if a book has 'popular on tiktok!' written on the cover i will not be reading it. i'm about to start flipping those tiktok tables in waterstones. yes this is mean and snobbish of me idc the fandom-ification of the publishing industry may be what pushes me to violence
do you ever think about this quote by mary lambert because i think about it all the time
sinegard rivalry
hyperfixating on this is not enough i need to eat it
I'm not actually smart, I just prep for a class like I'm going into battle
Actually, ancient glass, having been rather neglected by archaeology for decades, is a pretty exciting topic in scholarship right now. The main thing is that glass persists–it’s very stable. After fabric rots and metal turns to a scrap of rust, there will lie a necklace, still scattered across a chest that itself has turned mostly to earth.
Bead typologies, for example (that is, the classification of different styles/shapes/decorative motifs/colors) can allow scholars to trace trade routes, as they study the distributions of different bead types over time and geography. Glass production is kinda industrial in nature, not like spinning or beer that make good cottage industries. It was often produced in one place, and then sold on to artisans elsewhere, and then the beads themselves were traded across entire continents.
Chemical analysis of the glass can do even more to trace routes, since different compositions and incidence of different mineral contaminants can allow archaeologists to trace glass production to individual sites, thousands of years after the fact. It’s dizzying, really.
The downside is that for a long time, archaeologists regarded beads as unimportant trinkets, and antiquities dealers understood that they were easy to take and easy to move. So an awful lot of the most exceptional beads we have from the distant past spent time in private collections or uncategorized drawers somewhere in a museum back room, so they’ve lost much of what we could have learned from their original provenance. Maybe we’ll be able to turn new analytical tools on some of these to reconstruct more of their past.
You’ll read a classic and it’ll be 3 pages of pure dialogue but it’s just one dude going on and on in paragraphs about one minuscule detail
Full cover spreads I did for Elizabeth Lim's Six Crimson Dawn and Spin the Dawn UK cover. I have a lot of fun and am very glad you guys like it!
the line “your worst sin is that you’ve betrayed and destroyed yourself for nothing” is so raw you’d think it’s from a destiel fanfic or even hetalia but it’s actually from dostoyevskys crime and punishment