6 months (more maybe) later, the DiTYS offer by @ii-vegas-ii.
Using watercolors, oil pastels and marker pens
SO, I have been wading in Good Omens meta for months now, and I often see things come up that Neil has actually addressed in asks. Trouble is, his ask box is deep and intimidating, and since season 2 was announced all the pre-season 2 asks have basically been buried. But I went hunting long ago for basically anything GO-related and I took screenshots of a bunch. So I thought I’d present them here, roughly organized, in text form, for the benefit of anyone else who’s curious.
Of course, none of this is meant to invalidate headcanons or whatever; Neil himself is firmly against doing so. But I’ve personally had no issue accepting author’s word with this series, since Neil has not, as yet, done anything that made me want to shout at him or eat a couch in frustration, which is a refreshing change from the writers in most of the fandoms I’ve ever been part of. So, for what it’s worth, here are the answers. At least some of them; I know I’ve missed a lot.
(And yes, they pretty much all relate to the angels and demons, Crowly and Aziraphale specifically. There were very few asks that DIDN’T concern them, and none that I have saved. Of course, the ask box is still open…)
Afficher davantage
Been working on this for a while and if I don't post it now I never will so here you go <3 enjoy the most self-indulgent thing I've ever spent time on - I just really needed them to hug...
The results are in and the vampy boys have won! There will be prizes for 2 winners!
I started of thinking about making some kind of family portrait for them, giving them that whole “gay Victorian photoshoots” you know?
Then I started thinking about that damn Dorian Gray picture that warps when the guy started getting evil. Our boys are by no way that evil, but the concept of hiding something in plain sight interested me.
This is also the first time I go spitballing hard with this coloring method. So I hope it’s to your liking. The “dark” version might be what Crowley’s associate, Anathema, sees. She suspects that the painter might have been eaten.
So for the rules, you can choose either version to start the DTIYS with! As long as the theme matches the original piece, it counts. Pose and clothing can change.
When posted on social media, you must tag me @Ran196242 on twitter/tumblr or @callus_ran on insta. It will go on from July 2nd, and will end on Oct 2nd.
So what are the prizes? First place will get a whole set of art print and stickers belonging to this AU + sth secret, and 2nd price will have special sticker sets of the vampy boys!
I don't know if you've read the GO Venom AU by @theladydrgn and @sylwritesstuff but I'll recommend it greatly.
I've made the poster inspired by the Venom's one.
You can read the fic here :
Finally done !!! Pencil and colored poster for the GO Venom AU created by @theladydrgn and @sylwritesstuff . You can read it here : https://archiveofourown.org/works/35181100/chapters/87657910…
Yup, indeed! I now have a Patreon account.
This is a huge milestone for me, and it took some convincing from wonderful people to finally take the leap. (You know who you are 🤍)
I still can't fully comprehend that I've actually done it...
I want to express my heartfelt gratitude for all your support over the past 12 months. Your constant encouragement and comments has driven me to continually push my boundaries, refine my skills, and create better artwork. I still have a Iong long way to go but I wouldn't have reached this point without you and I'm excited for what's still to come.
Last Cat Omens in my approximative style, for the next one I'll use references.
It is a truth universally acknowledged in the Good Omens fandom that an angel in need of a drink turns to his secret stash of Châteauneuf-du-Pape in the back room. He picked up a dozen cases in 1921, and a whole century later there's still some left… for special occasions.
Just to put things in perspective, a standard case contains 12 750ml bottles, for a total of 9 liters of wine. A dozen cases equals 144 bottles, or 108 liters of wine. That’s quite a lot for a single purchase, so Aziraphale — the established sherry and sweet drinks connoisseur — must have had a good reason for it.
One potential explanation is the aura of grandeur around this particular wine. The papal connection, rich history of the region, and recognition of high quality products give Châteauneuf-du-Pape wines a very luxurious status, considerably influencing their price tags. And Aziraphale is known to have standards.
Another one is the way in which their taste differs from Aziraphale’s usual choices: Châteauneuf-du-Pape reds are often described as earthy with gamey flavors that have hints of tar and leather. The wines are considered tough and tannic in their youth, but maintain their rich spiciness as they age.
Since everything in Good Omens has a meaning, it never hurts to run through a quick Strong’s Concordance search whenever a date pops up in a dialogue or, even more importantly, somewhere on screen. More often than not the result seems to match the researched topic, as it’s the case here:
1921: to know exactly, to recognize.
Provided examples: I come to know by directing my attention to him or it, I perceive, discern, recognize; I found out. The general usage of the word usually refers to knowing someone aptly, properly, thoroughly, even biblically. Which might be either a wishful thinking on Aziraphale’s part or just another layer of subtext in this already romantically charged scene. The table dressing, multiple candles, and focus on the lamps with Auguste Moreau’s Young Lovers statues in the background seem to successfully communicate what the angel left unsaid.
Too bad that Crowley remained so adorably oblivious for the next eighty years. At least when he finally came to the realization, he responded with an attempted temptation to another vintage red wine @vidavalor already analyzed.
But back to Aziraphale’s wine. To be exact, it’s a 1921 Châteauneuf-du-Pape from the domaine de Baban. An actual French vineyard from the Rhône region that still exists to this day, even though a few decades ago it got merged with another estate into what is now known as domaine Riché-Baban. According to the local guides, the 11 hectares on the estate are located in the Châteauneuf-du-Pape designation area in the Bois Lauzon and Mourre de Baud districts. At the moment 90% of the wines produced there are sent to wine dealers.
1920s were quite an interesting time for this region, but not because of the flapper cabarets or drag shows usually associated with the era on the Old Continent. To the horror of European oenophiles, right after World War I the whole of France found itself awash with fake wine. One of the worst outrages was the use of lead that magically transformed cheap, acid wine into something deceptively rich and sweet on the outside and one of the most powerful neurotoxins on the inside. People were already well aware of its effects — the poisoning from drinking sweetened wine probably made Handel go blind and Beethoven go deaf, but it shows how desperate for sweetness they were before sugar became available to the masses.
Admittably, it wasn’t a new practice. Far from it — the Romans liked it so much that they even advised to pack lead pans on travels to boil local wine in them to make it sweeter, especially in colder provinces like Britannia. But Aziraphale didn’t buy twelve cases of counterfeit wine for the sake of some good memories of Rome and its many health hazards. No, the fussy angel made sure to get the actually good stuff from the other side of the English Channel.
Henry Tacussel, whose name is mentioned on his wine label, was a French viticulturalist and a close friend of Baron Pierre Le Roy of the Chateau Fortia nearby, a trained lawyer and fellow winegrower from Châteauneuf-du-Pape who established the Winegrowers' Union of the Rhône Valley. Together with the Baron he became one of the founders of Appellation d'origine contrôlée (AOC), a labeling system intended to protect regional products and technologies that is still in use in France and serves as an inspiration to similar solutions worldwide. Their efforts were deliberately centred on Châteauneuf-du-Pape because with such a beguiling name even in comparison to other labels it seemed to attract an undue share of fraudsters at the time.
Soon after Aziraphale’s shopping spree, the local wine producers led by Le Roy and Tacussel began a very long campaign to establish legal protection for the wine from their commune. The delimited area and the method of wine production were finally awarded legal recognition after a decade, in 1933, but it wasn’t the end of the criminal activities on this front. An undercover investigation by The Sunday Times discovered that most of the “Châteauneuf” in the 1960s Britain was actually blended and bottled in Ipswich.
One question remains: was it a purely human affair, or maybe one requiring a demonic or angelic intervention?
Happy New Year, the best fandom ever!)
drawings mostly Good Omens or "original" stuffs they/them french https://linktr.ee/enitnaaezara
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