hudscnwilliams:
hudson’s first love in life was reading. it was his safe haven, the thing he turned to when the rest of the world didn’t make any sense to him. books were an escape - and right now, that’s just what he needed. he was thrilled to be macbeth, of course, but he was still a bit stuck in his own head over jonah’s words. he knew he needed to let them go; they were the petty words of a jealous asshole who just wanted to make him miserable. and by being upset, hudson was letting jonah win. still, he needed some time to clear his head, and the best place to do that was the library. as he entered the room, he paused as books began falling all around nate. “shit,” he murmured, leaping to action and picking a few up off the ground. “you sure? that looked pretty rough.” hudson winced, putting a book back on the shelf. he wasn’t entirely sure how to act around nate these days; things were a bit strained.
.
nate hears hudson before he sees him, and in this moment, he kinda wishes it was someone else who was there to witness his clumsiness. there were no hard feelings on nate’s part when it came to hudson, but yeah, they hadn’t been the closest of friends in a while. and for once, nate didn’t want to be the one to bring it up. instead, he did what he was always good at, which was redirecting. “seriously, i’m fine. but for you,” nate stands up to curtsy in hudson’s direction, “hail to thee, thane of glamis. a congratulations are in order.” nate puts the rest of the books back except for one and offers his most genuine smile, “you’re gonna kill it, obviously.” nate moves to a nearby table where he’s set up, a small stack of books already there, each focused on the supernatural world. nate glances at hudson. “have you had a chance to celebrate yet?” as long as they kept the conversation light, this would be easy. right?
.
𝚝𝚑𝚎 𝚌𝚘𝚖𝚒𝚌 & 𝚝𝚑𝚎 𝚜𝚝𝚞𝚗𝚝𝚖𝚊𝚗:
“tybalt, the reason that i have to love thee, doth much excuse the appertaining rage, to such a greeting: villain am i none; therefore farewell; i see thou know'st me not.”
teddy is having the time of his life playing the lead young lover, romeo. one of his favorites to play, ted has memorized the lines since he was sixteen. so he is trying to make the most of it, trying to enjoy it and forget the policemen in the audience or the heavy weight of orson’s absence. if he was still here, teddy knows he wouldn’t be playing romeo. so he is giving it his all. as a last fuck you to his mentor.
and so he plays the part of the lover trying to make amends with the in-laws.
“i do protest, i never injured thee, but love thee better than thou canst devise, till thou shalt know the reason of my love: and so, good capulet,—which name i tender, as dearly as my own,—be satisfied,” he finishes his line with the most charming smile he can muster. it’s not hard, trying to charm his way around julien. it’s almost playful, the way he looks at him, hoping tybalt would understand romeo’s attempts at peace.
but they all know it won’t be like that. and tragedy, much like in real life, is just about to ensue.
( @aldysfool )
nate had been buzzing for the past two weeks since he got the assignment to prepare for arguably the best character in the play. there hadn’t been a day when he rehearsed his lines, or gone over every single piece of stage combat sebastian taught them. mercutio was complex by design; flamboyant, yet provoking, cynical, yet insightful. nate happily stepped into this role.
“o calm dishonorable, vile submission,” nate moves to purposefully - but gently - push teddy behind him, rolling his eyes in the process. he faces his peer, and with a wink, “alla stoccata carries it away.” nate loosens the cape draped around his shoulder and calmly folds it over before handing it to romeo. this is the scene of r&j, and dammit, his goal was to die in style. nate reaches for the hilt of his weapon strapped to his side and he calls out for his dueling partner, “tybalt, you rat-catcher!” nate unsheathes his rapier and makes a swift turn to point at julian. nate tries not to imagine julian actually managing to kill him, so he flashes his best grin as he finishes the taunt: “will you walk?” giving nate a character with more motives than making the audience laugh? orson hobbs has left the chat. ...wait, he’s dead. fuck.
he breathes and he focuses back on good ol’ mercutio - who extends a cat metaphor while managing to look somewhat intimidating. “will you pluck your sword out of his pitcher by the ears?” nate tosses his weapon between his hands as he makes a wide circle around julian. nate goes to make eye contact, “make haste,” and taps the rapier twice against the ground, and it reminds him that it’s real metal which stresses him out - but nate clenches his jaw and gets into position anyway. “lest mine be about your ears ere it be out.”
/@juliansbennet
hudscnwilliams:
hudson wished things weren’t weird between the two, but he couldn’t help it. it was his fault after all, not nate’s. hudson knew he really had no right to be distant considering he and zahra had pretty much the same sort of set up nate and teddy had, but…well, he was jealous, okay? he was, even if he would never admit it to anyone else. most days he wouldn’t even admit it to himself. and then there was the fact that hudson and jason hated one another; that certainly kept the two from being close. it was hudson’s fault that he and nate weren’t friends anymore, and as much as he wanted to fix that…he wasn’t sure he could.
laughing awkwardly, hudson set the rest of the books in his hands down. “thank you. and congrats to you, being a witch sounds awesome.” that would certainly be a fun role, and he had no doubt nate would crush it. that was the sort of role he was born for, honestly. “uh, sort of. julian and i went out to get drinks. that’s really it, though,” hudson said, leaning against the bookshelf. this was probably the longest conversation they’d had in months, and it was going…not terrible? that had to count for something, right?
.
.
holy shit, this was probably the longest conversation they’d had in months, and it wasn’t crashing and burning. nate didn’t know what to do with himself. a part of him wanted to skip over the small talk and get straight to the elephant in the room, but he also wasn’t entirely stupid and he knew that his recent hooking up with teddy definitely had something to do with it. did hudson think nate was taking advantage of his best friend, or something? either way, he didn’t feel like explaining himself. or didn’t seem a reason to explain anything, actually. but what if hudson felt weird because of jason? suddenly nate wondered if he should even be trying to salvage what bit of friendship they might’ve still had. he was definitely overthinking this, right?
“oh, nice - where to? the anchor? teddy and i were just there...!” truthfully, the words came out before he even knew what he was saying. nate’s gaze falls down to the table as he peels back the hard cover of a book that’s thick and smells like it hasn’t been opened in at least a decade. “so, uh...i’m doing some creepy dramaturgical work on witches and rituals. what brings you in here? shit, don’t tell me we have a text study paper due.”
chandlerrosen:
chandler walked into the refectory, copy of macbeth in tow, in search of a cup of coffee. their first read-through was coming up soon and she had to make positive she was prepared. eyes would be on her, and many of her peers could smell fear and insecurity, and wouldn’t hesitate to capitalize on it. grabbing her coffee, she headed for a table near the window to read in peace, when she noticed someone was trying to get her attention. “oh, hello,” she said coolly, smiling a bit when he called her ‘lady ‘beth,’ reminding her of her latest success, “congratulations, by the way, i can’t wait to see you as a witch. i’m sure you’ll make it your own!” looking around the refectory as if expecting heidi to come and scold her for not spending every waking moment poring over the play, she turned her attention back to nate, “sure, nate,” she said hesitantly, sitting across from him with her cup of coffee. chandler was preparing for the worst; though nate was mostly harmless, he had a tendency to say whatever was on his mind, regardless of how it would be received. which is quite admirable, in a sense, but often got on chandler’s nerves, especially in moments when she was particularly vulnerable and emotional. still, he had a good sense of humor, and chandler appreciated about seventy percent of the things that came out of his mouth. “what is it?”
to be honest, nate hadn’t had much personal interaction with chandler. he knew her well enough to understand that she had obviously been through some shit these past couple of months, probably tenfold since she actually still, uh, cared - or cares - about orson. nate had thought about reaching out, but he didn’t know if that would’ve just been weird or if chandler wanted to even be around him. but there she was, sitting down at the table. and now nate didn’t know if he’d have the nerve to say what had originally been on his mind. he stalls for half a moment, hopefully not long enough to notice. “...i just wanted to get your quick opinion on something, actually. take a listen.” he lets out his best cackle, trying to embody the crones and hags of generations before. it’s loud, but just when other students start to turn and look their way, nate stops. he grins, “not bad for an amateur try, huh? it’s all part of my plan to slowly submerge myself in the role until i’ve lost my mind and i don’t know who am i anymore. ugh, can’t wait.”
“you feeling good about lady m, right?
where: the castle’s library; when: earlier in the week after the cast announcement; who: @hudscnwilliams.
although the castle’s library wasn’t as expansive as the main one in alderidge hall, nate still found some good stuff. it had been a pretty long day even by a monday’s standards, and nate had waited all day to scour the library for non-Shakespearean references on witches in the 1600s. and if he was lucky, nate was hoping to find something that would resemble an actual spell, or at least ingredients for a potion. maybe he’d practice on his peers, y’know, totally as a joke — or method acting. there was a book he had climbed up to reach, but had misjudged its weight, so it slips out of his hands and brings down almost the whole row with it, a book knocking him in the head in the process. nate hops down and starts to pick things up off the ground. “...i’m okay! ....i think! ....if anyone cares!”
oofscenestlr:
one thing that’s held through the past few years of dealing with nat is that he somehow always manages to make it about him. she had first hand experience, the constant days and nights when orson would pair them together was like a thorn in her side. getting through scenes was tough, but she tried to stay professional about it. so what if she was a try-hard? she was doing more than half the people here anyway.
“i’m not even gonna try and respond to that fucked up theory. just some advice for you - maybe get your head out of your ass and realize the world isn’t in love with you. in fact, the world has a lot more things going on than falling to their knees to worship you.” she’s bitter, it’s true. and maybe this was a losing fight, but she had to hold her own. she was a perfectionist, that much is true, and if nate couldn’t see there was anything to gain from that, it was lost on him. but trying so hard to impress orson’s ghost? grace had no respect for orson anymore. “have you considered i work so hard to get where i am for myself? and not for the fake validation of some ghost busy haunting our school and the real murderer?”
giving somebody shit for actually caring about something, especially their craft, is the lowest hanging fruit and while nate knows that, it doesn’t stop him from standing behind his words. because yeah, while grace’s work ethic was something fierce, she had generally not been a nice person from the moment nate met her. and in the wake of orson’s death, she still didn’t seem to get it. and maybe she never would. “save me the fucking diatribe about how you’re so different from the rest of us and how much you’ve sacrificed to get here. ‘cause if you wanna compare notes, we could be here all night,” nate takes another long inhale of the joint and closes his eyes.
for a moment he thinks he can feel it — the warmth of this particular strain — but it doesn’t last long. clearly whatever he had going on right now was not going to be solved with just one smoke.
it’s a small revelation that he chooses not to focus on, so nate turns back to grace instead. “look, did you come outside to just yell at me about petty shit or did you wanna smoke and try to chill the fuck out for once? i mean, aren’t you tired of all this fighting? i know i am. i’m fucking tired, grace.” nate pushes himself off of the railing he was leaning up against and extends the joint to her. things were changing around here — and while drugs weren’t going to fix any of their issues, nate didn’t have it in him to keep throwing insults back and forth. not tonight, at least.
hey all you cool cats & kittens, i hope you enjoy getting an abridged version of this lil’ shit. xoxo, gossip girl. (sorry, i re-watched the season finale the other night.)
STATS
name: nathaniel “nat(e)” palmer as the comic.
gender & pronouns: genderqueer & he/him.
age & date of birth: 22 & dec 2nd. (sagittarius, babyyyyy)
sexuality: pansexual
hometown: in ur heart
nate, a vine collection: yup, this one, uh huh, also this & one more!
character parallels: phillip gallagher (shameless), donkey (shrek), jughead jones (exclusively archie comics), nathan young (misfits)
ABOUT
full app. | pinterest.
alllllright, so nate was born with some hearing loss & just when the doctors thought he was going to live a life of rapid hearing loss, his adopted parents swooped in & turned all that shit around for him. in those early days especially, he was so obsessed with being all of what they could hope for and more, that he undoubtedly absorbed so much of their love & support in comparison to his brother.
but anywho, he had surgery for two cochlear implants before age 6, and it’s worked out for him, especially because he was (and still is) a quick study. kid’s got a knack for learning/adapting like nobody’s business. but hey, he’s a human - he’s bound to make mistakes and the expectations got so high that he got frustrated with himself and decided enough was ENOUGH. the golden shine he had was starting to wear off.
so, then’s there the Age of Ethan Crabgrass - which yes, is someone from nate’s past that caused a lot of trouble for him - but honestly, the name is more of a representation for all the discrimination and bullshit nate had to fight against. and fight, he did. in a small literal way, but mostly in a social way. humor is his best and sharpest weapon, and he’s had lots of practice wielding it.
found theatre in one of those moments ya see on the movies where the character is walking by the auditorium and the magic of the stage just pulls them in (like glee omg). it’s also where he started drinking alcohol, smoking mary & juan, and exploring his gender/how he wants to present himself to the world. the love he felt there led him straight to alderidge.
so yes, he kinda blackmailed orson after he found out - through his connects in the art department - about the extent of orson’s drug habits & took this spicy info. straight to the source. i imagine their conversation left nate feeling like he was going to Soar in this dept. troil & cress gave him a little more to work with, but he was still hungry to do something different. but then orson dies, and nate has...lots of feelings.
speaking of which, he has a therapist he’s seen since first year, dr. june, but for the last month or two, he hasn’t spoken to her. he’s too busy doing more drugs, having lots of sex, and being a Shit. to sit down and unpack that entire night and what it means is something he is putting off until...? he’s not sure, tbh. orson’s death has him Shook.
aldy (as he fondly calls alderidge) has been some of the best years of nate’s life. which is probably why he’s trying his hardest to soak up every single moment while he still can. he knows he and the rest of his classmates might not be bffs after this is all said and done, but he wants to create some lasting memories (read: be more Annoying than usual this semester).
HEADCANONS
so i did this thing here that’s my interpretation of potential connections for nate to all of his peers. from the chameleon to the villian, nate’s thoughts about everyone is there! feel free to read & if you dig what he had to say, let me know! if you hate what he had to say, let me know! (if i don’t reach out first!)
fluent in ASL (let him teach you, it’s his favorite thing) & knows lots of bad words in different languages
gives “cute” nicknames to lots of things, because hey, words are hard and sometimes his mind runs faster than his mouth. there’s probably a dictionary of these words collected over the past few years. (e.g., supe effin awk, ors ho, cae sal, mary & juan)
wants the chance to be a Serious Actor, for once in his academic career. with orson dead, maybe that has a better chance to happen. and...if nate’s honest, he’s not as sad as he should be.
especially since he still has jason’s watch, nate’s spidey senses have been tinglin’. like, i imagine he’s gonna be nosy and want to figure out what the hell went down that night. not to snitch, but to protect whoever he can. if he can.
everybody says "clown around" but no one ever asks "around, clown?" :(
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