up on screen. This isn’t something I’d say for most other characters, who I’m more neutral about.
That being said. Pretty much everything about how the fandom portrays him and views him annoys me so, so much.
As OP states here, what he does (leaves Chuuya unconscious and vulnerable in the field after promising to bring him back) isn’t just harmful or mean, it’s borderline cruel. And if it was done by any character who the audience wasn’t obsessed with, that character would be burned at the stake.
Think about Shirase (who I love, but that’s its own thing). Some people like him, a bunch of people hate him, a bunch of people have no opinion on him because he’s not a major character in the anime. Regardless of his Light Novel counterpart, Anime Shirase is justified enough in his own right. Let’s be real, the Sheep (including Shirase) were acting in self defense when they betrayed and stabbed Chuuya. They genuinely believed that he was an immediate threat to their safety. They genuinely believed that if they didn’t kill him, he’d kill them, or sell their information to the mafia, who’d shortly thereafter kill them.
Unlike Dazai leaving Chuuya behind when he was at his most vulnerable state, the Sheep stabbing and betraying Chuuya is not only justifiable, but understandable— and can anyone truly say that they’d do any different if they were in their shoes? I know I can only speak for myself, but if I truly and genuinely believed that someone was about to kill me or kill my closest friends, I would do what it takes to protect both my friends and myself.
The Sheep are somewhat vilified by the fandom (in the rare moments when the fandom remembers they exist). If Dazai had done the same— if Dazai had tried to kill an innocent person because he truly and genuinely believed that that person was about to kill the ADA, not only would he be forgiven instantly (which he should be, as I previously mentioned that’s a perfectly reasonable thing to do), but there wouldn’t be even an ounce of discourse over whether or not he’s justified.
Now, I understand the concept of liking “problematic” characters. (Tbh no character is “problematic”, whether or not the character is a good person is irrelevant, if the character does “problematic” things then that’s literally just how they were written and also intentional and also says something about them as a character. It should be called “good writing”, not “a problematic character”.) I understand the concept of liking the antagonist, heck my whole blog used to be me justifying Edmund from King Lear. Of course I never said he was a good person (because OH MAN HE WASN’T), but I found him very intriguing and so I would rationalize his actions and try to see things from his POV.
The difference between liking or justifying an antagonist and what the bsd fandom does with Dazai is that Dazai isn’t an antagonist.
The closest Dazai comes to filling an antagonistic role is in flashback arcs, which is the only time when his actions aren’t chalked up to “haha Bandage man is doing his thing again!”. When Dazai manipulates the Sheep into betraying and stabbing Chuuya, it acknowledges that Dazai is filling a bit of an antagonistic role there. That scene isn’t played off a a joke— there’s no comedic undertone in how it’s portrayed. As opposed to when he leaves Chuuya in the field and it goes “haha look at Bandage man always being so silly and goofy!”
The same goes for Dazai’s treatment of Akutagawa in The Dark Era arc. When he shoots at him, attempting to kill him with no knowledge that his ability can theoretically stop the bullets, it’s not played off as a joke. However, in the dungeon scene, Dazai says that his new subordinate is “far superior” to him, and the show plays it off as “haha Bandage man made Emo kid angry!”, even though what Dazai meant by “far superior” is that Atsushi got lucky enough to be taught by Present Day Dazai, and so he’s more mentally stable and more sure of himself than Akutagawa, who’s still very clearly getting over the trauma of being literally brainwashed mentored by Mafia Dazai. Ability wise, Atsushi and Akutagawa seem to have equally strong abilities. The only thing that Atsushi has that Akutagawa doesn’t is a semi-healthy mindset. And you know who’s responsible for both of their mindsets….? This statement ( “..far superior..”) is the equivalent of punching someone in the face and then calling them ugly for having a black eye.
But the show keeps playing off Dazai’s outright cruelty to the people around him as a literal joke. And “he’s on the good side now!!”, so, to quote a song we all wish we could forget, How bad can he possibly be?
I think the first real sign of Dazai’s, for lack of better terms, tendencies..,, is in the second episode. That was the point where I was like “Oh. So he’s an asshole.” In that episode, Atsushi states that although he’s grateful for Dazai’s help, he’s not interested in joining the ADA. Dazai tries to pressure him into joining but he politely refuses. Dazai then makes it seem like he’s about to get him an interview for a different job, when suddenly he drags him into a supposed bombing and seemingly forces him to put his life on the line for an organization that he wants nothing to do with.
Atsushi is a kid who can hardly stand up for himself. I’m surprised he even turned Dazai down in the first place, but that just goes to show how badly he wanted nothing to do with the Agency. After discovering that it was all a test set up from the start— a test which he passed, now making him qualified to join the ADA— he still remains unwilling to join. Now what does Dazai, our resident master manipulator, do? He makes sure to give Atsushi a friendly reminder that sure, he doesn’t have to join, but if he doesn’t he’ll surely either die of starvation on the streets or be captured by the cops for his horrible tiger crimes against humanity. At that point of the episode I was like “ah. A manipulative asshole. Lovely. I’d like to see him get punched in the face.” (And thanks to Kunikida he does get punched. Not often enough for my tastes, but whatever.)
If you’ve never watched BSD and are only learning about it from this post, you’re probably thinking “but Edette, this guy is clearly a horrible person. And I understand that people simp for him, but just how delusional do people have to be to pretend none of this ever happened?”
Well there’s a very simple answer to that, my friend.
The whole show plays off his.. ah, let’s call them “silly little shenanigans”.. as just that. Silly. Little. Shenanigans. It shows him being manipulative and using every innocent person he comes alone to advance his own goals in one way or another. But that’s all perfectly fine! Because the show says it’s actually really funny, so it must be, right?
As OP says. Chuuya trusted him. Chuuya listened to him when he told him to activate his ability which nearly kills him. Chuuya was willing to throw his life away, endure pain beyond anything anyone could imagine, all on the hope and trust that this person he shares so much history with will be there for him and protect him when he’s left in his most vulnerable state.
But Dazai uses corruption as a tool. He uses Chuuya as a pawn to win the battle. And if you want to argue that Chuuya’s not a pawn but a knight or queen or some other chess piece then fine. Nice chess analogy. You do realize that’s irrelevant, right? Either way, as he says himself in 15, he’s not a king. He’s not the piece that will be protected at all costs. And no matter what piece he is, he’s just a game piece, just like everyone else Dazai comes across, and Dazai is the player.
And after the battle is over? Well, his pawn is of no use to him anymore. So good job Chuuya, you did it, you won. Soukoku won. But only one half of Soukoku gets to enjoy the victory.
For the record, I do believe that Dazai cares about Chuuya beyond simply being intrigued by him. I do believe that he wouldn’t have folded his coat and left it where he could find it if the person he was fighting alongside was just anyone. But that’s not even close to the bare minimum of what Dazai should have done. This is just a testimony to what sort of person Dazai is. Even with someone who he arguably cares about, he still treats him this horribly.
And
It’s
Played
Off
As
A
Joke.
mmm we could still be like "Dostoy had a shot perfectly lined up, and instead of offing Dazai right there merely uses it to force cannibalism arc to go brr", and then course-correct with 'because Reasons Dazai is crucial to whatever plan to erase ability users is being cooked', and THEN course-correct with 'not that easy to abduct', and then course-correct with...
the point is: you are reading a manga. The authorial intent is to keep Dazai alive and to showcase that normies can do stuff too. (the latter was mentioned in interviews, but you can work it out asking 'why is this the author-approved outcome, what themes/ideas does it reinforce'). How exactly this happens is razzle dazzle and willing suspension of disbelief, most likely induced by the plot being engaging in the moment.
Wouldn't be surprised is that for all our whining we're sticking around due to logic underpinning these two decisions.
also notice Fukuchi didn't Amenogozen Aya to pieces either and use the 10s window to cover to cutting down Bram. Because otherwise a) Aya would have no agency in the plot, see above b) we wouldn't get zonked by Tachihara vs Fukuchi (which happened to enable more character building and to slowly raise threat level. Without the slowdown the readerbase would go "this is OP bullshit" even harder. As is, the bootstrap paradox is framed more as a logical extension of what was already known - we just didn't sit down and try to break it Jojo-style)
You know who would've been a perfect person to be in prison with Fyodor? Ranpo.
Give Ranpo an earpiece, use Ango's influence, and Ranpo can easily communicated in Morse code or something. It doesn't need to be that secret because Ranpo can figure out Fyodor's plans just by looking at him.
Because that puts Dazai on the outside. Everyone's still using Ranpo's genius, but now they have No Longer Human, and that changes everything.
Time-traveling sword? Nullified, Fukichi loses. Vampires? All Dazai needs to do is touch the sword in Bram. One Order? Dazai destroys it. Dazai just needs to touch the Page and it's gone. Seriously, Dazai's ability was so perfect for all of the problems in the series and he just wasted away in prison playing mind games with Fyodor. I love Ranpo, but he doesn't have a fighting ability, and he literally stayed in one room the whole time anyways.
Ledgerdemain, noun: sleight of hand (what hand), skillful hiding of truth in order to trick people. False Apple: shiny and golden and utterly rotten once the outer layer peels itself to show that rot. So you have an easygoing, sociable guy that is perfectly fine! …except as Lu mentioned, the bug arm is a clever metaphor for PTSD. It's always there. In plain view. But he manages to make people look past it. Just like people look past that he did desert/survive, meaning: free survivor's guilt. Yuri dying when they could facetank everything transposes itself into what is already his deal. Closer to his recent (unprocessed) issues, so easier to invoke/drop, hence zayin. As opposed to AEDD, which probably would require actively focusing on the past + being able to do jack shit to Hermann for it, which is probably not something that's often a surface-level thought.
Corrosion, fluff edition: p sure it's somewhere in the canon that it's Abnormality memeplex overtaking the person? so corrosion would be on par with Personaesque shadow-possession and/or persona overtaking the host (Jung did write about this a bit), suppressing the hidden parts. In that sense, in that all thoughts/emotions that run contrary to the core idea of an abno would be suppressed, and impulses in line of it running wildly.
Welp, since my brain is too focused on having K Corp Hong Lu go full unga bunga in Mirror Dungeons to write full analyses, I decided I might as well give something else to all the people starving for Limbus Theory content.
So, here we are. A basic guide on how I approach the Sin Analysis portion of my analyses, covering my personal interpretations for each Sin, as well as how to use those when analysing both E.G.Os and Identities.
That way, ya'll can dabble in doing some of this on your own when I'm too busy grinding my way to 400 hours of play time on Limbus to write up full analyses.
Sounds good? Awesome. Under the cut we go, wheeeee!
Let's start with the most important part - the Sins themselves.
I want you to take a moment and think about your own associations with those Sins. Perhaps your immediate thought is to take the words used literally. Maybe you immediately think back to the Biblical ideas of the Seven Deadly Sins. Mayhaps there's some other media you know that also uses Sins in some way, which you subconsciously default to when thinking about them.
Whatever those associations are, I want you to throw them away.
That's right. Whatever is telling you that Lust = Horny, Wrath = Angry, Envy = Jealous, etc, etc? Throw all of those preconcieved notions away.
This is the biggest mistake I see people make when trying to analyse Identities and E.G.O based on their Sins - they assume that those Sins have the same meanings in the context of Limbus as the popular, more common interpretations of them.
And while, sure, some of them can definitely overlap with what one would expect them to be, I think relying on those during analysis instead of trying to understand what the game itself is trying to tell us by using those Sins as symbols is doing its storytelling a massive disservice.
Do I think my personal interpretations of the Sins are a 100% accurate reading? No, of course not. I can't see into the mind of Kim Ji-Hoon or whoever else at Project Moon might have been the mastermind behind deciding what Sins connect to what. I have no way of knowing what exactly they intended here.
However, I do wish to believe that my interpretations not only strive to meet the game's storytelling on its own terms, but also hopefully make further analysis based on those interpretations a bit easier to wrap one's head around.
...God I really need to stop writing massive preambles and just get to the fucking point.
So let's actually get to The Fucking Point. Sin Interpretations, one by one. Let's fucking do it.
The flames of revolution burn bright in the face of cold winds.
Wrath is the Sin of self-righteousness and defiance. To act with Wrath is to decide that one deserves better, that things around then should bend to their will, and then take matters into their own hands. It's the Sin of deciding one has the right to change something simply because they don't like the current state of things.
There are many ways one can act because of Wrath. It can show through trying to rebel against authority, to subvert one's fate, to escape one's unfavorable circumstances, or to even reject one's own true nature. To act with Wrath is to stand up for oneself and tell reality "No, I refuse!" loud and clear.
A common misconception of Wrath is the idea that anger is an inherent part of it. While it's true that those feelings often coincide with defiance, they're not required for one's acts to be fueled by Wrath. Some can be Wrathful while being completely calm and collected, as their acts of defiance could be more on the quiet and simmering side.
Likewise, being quick to anger isn't always a sign of Wrath. It's very possible for someone to have a short temper, while also being fully accepting of the reality they live in (Ryoshu, I am looking directly at you), thus lacking Wrath.
One's base insticts go all the way back to that genetic code.
Lust is the Sin of self-indulgence. It's the Sin of letting one's own desires and whims dictate one's actions. It's also the Sin of seeking personal fulfillment above all else. To act with Lust is to give up one's self-control and let one's instincts and wants guide them.
Unlike what the name and symbol might initially imply, Lust can include many different types of desires, not just the carnal.
Likewise, acts of Lust can be just as varied as one's desires. Satisfying one's most basic of needs, searching for a form of spiritual enlightenment, or even just saying the first thing that comes to mind because one feels like it are just a few examples.
A stone will not care for what happens to it, nor the world around it.
Sloth is the Sin of apathy and resignation. Unlike other Sins, which mostly show through one's direct actions, Sloth can also show through inaction.
To act with Sloth is to ignore reality, to let oneself go along with whatever is happening with barely any complaints. As such, Sloth is commonly associated with blind obedience or unwillingness to act out.
Due to its nature as a Sin of resignation, Sloth can be seen as the direct opposite of Wrath, the Sin of defiance. This creates a unique situation where the inclusion of one can drastically shift the context of the other if both are a part of the same Identity or E.G.O.
Plants never stop waging wars, always wanting just a little bit more.
Gluttony is the Sin of hunger, and it's unique from the other Sins in that it equally represents two different ideas of that hunger, which can appear together just as often as they can be completely seperated.
The first type of Gluttony is one of the starving hunger of survival. In this context, to act with Gluttony is to do anything for the sake of scraping by and living to see another day.
The second type of Gluttony is the hunger for more, or in other words: greed. In this context, to act with Gluttony is to do everything for the sake of this idea of "more". To gain more wealth, to find more recognition, to make more progress.
Both of these types of Gluttony are unified in one main point - they are, by definition, endless. The struggle for survival never ends, unless one fails to survive. Likewise, there is no finite "more" that greed is reaching towards, it's a neverending process of one-upmanship.
When a wave of emotion rises, many will be swept away in its wake.
Gloom is the Sin of dwelling on feelings. To act with Gloom is to be guided by one's negative emotions, to buckle under stress and let it control one's mind and actions.
While sadness, grief, and depression are the states of mind most commonly associated with Gloom, and are often a part of it, they're not inherent to it. The only "requirement" here is the experience of severe emotional duress, and acting out in direct response to it.
In a way, Gloom is the Sin of losing control over oneself, not dissimilar to Lust. However, the main difference here is the cause of losing that control. Gloom is the loss of self-control due to being overwhelmed by negative experiences, while Lust is the loss of self-control due to seeking out positive experiences.
Be careful, for that double-edged sword may cut you as well.
Pride is the Sin of ignoring consequences. Acts of Pride are all actions taken because of the belief that their benefits outweigh the cost in some way. While the most common way this can present is through actions that benefit oneself at the cost of others, it's not the only way Pride can manifest.
One can be Prideful when believing the benefit to many outweighs the consequences. Likewise, refusing to acknowledge the harm one brings to themself because their actions benefit them in some other way also counts as Pride.
The idea that Pride is inherently tied to selfishness or self-confidence is another common misconception. In fact, Prideful acts can manifest just as often from a lack of self-confidence or a misguided selflessness. Rather, one could interpret Pride as a form of willful ignorance, in a way.
Thorns don't go out of their way to harm, they merely react to your touch.
Envy is the Sin of reaction and retribution. It's the idea of doing something because of what someone else has done. By definition, one cannot act with Envy without some form of provocation.
Like is the case with many other Sins, acts of Envy can take many forms, from taking revenge to following orders. The main connecting idea here is letting oneself be influenced by another person, whether it's being coerced, provoked, ordered, or otherwise manipulated.
Out of all of the Sin misconceptions, seeing Envy as inherently tied to jealousy might be the worst one of all. While acts done out of jealousy would likely count as acts of Envy, they are but a miniscule part of the sheer scope that Envy represents.
...
Alright, so you know what each of those Sins means. Now it's time to figure out how to Actually Apply Them.
The main way Sins play a role in a given Sinner's Identity is through their Sin Affinities. Mechanically, these are the Sins attributed to each of their skills, signifying both their type of Sin damage and what Sin resource they generate upon being used.
However, this is Project Moon we're talking about, and these fuckers can't keep their gameplay mechanics seperate from the story to save their lives.
So, this begs the question: what can we learn about a Sinner's given Identity through their Sin Affinities?
Here is the method that I believe works best in my experience:
The Sin affinities of each of an Identity's skills represent a different layer of their psyche and motivations. I'm going to try to show what I mean by using base Identities of the four Sinners who already had their own Canto.
Skill 1's Sin Affinity is the surface level motivation of the Sinner's actions. This is the most obvious and "shallow" reading of them and their actions, and also likely the one the Sinners themselves are most aware of.
Gregor's Skill 1 is Gloom due to him being constatly haunted by his trauma, with much of his cynicism and dark-ish sense of humor being shaped by his war experiences. Rodya's Skill 1 is Gluttony due to her tendency to value material goods and love for food, which are signs of her greed and will to survive respectively. Sinclair's Skill 1 is Pride due to him taking many actions (such as sharing his father's secrets or giving Kromer his basement key) for their immediate benefits, without considering the consequences. Yi Sang's Skill 1 is Gloom due to him falling into deep depression and letting the trauma of the past shape his current actions.
Skill 2's Sin Affinity is a deeper motivation of the Sinner's actions. It's delving deeper into their psyche to see what guides them in less obvious ways. This Sin Affinity can also have noticeably closer ties to the Sinner's background in one way or another.
Gregor's Skill 2 is Gluttony due to him being driven by the will to survive, most notably expressed by him leaving the rest of the veterans to escape the war and try to live after it ended. Rodya's Skill 2 is Pride due to her fully believing in what she does working out in her favor, completely ignoring consequences on the way. Her killing the pawnbroker is the biggest example of an act of Pride, as she fully believed that it would help her neighbourhood despite the consequences that murder would bring. Sinclair's Skill 2 is Wrath due to him not accepting his circumstances. His want to defy his future prosthetics procedure is what eventually led him to agreeing with Kromer, and his will to defy her is what drove him through the events of his chapter. Yi Sang's Skill 2 is Envy due to his passive nature and how easily he lets other people dictate his actions. It's especially notable in how after the League fell apart, he would have been willing to do anything Gubo told him at that moment.
Skill 3's Sin Affinity is what I would like to call a Sinner's Core Sin. It's the true main reason behind their actions, and has a much closer and direct tie into their past than the other Sin Affinities. In a way, this is the deepest layer of their psyche.
Gregor's Skill 3 is Sloth as his resignation to his circumstances is what colors much of his past. He learned that resistance is futile early in life, and it shows. Though he didn't want to fight in the war, he felt like he had no choice but to. All of his life, he simply listened to orders without complaint, unable to see a way to change his situation. Rodya's Skill 3 is Wrath as her self-righteousness and defiance is what drove her actions at the deepest level. She first joined the Yurodiviye because she wanted to bring change the state of her neighbourhood, and likewise left them when she no longer agreed with how they did things. Her murder of the pawnbroker was her biggest act of defiance, of taking matters into her own hands and trying to bring change to her reality at all cost. Sinclair's Skill 3 is Envy as much of his actions were dictated by other people. Social pressure was what led to him first breaching the trust of his family, and Kromer's coercion and manipulation is what then led to his family's death. In a way, you could also interpret Sinclair's arc in Canto III as one big act of Envy, as he finally tries to take revenge on Kromer for what she has done. Yi Sang's Skill 3 is Sloth as his apathy to the reality around him is what led to him ignoring the warnings signs of the League falling apart, and the resignation that followed could have resulted in him helping Gubo and the New League out with their horrible plans had there not been an intervention. It's only by the end of Canto IV that he finally manages to break out of this state for long enough to stand up for himself and decide to keep on living.
So, that's the basics of Sin Affinities when it comes to Identities! Now, some of you might be asking, "Hey Lu, what about Sin resources needed for Passives?", and my answer to that is...
Honestly, I don't entirely know! I do think there probably is some reason beyond pure gameplay mechanics... Buuuuut I don't think their importance is as major as the main Sin Affinities of a given Identity, especially since there isn't a single Passive that is activated by a Sin that the given Identity doesn't have any Affinity to.
Alright, so, when it comes to E.G.O, we run into some additional complexities. Unlike Identities, which can usually have their Sins Analysed with minimal additional context, E.G.O Sin Analysis has to be done under a specific angle.
This is because while Identities represent the Sinner as a whole person, E.G.Os represent a specific singular part of that Sinner.
Base E.G.Os usually seem to tie back to a specific event or action or some other thing in that Sinner's past. Likewise, E.G.Os derived from Abnormalities represent the ways that Sinner connects to that Abnormality's own themes.
In a way, the game's worldbuilding even acknowledges the fact that a Sinner can only use the E.G.O of an Abnormality they relate to in some way, as Dante's Notes describe the process of the Sinners using E.G.O as trying to make the Abnormality's emotions and identity their own.
That little tangent aside, there are two main things to analyze sin-wise when it comes to E.G.O - the Sin Affinity, and the Sin Resources necessary to use that E.G.O.
An E.G.O Sin Affinity works similarly to an Identity's Sin Affinities - for a Base E.G.O, it's the main Sin that action manifests as. For an Abno-derived E.G.O, it's the Sin that contextulizes the way the Abno's themes connect to the Sinner in question.
The Sin Resources an E.G.O needs is where things get fun. These are what a Sinner needs to be able to use the E.G.O, both mechanically AND story-wise. The Sins here represent what a Sinner has as their motivation and drive to fully reflect what that E.G.O represents. For Base E.G.Os, it's why they took the actions they did. For Abno E.G.Os, it's why they connect to that Abno's themes and why they're able to relate to it.
Now... There is one more thing about E.G.Os that I don't really talk about.
Sin Resistances.
The reason why I don't talk about them... Is because I have No Fucking Clue how to interpret them. There has to be some importance to them (Hong Lu being weak to Wrath in all of his E.G.O thus far, I am looking at you), I just don't know what it is. In fact, I doubt we even have enough information available to us right now to be able to say for sure.
So uh. Yeah. That's. Everything that I think is important to mention on the topic of Sin Analysis and how I do it. If I ever change my mind on something or have an epiphany regarding one of the things I currently have no idea about, I'll probably reblog this post with an addendum or something, but until then...
Uh. Yeah. Hope this helps the people who wanna get into analyzing Limbus stuff but don't know where to begin. Or just people who wanna understand the method to my madness a little bit better.
I'm gonna go to sleep now, cause it's 4 AM already and I spent like the whole fucking night writing this post.
YES BUT WHAT ABOUT VIRTUAL, TRACKED POSSESSIONS
tbh i did mull this over some more and it gets weirder. because if - for instance - you set your paper national bonds on fire, then you lose the right for the government to buy them back from you. comparatively, if people don’t stalk what you’re doing (an actual thing!) and you torch your rights-to-dividend this shouldn’t change the value because noone knows about it (the percieved value of the company doesn’t change). But if they do? the companies’ value would drop only when the rest of the pack would learn about it, thus lowering the current monetary value of any other stock he has.
Great scott, does his ability account for that? And if so, can you circumvent it by having your loyal (which is a quality that the great fitzgerald implictly makes measurable) underlings play stocks under your direction, without question? would that change their value (since it would be on their names), or could fitz use them ad hoc, bc he’s the one calling the shots? How do you put a price tag on them? Do their connections and skills qualify? That would open the possibility of inducing memory erasure.
And how would it work in, say, medieval times? Would the monetary value be counted from where he is, or where his goods are? What about the monetary value of ash? sure, he can’t use it again, but what if it’s made into soap? Can he torch it for it’s full value or is it lowered, accounting ability-created ash? If it lowers, then how precisely and can we ship-of-agronauts this shit? If we return to modernity then the change should be neglible, b/c value has to be agreed upon between parties thus he would profit from immaterial aspects of the product, like brand - without using them up, too!
If we go with something more material - like owning majority of the company assets (less in the sense of instruments etc, but a bit more direct i-paid-for-the-chairs sense), what happens to the company’s assets? can he turn whole buildings into ash? if he doesn’t own everything and it’s regulated with papers, what happens to other shareholders? if they can’t extract even what they put in to get the mess of the ground, does that mean he torches their stuff too?
going back to stocks, there are instruments that do not give the right to dividend. As a trade good, when torched in large qualtities they could swing the percieved value (since there are less of them) but only, again, if the world at large knows about it. I do recall a strat of following sb prolific, which is doable bc stocks are virtual. For instance, main stock market opens and closes at specific hours. Assuming he wrecks shit using stocks durning it’s downtime, and is prolific enough to be followed - do the stocks flop and if so, there are actual, imposed limits on how much a stock’s value can change within a single opening/hour/day. Does that mean the-stock-exchange-as-an-institution caps what he can do with it? Did he throw a whole stack into the air but only some of them disintegrated?
So when fitz uses his ability, does it create glitches in the system that relies on having it’s stuff written down in multiple places - can it even happen, given that the servers aren’t his to play with? if we go by power-from-the-money-he-would-have-gotten-if-he-sold-it it’s taking what isn’t his and what has… unagreed upon monetary value to fuel his punches - in other words, HOW MUCH IS THE FUTURE FINANCIAL STABILITY OF THE WORLD WORTH? The world would let him go scott-free, ala the last crisis. If it works multilaterally, it *could* create a situation where his meddling lowers the monetary value of someone ELSE - for instance, lowering the value of something could also lower it’s value for the purpose of hedging bets.
Or he’s just rapidly selling his virtual stuff (which would go against the whole “objects turn into dust”, bc the buyer has 100% usable toys) and it’s chalked up to …this?
FITZGERALD: ROBOT OR NOT? Find out in the next episode!
Or maybe he’s just a misshapen refugee somehow fused with his asset from [C]-Control universe.
@your post on twitter about fitz: HOLY SHIT THAT IS SO BROKEN. you aren't thinking big enough. get this: you sell a metric fuckton of forward/future contracts, go beat up someone nosediving the stock market value, then profit from the difference. with leverage, this could theoretically give him more that he spent, not including the advantage gained from beating sb up. (also where all these things disappear to. hm.)
…hell, depending on the fine details it should work as well with normal stocks of smaller companies. do the virtual papers disappear (how does that work with taxes, for that matter?), or do everyone gets deluded that they aren’t worth as much? b/c drop of stock value doesn’t mean the business magically produces/sells/etc less, it’s just a representation in the market’s current belief in it’s money-making capabilities. also insider trading. so much potential for insider trading.
(these asks are a reference to my short rant about bsd Fitzgerald’s ability, which apparently allows him to convert the monetary value of literally ANYTHING (including money, items, jewelry, and even people) into super strength and invincibility - the bigger amount of monetary value at hand, the stronger he becomes)
YEAH EXACTLY….like this man could literally belong to Hirohiko Araki of Jojo Bizarre Adventure’s fame because his power is just THAT effed up and broken. Like, as far as we know, Fitzgerald’s ability works like this:
a) something has monetary valueb) Fitzgerald’s ability can convert the monetary value into strengthc) objects and items get degraded into dust upon use, people do notd) it can only be used once per object/persone) Fitzgerald has to OWN the thing/person (for the latter, not in a slavery way, but in a more “I’m loyal to you and will follow you for the rest of my life” kind of way?)
Like you said, the potentials of abusing this ability are endless, especially considering stocks because like paper bills, those also can be converted into monetary worth….like, about using stocks in general, I imagine he could make it so that they disappear, that the amount of stocks actually goes down because the ones he used ceased to exist, but WHO KNOWS??? How much does this man know about abusing his ability in relation to the stock market? I mean, I could imagine he’d get in trouble re: stock fraud if they find out stocks are mysteriously disappearing under his nose but if they don’t disappear than this man can’t be stopped?? Just the potentials are endless and this man’s ability seems like the most ridiculous thing in the world but it’s also the most terrifying in the world if he knows how to use it correctly.
SOMEONE STOP F SCOTT FITZGERALD BEFORE HE ABSORBS MONEY AGAIN
>#i'm trying to get into polish poetry especially these days so?? thanks for reminding me i wanted to read Leopold Staff's collection Sny o Potędze ('Dreams of Might'?), on the grounds of being somewhat Nietzsche-flavored. and to find something of Miron Białoszewski that isn't the genuinely delightful Karuzela z madonnami (The Merry-Go-Round with Madonnas). i do not get the idea of reading poetry in anything but the source language so please send a link to translation(s?) of Białoszewski if you find some - i wanna boggle at the shenanigans edit: upon trying to find anything, the best something so far is this.
Gonna launch a bookclub + videoclub here soon, get ready 🎪