Joy Showed Me How To Laugh And Play While Sorrow Taught Me In Another Way Compassion Was Won Through

Joy showed me how to laugh and play while sorrow taught me in another way compassion was won through tearful eyes and I believe we need both joy and sorrow to ever be fully and truly alive

Joy and Sorrow (via mikefrawley)

More Posts from Anactualkitty-blog and Others

9 years ago
@cutencats

@cutencats

9 years ago
Jo Nagasaka/Schemata Architects. House In Hatogaya. Kawaguchi City. Saitama Prefecture. Japan. Photos:
Jo Nagasaka/Schemata Architects. House In Hatogaya. Kawaguchi City. Saitama Prefecture. Japan. Photos:
Jo Nagasaka/Schemata Architects. House In Hatogaya. Kawaguchi City. Saitama Prefecture. Japan. Photos:
Jo Nagasaka/Schemata Architects. House In Hatogaya. Kawaguchi City. Saitama Prefecture. Japan. Photos:
Jo Nagasaka/Schemata Architects. House In Hatogaya. Kawaguchi City. Saitama Prefecture. Japan. Photos:

Jo Nagasaka/Schemata Architects. House in Hatogaya. Kawaguchi City. Saitama Prefecture. Japan. photos: Kenta Hasegawa  

9 years ago
Hanging Out: @cutencats

hanging out: @cutencats

9 years ago
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti
Casa VI Alfredo Vanotti

Casa VI Alfredo Vanotti

9 years ago

anactualkitty

Little experiment..

Reblog with your blog name if you’re someone people can vent to.

PasteyPastels

9 years ago
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek
Contrived Structures Nick Sellek

Contrived Structures Nick Sellek

This series of photographs are of detailed models, embracing the contrived structures that surround us in our overdeveloped urban environments. They are close up, exaggerated studies of architectural components, severed from context to emphasise the absurdity of their design. The models are also intended to be displayed as freestanding objects, and to be viewed from all angles.

Images and text via Nick Sellek

9 years ago
The Barns Sander Architecten
The Barns Sander Architecten
The Barns Sander Architecten
The Barns Sander Architecten
The Barns Sander Architecten
The Barns Sander Architecten

The Barns Sander Architecten

9 years ago
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects
Casa Kiké Gianni Botsford Architects

Casa Kiké Gianni Botsford Architects

A main studio space, with library, writing desk and grand piano, is the writer’s daytime space. The pavilion’s wooden structure, sourced from local timber, sits on a simple foundation of wooden stilts on small concrete pad foundations. Roof beams of up to 10 m long and 355 mm deep allow for an interior with no vertical columns. The mono-pitched roof elevates towards the sea shore, while the interior is through ventilated via a completely louvred glazed end façade.

Set at a short distance along a raised walkway, a second smaller pavilion mirrors the first. This contains sleeping quarters and a bathroom. Externally, the pavilions are clad in corrugated steel sheeting, another locally used construction material. The overall effect is that of a building which blends with its surroundings, both visually and environmentally.

Images and text via Gianni Botsford Architects

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