It Will Never Not Be Frustrating To Me That Amputees Appear In Fiction ALL. THE. TIME. And Yet They're

Me: changes my stories timeline and everyone’s age

Also me: roasts my characters for getting their kids ages wrong while I edit

born to infodump forced to constantly worry if the other person actually cares or if im making sense or if i said something wrong or if im embarrassing myself or if they want me to stop talking or

Reasons Why 80% of Romantic Plots Fall Through.

Haven't you wondered why a romantic story you have so much hope for suddenly flops? Whether it's yours or not, let's see what could be the problem.

• Relying Too Much on the Outcome

Unfortunately, no romance is complete without an arc. In other words, it is more than just the intimacy. When writers don't allow the relationship to develop naturally, it feels forced. Rushing to the final romance without building a solid foundation will make the story feel shallow and unconvincing. Take your time, flesh out the idea, and follow the plot gradually.

• Creating Unnecessary Victimization

I often see writers make the mistake of portraying one character as too weak or pitiful only for the sake of it. This unnecessary victimization can undermine the character's depth and make the story less compelling. Your readers won't cry along with a female character whose decisions are pretty sour compared to a five-year-old. It's just simply annoying.

Instead, both characters should have strengths and weaknesses, make realistic decisions, making them more relatable and balanced.

• Cringy Conflict.

Realistic conflict is essential for a compelling romance. Over-the-top or contrived conflicts can make the story feel forced and cringy. Conflict should come naturally and blend perfectly into the plot. It's not advisable to pop a challenge that's definitely not necessary in the name of 'keeping the stakes high.'

Rather, focus on creating believable challenges that the characters must overcome, adding depth and authenticity to the plot.

• Neglecting Other Emotions Outside Romance.

It's not only about love, or roses, or dinner nights, or lucky dates with the billionaire. Show the other emotions fighting for dominance: the hurts, pains, joy, frustration, desperation, anger, sadness, jealousy, anxiety, or even moments when a character falls out of love with the other and can't understand their feelings.

Focusing solely on love can lead to a one-dimensional story. For a well-rounded narrative, explore these emotions to create a richer and more immersive experience for the readers.

• Underdeveloped Characters.

What's a story without a fully-fledged character, especially if they are the main character in a story?

You might have heard people talk about the importance of backstories and others saying too much of it tires them out, but here's the thing—balance. It's what people fail to incorporate. I'll try to cover this in any of my upcoming blog posts. Follow to keep up.

To better understand why we should cry for, laugh with, pity, admire, adore, scold, yell at, advocate for, and smile with your character, we need to know why they are what they are, who they are, and why they make the choices they make.

It's important to create characters with distinct personalities, backgrounds, and motivations. When readers care about the characters, they become more invested in the story and its outcome.

And that's my Christmas gift from me to you 🎁. Merry Christmas 🎄

Your Protagonist is a Liar. If your story follows only the main character, we see things how they see them. A main character is an unreliable storyteller, if they mean it or not. We, just like the MC, aren't in other characters' minds. So, moments are misinterpreted. Your main character sees the world through their own biases. We only know the main character's impressions of the side characters, and the villains. We read only their perception of these characters.

That doesn't make them a villain, its normal. It's realistic and purely understandable. They can't fill gaps of information simply because they weren't there. So, they make assumptions, they make judgements, they remember things incorrectly. Memory isn't perfect, details are changed or forgotten. It's only natural.

Let your protagonist lie. Maybe they don’t even realize they’re doing it. Maybe they do. See what happens.

i’m sick of post canon stories about characters getting married and having kids and finding peace when they should actually be getting divorced and abusing alcohol and being suicidal NO MORE HEALING NO MORE RECOVERY YOU ALL NEED TO GET WORSE!!!!!!

personal interpretations and preferences aside, there's no limit to what you can make a character say/do without taking them out of character. everyone has a breaking point that pushes them to do what they normally wouldn't. give me the circumstances and events that pushed the character. tell me what they're thinking/feeling. tell me how they're justifying their words/actions, both to themselves and to others. if you can argue it, it'll still feel authentic.

Creates a perfect playlist for writing. Spends the entire session skipping songs, getting lost in lyrics, and staring dramatically out the window instead of writing.

When I'm trying to write, 80% of the time is used trying to figure out how the hell regular people talk.

Writer wants to write, but writer’s depression doesn’t care. Writer isn’t blocked, so much as they are drained. Countless words and ideas on the top of their tongue and they can’t speak. Their pen rests on their desk, useless. If writer does not write, are they useless? Was writer wrong to allow depression to be a thief, to steal their love, their job, and their joy? Should writer try to fight, reclaim their humanity, even if it’s just to finish a sentence, or should they concede?

Ok the update with the circle profile pics is distracting to look at